"Actor: Jullan Kindahl"

• Smiles Of A Summer Night | DVD | (24/09/2001) from £10.16   |  Saving you £9.83 (96.75%)   |  RRP £19.99

  The film which established its Swedish writer/director on the stage of world cinema, 1956's Smiles of a Summer Night is what some people would consider a contradiction in terms--an Ingmar Bergman comedy. Set in the 19th century, Smiles features Bergman stalwart Gunner Bjornstrand as Fredrik, a lawyer yet to consummate his marriage to his young wife Anne. He has hankerings after a former mistress, the voluptuous actress Desiree, who is now mistress to the bellicose Count Malcolm, whose own wife attempts to seduce Fredrik in order to make Malcolm jealous. Fredrik's wife, meanwhile, hankers after her own stepson, an austere young man confused by his repressed sexual longings. This web of romantic intrigue is eventually disentangled at a weekend party held by Desiree's mother, a formidably acerbic, fairy godmother-style figure.Smiles of a Summer Night is sparkling but mordant, stronger on absurdism than belly laughs and it is lent shade by the long shadows of existential angst. It conveys all of Bergman's core messages about human relationships but in a light, operatic bundle of cinematic joy.On the DVD: Presented in the original academy ratio, the film is restored here to its original, silvery glory. There are extensive notes from Bergman's memoirs, in which he talks candidly about the near-suicidal depression he was in when he wrote this ironically light script, as well as additional notes from critic Derek Malcolm, who aptly compares the film to a Mozart opera and Jean Renoir's The Rules of the Game. --David Stubbs

• Wild Strawberries | DVD | (25/02/2002) from £10.35   |  Saving you £9.64 (93.14%)   |  RRP £19.99

  Made in 1957, Wild Strawberries finds the great Swedish director Ingmar Bergman at the height of his powers. It's a road movie, in effect: an aged medical professor (Victor Sjöström)--lonely, disillusioned and haunted by dreams of death--travels across country to receive an honorary degree. But as with all good road movies, the outer journey parallels an inner one. Incidents along the road conjure up memories, and Professor Borg finds himself forced to confront the failures and lost opportunities of his life. Gentle and elegiac, Bergman's film is a masterpiece of compassion and reconciliation, and also a tribute to his predecessor Sjöström, the greatest Swedish director of the silent era. The 78-year-old film maker gives an austere, moving performance, and Bergman treats his lined features like a landscape of yearning and regret. Sjöström is ably supported by other members of Bergman's regular repertory company of the period, particularly Bibi Andersson, heartbreakingly appealing, as the lost love of Borg's youth. --Philip Kemp