The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme-makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include the hapless efforts by Chris (Michael Imperioli) to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme-makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, and devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
Kindergarten Cop From the director of GHOSTBUSTERS and EVOLUTION Arnold Schwarzenegger stars as an undercover cop posing as a kindergarten teacher in order to catch a dangerous criminal. Once he wrangles his young charges, as well as the affections of a beautiful teacher (Penelope Ann Miller), he prepares for a final showdown with his intended prey.
Box-set: All the Bond films are gathered together in this one-of-a-kind boxed set every gorgeous girl, nefarious villain and charismatic star from Sean Connery to Daniel Craig and now including the latest Bond film, Spectre. Experience Bond with this fitting tribute to the most iconic and enduring secret agent in movie history. Dr. No (1962) - His name is Bond, James Bond. And here, in his explosive film debut, Ian Fleming's immortal action hero blazes through one of his most spectacular adventures. Sean Connery embodies the suave yet lethal cool of Agent 007 as he battles the mysterious Dr. No, a scientific genius bent on destroying the U.S. space programme. From Russia with Love (1963) - Sean Connery returns as James Bond in this thrill-a-minute adventure featuring remarkable villains, beautiful women and exotic locales. This time, Bond squares off against the evil SPECTRE organisation in a race to seize a Soviet decoding machine, thrusting him into a thrilling boat chase, a brutal helicopter attack and a deadly brawl aboard the Orient Express. Goldfinger (1964) - Sean Connery reprises the role of James Bond as he pits his wits against the power-crazed criminal mastermind Goldfinger (Gert Frobe) in the third of the long-running spy series. Goldfinger has secured most of the gold in the world and now plans to render the rest useless. Henchman Oddjob (Harold Sakata) helps him realise his plans, thanks to his unusually lethal bowler hat, whilst Pussy Galore (Honor Blackman) is the glamorous pilot who Goldfinger hopes will execute the raid on Fort Knox that will make him the richest man in the world. Can Bond save the day again or has he finally met his match in the man with the Midas touch? Thunderball (1965) - The thrills never let up as James Bond dives into this riveting adventure filled with explosive confrontations and amazing underwater action. Sean Connery brings his characteristic style and magnetism to Agent 007 as he travels to Nassau to track down a villainous criminal who is threatening to plunge the world into a nuclear holocaust. You Only Live Twice (1967) - A disaster in space pushes humankind toward World War III, and only James Bond can prevent it in this pull-out-all-the-stops movie spectacular. Sean Connery returns as Agent 007, who travels to Japan to stop the evil SPECTRE organisation and its diabolical leader, Ernst Stavro Blofeld (Donald Pleasence), from instigating global warfare from his massive headquarters in an inactive volcano On Her Majesty's Secret Service (1969) - James Bond goes undercover in the treacherous Swiss Alps in this action-packed epic filled with artillery laden ski pursuits, incredible stunts and nonstop thrills. George Lazenby leaps into the role of Agent 007 with supreme confidence and undeniable charisma, even finding love with the beautiful and seductive Tracy Di Vicenzo (Diana Rigg). But first Bond must stop evil genius Blofeld (Telly Savalas) from realising a germ warfare plot that could kill millions. Diamonds Are Forever (1971) - A fortune in stolen diamonds thrusts James Bond into action in this thrilling adventure. Sean Connery returns as Agent 007 and teams up with the beautiful Tiffany Case (Jill St. John) to prevent his nemesis Blofeld (Charles Gray) from using the diamonds in a deadly laser satellite. Live and Let Die (1973) - James Bond battles the forces of black magic in this high-octane adventure that hurtles him from the streets of New York City to Louisiana's bayou country. With charm, wit and deadly assurance, Roger Moore steps in as Agent 007 and takes on a powerful drug lord (Yaphet Kotto) with a diabolical scheme to conquer the world. The Man With The Golden Gun (1974) - James Bond has been marked for death, and he'll need all his lethal instincts and seductive charm to survive in this action-packed adventure. Roger Moore returns as Agent 007 and faces off in a deadly game of cat-and-mouse with assassin Francisco Scaramanga (Christopher Lee). Featuring a wild automobile chase through Bangkok and Bond's stunning confrontation with an entire martial-arts school, The Man with the Golden Gun delivers nonstop excitement. The Spy Who Loved Me (1977) - Nobody does it better than Bond, and he proves it once more in this explosively entertaining adventure that takes him from the Egyptian pyramids to the ocean floor and to a gravity-defying mountaintop ski chase. Roger Moore brings inimitable style to Agent 007 as he teams with beautiful Russian agent Anya Amasova (Barbara Bach) to stop the megalomaniac Stromberg (Curt Jurgens) from unleashing a horrific scheme for world domination. Moonraker (1979) - Lewis Gilbert directs the eleventh instalment of the James Bond franchise. When a space shuttle goes missing during a test flight, James Bond (Roger Moore) is the man who must track it down. His investigations take him to Venice, Rio de Janeiro and finally into outer space where he uncovers a ruthless plot to wipe out the human race and replace it with genetically engineered humanoids. For Your Eyes Only (1981) - James Bond is thrust into one of his most riveting adventures in this jam-packed free-for-all of outrageous stunts, passionate encounters and exciting confrontations. Roger Moore portrays Agent 007 with lethal determination in a plot that finds him infiltrating the Greek underworld to locate a stolen device capable of controlling a fleet of nuclear submarines. Octopussy (1983) - From a thrilling jet chase to a climactic countdown to nuclear disaster, James Bond is back in an electrifying adventure that pushes the limit for nonstop excitement. Roger Moore portrays the immortal action hero, perfectly capturing Agent 007's deadly expertise, acerbic wit and overpowering sex appeal as he investigates the murder of a fellow agent who was clutching a priceless Fabergé egg at the time of his death. A View To A Kill (1985) - Roger Moore lends humour, elegance and lethal charm to his final performance as James Bond in A View to a Kill. Bond confronts Max Zorin (Christopher Walken), who has devised a plan to corner the world's microchip market, even if he has to kill millions to do it. But before Bond can stop the madman, he must confront Zorin's beautiful and deadly companion, May Day (Grace Jones). The Living Daylights (1987) - Timothy Dalton plays James Bond for the first time in this instalment of the 007 franchise. The action this time sees Bond running around various exotic places in pursuit of a couple of seedy dealers in arms, drugs and diamonds. Licence to Kill (1989) - James Bond turns renegade to hunt down a master criminal in this pulse-pounding thrill ride that's packed with awesome stunts, subtle humour and explosive confrontations. Timothy Dalton brings urgency, charm and deadly determination to his portrayal of the super-agent, who leaves the British Secret Service and begins a fierce vendetta after his friend Felix Leiter (David Hedison) is brutally attacked by drug lord Franz Sanchez (Robert Davi). GoldenEye (1995) - The effortlessly suave and sophisticated Pierce Brosnan makes his acclaimed debut as Agent 007 in this riproaring espionage thriller featuring the most eye-popping opening sequence yet! When an MI6 agent (Sean Bean) turns rogue and plans world domination with a terrifying satellite-borne weapon, Bond must pursue his former ally to Cuba, Monte Carlo, Switzerland and even Russia, all while dodging a sexy, deadly femme fatale (Famke Janssen) who will stop at nothing to put the squeeze on the intrepid spy! Tomorrow Never Dies (1997) - Pierce Brosnan returns as the fearless, cunning and devastatingly cool Secret Agent 007 in this thrilling adventure. When a ruthless media tycoon (Jonathan Pryce) tries to destabilise the world economy by orchestrating a deadly standoff between world superpowers, in an atempt to achieve high ratings for his media conglomerate, Bond must step in to prevent World War III. Co-starring Teri Hatcher and Michelle Yeoh, this high-tech action-adventure will exhilarate Bond fans of all ages. The World Is Not Enough (1999) - The World is Not Enough is an exhilarating but sophisticated, action-packed adventure. Pierce Brosnan returns as Bond, charged to protect a gorgeous billionaire heiress (Sophie Marceau) from the ruthless hands of the nuclear-obsessed terrorist Renard (Robert Carlyle), who wants control of the world's petroleum supply. Die Another Day (2002) - James Bond (Pierce Brosnan) pulls out all the stops to take you on an unforgettable, adrenaline-pumping ride across the globe in this action-filled adventure. From a dark cell in a North Korean prison to the beautiful beaches of Cuba, 007 is on the trail of a diabolical genius who's hell-bent on slicing up the Earth... literally. Casino Royale (2006) - Daniel Craig stars as the latest incarnation of James Bond in the 21st instalment of the franchise. Based on one of the original Ian Fleming novels, the story follows a young Bond at the beginning of his career having just received his double-0 status. For his latest mission, 007 travels to Montenegro to investigate the highly exclusive Casino Royale where Le Chiffre (Mads Mikkelsen), a money man for an international terrorist group, is raising funds for their misdeeds through high-stakes gambling. The rookie MI6 agent, aided by British Treasury agent Vesper Lynd (Eva Green), is tasked with infiltrating the group and ultimately defeating the rogue player, both on and off the tables. Quantum of Solace (2008) - Daniel Craig returns as James Bond in the 22nd instalment of the 007 franchise. After being betrayed by Vesper in Casino Royale, Bond (Craig) turns his sights on those who controlled her. Interrogating Mr White (Jesper Christensen), Bond discovers that the shadowy organisation responsible for blackmailing Vesper is a lot more powerful and dangerous than he ever imagined. Tracing a link to Hawaii, Bond soon crosses paths with Ukranian beauty Camille (Olga Kurylenko) who leads him to megalomaniacal businessman Dominic Greene (Mathieu Amalric), head of the organisation known simply as Quantum. Wishing to control one of the world's natural resources, Greene's organisation has a finger in every government agency worldwide, and it falls to Bond to keep one step ahead of his friends, and enemies, to stop Greene holding the world to ransom. Skyfall (2012) - Bond's loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost. Spectre (2015) - A cryptic message from the past sends James Bond on a rogue mission to Mexico City and eventually Rome, where he meets Lucia Sciarra (Monica Bellucci), the beautiful and forbidden widow of an infamous criminal. Bond infiltrates a secret meeting and uncovers the existence of the sinister organisation known as SPECTRE.
Based on Margaret Atwood's award-winning, best-selling novel, The Handmaid's Tale is the story of life in the dystopia of Gilead, a totalitarian society in what was formerly the United States. Facing environmental disasters and a plunging birthrate, Gilead is ruled by a twisted fundamentalism in its militarized return to traditional values. As one of the few remaining fertile women, Offred (Elisabeth Moss) is a Handmaid in the Commander's household, belonging to the caste of women forced into sexual servitude as a last desperate attempt to repopulate the world. In this terrifying society, Offred must navigate between Commanders, their cruel Wives, domestic Marthas, and her fellow Handmaids where anyone could be a spy for Gilead with one goal: to survive and find the daughter who was taken from her. Also featuring Yvonne Strahovski and Samira Wiley. Features: Script to Screen Hope in Gilead
This is the courageous story of Jared Eamons (Lucas Hedges), the son of a Baptist pastor in a small American town, who must overcome the fallout of being outed to his parents (Nicole Kidman and Russell Crowe). His parents struggle with reconciling their love for their son with their beliefs. Fearing a loss of family, friends, and community, Jared is pressured into attending a conversion therapy program. While there, Jared comes into conflict with its leader (Joel Edgerton) and begins his journey to finding his own voice and accepting his true self.
After sending shockwaves across contemporary culture and setting a new standard for provocative, socially-conscious horror films with his directorial debut, Get Out, Academy Award®-winning visionary Jordan Peele returns with another original nightmare that he has written, directed and produced. After spending a tense beach day with their friends, the Tylers (Emmy winner Elizabeth Moss, Tim Heidecker, Cali Sheldon, Noelle Sheldon), Adelaide and her family return to their vacation home. When darkness falls, the Wilsons discover the silhouette of four figures holding hands as they stand in the driveway. Us pits an endearing American family against a terrifying and uncanny opponent: doppelgängers of themselves.
In the May of 1941 RKO radio Pictures released a controversial film by a 25 year-old first-time director. That premiere of Orson Welles' Citizen Kane was to have a profound and lasting effect on the art of motion pictures. It has been hailed as the best American film ever made and it's as powerful film today as it was fifty years ago. It earned eight Academy Award nominations and won the Oscar for Best Screenplay. Through its unique jigsaw-puzzle story-line inventive cinematograp
With her husband Tim off at war Anne Hilton (Colbert) struggles to be a pillar of strength for her daughters Jane (Jones) and Bridget (Temple). During America's darkest hours she bravely steers her girls through heartbreak and hardships as she eagerly awaits news from overseas and wonders if life will ever be the same.
When Harlem P.I John Shaft first appeared on the movie scene, he was a 'shut your mouth' detective to reckon with, a fact underscored by Isaac Hayes' Oscar - winning Best Original Song (1971). Richard Roundtree plays the hard-hitting, street- smart title role, hunting for a kidnap victim in Shaft (1971) and seeking a friend's murderer in Shaft's Big Score! - mixing it up with mob thugs each time. Finally, there's Shaft in Africa, with our hero bringing down a slavery cartel. Shaft's the name. Excitement's the game! Special Features: Behind The Scenes Documentary Soul In Cinema: Filming Shaft On Location Shaft: The Killing (1973 TV Episode) Theatrical Trailers
Sandra Bullock stars as a briliant lawyer with a sharp mind, with Hugh Grant as her handsome charming and undeniably self-absorbed millionaire boss.
THE THIRD MAN has been beautifully restored in 4K for the first time showcasing the genius of this celebrated British noir voted the ‘The greatest British film of all time’ by a British Film Institute poll. Holly Martins (Joseph Cotton Citizen Kane ) a naïve writer of pulp westerns arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) nut finds that Lime has apparently been killed in a suspicious accident. Martins too curious for his own good hears contradictory stories about the circumstances of Limes death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard Brief Encounter) head of the British forces and Lime’s stage actress mistress Anna Schmidt (Alida Valli). Will Martin’s curiosity lead him to discover things about his old friend that he’d rather not know? Brilliantly scripted by Graham Greene and set to Anton Karas’ evocative zither score this justly celebrated classic is further enhanced by Robert Karasker’s Academy Award winning cinematography and Orson Welles in one of his most iconic screen roles. Extras: Feature Audio Commentary Famous Fan Featurette Restoring the Third Man Interview & Zither Performance by Cornelia Mayer Guardian Interview Cotton (audio) Guardian Interview Greene (audio) Joseph Cotton’s Alternative Opening (Audio) Shadowing The Third Man Dangerous Edge Third Man on Radio (Audio) Trailer
Tumble down the rabbit hole with Alice for a fantastical adventure from Walt Disney Pictures and Tim Burton. Inviting and magical, Alice In Wonderland is an imaginative new twist on one of the most beloved stories of all time. Alice (Mia Wasikowska), now 19 years old returns to the whimsical world she first entered as a child and embarks on a journey to discover her true destiny. This Wonderland is a world beyond your imagination and unlike anything you've seen before. The extraordinary characters you've loved come to life richer and more colourful than ever. There's a Mad Hatter (Johnny Depp), the White Queen (Anne Hathaway), the Red Queen (Helena Bonham Carter), the White Rabbit (Michael Sheen) and more. A triumphant cinematic experience - Alice in Wonderland is an incredible feast for your eyes, ears and heart that will captivate audiences for all sizes.
Set in the summer of 1984 – Margaret Thatcher is in power and the National Union of Mineworkers (NUM) is on strike. At the Gay Pride March in London a group of gay and lesbian activists decides to raise money to support the families of the striking miners. But there is a problem. The Union seems embarrassed to receive their support. But the activists are not deterred. They decide to ignore the Union and go direct to the miners. They identify a mining village in deepest Wales and set off in a mini bus to make their donation in person. And so begins the extraordinary story of two seemingly alien communities who form a surprising and ultimately triumphant partnership.
In New York City the brother of infamous Nazi war criminal Christian Szell (Laurence Olivier) is killed in a car accident. Shortly thereafter members of a covert US government group called 'The Division' who are investigating the incident begin to be murdered one by one. When Doc Levy (Roy Scheider) a 'Division' agent is the latest to be attacked his brother Babe (Dustin Hoffman) witnesses his death and unwittingly becomes the pawn in a deadly game in which former SS dentist
Baby Bink is out on the town for the day visiting wonderous places and seeing fantastic sights. The only problem is he is travelling alone. Frantically hunted by his mother and turned into a celebrity by the media Baby Bink is cool calm collected and totally unaware of the havoc he wreaks this daytrip is a hilarious mix of comedy and groundbreaking special effects.
Of all the "most anticipated" movies ever claiming that title, it's hard to imagine one that has caused so much speculation and breathless expectation as Christopher Nolan's final chapter to his magnificently brooding Batman trilogy, The Dark Knight Rises. Though it may not rise to the level of the mythic grandeur of its predecessor, The Dark Knight Rises is a truly magnificent work of cinematic brilliance that commandingly completes the cycle and is as heavy with literary resonance as it is of-the-moment insight into the political and social affairs unfolding on the world stage. That it is also a full-blown and fully realized epic crime drama packed with state-of-the-art action relying equally on immaculate CGI fakery and heart-stopping practical effects and stunt work makes its entrée into blockbuster history worthy of all the anticipation and more. It deserves all the accolades it will get for bringing an opulently baroque view of a comic book universe to life with sinister effectiveness. Set eight years after the events of The Dark Knight, TDK Rises finds Bruce Wayne broken in spirit and body from his moral and physical battle with the Joker. Gotham City is at peace primarily because Batman took the fall for Harvey Dent's murder, allowing the former district attorney's memory to remain as a crime-fighting hero rather than the lunatic destructor he became as Two-Face. But that meant Batman's cape and cowl wound up in cold storage--perhaps for good--with only police commissioner Jim Gordon in possession of the truth. The threat that faces Gotham now is by no means new; as deployed by the intricate script that weaves themes first explored in Batman Begins, fundamental conflicts that predate his own origins are at the heart of the ultimate struggle that will leave Batman and his city either triumphant or in ashes. It is one of the movie's greatest achievements that we really don't know which way it will end up until its final exhilarating moments. Intricate may be an understatement in the construction of the script by Nolan and his brother Jonathan. The multilayered story includes a battle for control of Wayne Industries and the decimation of Bruce Wayne's personal wealth; a destructive yet potentially earth-saving clean energy source; a desolate prison colony on the other side of the globe; terrorist attacks against people, property, and the world's economic foundation; the redistribution of wealth to the 99 percent; and a virtuoso jewel thief who is identified in every way except name as Catwoman. Played with saucy fun and sexy danger by Anne Hathaway, Selina Kyle is sort of the catalyst (!) for all the plot threads, especially when she whispers into Bruce's ear at a charity ball some prescient words about a coming storm that will tear Gotham asunder. As unpredictable as it is sometimes hard to follow, the winds of this storm blow in a raft of diverse and extremely compelling new characters (including Selina Kyle) who are all part of a dance that ends with the ballet of a cataclysmic denouement. Among the new faces are Marion Cotillard as a green-energy advocate and Wayne Industries board member and Joseph Gordon-Levitt as a devoted Gotham cop who may lead Nolan into a new comic book franchise. The hulking monster Bane, played by Tom Hardy with powerful confidence even under a clawlike mask, is so much more than a villain (and the toughest match yet for Batman's prowess). Though he ends up being less important to the movie's moral themes and can't really match Heath Ledger's maniacal turn as Joker, his mesmerizing swagger and presence as demonic force personified are an affecting counterpoint to the moral battle that rages within Batman himself. Christian Bale gives his most dynamic performance yet as the tortured hero, and Michael Caine (Alfred), Gary Oldman (Gordon), and Morgan Freeman (Lucius Fox) all return with more gravitas and emotional weight than ever before. Then there's the action. Punctuated by three or four magnificent set pieces, TDKR deftly mixes the cinematic process of providing information with punches of pow throughout (an airplane-to-airplane kidnap/rescue, an institutional terrorist assault and subsequent chase, and the choreographed crippling of an entire city are the above-mentioned highlights). The added impact of the movie's extensive Imax footage ups the wow factor, all of it kinetically controlled by Nolan and his top lieutenants Wally Pfister (cinematography), Hans Zimmer (composer), Lee Smith (editor), and Nathan Crowley and Kevin Kavanaugh (production designers). The best recommendation TDKR carries is that it does not leave one wanting for more. At 164 minutes, there's plenty of nonstop dramatic enthrallment for a single sitting. More important, there's a deep sense of satisfaction that The Dark Knight Rises leaves as the fulfilling conclusion to an absorbing saga that remains relevant, resonant, and above all thoroughly entertaining. --Ted Fry
Arguably the greatest of American films, Orson Welles' 1941 masterpiece, made when he was only 25, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconscious. As Kane, Welles even ushers in the influence of Bertolt Brechton film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films this century. --Tom Keogh
A young lad finds friendship with a gang of skinheads in this tough and gritty movie from director Shane Meadows.
Biography of Martin Luther the 16th-century priest who led the Christian Reformation and opened up new possibilities in exploration of faith
Sidney Lumet's directorial debut Twelve Angry Men remains a tense, atmospheric (though slightly manipulative and stagey) courtroom thriller, in which the viewer never sees a trial and the only action is verbal. As he does in his later corruption commentaries such as Serpico or Q & A, Lumet focuses on the lonely one-man battles of a protagonist whose ethics alienate him from the rest of jaded society. As the film opens, the seemingly open-and-shut trial of a young Puerto Rican accused of murdering his father with a knife has just concluded and the 12-man jury retires to their microscopic, sweltering quarters to decide the verdict. When the votes are counted, 11 men rule guilty, while one--played by Henry Fonda, again typecast as another liberal, truth-seeking hero--doubts the obvious. Stressing the idea of "reasonable doubt", Fonda slowly chips away at the jury, who represent a microcosm of white, male society--exposing the prejudices and preconceptions that directly influence the other jurors' snap judgments. The tight script by Reginald Rose (based on his own teleplay) presents each juror vividly using detailed soliloquies, all which are expertly performed by the film's flawless cast. Still, it's Lumet's claustrophobic direction--all sweaty close-ups and cramped compositions within a one-room setting--that really transforms this contrived story into an explosive and compelling nail-biter. --Dave McCoy, Amazon.com
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