"Actor: Jon Michael Davis"

• Angel Dog (DVD) | DVD | (18/02/2013) from £7.98   |  Saving you £9.00 (150.25%)   |  RRP £14.99

  A heart-warming film about a dog named Cooper, the lone survivor of a terrible car accident. When Jake loses his wife and children in the accident he becomes angry and resentful toward Cooper for surviving, but eventually the pair bond and this bond ends up being the one thing that gets Jake out of bed in the mornings, eventually helping him go on living after his tragic loss.

• The Rolling Stones - Bridges To Babylon 1998 | DVD | (01/10/1999) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  Like any good brand, the Rolling Stones know to preserve the formula even when updating the package, and this long-form concert video underscores that market strategy. As with each of their tours since the early 1980s, the quartet, augmented by a discreet auxiliary of backup musicians, gives the fans new eye-candy while dishing up a familiar set list spiked with Mick Jagger's lip-smacking vocals and Keith Richards' signature guitar riffs. The visual twists are at once spectacular and conservative: a cyclopean main stage design with massive pillars (presumably the Babylonian connection), a vast oval video screen (shades of Big Brother), and a hydraulic bridge enabling a mid-concert sortie into the audience, with the Stones playing a more stripped-down, intimate set on a small satellite stage. That huge physical setting doubtless made the live shows eye-filling rock spectacles, but the video crew necessarily accepts the limitations of the small screen, focusing more on close-ups of the band, rapid cuts, and racing, hand-held tracking shots to convey excitement while keeping the viewer close to the action. The evening's repertoire sticks to the band's most familiar hits, and if the Glimmer Twins occasionally slip their masks to let the routine show, the real wonder is how effectively they keep the playing focused. During the first half of the programme, the band's newest songs (especially "Saint of Me" and "Out of Control") elicit conspicuously higher energy from the band, if not the audience. But just as the show seems doomed to a certain anonymity, the escape onto the smaller, no-frills stage pumps up players and crowd alike, particularly when they launch into "Like a Rolling Stone", a cover that winds up sounding like a great idea too long deferred. --Sam Sutherland, Amazon.com