No children. No future. No hope. In a chaotic world in which humans can no longer procreate a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea where her child's birth may help scientists save the future of humankind... Based on the novel by P.D. James.
This boxset combines two great thriller movies which are based around supernatural occurences. The Forgotten (2004 Dir. Joseph Ruben): A grieving mother Telly Parada is struggling to cope with the loss of her 9-year-old son. She is stunned when her psychiatrist and her husband tell her that she has created eight years of memories of a son she never had. But when she meets the father of one of her son's friend who is having the same experience Telly embarks on a mission to
Catch him if you can. 'The Fugitive' is on the run! Harrison Ford and Tommy Lee Jones race through the breathless manhunt movie based on the classic TV series. Ford is prison escapee Dr. Richard Kimble a Chicago surgeon falsely convicted of killing his wife and determined to prove his innocence by leading his pursuers to the one-armed man who actually committed the crime. Jones (1993 Academy Award and Golden Globe winner as Best Supporting Actor) is Sam Gerard an unrelenting bloodhound of a U.S. Marshal. They are hunted and hunter. And as directed by Andrew Davis (Under Siege) their nonstop chase has one exhilarating speed: all-out. So catch him if you can. And catch an 11-on-a-scale-of-10 train wreck (yes the train is real) a plunge down a waterfall a cat-and-mouse jaunt through a Chicago St. Patrick's Day parade and much more. Better hurry; Kimble doesn't stay in one place very long!
Something has survived... Directed by Steven Spielberg the film picks up four years after the disaster at Jurassic Park. On a nearby island dinosaurs have secretly survived and been allowed to roam free but now there is a more ominous threat - a plan to capture and bring the dinosaurs to the mainland. John Hammond who has lost control of his InGen company sees a chance to redeem himself for his past mistakes and sends an expedition led by Ian Malcolm to reach the island before the mercenary team gets there. The two groups confront each other in the face of extreme danger and must team up for their own survival in a race against time. With more dinosaurs more action and more visual effects than the first record-breaking film The Lost World based on the thrilling bestseller by Michael Crichton with a screenplay by David Koepp also stars Julianne Moore Pete Postlethwaite Arliss Howard Vince Vaughn and Vanessa Lee Chester.
The Big Lebowski, a casually amusing follow-up from the prolifically inventive Coen brothers (Ethan and Joel), seems like a bit of a lark and the result was a box-office disappointment. It's lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hair-netted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. --Jeff Shannon
The music is on his side. Teenager Ren MacCormack sends ripples through Bomont a small Midwestern town that could stand some shaking up when he arrives from Chicago with his mother Ethel to settle with her relatives. The adults tend to view him with suspicion as a possible contaminant from the outer world. Some of his male peers eye him as a threat and most of the girls just plain eye him. It's a tough time for Ren whose father deserted him and his mother leaving them
Yes, he's back ... and he's still hungry. Hannibal is set 10 years after The Silence of the Lambs, as Dr Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Jodie Foster), on the other hand, hasn't had it so good--an outsider from the start, she's now a quiet, moody loner who doesn't play bureaucratic games and suffers for it. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q and A. Little does Clarice realise that the hideously deformed Verger--who, upon suggestion from Dr Lecter, peeled off his own face--is using her as bait to lure Dr Lecter out of hiding, quite certain he'll capture the good doctor. Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Does it work? Yes--but only up to a point. Scott adeptly sets up an atmosphere of foreboding, but it's all a build-up to the anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr Lecter and a third, unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence of the Lambs so amazing was their interaction. When they do connect it's quite thrilling but it's unfortunately too little too late. --Mark Englehart, Amazon.com On the DVD: The good-looking widescreen (1.85:1) anamorphic print is accompanied by a directorial commentary on the first disc. Ridley Scott is no stranger to DVD commentaries by now, and keeps up a pretty constant flow of enjoyable story exposition, although provides few specifics about the actual filmmaking process. He's obviously more than happy to talk about this movie, since on the second disc there are also "Ridleygram" interviews with Scott about the process of storyboarding and a huge chunk of deleted or alternate scenes (including the alternate ending) with optional directorial commentary. There's a wealth of other extras to dip into, including five "making-of" featurettes (73 minutes in all), plus two multi-angle "vignettes" of the film's opening sequences (the fish-market shoot-out and opening titles), and a marketing gallery of trailers, stills and artwork. Surround-sound enthusiasts can select either Dolby 5.1 or DTS soundtracks for the main feature. --Mark Walker
Chicago: At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly and spotlight-seeking Roxie Hart both find themselves sharing space on Chicago's famed Murderess Row! They also share Billy Flynn, the town's slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there's only room for one legend!; ; The Hours: An adaptation of the novel by Michael Cunningham, this is the story of three women living...
When her son disappears and is believed dead, a single mother blames an African-American man from the projects for the kidnapping.
The Big Lebowski (Dir. Joel Coen 1998): 'The Dude' Jeff Lebowski (Jeff Bridges) is unemployed and as laid-back as they come. That is until he becomes a victim of mistaken identity when two thugs break into his apartment with the errant belief that they're strong-arming Jeff Lebowski - the Pasadena millionaire. In the hope of getting a replacement for his soiled carpet 'the Dude' pays a visit to his wealthy namesake... It's not long before 'The Dude' and his psychopathic buddy Walter Sobchak (John Goodman) are drawn into a labyrinthine plot of extortion embezzlement sex dope German Nihilists White Russians mysterious cowboys Shomer Shabbos bowling and severed toes... Envisaged as a homage to the musicals of Busby Berkley Robert Altman's The Long Goodbye (adapted from Raymond Chandler's novel) and the ritual of bowling The Big Lebowski has developed a massive cult-following with its hilarious dialogue and quirky characters. Apparently the script was written with Jeff Bridges John Goodman and Sam Elliott in mind... Jeff Bridges even went as far as to say he could have turned out like 'The Dude' had he not been born into the movie business... Sounds good to us man! The Moguls (Dir. Michael Traeger 2005): In a nothing bar in a small nowhere industrial town sits Andy - a nice guy down on his luck. Jobs have come and gone. Crazy moneymaking enterprises have crumbled to dust. His ex-wife has married a rich guy who can buy his only son all the things that Andy can't afford. All Andy's got is a bunch of loving loser friends and a desire to do something to change his destiny. Staring morosely at the small ads in the town paper it comes to him in a flash - he'll make a porno film - with his friends!
Puppet Master': Five psychics hear rumours that the secret of life has been discovered by Andre Toulon a puppeteer and decide to investigate. What they find are five puppets which have been specially designed to kill. 'Puppet Master 2': The group of deadly puppets are back to create more murder and mayhem. This time the victims are a team of researchers.
Futuristic sci-fi drama about a world in which humans have almost completely lost the ability to procreate and the search for any remaining specimen that can. It's the year 2027 and earth's youngest human being, at 18, has just died. Extinction seems a certainty, aided by the fact that wars are now waged continually between desperate nationalistic factions. Set against the backdrop of London, Clive Owen plays Theo, a former activist now bureaucrat informed of the discovery a lone pregnant woman - ostensibly earth's last hope. The challenge is to deliver her from harm to a place where her baby can be delivered safely. Understandably, there is more than one of the warring factions that would benefit from getting their hands on her.
Finding Neverland: (Dir. Marc Forster) (2004): This is a tale of magic and fantasy inspired by the life of Peter Pan author James Barrie. Set in London 1904 the film is a fictional account of Barrie's creative struggle to bring Peter Pan to life from his first inspiration up until the play's premiere - a night that will change not only Barrie's own life but the lives of everyone close to him. The Hours: (Dir. Stephen Daldry) (2002): An adaptation of the novel by Michael Cunningham this is the story of three women living in different time periods of the Twentieth Century all linked by a work of literature. In 1923 Virginia Woolf starts to write her novel 'Mrs Dalloway' whilst struggling to cope with depression and mental illness. In 1951 Laura Brown a dissatisfied housewife contemplates her own life after reading 'Mrs Dalloway'. In 2000 editor Clarissa Vaughan struggles to look after her ex-lover Richard Brown who is losing his battle with Aids. Richard nicknames her 'Mrs Dalloway'.
Children Of Men (2006): In a chaotic world in which humans can no longer procreate a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea where her child's birth may help scientists save the future of humankind... Twelve Monkeys (1996): Cole (Bruce Willis) is sent back in time to save the human race from a deadly virus that has forced mankind into dank underground communities in the future. Along his travels he encounters a psychiatrist (Madeleine Stowe) and a mental patient brilliantly portrayed by Brad Pitt who may hold the key to a mysterious rogue group the Army of the 12 Monkeys thought to be responsible for unleashing the killer disease. Believing he can obtain a pure virus sample in order to find a cure in the future he is met with one riddle after another that puts him in a race with time. This sci-fi masterpiece from the genius mind of Terry Gilliam is a modern-day classic.
The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, The Fellowship of the Ring and The Two Towers. What's New? One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. How Are the Bonus Features? To complete the experience, The Return of the King provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier ROTK DVD, so it's still entertaining to hear him break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron. One DVD Set to Rule Them All Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi
The Hunger Games: Mockingjay Part 2 brings the franchise to its powerful final chapter in which Katniss Everdeen [Jennifer Lawrence] realises the stakes are no longer just for survival they are for the future. With the nation of Panem in a full scale war, Katniss confronts President Snow [Donald Sutherland] in the final showdown. Teamed with a group of her closest friends including Gale [Liam Hemsworth], Finnick [Sam Claflin] and Peeta [Josh Hutcherson] Katniss goes off on a mission with the unit from District 13 as they risk their lives to liberate the citizens of Panem, and stage an assassination attempt on President Snow who has become increasingly obsessed with destroying her. The mortal traps, enemies, and moral choices that await Katniss will challenge her more than any arena she faced in The Hunger Games. The Hunger Games: Mockingjay Part 2 is directed by Francis Lawrence and features an acclaimed cast including Academy Award®-winner Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Academy Award®-winner Philip Seymour Hoffman, Jeffrey Wright, Willow Shields, Sam Claflin, Jena Malone with Stanley Tucci and Donald Sutherland reprising their original roles from The Hunger Games and The Hunger Games: Catching Fire. The impressive line-up is joined by The Hunger Games: Mockingjay Part 1 co-stars Academy Award®-winner Julianne Moore, Mahershala Ali, Natalie Dormer and Gwendoline Christie.
The story of how the novel 'Mrs. Dalloway' affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives. Extras: COMMENTARY BY NICOLE KIDMAN, MERYL STREEP AND JULIANNE MOORE COMMENTARY BY DIRECTOR STEPHEN DALDRY AND NOVELIST MICHAEL CUNNINGHAM FILMMAKERS INTRODUCTION THREE WOMEN THE MIND AND TIMES OF VIRGINIA WOOLF THE MUSIC OF THE HOURS THE LIVES OF MRS. DALLOWAY THEATRICAL TRAILER
Own the epic collection of all six films from the blockbuster franchise. Jurassic Park Jurassic Park takes you to a remote island where an amazing theme park with living dinosaurs is about to turn deadly, as five people must battle to survive among the prehistoric predators. The Lost World: Jurassic Park Four years since the disaster at Jurassic Park, two groups are in a race against time that will determine the fate of the remote island's prehistoric inhabitants. Jurassic Park III Adventure runs wild when renowned palaeontologist Dr. Alan Grant (Sam Neill) agrees to accompany a wealthy couple (William H. Macy and Téa Leoni) on an aerial tour of Isla Sorna, Dr. Grant soon discovers that his hosts are not what they seem, and the island's native inhabitants are smarter and more brutal than he ever imagined. Jurassic World 22 years ago, John Hammond envisioned a theme park where guests could experience the thrill of witnessing actual dinosaurs. Today, Jurassic World welcomes tens of thousands of visitors, but something sinister lurks behind the park's attractions: a genetically modified dinosaur with savage capabilities. Jurassic World Fallen Kingdom It's been three years since Jurassic World was destroyed by dinosaurs out of containment, but when the island's dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event. Jurassic World Dominion Four years after Isla Nublar has been destroyed, dinosaurs now live - and hunt - alongside humans. This fragile balance will determine, once and for all, whether human beings are to remain the apex predators on a planet they now share with history's most fearsome creatures.
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