'Round Midnight is a love letter from director BERTRAND TAVERNIER (Coup de torchon) to the heyday of bebop and to the Black American musicians who found refuge in the smoky underground jazz clubs of 1950s Paris. In a miraculous, sui generis fusion of performer and character, legendary saxophonist DEXTER GORDON plays Dale Turner, a brilliant New York jazz veteran whose music aches with beauty but whose personal life is ravaged by addiction. Searching for a fresh start, Turner relocates to Paris, where he strikes up an unlikely friendship with a struggling single father and ardent jazz fan (The Intouchables' FRANÃOIS CLUZET) who finds his life transformed as he attempts to help the self-destructive musician. HERBIE HANCOCK's evocative, Oscar-winning score sets the mood for this definitive jazz film, a bittersweet opus that glows with lived in, soulful authenticity. Product Features New 4K digital restoration, with uncompressed stereo soundtrack Alternate 5.1 surround soundtrack, supervised by composer Herbie Hancock and presented in DTS-HD Master Audio New interview with jazz critic Gary Giddins New conversation with music producer Michael Cuscuna and author Maxine Gordon, widow of musician Dexter Gordon Behind-the-scenes documentary from 19TK[ck] Panel discussion from 2014 featuring director Bertrand Tavernier, Cuscuna, Maxine Gordon, and jazz scholar John Szwed, moderated by jazz critic and broadcaster Mark Ruffin Performance from 1969 of Fried Bananas by Dexter Gordon, directed by Teit Jørgensen[ck] Excerpt from the 1996 documentary Dexter Gordon: More Than You Know, by Don McGlynn ck] New English subtitle translation and English subtitles for the deaf and hard of hearing PLUS: An essay by scholar Mark Anthony Neal
Supplies are dwindling. Troops are hopelessly outnumbered. But even in defeat there is victory. The defenders of the Philippines - including PT-boat skippers John Brickley (Robert Montgomery) and Rusty Ryan (John Wayne) - will give the U.S. war effort time to regroup after the devastation of Pearl Harbor...
The Searchers: John Wayne plays Ethan Edwards an ex-Confederate who sets out to find his niece captured by Comanches who massacred his family. He won't surrender to hunger thirst the elements or loneliness. And in his obsessive quest Ethan finds something unexpected: his own humanity. One of the most influential movies ever made. Unforgiven: an exciting modern classic that rode off with four 1992 Academy Awards. Clint Eastwood and Morgan Freeman play retired down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey: Richard Harris is an ill-fated interloper a colourful killer-for-hire called English Bob. Gene Hackman is the sly and brutal local sheriff whose brand of Law enforcement ranges from unconventional to ruthless. Big trouble is coming to Big Whiskey...
Titles Comprise: The Longest Day:On June 6 1944 the Allied Invasion of France marked the beginning of the end of Nazi domination over Europe. The attack involved 3 000 000 men 11 000 planes and 4 000 ships comprising the largest armada the world has ever seen. Presented in its original black & white version The Longest Day is a vivid hour-by-hour re-creation of this historic event. Featuring a stellar international cast and told from the perspectives of both sides it is a fascinating look at the massive preparations mistakes and random events that determined the outcome of one of the biggest battles in history. Winner of two Oscars (Special Effects and Cinematography) the Longest Day ranks as one of Hollywood's truly great war films. A Bridge Too Far: An epic film that re-creates in stunning detail one of the most disastrous battles of World War II (The Hollywood Reporter) A Bridge Too Far is a spectacular war picture. Painstakingly recreated on actual battlefield locations and boasting a remarkable cast that includes Sean Connery Anthony Hopkins Sir Laurence Olivier and Robert Redford 'A Bridge Too Far' accurately recaptures the monumental scope excitement and danger behind one of the biggest military gambles in history. In September 1944 flush with success after the Normandy Invasion the Allies confidently launched Operation Market Garden a wild scheme intended to put an early end to the fighting by invading Germany and smashing the Reich's war plants. But a combination of battlefield politics faulty intelligence bad luck and even worse weather led to the disaster beyond the Allies' darkest fear. Patton:A critically acclaimed film that won a total of eight 1970 Academy Awards (including Best Picture) Patton is a riveting portrait of one of the 20th century's greatest military geniuses. One of its Oscars went to George C. Scott for this triumphant portrayal of George Patton the only Allied general truly feared by the Nazis. Charismatic and flamboyant Patton designed his own uniforms sported ivory-handled six-shooters and believed he was a warrior in past lives. He outmaneuvered Rommel in Africa and after D-Day led his troops in an unstoppable campaign across Europe. But he was as rebellious as well as brilliant and as Patton shows with insight and poignancy his own volatile personality was one enemy he could never defeat.
John Wayne and Kirk Douglas make a delightful duo in this comedic Western in which Wayne seeks revenge on a ruthless mine owner (Bruce Cabot) who had him framed and sent to prison. Upon his release, Wayne recruits Douglas in a scheme to raid and rob one of Cabot's gold-laden wagons, despite the fact that Douglas had been offered good money to kill Wayne. He joins Wayne instead (the potential profits being much greater), and they set out to ambush the War Wagon, so named because it's heavily armored, mounted with a Gatling gun, and guarded by a dozen gunmen on horses. Costarring Keenan Wynn and Howard Keel as a wise-cracking Indian, The War Wagon was a Western precursor to the action buddy films of the 1980s and '90s, serving up plenty of exciting action and constant comic relief. The interplay between Wayne and Douglas is sharp and sarcastic, and their motley crew of accomplices provides yet another source of character-driven humour. Not one of the greatest Westerns ever made, but certainly one of the most lightly entertaining. --Jeff Shannon
The Searchers/Chisum/Rio Bravo/Cahill United States Marshal
True Grit: In 1970 John Wayne earned an Academy Award for his larger-than-life performance as the drunken uncouth and totally fearless one-eyed U.S. Marshal Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter sparks fly. And the situation goes from troubled to disastrous when the inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin. The Sons Of Katie Elder: Katie Elder bore four sons. The day she is buried they all return home to Clearwater Texas to pay their last respects. John Wayne is the eldest and toughest son the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow... twice. Bud (Michael Anderson Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit) an acknowledged master of the western the story has a dual theme; not only is this a he-mans story but it is also a drama of the maternal influence of Katie Elder movingly portrayed from beginning to conclusion. The Man Who Shot Liberty Valance: Ranking with Stagecoach as one of the greatest of its genre 'The Man Who Shot Liberty Valance' is the modern-day Western to beat all Westerns. John Ford whose very name is synonymous with Westerns directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal...
One man heads a highly skilled professional group of game hunters in Africa. Only they don't use bullets - they capture the ferocious big game with strong rope and cameras for zoos and circus attractions. It is an exciting business that pits man against beast. ""Hatari"" means danger in Swahili.
Katie Elder Bore Four Sons...and the day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is the gambler and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one nobody ever called him yellow twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit ), an acknowledged master of the Western, the story has a dual theme; not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.
A Civil War tale based on the exploits of the notorious outlaw Quantrill. The Duke plays a U.S. Marshal out to stop the cutthroat raider and his band. Based on the novel by W.R. Burnett.
Dark secrets, family torments and two murders swirl around the stoic, hardened figure of Dolores Claiborne (Kathy Bates), a housekeeper accused of murdering her employer of 22 years. Then there was that timely accident that took Dolores's husband (David Strathairn) during the solar eclipse of 1975. Yet with all the sombre suffering that follows Dolores like a miasma of pain, none of it compares with the heartache of a relationship she has with her grown daughter (Jennifer Jason Leigh). Although this flick is rife with horror, it is not of the supernatural kind, but rather of the torment only real people can impose on one another. The script is full of colourful language, and director Taylor Hackford successfully weaves several plot threads and psychological dilemmas throughout this engrossing tale without diminishing any of them. He not only culls intense performances from his cast, but he also brings to life the landscape around them. When Dolores Claiborne's best-kept secret is finally given up, it occurs under the surreal backdrop of a solar eclipse that is a truly sensational bit of cinematography. --Rochelle O'Gorman
Titles Comprise: The Searchers: Wayne plays Ethan Edwards an ex-Confederate who sets out to find his niece captured by Comanches who massacred his family. He won't surrender to hunger thirst the elements or loneliness. And in his obsessive quest Ethan finds something unexpected: his own humanity. One of the most influential movies ever made. Chisum: Cattle king John Chisum is determined to protect his empire against a land-grabbing developerin New Mexico's 1878 Lincoln County War... Rio Bravo: John Wayne is Chance in Rio Bravo a lean Western classic packing solid heroics around a strong emotional core. He's joined by Dean Martin as the deputy coming off a two-year drunk Walter Brennan as the old coot whose fiery spirit outmatches his hobbled stride Ricky Nelson as a youngster out to prove himself by joining the lawmen and Angie Dickinson as a woman with a past who hopes to rope Chance. The Cowboys: gives Wayne one of his juiciest roles as a leather-tough rancher who deserted by his regular help hires eleven greenhorn schoolboys for a cattle drive across 400 treacherous miles. Cahill: US Marshall: Lawman J.D. Cahill can stand alone against an army of bad guys. But as a widower father he's on insecure footing raising two sons; particularly when he suspects his boys have stepped outside the law...
John Ford's The Quiet Man celebrates one of Hollywood's most romantic and enduring epics. The first American feature to be filmed in Ireland's picturesque countryside Ford richly imbued this masterpiece with his love of Ireland and its people. Sean Thornton is an American who swears off boxing after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. The resulting fist-fight erupts into the longest brawl ever filmed followed by one of the most memorable reconciliation's in motion picture history!
Titles Comprise:The Alamo:John Wayne produces, directs and stars in this larger than life chronicle of one of the most remarkable events in American history. At the Alamo - a crumbling adobe mission - 185 exceptional men joined together in a sacred pact: they would stand firm against an army of 7,000 and willingly give their lives for freedom. Filmed entirely in Texas only a few miles from the site of the actual battle, The Alamo, is a visually stunning and historically accurate celebration of courage and honour.Co-starring Richard Widmark, Laurence Harvey and Chill Wills, and garnering seven Oscar nominations, it is a truly memorable movie spectacle.Horse Soldiers: John Wayne teams with William Holden and eminent western director John Ford for this frontier actioner. Written by John Lee Mahin and Martin Rackin, this faithful representation of one of the most daring cavalry exploits in history is both a moving tribute to the men who fought and died in that bloody war, and a powerful, action-packed drama.Based on an actual Civil War incident, The Horse Soldiers tells the rousing tale of a troop of Union Soldiers who force their way deep into Southern territory to destroy a rebel stronghold at Newton Station. In command is hardbitten Colonel Marlowe (Wayne), a man who is strikingly contrasted by the company's gentle surgeon (Holden) and the beautiful but crafty Southern belle (Constance Towers) who's forced to accompany the Union raiders on perhaps the most harrowing mission in the war. Two great stars strike sparks from each other as Wayne's character is strikingly contrasted with Doc, William Holden's pacifistic company surgeon. With its rousing musical score, The Horse Soldiers is a moving tribute to those who fought in the brutal cavalry exploits of the US Civil War. Red River: John Wayne is Tom Dunson, a cattle baron who built his ranch with hard work and a determination to kill any man who would dare try to take his land. But when plummeting livestock values endanger his beloved ranch, Tom and his adopted son set out to get a fair price for their cattle by driving them through the treacherous Chisholm Trail from Texas to Kansas.Battling Indians, stampedes and dissention among the ranch hands, Tom proves that he'll stop at nothing to reach his destination. He'll risk danger, hardship, betrayal and perhaps even his own sanity...
Quirt Evens an all round bad guy is nursed back to health and sought after by Penelope Worth a quaker girl. He eventually finds himself having to choose from his world or the world from which Penelope lives by.
John Wayne is a Texas Ranger in this rollicking, good humored western, assigned to bring an arms-running gang to justice. After Wayne arrests one of the criminals, matters are complicated when they wander into an area controlled by the Comancheros- a group of Anglos aiding the warring Comanche Indians. Director Curtiz' last film is based on the novel by Paul I. Wellman.
The MummyIf you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by. The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny BrownThe Mummy Returns Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath). John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff ShannonThe Mummy: Tomb of the Dragon Emperor The third film in the The Mummy series freshens the franchise up by setting the action in China. There, the discovery of an ancient emperor's elaborate tomb proves a feather in the cap of Alex O'Connell (Luke Ford), a young archaeologist and son of Rick O'Connell (Brendan Fraser) and his wife Evelyn (Maria Bello, taking over the role from Rachel Weisz). Unfortunately, a curse that turned the emperor (Jet Li) and his army into terra cotta warriors buried for centuries is lifted, and the old guy prepares for world domination by seeking immortality at Shangri La. The O'Connells barely stay a step ahead of him (climbing through the Himalaya mountains with apparent ease), but the action inevitably leads to a showdown between two armies of mummies in a Chinese desert. The Mummy: Tomb of the Dragon Emperor has a lot to offer: a supporting cast that includes the elegant Michelle Yeoh, Russell Wong, and Liam Cunningham, the unexpected appearance of several Yeti, and a climactic battle sequence that is nightmarishly weird but compelling. On the downside, the charm so desperately sought in romantic relationships, as well as comic turns by John Hannah (as Evelyn's rascal brother), is not only absent but often annoying. Rarely have witty asides in the thick of battle been more unwelcome in a movie. Rob Cohen's direction is largely crisp if sometimes curious (a fight between Fraser and Jet Li keeps varying in speed for some reason), but his vision of Shangri La, in the Hollywood tradition, is certainly attractive. --Tom Keogh
The Man Who Shot Liberty Valance is a late film from the long career of director John Ford that tells of the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, John Wayne and James Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
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