1808. The Napoleonic Army suffers its first defeat at the hands of a single man: a military drummer who used the Montserrat mountains to echo his drums and send the enemy troops into a panicked retreat. When the news reaches Napoleon he furiously orders the captain of the imperial guard to bring back the head of the young hero responsible for his army's defeat. The captain gathers together a band of his best and most deadly men and so begins a hunt to the death of the soldier who was to become a legend.
Meg Ryan stars in this fact-inspired drama as a woman who defied all the odds when she entered the male dominated world of boxing management and took it by storm.
From the extraordinary mind of Palme d'Or winning director Apichatpong Weerasethakul, 'Memoria' stars Academy Award-winner Tilda Swinton as Jessica Holland, who, after hearing a loud 'bang' at daybreak, begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia. She experiences auditory hallucinations and tries to find the sources of the sounds causing her insomnia. Soon, she begins to confront the unsettling sights and sounds that call her identity into question.Winner of the Jury Prize at last year's Cannes Film Festival, and nominated for the Palme d'Or, Memoria offers a unique meditative exploration of memory and the human condition.Special Collector's Dual format DVD and Blu-ray + UK Theatrical Poster + Collector's Edition Booklet - A collection of interviews and articles, plus cast & crew biographies, presented in a specially printed limited run booklet, which also contains additional behind the scenes photos and film stills from the production.Product FeaturesQ&A with Simon Field - Tilda Swinton talks with Simon Field at the ICA as they discuss Memoria, from the film's inception, how she became involved, filming in Colombia, and how audiences have received the film worldwide (duration 30m).Q&A with Peter Bradshaw - British writer and chief film critic at The Guardian talks with Tilda Swinton and director Apichatpong Weerasethakul in a fascinating insight into the making of Memoria (duration 27m)Roundtable Discussion - A engaging discussion between Simon Field, Tilda Swinton, director Apichatpong Weerasethakul, producer Diana Bustamante, editor Lee Chatametikool, and sound designer Akritchalerm Kalayanamitr as they each offer their own specialist insights into the making of Memoria (approx 48m).Behind the Scenes - Get a glimpse of what happens behind the scenes in three specially selected sequences from the on-location shoot of Memoria in Colombia.Photo gallery - A special selection of stills going behind the scenes of Memoria
Anaïs Nin (Maria de Medeiros) is a young woman in 1930s Paris whose husband is slowly defecting from art to working in a bank, leaving her very bored. When the then-unpublished Brooklyn writer Henry Miller (Fred Ward) enters her life, she embarks on a journey of seduction and sexual exploration that eventually leads from the writer to his wife, June (Uma Thurman), who finances her husband's life in Paris so he may praise her beauty in his writing. Unhappy with her husband's writing and her lovers' affair, June enters a jealous rage, forcing Henry into suffering-artist mode and Nin back to her husband. Despite having one of the more erotic scenes of the 1990s, between Nin and June, the film does not live up to its subject, largely due to a mediocre screenplay and flawed direction. The strength of the original material and Medeiros' strong performance make it worth viewing. -- James McGrath, Amazon.com
An ex-con and would-be thief is a family's only hope as a twisted maniac sets a bloodcurdling trap in this inventive horror from the minds behind the Saw franchise.
A strange object the Cronos device has been found inside the statue of an angel in an antique store. While the dealer Jesus Gris is holding the device it springs open and its metallic legs pierces his flesh. Once bitten he develops a craving for human blood and his body grows more and more youthful with each drink. As the addiction spreads through his body he realizes he desires the blood of his innocent granddaughter... Winner of the Cannes Festival Critics' Week prize in 1992.
A ghost-hunting reality TV show crew arrive at an abandoned psychiatric hospital where unexplained phenomena have been reported for years. This will be their final episode.
For a while The Net looked like it was going to be quickly outdated by the technology it showcased. But now we know that anyone can personalise their systems and Internet search engines, so the colourful displays endlessly intercut on Sandra Bullock's screens look perfectly contemporary. As a movie, the concept was already outdated by the time of its 1995 release, however. The plot takes pains to emulate the style and formula of a Hitchcock chase thriller. There's a computer disc "McGuffin" being sought after by conspiratorial baddies; while the lonely hero on the run is eminently sympathetic yet attractively flawed. Bullock, though, was perfectly cast at a point well before her star status took over. Although some of the suspense contrivances may seem simplistically predictable, there's an undeniable fascination in the theme of losing one's identity. Everywhere Bullock turns she's faced with either a bald reflection or mirroring metaphor of how the computer age strips us of individuality. And, indeed, privacy. Sooner or later, the technology will become outdated of course. Until then, be careful how you surf. On the DVD: The Net comes to disc in Dolby 5.1 sound and widescreen 1.85:1. It's hard to choose between the two commentaries included. Both the Writer's and the joint talk from the Director and Producer are crammed with anecdotal reference (with a little overlap). Then there are two documentaries of about 20 minutes each, but here the newest is by far the most interesting. Trailers and filmographies fill out the package. --Paul Tonks
Dubbed The King of Cocaine , Narcos traces Pablo Escobar s rise to power between 1977 and 1992, a time in which he was responsible for smuggling 80 per cent of the cocaine supply into the United States, making himself a billionaire in the process. This is the next box-set that you absolutely have to own and binge watch, taking its rightful place in your collection alongside iconic series such as The Sopranos, The Wire, Breaking Bad and House of Cards.
An 8-year-old boy, raised by his grandmother, is surrounded by problems in his family that he finds only himself capable of solving.
Argentinian gay-themed drama written and directed by Jose Campusano. The film follows Ariel (Wall Javier), a young man living and working on his father's rural farm. Although his father refuses to accept his homosexuality, Ariel has been involved in an exploitative relationship with an older Catholic priest for a number of years. When the clandestine relationship comes to an end, Ariel begins to embrace and explore his sexuality and begins a relationship with one of his father's employees.
Kyle Lord (Van Damme) is arrested and convicted for the vigilante killing of his wife's murderer. Kyle must survive life in a maximum-security prison where inmates are made to battle to their death in a brutal no holds barred fight called ""The Shu"" for the warden's entertainment and profit. Kyle fights his oppressors and is quickly sent to ""The Shu"" where his unbridled rage catapults him to the victor's circle. Kyle has become one of the monsters he despises and must now battle within
Two longtime NYPD partners on the trail of a stolen, rare, mint-condition baseball card find themselves up against a merciless, memorabilia-obsessed gangster in this buddy action comedy.
Verdi - Nabucco
The new film from Academy award-winning director Pedro Almodovar narrates the reunion of two young men who discovered sensuality and a common hatred of priests at their Catholic school fifteen years earlier.
Narcos tells the true-life story of the growth and spread of cocaine drug cartels across the globe and attendant efforts of law enforcement to meet them head on in brutal, bloody conflict. It centers around the notorious Colombian cocaine kingpin Pablo Escobar (Wagner Moura) and Steve Murphy (Holbrook), a DEA agent sent to Colombia on a U.S. mission to capture and ultimately kill him.
Vera Cruz was only director Robert Aldrich's second Western (his first, made a few months earlier, was the revisionist, pro-Native-American Apache), but it's such an assured, stylish affair that he might have been roaming the sagebrush for decades. In the aftermath of the American Civil War two lone adventurers make their way south of the border, where Mexico is fighting a civil war of its own to rid the country of the French-imposed Emperor Maximilian. Neither the dour Benjamin Trane (Gary Cooper) nor the grinning, devil-may-care Joe Erin (Burt Lancaster) has much in the way of idealism, but Trane still retains a thin bitter edge of integrity, a quality quite alien to the cheerfully amoral Erin. In uneasy alliance, constantly looking to outwit or double-cross each other, the two find themselves escorting a beautiful French countess (Denise Darcel) and a shipment of gold across country. Cooper and Lancaster create a superb double-act, using their contrasted screen personas to point up the humour and the cynicism of the two mercenaries' relationship. Darcel makes less than she might of the femme fatale role, but there are relishable cameos from Cesar Romero as a suavely duplicitous aristo and Ernest Borgnine as another gringo with an exceptionally vicious streak. The script, according to Aldrich, was written on the run, "always finished about five minutes before we shot it", but you wouldn't guess it from the laconic wit of the dialogue. It looks great, too--Ernest Laszlo's widescreen photography makes the most of the handsome Mexican locations. With its irreverent take on the accepted moral conventions of the genre, Vera Cruz ushered in a new kind of Western, and its central love-hate relationship would be replayed in Sam Peckinpah's Ride the High Country (1962) and Sergio Leone's The Good, the Bad and the Ugly (1966). On the DVD: Not much in the way of extras but the mono sound has been expertly remastered to the benefit of Hugo Friedhofer's spirited score. Above all, the film's presented in its full Superscope ratio (16:9), a blessed relief after all those years when it showed up panned-and-scanned on BBC1. If ever a movie needed widescreen, it's this one--if only to fit in all Burt's teeth. You can see why they called him "Crockery Joe". --Philip Kemp
A startling directorial debut from Achero Ma'as El Bola is a vivid and powerful drama of young urban lives. El Bola 'Pellet' is a 12-year-old with a dark disturbing secret and no friends until new classmate Alfredo moves into the neighbourhood and reveals a wondrous new world that fleetingly offers joy and hope. Truly accomplished on all levels El Bola's real strength lies in the incredible performances from the young central duo of Juan Jos'' Ballesta (El Bola) and Pablo Gal'n (Alfredo). The winner of four Goya Awards (Spanish Oscars) including Best Film Best Emerging Director Best Emerging Actor (Ballesta) and Best Original Screenplay Ma'as also won the Fassbinder/European Discovery Award at the 2001 European Film Awards.
After the loss of her long-time boyfriend Lucia she seeks refuge on a quiet, secluded Mediterranean island. There, bathed in an atmosphere of fresh air and dazzling sun, Lucía begins to discover the dark corners of her past relationship...
Laurent Pelly staged this new production and how the singers were perfectly cast. They gave Donizetti's opera a new life at the Royal Opera House
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