Emotionally devastating, visually stunning and truly terrifying, a Spanish genre thriller, Hierro depicts one woman's desperate journey into a nightmare vortex of horror and loss.
For Robbing The Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises - an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look...
The middle of nowhere is a funny place to find yourself in.... John Person is a thirty something struggling actor living alone and facing eviction from his one room apartment in Hollywood. Behind on his rent and heavily in debt he goes against his better judgement - and that of his pretty neighbour Grace - and accepts an unsolicited offer from his strange neighbour Neely to courier a blue suitcase up to the desert truck stop of Baker California. There in the mddle of nowh
Pony contractors Blair (Wayne) and Adams (Chandler) compete with rivals for government work...
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
When beautiful exotic dancer Cassie gets into another fight with her deadbeat boyfriend Jack she finds herself stranded on the side of the road and witness to a drug deal gone bad. As the gunfire dies out Cassie sees three dead men 000 in cash and drugs and a golden opportunity too good to pass up. She's always dreamed of a new life in France and now it looks like that dream is finally coming true! Stopping by the house to hide the loot Cassie enlists the help of her bi-sexual roommate Jade to dispose of the drug dealer's car-never telling the love struck girl about the money or where the car came from. When Jade drives the car to the strip club where they both work it draws the attention of Roddy an unrelenting hit man hired to recover the missing money and drugs. Meanwhile Cassie returns home from the passport office and finds the drugs and money gone. Jack has been to the house and found the hidden stash! Soon everyone from the kind but eccentric owner of the strip club to his sister the gorgeous bartender with a deadly secret to the local drug kingpin out to recover his property are all involved in a whirlwind of double and triple crosses. Cassie's plane to France leaves in 48 hours and she's not about to miss it no matter how many bodies she has to step over!
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