Woody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes and cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance" and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humour is dark and caustic but well worth it; Deconstructing Harry is a near-brilliant meditation on the sometimes queasy relationship between art, creator and critic.--Diane Garrett
Critics greeted Woody Allen's 1990 opus Alice with sighs of resignation. Here was yet another of Allen's bemused heroines-at-a-crossroads/crisis, falling prey to all kinds of temptation and fantasy and emerging at the other end a more complete, fulfilled or at least self-aware human being. But, though it's a minor work by his highest standards, it has weathered rather well. This is a softer exploration of territory Allen had previously covered rather more intensely and seriously in Another Woman (1988). It's often very funny and ultimately affirms one of Allen's most persistent themes: however confused you think you are, the answer probably lies somewhere inside you rather than in anybody else. As Alice, Mia Farrow gives one of her most versatile and unmannered performances, revealing a real gift for comedy. However bitter the breakdown of her long personal relationship with Allen, there is no doubt that he took her to new professional heights in their cinematic collaborations. At the start, Alice is little more than a well-heeled housewife and mother, a lady who lunches with bitchy friends. Her dissatisfaction with her marriage (to patronising rich guy William Hurt) leads her into the path of Chinese herbalist Dr Yang, whose potions set her off on a series of experiences which include the affair she has been considering, becoming invisible (cue some great gags, especially one involving a New York cab) and a brief flirtation with opium (here Allen's trademark soundtrack of old standards includes the evocative "Limehouse Blues"). There's also some great dialogue. "He's very deep," says Farrow of her putative lover (Joe Mantegna). "Yeah, and very deep is where he wants to put it", cracks back her visiting muse (a glittering cameo from Bernadette Peters). On the DVD: Presented in widescreen (1.85:1) format with a Dolby Digital stereo soundtrack, Alice on DVD replicates the hallmark intimacy of Allen's films in the cinema with good picture and lush sound quality (the importance of his romantic, referential musical choices should never be underestimated). There are no extras, apart from the original theatrical trailer. --Piers Ford
Jocelyn Moorhouse directs this Australian revenge comedy starring Kate Winslet as Myrtle Dunnage, a woman who returns to her hometown to take care of her ailing mother Molly (Judy Davis). Myrtle's return sparks much debate between the residents of the town as she was accused of murdering someone many years ago. Now an expert dressmaker, Myrtle goes about transforming the local fashion while exacting her revenge upon those who have wronged her in the past... The supporting cast includes Liam Hemsworth and Hugo Weaving.
In Husbands and Wives, another typical Woody Allen exploration of relationships between screwed-up New Yorkers, the drama centres on two married couples who have been close friends for years. When Jack and Sally (Sydney Pollack and Judy Davis) announce they're breaking up, it exposes the cracks in the relationship between Gabe and Judy (Allen and Mia Farrow). The shenanigans that result are touching, funny and horribly true to life. Jack finds himself a cliché trophy blonde, Sam--an aerobics instructor--and thinks he's got it made until she expounds the eternal truths of astrology to his friends, humiliating him in the process; Gabe, meanwhile, finds himself increasingly drawn to his precocious student, Rain--beautifully portrayed by Juliette Lewis--while Judy and Sally get involved with the same guy (though not simultaneously), the shy but alluring Michael (Liam Neeson). The touch of genius is to have an off-screen narrator, with whom the main characters share their innermost thoughts, thus drawing the viewer right into the emotional heart of the movie. This is vintage Woody, with gentle but witty observations of human failings. On the DVD: Husbands and Wives is delivered in widescreen with a Dolby Digital soundtrack. The only extra features are trailers for both this and Allen's previous movie, Manhattan Murder Mystery. In addition the audio set-up option is in English, French, German, Italian, Spanish and subtitles in English, German, French, Spanish, Italian, Dutch and Finnish. --Harriet Smith
United Kingdom released, Blu-Ray/Region B DVD: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Linear PCM ), English ( Mono ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: When a British government undercover agent is assassinated, a radical anti-nuclear group is held responsible. SAS agent Skellen (Lewis Collins) is called upon to infiltrate the group and put an end to their terrorist activities.He is welcomed into the group by its fanatical leader Frankie Leith (Judy Davis) and gets closer to uncovering her plan to attack a major political target. The group raids the American embassy and Skellen, from within the residence, must use all of his skill and courage to support and guide his SAS colleagues to save the lives of the high-ranking hostages being held captive.Who dares wins was inspired by the SAS rescue of hostages at the besieged Iranian Embassy in May 1980.Special Features interviews featurette on witthe Producer and special featurette with Lewis Collins.commetary with Ian Sharp and Euan Lloydoriginal ITV behind the scenes programme ...Who Dares Wins ( 1982 ) ( The Final Option ) (Blu-Ray)
Nitram (Caleb Landry-Jones) lives with his mother (Judy Davis) and father (Anthony LaPaglia) in suburban Australia in the Mid 1990s. He lives a life of isolation and frustration at never being able to fit in. That is until he unexpectedly finds a close friend in a reclusive heiress, Helen (Essie Davis). However when that friendship meets its tragic end, and Nitram's loneliness and anger grow, he begins a slow descent that leads to disaster. From acclaimed director Justin Kurzel (Macbeth, True History of the Kelly Gang) and featuring outstanding performances from the entire cast, this is a truly unmissable piece of cinema.
Enter a world where cultures clash so violently that an entire country could split at any moment. Nominated for eleven Academy Awards® and winner of two, A Passage to India is a wonderfully provocative tale, full of vivid characters, all played to near perfection. With a fabulous cast that include Peggy Ashcroft, Judy Davis, James Fox, Sir Alec Guinness, and Nigel Havers, this hauntingly beautiful film is a daring triumph. When liberal-minded English ladies Mrs. Moore (Ashcroft) and Adela Quested (Davis) arrive in India, they're shocked by the extreme racial prejudice that exists here. Fortunately, kind Dr. Aziz (Victor Banerjee) rises above the intolerance and guides the women on a splendid tour of the mysterious Marabar caves. But the outing turns tragic when Adela suddenly comes running from one of the caves-scratched, bleeding and terribly frightened. News of the incident quickly spreads across the whole of India...igniting a powder keg of tension just waiting to explode. A rich tapestry woven of the clash between cultures, A Passage to India is supreme entertainment, and a visual wonder that is truly spellbinding!
The inspirational life story of Australian swimmer, Tony Fingleton.
Shakespeare In Love (Dir. John Madden) (1998): When Will Shakespeare (Joseph Fiennes) needs passionate inspiration to break a bad case of writer's block a secret romance with the beautiful Lady Viola (Paltrow) starts the words flowing like never before! There are just two things he'll have to learn about his new love: not only is she promised to marry someone else she's successfully impersonating a man in order to play the lead in Will's latest production! Marie Antoinette (Dir. Sofia Coppola) (2006): A decadently imaginative interpretation of the life of France's iconic teenage queen Marie Antoinette from her betrothal and marriage to Louis XVI aged 15 to her reign as queen at 19 and to the termination of her royal tenure and ultimately the fall of Versailles in the French Revolution... Vanity Fair (Dir. Mira Nair 2004): Becky Sharp (Reese Witherspoon) is a poor but well educated girl born into a 19th-century society offering little in the way of career advancement for women. She becomes a governess for Sir Pitt Crawley (Bob Hoskins) and aims to find a rich husband.
T.S. Spivet lives on a remote ranch in Montana with his parents his sister Gracie and his brother Layton. A gifted child with a passion for science he has invented a perpetual motion machine for which he has been awarded the prestigious Baird Prize by the Smithsonian Institution in Washington. He leaves a note for his family and hops on a freight train to make his way across the United States and receive his prize. But no one there suspects that the lucky winner is a ten-year-old child with a very dark secret…
You are now entering Interzone, William S Burroughs' phantasmagorical land of junk, paranoia and crawly things. Best travel advice: "Exterminate all rational thought". In David Cronenberg's superbly shot, unnerving warp on the Burroughs novel, Naked Lunch, the novelist himself becomes a main character (played in an implacable monotone by Peter Weller), with elements from Burroughs' life--including the shooting of his wife during a "William Tell" game, and bohemian friends Kerouac and Ginsberg--added to frame the book's wild visions. This is, ironically, a somewhat rational approach to an unfilmable book (and it makes a hair-curling double bill with Barton Fink, another look at writerly madness, with both films sharing Judy Davis). Cronenberg is a natural for oozing mugwumps and typewriters that turn into giant bugs, of course. But in the end, this is really his own vision of the artistic process, rather than Burroughs' hallucinatory descent into hell. --Robert Horton, Amazon.com
Australian drama based on the Port Arthur massacre in Tasmania in April 1996. Nitram (Caleb Landry Jones) lives with his mother (Judy Davis) and father (Anthony LaPaglia), isolated and angry. His parents are conflicted about how to deal with his difficult behaviour, which began in childhood. He becomes friends with his neighbour Helen (Essie Davis), a wealthy heiress, but their friendship ends tragically. Spiralling out of control, Nitram commits a horrific act of violence.
There are Victorian country-house shenanigans aplenty in Impromptu: novelist George Sand (Judy Davis, affected but pretty charming) has eyes for Franz Liszt's young protégé Chopin (Hugh Grant, solid as always, but burdened by a silly Polish accent and a script that never lets him stretch out), but various lovers, jealous rivals, and Chopin's own overdeveloped sense of propriety conspire to confound her. Impromptu is witty but overlong--probably 20 minutes of hijinks and repartee, not to mention several completely gratuitous and redundant characters, could have been sliced from the film. Davis plays Sand as an impetuous, overgrown tomboy, outraging her genteel hosts by wearing pants, chomping cigars, and falling off horses; her coterie of artist-friends assure us, in a series of naked plot devices, that she nonetheless has a heart of gold. It's all good silly fun, and about as feminist as your average Def Leppard video--the other two developed female characters are ugly stereotypes: a featherbrained, feckless social climber (Emma Thompson, who once again proves she's up for anything) and a spiteful, back-stabbing shrew (the ever-capable Bernadette Peters). Director James Lapine clearly belongs to the Dr Quinn: Medicine Woman school of historical accuracy, so don't expect to learn anything about the period or the artists themselves. --Miles Bethany
Judy Davis stars in Gillian Armstrong's breakthrough, a period romance as unconventional as its brash heroine. For her awardwinning breakthrough film, director Gillian Armstrong (Little Women) drew on teenage author Miles Franklin's novel, a celebrated turnofthetwentiethcentury Australian comingofage story, to brashly upend the conventions of period romance. Headstrong young Sybylla Melvyn (Judy Davis, in a starmaking performance), bemoans her stifling life in the backcountry, where her writerly ambitions receive little encouragement, and craves independence above all else. When a handsome landowner (Jurassic Park's Sam Neill), disarmed by her unruly charms, begins to court her, Sybylla must decide whether she can reconcile the prospect of marriage with the illustrious life's work she has imagined for herself. Suffused with generous humour and a youthful appetite for experience, My Brilliant Career is a luminous portrait of an ardently free spirit. Features: New, restored 4K digital transfer, approved by director Gillian Armstrong, with uncompressed monaural soundtrack Audio commentary from 2009 featuring Armstrong New interview with Armstrong Interview from 1980 with actor Judy Davis New interview with production designer Luciana Arrighi One Hundred a Day (1973), a student short film by Armstrong Trailer PLUS: An essay by critic Carrie Rickey
Based on the novel by Nobel Prize winner Patrick White, THE EYE OF THE STORM is a savage exploration of family relationships and the sharp undercurrents of love and hate, comedy and tragedy, which define them. When Elizabeth Hunter (Charlotte Rampling) has a stroke, her son and daughter (Oscar Award Winner Geoffrey Rush and Academy Award nominee Judy Davis) fly across the world to be at her bedside sparking the family's old frictions and resentments. They struggle to come to terms with who th...
Woody Allen's Celebrity--a portrait of the celebrity life as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the ex-couple, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. Branagh tries his hand at celebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. Davis runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, Leonardo DiCaprio and a host of others. While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation. His failure in the role, however, isn't entirely his fault, as it's another in a long line of unlikable male protagonists which Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. Far more enjoyable misadventures with Branagh include Charlise Theron in the film's best performance as a libidinous supermodel with a penchant for Echinacea; a stunning Famke Janssen as a successful book editor; and Winona Ryder, acting like an adult for the first time, as an aspiring actress. But they all manage to slip through Branagh's fingers by the end of the film. --Mark Englehart, Amazon.com
When a British government undercover agent is assassinated a radical anti-nuclear group is held responsible. SAS agent Skellen (Lewis Collins The Professionals) is called upon to infiltrate the group and put an end to their terrorist activities. He is welcomed into the group by its fanatical leader Frankie Leith (Judy Davis A Passage to India) and gets closer to uncovering her plan to attack a major political target. The group raids the American embassy and Skellen from within the residence must use all of his skill and courage to support and guide his SAS colleagues to save the lives of the high-ranking hostages being held captive. Who Dares Wins was inspired by the SAS rescue of hostages at the besieged Iranian Embassy in May 1980.
Repressed sexuality and social snobbery of the British upper-class are undone when a widow on vacation dallies with a handsome young Italian. Relatives and friends hurry from England to ""save"" her. The widow Lilia Herriton meets a young man when she visits Italy and marries him. The man is only a dentist without a good name and Lilia's relatives are clearly unhappy with her choice. Lilia dies while gving birth to a son and tow relatives travel to Italy to take care of the baby expecting no trouble from the father... Based on the novel by E.M. Forster.
Woody Allen's Celebrity--a portrait of the celebrity life as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the ex-couple, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. Branagh tries his hand at celebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. Davis runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, Leonardo DiCaprio and a host of others. While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation. His failure in the role, however, isn't entirely his fault, as it's another in a long line of unlikable male protagonists which Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. Far more enjoyable misadventures with Branagh include Charlise Theron in the film's best performance as a libidinous supermodel with a penchant for Echinacea; a stunning Famke Janssen as a successful book editor; and Winona Ryder, acting like an adult for the first time, as an aspiring actress. But they all manage to slip through Branagh's fingers by the end of the film. --Mark Englehart, Amazon.com
A sumptuous adaptation of the E.M. Forster novel in which a widow is sent to Italy by her in-laws to recuperate whereupon she falls in love with a young Italian dentist...
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