An accomplished headhunter risks everything to obtain a valuable painting owned by a former mercenary.
Set in 1944, "Female Agents" follows a five strong all-female commando unit that parachutes into occupied France on a dangerous mission.
Product Features SEE prehistoric love rites! SEE primitive chieftains duel in naked fury! SEE the young lovers sacrificed! SEE staked girl menaced by giant python! Following the enormous success of One Million Years B.C. in 1965, Hammer embarked on a series of prehistoric adventures over the next five years, concluding with Creatures the World Forget. Directed by Don Chaffey previously responsible for One Million Years B.C., not to mention Ray Harryhausen's classic Jason and the Argonauts the film swapped dinosaurs for more adult content, starred former Miss Norway and ex-Bond girl Julie Ege (On Her Majesty's Secret Service), and earned itself an X' certificate in the process. Even today, it still rates an 18' from the BBFC! Product Features High Definition remaster Original mono audio Audio commentary with author and critic Kim Newman (2022) Hammer's Women: Julie Ege (2022): profile of the Norwegian actor and model David Huckvale on Mario Nascimbene (2022): an appreciation of the film's by the author of Hammer Film Scores and the Musical Avant-Garde Three Children's Film Foundation films directed by Don Chaffey: Skid Kids (1953): story about a group of young cyclists; A Good Pull-up (1953): a handyman gets himself into trouble at a workers' café; Watch Out (1953): following the escapades of Dickie Duffle as he tours a film studio Original theatrical trailer Image galleries: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 80-page book with a new essay on the film, archival interviews and articles, an overview of contemporary critical responses, and film credits UK premiere on Blu-ray Limited edition of 5,000 copies for the UK All extras subject to change
The Simpsons reside in the town of Springfield. Homer works as a safety inspector at the local nuclear power plant; Marge tries to keep the peace in her family; Bart is the mischievous ten-year-old hellion; eight-year-old Lisa is the intelligent, saxophone-playing vegetarian member of the family; and baby Maggie conveys emotions via pacifier sucks. Viewers also have come to know and love the rich, and sometimes quirky, universe of characters who inhabit Springfield. Guest stars paying Springfield a visit this season include British Prime Minister Tony Blair, Glenn Close, famed author J.K. Rowling, Jennifer Garner, comedian Jerry Lewis, Evan Marriott, Sir Ian McKellan, documentarian Michael Moore and Simon Cowell. Special Features: Deleted Scenes Featurettes
Episodes Comprise: 1. Treehouse of Horror XII 2. The Parent Rap 3. Homer the Moe 4. A Hunka Hunka Burns in Love 5. The Blunder Years 6. She of Little Faith 7. Brawl in the Family 8. Sweets and Sour Marge 9. Jaws Wired Shut 10. Half-Decent Proposal 11. The Bart Wants What It Wants 12. The Lastest Gun in the West 13. The Old Man and the Key 14. Tales from the Public Domain 15. Blame It on Lisa 16. Weekend at Burnsie's 17. Gump Roast 18. I Am Furious Yellow 19. The Sweetest Apu 20. Little Girl in the Big Ten 21. The Frying Game 22. Poppa's Got a Brand New Badge
After fighting his way out of a building filled with gangsters and madmen - a fight that left the bodies of police and gangsters alike piled in the halls - rookie Jakarta cop Rama thought it was done and he could resume a normal life.
Woody Allen's gentlest and most unassuming movie, Radio Days isn't so much a story as a series of anecdotes loosely linked together by a voice-over spoken by the director. The film is strongly autobiographical in tone, presenting the memories of a young lad Joe (clearly a stand-in for Allen himself) growing up in a working-class Jewish family in the seafront Brooklyn suburb of Rockaway during the late 1930s and early 40s. In this pre-TV era the radio is ubiquitous, a constant accompaniment churning out quiz shows, soap operas, dance music, news flashes and Joe's favourite, the exploits of the Masked Avenger. Given Allen's well-publicised gallery of neuroses, you might expect childhood traumas. But no, everything here is rose-tinted and even the outbreak of war makes little impact on the easygoing, protective tenor of family life. Now and then Allen counterpoints his family album with the doings of the radio folk themselves (blink, and you'll miss a young William H Macy in the studio scene when the news of Pearl Harbour comes through). The rise to fame of Sally (Mia Farrow), a former night-club cigarette girl turned crooner, is the nearest the film comes to a coherent storyline. But most of the time Allen is content to coast on a flow of easy nostalgia, poking affectionate fun at the broadcasting conventions of the period and basking in the mildly rueful Jewish humour and small domestic crises of Joe's extended family. There aren't even any of his snappy one-liners, and the humour is kept low-key, raising at most an indulgent smile. A touch of Allen's usual acerbity wouldn't have come amiss. But for anyone who shares these memories, Radio Days will surely be a delight. On the DVD: Not much besides the theatrical trailer, scene menu and a choice of languages. The screen's the full original ratio, but nothing seems to have been done to enhance the soundtrack, and the dialogue's not always clear. A boost in volume may help.--Philip Kemp
Don't Look Now was filmed in 1973 and based around a Daphne Du Maurier novel. Directed by Nicolas Roeg, it has lost none of its chill: like Kubrick's The Shining, its dazzling use of juxtaposition, colour, sound and editing make it a seductive experience in cinematic terror, whose aftershock lingers in daydreams and nightmares, filling you with uncertainty and dread even after its horrific climax. Donald Sutherland plays John Baxter, an architect, Julie Christie his wife: a well-to-do couple whose young daughter drowns while out playing. Cut to Venice, out of season, where the couple encounter a pair of sisters, one of whom claims psychic powers and to have communicated with their dead daughter. The subsequent plot is as labyrinthine as the back streets of the city itself, down which Baxter spots a diminutive and elusive red-coated figure akin to his daughter, before being drawn into an almost unbearable finale. Don't Look Now is a Gothic masterpiece, with its melange of gore, mystery, ecstasy, the supernatural and above all grief, while the city of Venice itself--which thanks to Roeg and his team seems to breathe like a dark, sinister living organism throughout the movie--deserves a credit in its own right. Not just a magnificent drama but an advanced feat of cinema. --David Stubbs
Based on the novel by L.P Hartley and adapted by Harold Pinter, The Go-Between stars Julie Christie as Marian, about to be engaged to Hugh (Edward Fox), a well-bred viscount and her perfect match. Over the course of a sweltering Norfolk summer in 1900, young Leo (Dominic Guard), becomes besotted with the vivacious Marian whilst staying at their house. Innocent of romantic and sexual matters, he unwittingly becomes a pawn in the forbidden romance between her and eminently unsuitable local farmer Ted Burgess (Alan Bates). As the oppressive heat intensifies so too does Leon's burgeoning adolescent questioning of love, attraction and the rules of the upper class that he doesn't really belong to. Both a beautifully subtle critique of the English class system and a visual masterpiece that perfectly captures the timeless beauty of an English Edwardian summer, The Go-Between won director Joseph Losey the Grand Prix (now the Palme D'Or) at Cannes Film Festival in 1971.
Get down to Springfield for the ninth series of The Simpsons; Homer's acting as diligently as ever as he purchases a gun to help protect the family takes on the City of New York in a legal battle and decides that he's the right man to run for Sanitation Commisioner! Packed with more extra's than you could fit in a Krusty Burger all hail Season 9! Episodes Comprise: 1. The City Of New York vs. Homer Simpson 2. The Principal And The Pauper 3. Lisa's Sax 4. Treehouse Of Horror VIII 5. The Cartridge Family 6. Bart Star 7. The Two Mrs. Nahasapeemapetilons 8. Lisa The Skeptic 9. Reality Bites 10. Miracle On Evergreen Terrace 11. All Singing All Dancing 12. Bart Carny 13. The Joy Of Sect 14. Das Bus 15. The Last Temptation Of Krust 16. Dumbbell Indemnity 17. Lisa The Simpson 18. This Little Wiggy 19. Simpson Tide 20. The Trouble With Trillions 21. Girly Edition 22. Trash Of The Titans 23. King Of The Hill 24. Lost Our Lisa 25. Natural Born Kissers
Originally created from the novels by award-winning writer Ann Cleeves (Vera) and set against a hauntingly beautiful landscape, Shetland follows DI Jimmy Perez (Douglas Henshall) and his team as they investigate complex crimes within a close-knit island community. In this isolated and sometimes inhospitable environment, the team must rely on a uniquely resourceful style of policing to unpick the truth. Series one and two are based on bestselling books Red Bones, Raven Black, Dead Water and Blue Lightning. Each subsequent instalment focuses on an original single mystery written for television, each told over six gripping episodes. Series three sees Perez tackling a conspiracy that takes him back to the Scottish mainland in a case that will exact a terrible personal toll on both him and his team. Perez faces murders from the past and present with unsettling similarities in series four, when an investigation leads him closer to home than he could have ever imagined. In the latest series, a gruesome discovery on a beach unleashes a disturbing case that reaches far beyond the island's shores.
Okay, sure, if you're a ten-year-old girl, this sequel to Disney's 2001 hit will completely transfix you. How could it not? Bubbly Mia (Anne Hathaway), the American teenager who in the first film learned she was actually European royalty, finishes college and--whoosh!--heads off to Genovia, where shes given a closet full of fabulous clothes and jewelry in preparation to rule the kingdom under the tutelage of grandmother Julie Andrews. Throw in a horse and a volatile but innocent romantic attraction to the dreamy young stud (Chris Pine) who's also vying for the throne, and you have the kind of stuff that prepubescent girls rhapsodize about at slumber parties. Oh--and there's a slumber party here, too, featuring a bevy of cute, international young princesses mattress-surfing down a giant slide. Resistance is futile. For the rest of us, though, director Garry Marshall has managed to make his Laverne & Shirley days seem positively Shakespearean in comparison. The movie is precious, padded (two hours!), and pandering twaddle; Andrews, in her role as Queen Mother, is even shoehorned into a faux-hip-hop duet with Disney Channel favorite Raven (one of many, many grueling moments intended to sell the soundtrack). Then the film takes a maddening left turn three-quarters of the way into the plot and decides that, despite all the preceding consumption and connubial fantasies to the contrary, it's really about feminine emancipation. But dont worry--what causes you to smack your forehead in frustration will go right over the heads of its hypnotized target market. --Steve Wiecking
Set in and around Rome and based on the best-selling novels by the late Michael Dibdin Rufus Sewell stars as the fictional Italian detective Aurleio Zen. Vendetta Cabal & Ratking will feature many of the combined attractions of Italy and the Dibdin novels - thrilling investigations fun passion warmth and beautiful people. Includes Bonus Digital Copy As a bonus to your DVD you can also transfer a digital copy this will allow you to view your 'Zen' episodes on your PC or your mobile device(s). Just follow the step by step instructions inside your DVD.
Starring Robert Carlyle as the Nazi dictator, Hitler: The Rise of Evil is a lavish made-for-TV two-parter that traces Adolf Hitler's early life, including his boyhood in Austria and impoverished period as a struggling artist in Vienna, culminating in 1934, by which time he had assumed the chancellorship of Germany. We bear witness to the rhetoric, ruthlessness and obsessive determination that propelled him to power, despite the best efforts of opponents like Matthew Modine's campaigning journalist. His inadequate but despotic relationships with women, such as his tragic half-niece Geli Raubal, are also examined. Carlyle fares very well in what is traditionally considered the invidious task of bringing Hitler to dramatic life, conveying him plausibly as an impenetrably evil man, complex but irredeemable. However, this drama fails to explain just how and why such a pathetic, psychotic, unattractive individual such as Hitler could make such an immediate, profound impression on, for example, Ernst Hanfstangl and his wife Nina (ER's Julianne Margulies). Disproportionate attention is paid to Hitler's relationship to this American-born couple, perhaps as a sop to US audiences. In contrast, the social, cultural and political context of inter-war Germany is skimpily depicted here, making Hitler's ascendancy seem almost absurd. On the DVD: Hitler: The Rise of Evil is, as you would expect, a decent transfer from the TV original, but there are no additional features. --David Stubbs
Springfield's first family finally come to the big screen in a feature length animated adventure.
A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
The first ever 4K restoration of DON'T LOOK NOW, which was Nicolas Roeg's finest film and arguably - one of the best British films ever made! Starring Donald Sutherland and Julie Christie, this is a brilliant adaptation of a Daphne Du Maurier short story. On a cold, bright autumn day in Suffolk, England, a little girl in a red mackintosh drowns in a pond the daughter of John and Laura Baxter . Trying to recover from the tragedy, the couple arrive in Venice, Italy, where John has been commissioned to restore a church. In the eerie atmosphere of the lagoon city in winter, they encounter two strange sisters. Laura is suddenly released from her grief when one of them, a blind psychic, tells her that she is in contact with her dead daughter. Angered and sceptical, John carries on with his work, but witnesses an unsettling vision of his own: a little girl in a red mackintosh disappearing into the Venetian alleys. As Venice and his fate closes in on John, illusion, reality and sudden terror spiral the story to its grotesque climax, as the design in director Nicolas Roeg's mosaic becomes unforgettably clear. Available as part of a 3 disc edition with newly commissioned artwork by Jeremy Encino containing UHD, Blu-ray Feature, Blu-ray bonus disc with brand new extras. For the 2019 restoration of DON'T LOOK NOW, STUDIOCANAL went back to the original camera negative which was scanned at 4K resolution in 16bit and created the following: 4K DCP, UHD version and a new HD version which were produced with the same high technological standards as today's biggest international film releases. The restoration and new UHD version was colour graded and approved in London by the BAFTA Award-winning cinematographer, Anthony B Richmond. Extras: Pass the Warning: Taking A Look Back at Nic Roeg's Masterpiece A kaleidoscope of meaning: colour in Don't Look Now 4K Restoration featurette Audio Commentary with Nic Roeg Death in Venice: Interview with Pino Donaggio Interview with Donald Sutherland Interview with Allan Scott Interview with Tony Richmond Interview with Danny Boyle Don't Look Now: Looking Back Behind the scenes stills gallery
All 4 episodes of Julie Walters' brand new series. Dame Julie Walters is setting off to travel the length and breadth of the UK on Britain s dramatic coastal railway to discover how much of it' s seaside-dwelling nation still depends on the rails. Julie finds out that the coast is a magnet for pioneers, rebels and renegades. She meets descendants of pioneering men and women, and marvels at the historic feats of engineering and coastal architecture. She travels along four of the most dramatic stretches of coastal railway main lines and branches. Julie s journey kicks off in the West Highlands of Scotland, considered by some as the most scenic railway in the world. She is reunited with the famous Jacobite steam train that held a starring role in the Harry Potter films. Her journey then takes Julie along the East Coast Line, on the famous Great Western Railway heading down to Cornwall, and then on to North Wales where she catches the famous Ffestiniog railway through the Snowdonia National Park. Includes subtitles for the Hard of Hearing.
First aired in 1990-91, the second series of The Simpsons proved that, far from being a one-joke sitcom about the all-American dysfunctional family, it had the potential to become a whole hilarious universe. The animation had settled down (in the first series, the characters look eerily distorted when viewed years later), while Dan Castellaneta, who voiced Homer, decided to switch from a grumpy Walter Matthau impression to a more full-on, bulbous wail. The series' population of minor characters began to grow with the inclusion of Dr Hibbert, McBain and attorney Lionel Hutz, while the writers became more seamless in their ability to weave pastiche of classic movies into the plot lines. While relatively "straight" by later standards (the surreal forays of future seasons are kept in check here), Season Two contains some of the most memorable episodes ever made, indeed some of the finest American comedy ever made. These include "O Brother, Where Art Thou?", in which Homer is reunited with, and ruins the business of, his long-lost brother ("He was an unbridled success--until he discovered he was a Simpson"), "Dead Putting Society", in which Homer lives out his rivalry with neighbour Ned Flanders through a crazy-golf competition between the sons ("If you lose, you're out of the family!") and one of the greatest ever episodes, "Lisa's Substitute", which not only features poor little Lisa's crush on a supply teacher voiced by Dustin Hoffman but also Bart's campaign to become class president. "A vote for Bart is a vote for anarchy!", warns Martin, the rival candidate. By way of a retort, Bart promises faithfully, "A vote for Bart is a vote for anarchy!". --David Stubbs On the DVD: The Simpsons, Season 2, like its DVD predecessor, has neat animated menus on all four discs as well as apparently endless copyright warnings, but nothing as useful as a "play all" facility. The discs are more generously filled than Season 1, however, and each episode has an optional group commentary from Matt Groening and various members of his team. The fourth disc has sundry snippets including the Springfield family at the Emmy Awards ceremony, Julie Kavner dressed up as Bart at the American Music Awards and videos for both "Do the Bartman" and "Deep, Deep Trouble" (all with optional commentary). There are two short features dating from 1991: director David Silverman on the creation of an episode and an interview with Matt Groening. TV commercials for butterfinger bars, foreign language clips and picture galleries round out the selection. Picture is standard 4:3 and the sound is good Dolby 5.1. --Mark Walker
Experience the extraordinary animation, dazzling special effects and award-winning music of Walt Disney's Mary Poppins in this restored and remastered 2-Disc 45th Anniversary Special Edition!
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