Includes the tracks: Your Song; Daniel; Goodbye Yellow Brick Road; Don't Go Breaking My Heart; Sorry Seems To Be The Hardest Word; Rocket Man; Blue Eyes; I Guess That's Why They Call It The Blues; I'm Still Standing; Kiss The Bride; Sad Songs Say So Much; Passengers; Nikita; Wrap Her Up; Candle In The Wind; Saturday Night's All Right (For Fighting); I Don't Wanna Go On With You Like That; Philadelphia Freedom; Sacrifice; You Gotta Love Someone.
Paradise Canyon: An undercover federal agent is on the trail of a gang of counterfeiters. John Wyatt (Wayne) is sent under cover to follow Doc Carter's medicine show to expose a counterfeiting gang. When the main suspect is kidnapped with his daughter by the real villain Wyatt realises he has been chasing the wrong man and switches his attentions to the notorious Curly Joe... The Dawn Rider: John Mason is hit with a bullet. Alice who nurses him turns out to be the si
Detective Inspector Martineau (Baker) is tough hard working and one of Manchester's top policeman. So when he hears of a jailbreak involving ruthless criminal and jewel thief Don Starling (John Crawford) whom he helped put away he is convinced Starling will come back to Manchester for one last heist. But when a simple robbery turns to murder Martineau is on the case determined to catch him whatever the cost...
A member of the British government is sent to Brussels to become British Commissioner to the European Community where he uncovers political and industrial corruption...
Bergman brings a refreshing wit to this dark domestic comedy tale of a married couple who desperately need each other. David (Gunnar Bjrnstrand) is a gynaecologist who is involved with a young patient. His wife Marianne (Eva Dahlbeck) learns of this transgression and begins an affair with his best friend. They attempt a trial separation however an ecounter upon a train bound for Copenhagen reminds them of the good times and connection they have with each other. Mirroring the
Set in a Colorado mountain town that gets destroyed on a regular basis and is populated by the dumbest, most vulgar characters imaginable, South Park is an anarchic animated sitcom that owes more to the spirit of Monty Python than to its comparatively tame predecessor The Simpsons. The show's origins go back to a 1995 Christmas video "postcard" called The Spirit of Christmas that a Fox Studios executive had commissioned at the previous Sundance Film Festival for $2000 having seen the work of film-makers Trey Parker and Matt Stone (Cannibal: The Musical). The adventures of Stan, Kyle, Cartman and Kenny became an instant ratings and merchandising smash and the foul-mouthed eight-year-olds have expanded to the cinema screen (Bigger, Longer and Uncut), found their way to the MTV Movie Awards and allowed the show creators/(song) writers/voice-artists to pursue equally anarchic comedy at the box office with Baseketball and Orgazmo. Constantly pursued by a censorship outcry, the series has survived several copycat cartoon threats and even the death of its lead female vocal-artist during its third season. Perhaps the show's biggest controversy has always been that--despite a disclaimer before every episode--under-aged children still see it. But lured by a universe full of Cheesy Poofs and Cookie Dings, where no-one's afraid to badmouth school bus driver Miss Crabtree and where it's OK to vomit from being in love, it's no wonder that children of all ages can't help but love it. Seriously. --Paul Tonks Season Four: Just three weeks after losing out on an Oscar for the song "Blame Canada", the show's creators aired their disgust at Phil Collins (who won for Tarzan) in the fantastic episode "Timmy! 2000". Not only did it prove how fast they can put a show together, it also reassured viewers that none of their comedic spark had been lost. More importantly we were introduced to the super-sweet wheelchair-bound child with learning difficulties. Timmy truly boosted the show's humour but also instilled some pathos to the gang's growing adventures (such as his poignant role in "Thanksgiving Special"). Proving the intention to take things in a new direction was the long-awaited move up to the "Fourth Grade". With a souped-up theme tune in an explosive new title sequence, the start of Kyle's adopted Canadian brother Ike in Kindergarten (cue super-cute baby voiceovers in a hilarious comment on the US Election farce in "Trapper Keeper") and lots more CGI inserts, this season really looks different from the others. The best two experiments were having Malcolm McDowell as "A British Person" narrating to camera for a new take on "Great Expectations" and linking all the way back to the video postcard that started it all--The Spirit of Christmas--in the downbeat finale "A Very Crappy Christmas". --Paul Tonks
A young reporter, Mike Ward (John McGuire) stumbled upon a murder victim and identifies a nervous cabbie (Elisha Cook Jr) as the person he saw previously arguing with the dead man. On the strength of Mike’s testimony, the cabbie is convicted. Mike however is haunted by the the knowledge that he may have sent an innocent man to the electric chair for murder and that means the real maniac is still on the loose! These doubts increase when he runs into a creepy psycho played by Peter Lorre. Things take a turn for the worse when another murder is committed, a murder which may point, ironically enough, back to Mike.
100 Greatest TT Moments counts down the events that created a legend as chosen by the fans. This fascinating film charts the highs and lows and the triumphs and tragedies that have shaped the Isle of Man TT. Featuring the best the worst the fastest the closest the controversial and numerous 'firsts' from this unique racing event - vintage and modern racing footage archive interviews and exclusive contributions from many TT icons make this an extraordinary trip through al
If a clock could count down to the moment you meet your soul mate, would you want to know?Timer is a corporation specializing in a unique matchmaking device. For a nominal monthly fee, the company can equip anyone with a countdown timer that counts down to the point that the customer is brought into contact with his or her soul mate. The night before meeting a soul mate, the Timer reaches zero, and will begin to beep when the soul mates meet the following day. They claim to have a 98% success rate, but will it work out for Oona (Emma Caulfield) who has a blank Timer, meaning her soulmate has not been equipped with one...
Resurrected by her psychic sister after a year in the grave a woman finds plastic surgeon husband married to one of her gold-digging friends! Undeterred by this she is hellbent on getting back with her husband even if it does require a little wizardry...
This special DVD combines original Teletubbies programmes with the new 10 minute treat-sized Teletubbies Everywhere. Teletubbies Everywhere is a comedy of first concepts - numbers colours shapes - bringing togther for the first time children from around the world speaking their own language. The teletubbies enjoy looking at their reflections in a mirror. Watch children take photographs of each other. Bright and colourful playful and affectionate the Teletubbies trusted format means that the youngest child can watch with understanding and laughter. Where's Laa Laa? Is that her bouncing ball? ... Later the Teletubbies have great fun when Dipsy makes some adjustments. Don't pull the lever again Dipsy!
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Are We There Yet? Smooth operator Nick (Ice Cube) is interested in young attractive divorcee Suzanne (Nia Long) mother of a 7-year-old-boy and an 11-year-old-girl. Trying to get together with Suzanne Nick volunteers to bring her children to meet her out of town. Missing the plane they must make the long journey by car. What Nick doesn't know is that Suzanne's children think that no man is good enough for their mom and will do everything they can to make the trip a nightmare for him.... Are We Done Yet? Newlyweds Nick (Ice Cube) and Suzanne (Nia Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (John C. McGinley) with a bizarre approach to business.
This collection of four incredible programmes brings an entirely new dimension to history documentaries, taking the viewer from the farthest reaches of deep space to the very bottom of the ocean, all in crystal clear high-definition 3D. See history come alive before your eyes in ways that until now have been impossible, using the latest groundbreaking and impressive 3D technology. Titles Comprise: Universe 3D: Seven Wonders of the Solar System Titanic: 100 Years in 3D WWII in 3D The History of the World in Two Hours
Teenagers working at the local mall sneak in supplies and wait until the mall locks up for an intimate party night. The mall has a sophisticated robot security system that goes into attack mode after a malfunction and kills the human security guards. Now the teens must run for their lives and try to find a way out of the mall using the materials they find within it...
Crikey! The Royal Navy has finally entered the nuclear age and is selling off its obsolete old frigates to the Arabs!
Two masterpieces of British cinema are paired here--Powell and Pressburger's first Technicolor triumph, The Life and Death of Colonel Blimp (1943) and their even more ambitious A Matter of Life and Death (1946). Both pictures are transcendent examples of the filmmakers' craft, and remain models of great cinema long after their original wartime propaganda brief has expired. Based on a famously satirical cartoon strip that mocked outmoded attitudes of fair play at a time of "total war", Blimp subsequently became notorious as the film Churchill tried to have banned. Because the War Office objected to the screenplay, they refused to allow P&P's first choice for the role, Laurence Olivier, and the duo cast unknown stage actor Roger Livesey in his place. It is Livesey's sympathetic performance that transforms Clive "Sugar" Candy from an object of satire to one of warm affection, effectively reversing the film's intended message about old-fashioned decency versus wartime pragmatism. Anton Walbrook is a profound presence in a role that mirrored the actor's own plight as a German in Britain, while Deborah Kerr is a living leitmotif in the film, playing no fewer than three distinct but deliberately related roles. Briefed by the Ministry of Information to make a film that would foster Anglo-American relations in the post-war period, the duo, known as "the Archers", came up with A Matter of Life and Death, an extravagant and extraordinary fantasy in which David Niven's downed pilot must justify his continuing existence to a heavenly panel because he has made the mistake of falling in love with an American girl (Kim Hunter) when he really should have been dead. National stereotypes are lampooned as the angelic judges squabble over his fate. In a neat reversal of expectations, the heaven sequences are black and white, while earth is seen in Technicolor. Daring cinematography mixes monochrome and colour, incorporates time-lapse images, and even toys with background "time freezes" 50 years before The Matrix. Roger Livesey and Raymond Massey lead the fine supporting cast. On the DVD: The Life and Death of Colonel Blimp and A Matter of Life and Death are presented in reasonably sharp 4:3 ratio with good mono sound. Blimp comes with a 25-minute documentary feature that tells us nothing revelatory about making the film, but has good new interviews with cinematographer Jack Cardiff (then an apprentice) and eloquent admirer Stephen Fry. Text biographies and stills are also included. Life and Death has no extras. --Mark Walker
Storey Emmenthal and his father travel between Tokyo and Geneva acquiring exotic lovers on the way while their Geneva home becomes a high class brothel...
More fun with the Teletubbies. Laa Laa is the only Teletubby that wants to play indoors and the custard machine isn't working.
Laura's Star (2004): Did you ever believe that somewhere there's a special friend just for you? That what Laura finds the day she moves with her family to the city. She misses her old friends and her old house - until she rescues a fallen star the perfect size for cuddling. The star is homesick too. And as Laura and the star share a series of enchanted adventures (stardust makes toys come to life!) she finds that friendship can turn her strange new surroundings into a wonderful new place. A place called home. Beloved by children acclaimed by critics and based on the popular book series this resplendent movie glows with charm and storybook-like animation. Sprinkle a little stardust in the life of your little one. The Magic Sword (1998): Stunning animation and sensational songs await you in the enchanted land of Camelot. A spirited teenage girl names Kayley answers the call to adventure when Ruber the evil knight steals King Arthur's legendary sword Excalibur. Aided by Garrett a handsome blind squire Kayley embarks on a thrilling quest to recover the sword and save her beloved kingdom. Along the way these two unlikely heroes meet up with one outrageously funny creature a wise-cracking two-headed dragon named Devon and Cornwell. On their magical musical journey Kayley and Garrett discover the unlimited power of friendship and courage. You'll discover dazzling fun-filled entertainment in Quest for Camelot. Powerpuff Girls - The Movie (2002): This full-length adventure features an animated epic so big so funny and so spectacular that only the Powerpuff Girls can handle it! Created by a perfectly powerful experiment Blossom Bubbles and Buttercup explode into action as the new kids in Townsville! But after one enthusiastic game of tag they nearly destroy their beloved city. Now called social freaks they turn to the mysterious Mojo Jojo for help but this sinister simian has other plans big plans like leading an army of evil monkeys to destroy the world! Join the celebration as the Powerpuff Girls save Townsville and the world - for the very first time ... before bedtime!
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