Pity poor Vic (Alan Bates): when he begins a relationship with Ingrid (June Ritchie), a typist at the Lancashire factory where he works as a draughtsman; his life comes apart at the seams. Ingrid's gossiping, malicious friends are bad enough, but her mother Mrs Rothwell (the terrifying Thora Hird) is something else. Vic has to marry Ingrid-she's pregnant--and the only place for them to stay is chez Rothwell. There's a tenderness about A Kind of Loving which you don't find in the more abrasive "kitchen sink" films of the 60s. Vic is not a rebel like Arthur Seton in Saturday Night, Sunday Morning or a macho lunk like Richard Harris' rugby-league player in This Sporting Life. He's a likable, easygoing youngster who soon discovers that real-life love affairs are infinitely messier than he and his mates could ever have imagined. The acute, witty screenplay, adapted by Willis Hall and Keith Waterhouse from Stan Barstow's novel, shows how limited Vic and Ingrid's choices really are. They have no privacy or independence. Bounced into a marriage that neither necessarily wants, their romance quickly sours. Mrs Rothwell is truly the mother-in-law from Hell--a busybody and a tyrant. Look out for the Queen Victoria-like expression on her face when a drunken Vic throws up in her front room. Debut-feature director John Schlesinger captures the humour and the pathos in the young lovers' plight without ever making fun of them. --Geoffrey Macnab
In the early 1970s, three ambitious friends Peter Crane, Michael Sloan and Nigel Hodgson combined the first letters of each of their names and set up the Pemini Organisation, a young and vital independent British film production company. Active between 1972 and 1974, Pemini produced one mid-length film, Hunted, a high-suspense thriller starring Edward Woodward and June Ritchie, and two feature films: Assassin, a grimly realistic spy film starring Ian Hendry, Edward Judd, Frank Windsor, Ray Brooks and Mike Pratt; and Moments, an enigmatic romantic mystery starring Keith Michell and Angharad Rees. When Pemini disbanded, the films disappeared into the ether... Now, these three lost works, made by one of the most vibrant independent production companies of the era, have been rescued from the archives to be given their first ever home entertainment release in this deluxe, individually numbered Limited Edition Blu-ray set, accompanied by a wealth of newly produced extras, including feature-length director commentaries, cast and crew interviews, and an 80-page book. Product Features New 2K restorations of Hunted, Assassin, and Moments from the only surviving film elements Original mono audio Audio commentaries on Hunted, Assassin, and Moments with director Peter Crane and film historian Sam Dunn (2022) Interview with Peter Crane, director of Hunted, Assassin, and Moments (2022) Interview with Michael Sloan, writer of Hunted, Assassin, and Moments (2022) Interview with Bruce Atkins, production designer Hunted, Assassin, and Moments (2022) Interview with Pemini Organisation co-founder Nigel Hodgson (2022) Interview with June Ritchie, star of Hunted (2022) Interview with Hunted composer Graham Dee (2022) Interview with Martyn Chillmaid, assistant director of Assassin (2022) Interview with Moments actor Valerie Minifie (2022) Interview with Moments composer John Cameron (2022) Interview with Bill Summers, electrician on Moments (2022) Moments' in Cannes (2022): Peter Crane recounts a memorable story from an exhibitor screening Film historian Vic Pratt charts the history of the Pemini Organisation (2022) Ian Hendry biographer Gabriel Hershman looks at the actor's role in Assassin (2022) Moments: deleted sex scene (1974): sequence removed from release prints at the behest of the distributor In Search of Lebanon (1970): student film directed by Peter Crane and Nigel Hodgson exploring present day Lebanon as the living source of the Adonis myth Original theatrical trailers Image galleries: extensive promotional and publicity materials from the Pemini Organisation's archives New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive 80-page book featuring extensive extracts from Peter Crane's Memories of Pemini', detailing the rise and fall of the Pemini Organisation and the production of their three films, extracts from the films' original press materials, archival news articles on Pemini's activities, new writing on In Search of Lebanon, and full film credits World premiere on Blu-ray Limited edition of 6,000 copies for the UK and US All extras subject to change
Pity poor Vic (Alan Bates): when he begins a relationship with Ingrid (June Ritchie), a typist at the Lancashire factory where he works as a draughtsman; his life comes apart at the seams. Ingrid's gossiping, malicious friends are bad enough, but her mother Mrs Rothwell (the terrifying Thora Hird) is something else. Vic has to marry Ingrid-she's pregnant--and the only place for them to stay is chez Rothwell. There's a tenderness about A Kind of Loving which you don't find in the more abrasive "kitchen sink" films of the 60s. Vic is not a rebel like Arthur Seton in Saturday Night, Sunday Morning or a macho lunk like Richard Harris' rugby-league player in This Sporting Life. He's a likable, easygoing youngster who soon discovers that real-life love affairs are infinitely messier than he and his mates could ever have imagined. The acute, witty screenplay, adapted by Willis Hall and Keith Waterhouse from Stan Barstow's novel, shows how limited Vic and Ingrid's choices really are. They have no privacy or independence. Bounced into a marriage that neither necessarily wants, their romance quickly sours. Mrs Rothwell is truly the mother-in-law from Hell--a busybody and a tyrant. Look out for the Queen Victoria-like expression on her face when a drunken Vic throws up in her front room. Debut-feature director John Schlesinger captures the humour and the pathos in the young lovers' plight without ever making fun of them. --Geoffrey Macnab
Two vehicles lurch across the east African bush carrying an ill-assorted party of prospectors who have formed a syndicate to search for uranium deposits. As their four-week window for digging starts to close trouble soon starts amongst the group and there are some sinister 'accidents'... It is obvious that one of the party is trying to sabotage the expedition; but who? American-born actor William Sylvester (best known for his role in 2001: A Space Odyssey) features alongside June Ritchie and Plane Makers star Robert Urquhart in this gripping 1960s thriller filmed on location in Kenya. The Syndicate is featured here in a brand-new transfer from original film elements in its as-exhibited theatrical aspect ratio. Special Feature: Original Theatrical Trailer Image Gallery
Ian Hendry June Ritchie John Hurt and future Randall and Hopkirk stars Annette Andre and Mike Pratt feature among an outstanding cast in this mid-sixties realist drama from noted director Sidney Hayers. This Is My Street is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Jubilee Close a drab street of decaying houses in London's Battersea is home to a cross-section of working-class families. Yearning to escape from this depressing environment is the pretty ambitious Margery Graham; the victim of an enforced marriage she is tied to a lazy boorish husband and young daughter Cindy. Margery lives next door to her widowed mother who in order to make ends meet has taken in a lodger Harry - a slick unscrupulous salesman with a roving eye and a more-than-neighbourly interest in Margery... Special Features: Original Theatrical Trailer Image Gallery Original Pressbook PDF
In this British drama Alan Bates stars as a young man who must decide whether to follow his heart or his responsibilities when his girlfriend falls pregnant and they are forced to move into her family's house.
Pity poor Vic (Alan Bates): when he begins a relationship with Ingrid (June Ritchie), a typist at the Lancashire factory where he works as a draughtsman; his life comes apart at the seams. Ingrid's gossiping, malicious friends are bad enough, but her mother Mrs Rothwell (the terrifying Thora Hird) is something else. Vic has to marry Ingrid-she's pregnant--and the only place for them to stay is chez Rothwell. There's a tenderness about A Kind of Loving which you don't find in the more abrasive "kitchen sink" films of the 60s. Vic is not a rebel like Arthur Seton in Saturday Night, Sunday Morning or a macho lunk like Richard Harris' rugby-league player in This Sporting Life. He's a likable, easygoing youngster who soon discovers that real-life love affairs are infinitely messier than he and his mates could ever have imagined. The acute, witty screenplay, adapted by Willis Hall and Keith Waterhouse from Stan Barstow's novel, shows how limited Vic and Ingrid's choices really are. They have no privacy or independence. Bounced into a marriage that neither necessarily wants, their romance quickly sours. Mrs Rothwell is truly the mother-in-law from Hell--a busybody and a tyrant. Look out for the Queen Victoria-like expression on her face when a drunken Vic throws up in her front room. Debut-feature director John Schlesinger captures the humour and the pathos in the young lovers' plight without ever making fun of them. --Geoffrey Macnab
In London's sin-filled strip there is one place where every man goes...
Further action-fuelled adventures with those cool crimefighters Lord Brett Sinclair (Moore) and Danny Wilde (Curtis). Epsisodes include: The Man In The Middle: A double agent is discovered working in British Intelligence... Element of Risk: A known criminal arrives in London and gets mixed up with Danny... A Home of One's Own: Danny buys himself a cottage and gets involved with the illegal activities of the local squire... Nuisance Value: A fake kidnapping threatens to test the sleuthing skills of Brett and Danny...
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