Titles Comprise:Rear Window: When professional photographer J.B. Jeff Jeffries (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbours play out across the courtyard. When he suspects a salesman may have murdered his nagging wife, Jeffries enlists the help of his glamorous socialite girlfriend (Grace Kelly) to investigate the highly suspicious chain of events that lead to one of the most memorable and gripping endings in all of film history.The Birds: As beautiful blonde Melanie Daniels ('Tippi' Hedren) rolls into Bodega Bay in pursuit of eligible bachelor Mitch Brenner (Rod Taylor), she is inexplicably attacked by a seagull. Suddenly thousands of birds areflocking into town, preying on school-children and residents in a terrifying series of attacks. Soon Mitch and Melanie are fighting for their lives against a deadly force that can't be explained and can't be stopped in one of Hollywood's most horrific films of nature gone berserk.Vertigo: Set in San Francisco, James Stewart portrays an acrophobic detective hired to trail a friend's suicidal wife (Kim Novak). After he successfully rescues her from a leap into the bay, he finds himself becoming obsessed with the beautifully troubled woman. One of cinema's most chilling romantic endeavours - this film is a must for collectors.Psycho: Anthony Perkins stars in Alfred Hitchcock's landmark masterpiece as the troubled Norman Bates whose old dark house and adjoining motel are not the place to spend a quiet evening. Janet Leigh plays Marion Crane, the ill-fated traveller whose journey ends in the notorious shower scene. Horror and suspense mount to a terrifying climax where the mysterious killer is finally revealed after both Marion's sister and a private detective search for her.
4 ESSENTIAL FILMS FROM THE MASTER OF SUSPENSE Universally recognized as the Master of Suspense, the legendary Alfred Hitchcock directed some of cinema's most thrilling and unforgettable classics. The Alfred Hitchcock Classics Collection features four iconic films from the acclaimed director's illustrious career including Rear Window, Vertigo, Psycho and The Birds in stunning 4K resolution. Starring Hollywood favourites such as James Stewart, Grace Kelly, Anthony Perkins, Janet Leigh, Tippi Hedren, Kim Novak and Rod Taylor, this essential collection features hours of bonus features as well as the original uncut version of Psycho for the first time ever. INCLUDES 2 VERSIONS OF PSYCHO PSYCHO UNCUT: The extended version of the movie as seen in theaters in 1960 is exactly as intended by Alfred Hitchcock and now available with additional footage for the first time ever PSYCHO: The most widely seen version of the movie was edited for content and subsequently used for TV broadcasts, theatrical re-releases and home entertainment over the last 60 years PLUS HOURS OF BONUS FEATURES
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbours. Cheerful voyeurism, as well as the behaviour glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. Photographer LB "Jeff" Jeffries (James Stewart) is, in fact, a voyeur by trade, a professional photographer sidelined by an accident while on assignment. His immersion in the human drama (and comedy) visible from his window is a by-product of boredom, underlined by the disapproval of his girlfriend, Lisa (Grace Kelly), and a wisecracking visiting nurse (Thelma Ritter). Yet when the invalid wife of Lars Thorwald (Raymond Burr) disappears, Jeff enlists the two women to help him to determine whether she's really left town, as Thorwald insists, or been murdered. Hitchcock scholar Donald Spoto convincingly argues that the crime at the centre of this mystery is the MacGuffin--a mere pretext--in a film that's more interested in the implications of Jeff's sentinel perspective. We actually learn more about the lives of the other neighbours (given generic names by Jeff, even as he's drawn into their lives) he, and we, watch undetected than we do the putative murderer and his victim. Jeff's evident fear of intimacy and commitment with the elegant, adoring Lisa provides the other vital thread to the script, one woven not only into the couple's own relationship, but reflected and even commented upon through the various neighbours' lives. At a minimum, Hitchcock's skill at making us accomplices to Jeff's spying, coupled with an ingenious escalation of suspense as the teasingly vague evidence coalesces into ominous proof, deliver a superb thriller spiked with droll humour, right up to its nail-biting, nightmarish climax. At deeper levels, however, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. -- Sam Sutherland, Amazon.com
Giant (1956): George Stevens' sweeping Oscar-winning epic about the cataclysmic effect the discovery of oil in Texas has on the lifestyle of the former cattle barons. Dean is Jett Rink a sullen-farm hand who becomes a millionaire overnight. Tough always angry restless bewildered and reckless Rink's animal charm and tycoon's magnetism means he always gets his way. But when he fails in love with Leslie he loses his way with an equal violence... East Of Eden (1955): J
Collection of three classic James Dean films. In 'East of Eden' (1955) two brothers compete for the love of their stern, overbearing, widowed father. However, when Cal (Dean), the rejected 'rebel' son, discovers that his mother is not dead but running a nearby brothel he tells his brother Aron (Richard Davalos). This leads to the destruction of not only his relationship with Aron but also his father. 'Giant' (1956) is an epic saga which begins when Texas cattle baron Bick Benedict (Rock Hudson) takes a non-Texan wife, Leslie (Elizabeth Taylor). The story then traces two generations of his family, alongside the life of disreputable ranch-hand Jett Rink (Dean), who strikes it rich on an oil well and falls in love with Leslie. Director George Stevens won an Oscar for his work and the film garnered nine more nominations, including one for Dean, who was killed soon after filming. Finally, 'Rebel Without a Cause' (1955) takes place over a 24-hour period and follows Jim Stark (Dean), a restless teenager who is always in trouble with the law. When Jim is picked up for being drunk and disorderly he notices Judy (Natalie Wood) at the police station and determines to ask her on a date at high school the next day, which leads him into conflict with her boyfriend Buzz (Corey Allen).
Horror icon Vincent Price (The Mad Magician) plays a scientist who makes a remarkable discovery: within every human resides a creature, attached to the spine, that tingles in cases of fear. He manages to extract a Tingler from a recently murdered housewife, but the creature escapes One of the highpoints in the career of famed producer-director William Castle, The Tingler is an outlandish, inventive B-movie classic. And remember: a scream at the right time may save your life. Extras High Definition remaster Original mono audio Alternative feature audio with stereo Scream' sequence Alternative feature audio with drive-in Headlights' sequence Fully restored bathroom scene, scanned in 4K from a rare 35mm print Audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television, and Jonathan Rigby, author of American Gothic: Six Decades of Classic Horror Cinema Imaginary Biology (2018, 17 mins): appreciation by Kim Newman, critic and author of Nightmare Movies I Survived The Tingler' (2018, 4 mins): interview with actor Pamela Lincoln Unleashing Percepto' (2018, 3 mins): interview with publicist Barry Lorie Scream for Your Lives! William Castle and The Tingler' (1999, 16 mins): documentary featuring interviews with actor Darryl Hickman, archivist Bob Burns, author Lucy Chase Williams and film historian David Skal Isolated music & effects track Theatre lobby spot (1959, 3 mins): promotional recording featuring Vincent Price Original theatrical trailer Joe Dante trailer commentary (2013, 3 mins): short critical appreciation Promotional materials gallery: stills, lobby cards and posters Percepto' instruction manual: gallery of the original installation guide New and improved English subtitles for the deaf and hard-of-hearing
The American domestic epic endured long into the post-war era, with Giant (1956) one of its last real manifestations. Director George Stevens gets real panoramic sweep in his adaptation of Edna Ferber's novel of social and economic change in rural Texas from the 1920s to the 1950s. Rock Hudson is imposing if uninvolving as rancher Vernon Reata II, constantly torn between his image and his humanity. As his wife Lesley, Elizabeth Taylor gives one of her most rounded performances as the Maryland girl whose liberal outlook causes friction within the social (and racial) mindset of the insular community as it lurches from rigid conservatism to mindless materialism over three decades. The film is best remembered for James Dean in what was his third and last screen appearance. He cuts a distinctive figure as Jet Rink, social outcast turned oil tycoon. The bravura of his inebriated speech before an empty banqueting hall would be no less memorable had his career not been curtailed days after shooting ended. The secondary roles are decently taken: look out for a teenage Denis Hopper, sallow but likeable as the gauche Vernon Reata III. On the DVD: Giant is evenly divided over two discs. Widescreen picture quality is excellent and the remastered soundtrack gives Dimitri Tiomkin's score a new lease of life. A laudable 56 chapter points are provided, with dubbing in English, French and Italian and subtitles in eight languages. A running commentary, though informative, is really for aficionados only, but the 45 minutes (on the second disc) of George Stevens recollections from heavyweights such as Herman J. Mankiewicz, Alan J Pakula and Fred Zinnemann ideally complements this sprawling but often compulsive old-school American movie. --Richard Whitehouse
Directed by the Master of Suspense, Alfred Hitchcock's Rear Window is an edge-of-your-seat classic starring two of Hollywood's most popular stars. When a professional photographer (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbours play out across the courtyard. When he suspects his neighbour of murdering his nagging wife, he enlists his socialite girlfriend (Grace Kelly) to help investigate the suspicious chain of events, leading to one of the most memorable and gripping endings in all of film history. Honoured in AFI's 100 Years... 100 Movies for excellence in film, Rear Window has also been hailed as one of Alfred Hitchcock's most stylish thrillers (Leonard Maltin's Classic Movie Guide). Bonus features: REAR WINDOW ETHICS: AN ORIGINAL DOCUMENTARY A CONVERSATION WITH SCREENWRITER JOHN MICHAEL HAYES PURE CINEMA: THROUGH THE EYES OF THE MASTER BREAKING BARRIERS: THE SOUND OF HITCHCOCK HITCHCOCK-TRUFFAUT INTERVIEW EXCERPTS MASTERS OF CINEMA FEATURE COMMENTARY WITH JOHN FAWELL, AUTHOR OF HITCHCOCK'S REAR WINDOW: THE WELL-MADE FILM PRODUCTION PHOTOGRAPHS THEATRICAL TRAILER RE-RELEASE TRAILER NARRATED BY JAMES STEWART
This tremendous box set features a quartet of Jimmy Stewart's classic performances. Harvey (Dir. Henry Koster 1950): James Stewart stars as Elwood P. Dowd a wealthy alcoholic whose sunny disposition and drunken antics are tolerated by most of the citizens of his community. That is until Elwood begins to claim that he has a friend named Harvey who is an invisible six foot rabbit. Elwood's snooty socialite sister Veta determined to marry off her daughter Myrtle to a respec
Rear Window (1954): Alfred Hitchcock amply demonstrates why he's been called ""The Master of Suspense"" with this both witty and macabre tale of voyeurism and murder starring two of cinema's all-time favourites James Stewart and Grace Kelly. L.B. Jeffries (Stewart) a photographer with a broken leg takes up the fine art of spying on his Greenwich Village neighbours during a summer heat wave. But things really hot up when he suspects one neighbour of murdering his invalid wife and burying the body in a flower garden. The Birds (1963): Wealthy reformed party girl Melanie Daniels enjoys a brief flirtation with lawyer Mitch Brenner in a San Francisco pet shop and decides to follow him to his Bodega Bay home. Bearing a gift of two lovebirds Melanie quickly strikes up a romance with Mitch while contending with his possessive mother and boarding at his ex-girlfriend's house.One day during a birthday party for Mitch's younger sister a flock of birds attacks the children in what seems to be a random incident. In fact it signals the beginning of a massive and organized avian assault on the residents of the town--a mysterious assault that no one can explain...and from which no one might come out alive. Vertigo (1958): Set in San Francisco James Stewart portrays and acrophobic detective hired to trail a friend's suicidal wife (Novak). After he successfully rescues her from a leap into the bay he finds himself becoming obsessed with the beautiful and troubled woman...
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