Small time Miami reporter Malcolm Anderson (Kurt Russell) gets the break he is looking for when he starts getting calls from a notorious murderer in The Mean Season. He and his school teacher girlfriend Christine (Mariel Hemingway) had been planning to move away from the area to start up a new life. However his growing relationship with the killer and subsequent reporting of his crimes means that his career is on the up. But at what price? Soon Malcom realises that instead of just wri
Collection of five classic Western films starring John Wayne. In 'Angel and the Badman' (1947) Wayne plays Quirt Evans, an injured gunfighter who takes refuge on a Quaker family farm and is nursed back to health by the daughter Penelope (Gail Russell). As Penelope grows fonder of the fighter she tries to explain to him that her religion does not tolerate violence and that if he wants to be with her he must learn to change his ways. 'Riders of Destiny' (1933) sees Wayne star as Singin' Sandy Saunders, a government agent who goes undercover to prove that a notorious crook is controlling the water supply that is supposed to feed into the local ranches. In 'The Man from Utah' (1934) John Weston (Wayne) faces tough competition in a horse-riding rodeo as he comes up against riders who are prepared to do just about anything to make sure he doesn't take the crown. In 'Lucky Texan' (1934) young Texan Jerry Mason (Wayne) and experienced rancher Jake Benson (George Hayes) discover a goldmine and join forces in order to maximise their profits. 'Texas Terror' (1935) sees Wayne play John Higgins, a sheriff turned prospector who, in an attempt to relieve his guilt over the shooting of his best friend, travels to Lazy End Ranch to help his friend's daughter keep the place going.
A new comedy about thirty year old Toula, a woman who upsets her traditional Greek family when she decides to marry a high school teacher who is most definitely not Greek!
Scrat's epic pursuit of the elusive acorn catapults him into the universe where he accidentally sets off a series of cosmic events that transform and threaten the Ice Age World. To save themselves, Sid, Manny, Diego, and the rest of the herd must leave their home and embark on a quest full of comedy and adventure, traveling to exotic new lands and encountering a host of colourful new characters.
Your fear is his deadliest weapons Agents of an oil tycoon vanish while exploring a swamp marked for drilling. The local sheriff investigates and faces a Seminole legend come to life: Man-Thing a shambling swamp-monster whose touch burns those who feel fear.
A compilation of Red Dwarf Series 5 to 8 featuring just the shows. Series 5 (1992): Classic moments such as Rimmer finally making it into the Space Corps not to mention Mr Flibble and the first appearance of Cat's alter-ego the dreaded Dwayne Dibley... Episodes Comprise: 1. Holoship 2. The Inquisitor 3. Terrorform 4. Quarantine 5. Demons And Angels 6. Back To Reality Series 6 (1993): Red Dwarf has been stolen and our intrepid heroes are hot on its
Rock's premier metalmen Led Zeppelin whose blend of gutsy blue and scathing rock catapulted them into the music world's pantheon take you on a spellbinding journey of song and imagination. This high-impact movie captures the group's legendary 1973 Madison Square Garden concert and uncorks a freewheeling mix of scenes showing group members at home and in elaborate fantasy settings. Robert Plant's raw lead vocals Jimmy Page's explosive riffery and the sonic-boom rhythm wall of bassist John Paul Jones and drummer John Bonham all swirl clash and collide - on classic tunes like Stairway to Heaven Dazed and Confused Whole Lotta Love and many others. No one goes down heavier than Zep!
The Demoniacs (Les Démoniaques) sees director Jean Rollin eschew his regular subject of vampirism for a brutal nautical tale of ritual horror and supernatural vengeance. A gang of ruthless pirates, known as 'the wreckers', rape two survivors of a shipwreck. The women, now mute, are guided by a mysterious clown to a ruined castle, where they receive magical powers with which to exact their revenge on the gang. Starring Joëlle Coeur (Schoolgirl Hitchhikers), John Rico (Blood Orgy of the She-Devils), Willy Braque (Lips of Blood), and Mireille Dargent (The Iron Rose), The Demoniacs is one of its director's most shocking and violent tales of the fantastique. Product Features Brand-new 4K HDR restoration from the original negative by Powerhouse Films 4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible) Three presentations of the film: the original theatrical version; the longer, explicit export version; and Curse of the Living Dead, the alternative English-language cut Original mono audio Audio commentary with film expert Tim Lucas (2024) Selected scenes commentary with Jean Rollin (2005) Jean Rollin Introduces 'The Demoniacs' (1998) One of the Demoniacs (2024): new presentation of an interview with regular Rollin collaborator Jean-Pierre Bouyxou Newly edited archival interview with actor Willy Braque (2024) Critical appreciation by author and musician Stephen Thrower (2024) Outtake footage Original theatrical trailer Image gallery: promotional and publicity material, and behind the scenes New and improved English translation subtitles New and improved English subtitles for the deaf and hard of hearing for Curse of the Living Dead Limited edition exclusive 80-page book with a new essay by Alexandra Heller-Nicholas, an archival piece on the making of the film by Jean Rollin, an archival interview with Rollin, an archival interview with actor Monica Swinn, and full film credits. World premiere on 4K UHD Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
This action-comedy from 1990 makes the critical mistake of trying to mix a potentially suspenseful plot with the kind of humour that Mel Gibson can only get away with in his Lethal Weapon movies. It doesn't work here because the movie's supposed to be a Hitchcockian thriller and Mel's wisecracking--not to mention some implausible plot twists and ridiculous chase scenes--makes it impossible to take any of this movie seriously. It works best as a lightweight vehicle for Gibson and Goldie Hawn, who bring their own established appeal to their roles as old lovers who are reunited under unexpectedly dangerous circumstances. After testifying against some drug-running killers, Mel's been safe under the protection of the FBI's witness relocation program, and Goldie coincidentally enters his life again just as the bad guys are hot on Mel's trail. They join up and go on the run from the villains and ... well, let's just say director John Badham doesn't have any big surprises up his sleeve. Goldie and Mel are enjoyable, as always, but you'd have to be their biggest fan to watch this movie more than once. --Jeff Shannon, Amazon.com
A landmark movie in the film noir tradition Roman Polanski's 'Chinatown' stands as a true screen classic. Jack Nicholson is private eye Jake Gittes living off the murky moral climate of sunbaked pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair Gittes is swept into a maelstrom of double dealings and deadly deceits uncovering a web of personal and political scandals that come crashing together for one unforgettable night in ... Chinatown. Co-starring film legend John Huston and featuring an Academy Award-winning script by Robert Towne Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.
Unlike most message films which date themselves almost immediately, Lewis Milestone's low-key unpolished and deeply-felt screen adaptation of the Erich Maria Remarque anti-war novel has lost little of its original impact. Years after its release it was still being banned in countries mobilising for war. The plot follows a group of young German recruits in World War I through their passage from idealism to disillusionment. As the central character Paul Baumer (Lew Ayres) declares, We live in the trenches and we fight. We try not to be killed - that's all. All Quiet On The Western Front is an anthology of now famous scenes: Ayres trapped in a shell crater with a man he has killed; the first meeting of the recruits and the veterans; infantrymen being mowed down to machine-gun visual rhythms; a moonlight swim with French farm girls; Ayres' pacifist speech to his astonished schoolmates; and the final shot of the soldier's hand reaching for the butterfly.
For brilliant attorney Patty Hewes (two-time Emmy winner Glenn Close), the stakes have never been higher, professionally or personally, in the riveting Fourth Season of the hit legal thriller. When Patty joins former charge Ellen Parsons (Rose Byrne) to expose a corrupt security firm in Afghanistan, they unravel a cover-up at the highest levels involving an inscrutable mercenary agent (Dylan Baker), a key witness taken hostage (Chris Messina) and the powerful CEO (double Emmy winner John Goodman) with his own explosive secrets. It all comes down to one final, fatal double-cross. Special Features: A Case for War: The Cast and Crew Discuss the Fourth Season The Evolution of Patty Hewes I'm The Father Outtakes What Am I Doing Here?
Boasting a virtuoso comic performance from Leonard Rossiter The Fall and Rise of Reginald Perrin (1976-79) remains one of the greatest of all television sitcoms. Writer David Nobbs combined the surrealist absurdity of Monty Python with an on-going story line that unfolded through each of the three seasons with a clear beginning, middle and end; a ground-breaking development in 70s TV comedy. The first and best season charts middle-aged, middle-management executive Reginald Perrin as he breaks-down under the stress of middle-class life until he informs the world that half the parking meters in London have Dutch Parking Meter Disease. He fakes suicide and returns to court his wife Elizabeth (Pauline Yates) in disguise, a plot development that formed the entire basis of Mrs Doubtfire (1993). Series Two is broader, the rapid-fire dialogue still razor sharp and loaded with caustic wit and ingenious silliness, as a now sane Reggie takes on the madness of the business world by opening a chain of shops selling rubbish. The third season, set in a health farm, is routine, the edge blunted by routine sitcom conventions. At its best The Fall and Rise of Reginald Perrin is hilarious and moving, its depiction of English middle-class life spot on, its satire prophetic. Reggie's visual fantasies hark back to The Secret Life of Walter Mitty (1947) and Billy Liar (1963), and look forward to Ally McBeal (1997-2002) and are the icing on the cake of a fine, original and highly imaginative show. On the DVD: Reginald Perrin's discs contain one complete seven episode season. There are no extras. The sound is good mono and the 4:3 picture is generally fine, though some of the exterior shot-on-film scenes have deteriorated and there are occasional signs of minor damage to the original video masters. Even so, for a 1970s sitcom shot on video the picture is excellent and far superior to the original broadcasts. --Gary S Dalkin
Adapted from the novel by Mary Wesley, The Camomile Lawn proved one of Channel Four's most successful dramas, telling an intricate story set during World War II and over two days in 1984. In this portrait of the Home Front in Cornwall and London in the Blitz, the titular lawn becomes a symbol for halcyon pre-war days, and also for a lost innocence on a personal level. For this is very much about growing up and sex, including rape and child abuse (both handled tactfully, mainly in dialogue), adulatory, ménage á trois, bisexuality and rampant promiscuity. The attitudes, from the war-damaged, nihilistic Oliver, (a powerfully charismatic Toby Stephens) to the mercenary Calypso (an incendiary Jennifer Ehle), and some individual scenes, shock in their very matter-of-factness. What could be salacious soap is leavened by a comic touch, intensified by tragedy and elevated to intensely moving drama during its final half hour set around a funeral in 1984. Generally excellent production values make the best of the television budget, and there are outstanding performances by a large cast including Felicity Kendal and Paul Eddington (reunited from The Good Life), Tara Fitzgerald in her first starring role, and especially Rebecca Hall as Sophy. On the DVD: The four episodes are presented on two discs, with a total running time of approximately four hours 22 minutes. There are no special features of any sort. The picture is standard television 4:3, and while marginally better than VHS has a slight softness, with occasional after-images to shots with moving lights betraying that the series was made on video rather than film. Some scenes are rather grainy and there is the occasion brief instance of MPEG artifacting. The sound is stereo and appears to have been remixed from mono, some elements such as the music remaining in mono, while some sound effects are stereo. --Gary S Dalkin
The outstanding adaptation of Arthur Miller's stage masterpiece about Willie Loman (Dustin Hoffman) the emotionally broken-down salesman coming to terms with his life and his family after being fired from his life-long job. This drama remains one of the most poignant and powerful stories in modern theatre...
This is the pivotal season that finally, finally brings together Niles (David Hyde Pierce) and Daphne (Jane Leeves), Frasier's answer to Ross and Rachel. Daphne, engaged to Donny (Saul Rubinek), learns of Niles' unrequited feelings for her from an extremely medicated Frasier in "Back Talk." If Daphne's impending marriage was not obstacle enough to keep them apart, there is fussy, phobic, and formidable Dr. Mel Karnofsky (Jane Adams), Maris's former plastic surgeon, who is introduced in "The Late Dr. Crane" as a romantic interest for Niles. The season culminates in the Emmy-nominated episode "Something Borrowed, Someone Blue," arguably the show's very best, and most satisfying cliffhanger, in which Niles and Daphne make like Ben and Elaine in The Graduate, only in a Winnebago. Bebe Neuwirth makes another memorable return as the dread Lilith Crane in "The Apparent Trap," in which son Frederick employs psychological warfare to try and get a mini-bike from his parents. Episodes featuring Frasier's amoral agent Bebe Glaser (Harriet Samson Harris) are always a season highlight, and "Morning Becomes Entertainment" is no exception, as Bebe and Frasier (Kelsey Grammer) team up to host a TV morning chat show (who knew that Frasier had "a way with voices," as witness his Sean Connery and James Mason impressions!). Dan Butler also returns as Bulldog in the poignant episode "The Dog That Rocks the Cradle," A welcome addition to Frasier's gallery of colorful characters in Simon (Anthony LaPaglia in an Emmy-nominated performance), Daphne's besotted brother. Frasier Crane is a witty and urbane New Yorker cartoon in a lewd, crude shock jock world. In the hilarious episode "Radio Wars," he literally becomes the butt of his radio station's new morning team's stunts. Frasier is also at odds with his substitute producer, Mary (Kim Coles), a you-go-girl black woman, in "Something About Dr. Mary." The series excelled at farce, and "RDWRER" is vintage Frasier, as the Crane men embark on a New Year's Eve road trip to Sun Valley, and Niles mistakenly thinks he's been kidnapped when he falls asleep in the wrong Winnebago. Another season benchmark is "Out with Dad," in which Frasier is compelled to pass off his father (John Mahoney) as gay. The lack of extras on this four-disc set is disappointing, but as wine snob Frasier might say, the seventh season was a very good year for the show that bears his name, and it's a pleasure to uncork its many delights. --Donald Liebenson
Noel Coward's celebration of the strength and humour of the British working class in times of crisis struck a resounding impact with viewing audiences when first released, and still does to this day. Chronicling the trials and tribulations of the Gibbons family from the end of World War One, Coward's anthem to British resilience became the most successful film of 1944.This Happy Breed was David Lean's first credit as a solo director and was the first in a succession of worldwide hits for him and his distinctive visual style. Both Robert Newton and Celia Johnson preside over the ups and downs of their family with great humour and patience, ably supported by John Mills and Stanley Holloway. This is a High Definition digital restoration from the original film elements.
Wicklow was jailed after a killing spree so macabre that he has become one of Britain's most notorious murderers vilified by the popular press and despised by fellow inmates. His notoriety is compounded by the fact that detectives investigating his crimes have never found the body of his last victim. However no one is safe with Wicklow behind bars
She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright, Amazon.com
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