The world's greatest story seen from the eyes of the Virgin Mary as she watches her infant son Jesus grow to manhood inspiring the known world with his miracles and teachings on the Word of God. The Angel Gabriel visits the 16 year-old Mary and tells her that she has been chosen to give birth to the Son of God. The child is born in Bethlehem and so begins a very human and touching story of love sacrifice and inspirational faith highlighting a real mother's concern for a son who knows that he must die on the cross so he can be born again.
At the dawn of history the ancient Egyptians showed the world how to build the impossible... In an age before machines when copper was the strongest metal yet discovered great pharoahs like Khufu and Ramses II demonstrated how boundless ambition and vast quantities of human labour could transform rock and stone into some of the most incredible monuments ever created from carving out spectacular tombs in the Valley Of The Kings to the building of the iconic Great Pyramid. In this fa
It's hard to know who thought it would be a good idea to make a live-action version of Disney's animated classic, 101 Dalmatians (and originally Dodie Smith's classic children's story). The one bright notion anyone had was casting Glenn Close as Disney Übervillainess Cruella de Vil; her flashing eyes and angular features are a perfect match and do credit to what is one of the most indelible animated characters Disney has ever created. The story remains essentially the same, focusing on Cruella's plot to kidnap the puppies of a young married couple (Jeff Daniels and Joely Richardson) and make them into a coat. But the dreaded John Hughes, who wrote this script, fills it with sadistic slapstick and far too few genuine laughs. The human actors work hard, but to little avail; thankfully, there's a posse of puppies to regularly steal scenes when the going gets dreary--although there are only so many laughs to be had from inappropriate dog puddles. --Marshall Fine, Amazon.com Don't be fooled by the title, there are four reasons to like 102 Dalmatians, the sequel to the successful live-action remake of Disney's 101 Dalmatians. There are the 101 spotted pooches, Glenn Close back in fine form as Cruella DeVil, Oddball--the spotless Dalmatian pup--and Waddlesworth, a parrot who thinks he's a rottweiler (and is voiced by Monty Python's Eric Idle). There are just as many reasons to be disappointed: like most sequels, the story line is virtually a rewrite of t he first; the secondary casting isn't as interesting; the dialogue merely serves to move the plot along; and the third act substitutes mean-spiritedness for comedy. After a period of rehabilitation, Cruella has returned to her old tricks. Once again, she simply must have a spotted coat and will go to any lengths to get hold of the 102 Dalmatians needed to make one with a hood. She sets her sights on the pups owned by her probation officer, Chloe (Alice Evans), and the owner of a local animal shelter, Kevin (Ioan Gruffudd). Her servant Alonso (Tim McInnerny) and flamboyant furrier Monsieur Le Pelt (Gerard Depardieu, in one ridiculous outfit after another) are drafted to aid in her quest. It should come as no surprise that Chloe and Kevin fall in love, Oddball helps to save the day and Cruella is defeated. Children should enjoy the animal high jinks, but adults are less likely to be enamoured by this perfectly competent, but relatively charmless affair. --Kathleen C Fennessy, Amazon.com.
Based freely on the classic novels by CS Forester, Hornblower is a series of TV films following the progress of a young officer through the ranks of the British navy during the Napoleonic Wars. The series' greatest asset is the handsome and charismatic Ioan Gruffudd in the lead role, surely a major star in the making. For television films the production values are very good, though as Titanic, Waterworld and The Perfect Storm demonstrated, filming an aquatic adventure is a very expensive business, and it is clear that the Hornblower dramas simply make the best of comparatively small budgets. No more faithful to Forester's books than the 1951 Gregory Peck classic Captain Horatio Hornblower, the real inspiration seems to have come from the success of Sharpe, starring Sean Bean, which likewise featured a British hero in the Napoleonic Wars. Nevertheless, while rather more easygoing than the real British navy of the time, the Hornblower saga delivers an entertaining adventure, greatly enhanced by the presence of such guest stars as Denis Lawson, Cheri Lunghi, Ronald Pickup and Anthony Sher. --Gary S Dalkin
Elizabeth: The Golden Age may not have been bestowed with a similar shower of awards (nor quite as glowing critical reaction) as its predecessor. But dont be fooled: this is a terrific costume drama, and one that very much leaves you hoping for the hinted-at third installment. Once again starring Cate Blanchett in the title role, Elizabeth: The Golden Age sees events pick up with her very well established on the throne. Its a new set of problems and issues that present themselves, with the impending threat of the Spanish Armada, and the scheming Mary, Queen Of Scots (brilliantly played by the always-terrific Samantha Morton) foremost in her mind. That is, of course, apart from Sir Walter Raleigh, played by Clive Owen. Elizabeth: The Golden Age adds a potential romance for the virgin Queen, one that she struggles to come to terms with. And in the capable hands of returning director Shekhar Kapur, these many threads are woven together skillfully and a willingness to break the conventions of the period drama. The star attraction remains Blanchett again, of course, whose performance is just as striking and textured as it was nearly a decade before. Elizabeth: The Golden Age may have an impressive cast, but all of them must have known they were on a hiding to nothing going up against the majesty (in more than one sense) of Blanchett. Because while the film itself does have a problems, its still better than you may have been led to believe, and boasts a tour-de-force central performance that you simply wont see matched very often at all. --Jon Foster
How To Get Ahead In Advertising
Greece a land of breathtaking beauty and light. A land where science art and inspiration from the gods combined to produce some of the worlds greatest marvels of architecture and design. The ancient Greeks used buildings and structures to reflect the variety of life at the core of their civilisation - they built the first theatres staged the first sports events and worshiped some of the most spectacular temples ever built. From prehistoric palaces to bold symbols of victory this pr
How to Get Ahead in Advertising stars Richard E. Grant as Dennis Dimbleby Bagley a brilliant young advertising executive whose constant fretting over an inability to devise a slogan for a revolutionary new pimple cream causes a growth to appear on his neck... which soon develops into a miniature talking head. Are two heads really better than one?
The career where two heads are better than one! To hotshot advertising executive Dennis Bagley (Richard E. Grant) people are pathetic sheep to whom he can sell anything...except a brand-new pimple cream. Creatively blocked Dennis becomes so stressed that he sprouts a pimple of his own...a pimple that eventually grows intoia huge head with a mind and a voice! Before long the sassy carbuncle takes over Dennis' life revealing to him a diabolical plan to control the masses. Now Dennis must find courage deep within himself to save society and himself from the beastly blemish!
Cate Blanchett returns as the Virgin Queen in this lavish sequel to 1998 smash "Elizabeth".
Brad Pitt and Orlando Bloom star in this jaw-dropping epic about the famous siege of the ancient city of Troy.
Anna Scott (Julia Roberts) is the world's most famous movie star. Her picture has been plastered on the cover of every magazine, and every time she makes a move, the entire world knows about it.
Vincent Craig's daughter is kidnapped and held for ransom. Can the police ensure her safe return or will he have to go it alone?
A supernatural, occult thriller from Iron Maiden's Bruce Dickinson and Monty Python director and editor, Julian Doyle, about a shy lecturer who becomes possessed by the late black magician, Aleister Crowley when an experiment goes awry.
Alex is tormented by harrowing voices from the past and searches for the one girl who can silence her horror. As things progress Alex's stalking leaves behind a trail of bodies while Inspector Hannah attempts to piece it all together.
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