Starring Robert Carlyle as the Nazi dictator, Hitler: The Rise of Evil is a lavish made-for-TV two-parter that traces Adolf Hitler's early life, including his boyhood in Austria and impoverished period as a struggling artist in Vienna, culminating in 1934, by which time he had assumed the chancellorship of Germany. We bear witness to the rhetoric, ruthlessness and obsessive determination that propelled him to power, despite the best efforts of opponents like Matthew Modine's campaigning journalist. His inadequate but despotic relationships with women, such as his tragic half-niece Geli Raubal, are also examined. Carlyle fares very well in what is traditionally considered the invidious task of bringing Hitler to dramatic life, conveying him plausibly as an impenetrably evil man, complex but irredeemable. However, this drama fails to explain just how and why such a pathetic, psychotic, unattractive individual such as Hitler could make such an immediate, profound impression on, for example, Ernst Hanfstangl and his wife Nina (ER's Julianne Margulies). Disproportionate attention is paid to Hitler's relationship to this American-born couple, perhaps as a sop to US audiences. In contrast, the social, cultural and political context of inter-war Germany is skimpily depicted here, making Hitler's ascendancy seem almost absurd. On the DVD: Hitler: The Rise of Evil is, as you would expect, a decent transfer from the TV original, but there are no additional features. --David Stubbs
Photographer Richard Billingham returns to the squalid council flat outside of Birmingham where he and his brother were raised, in a confrontation and reconciliation with parents Ray and Liz.
An adaptation from maverick Alex Cox of Thomas Middleton's celebrated play from 1607 Revenger's Tragedy tells the story of a man whose wife is murdered on their wedding day and his desire to exact revenge on the murderer. In a post-apocalyptic Liverpool of the future Vindici (Christopher Eccleston) returns from a self-imposed exile to bring down those responsible for his wife's murder. While Vindici's family have fallen on hard times the murderer - known as the Duke (Derek Jaco
Renowned photographer Richard Billingham makes his feature-film debut with this intricate family portrait, inspired by his own memories of growing up in the West Midlands in the late 70s and early 80s, and then his father and mother in the late 90s. Billingham revisits the figures of his earlier photographs his alcoholic father Ray; his mother Liz; and his younger brother Jason with a series of family vignettes where life, lived on the margins of society and societal taboos, can spiral out of control.
A busy day is in progress at a bank in the heart of the city of London which happens to be holding millions of pounds in used notes that are awaiting incineration. At the same time a likable bunch of London lads are off to Germany to support their country at the World Cup...or are they? They might have checked in early for their flight but that's only to establish an alibi. With boarding passes in their hands and with military precision they quietly leave the airport and head into the City. Alex (Geoff Bell) is the mastermind behind a daring plan to break into the bank and steal the money. As the clock ticks their dynamic plan accelerates at a furious pace and the violence escalates. As the tension becomes unbearable and the stand off with the police intensifies - will the gang get away in time? Described as the 'The best British heist movie since the Italian Job' by ITV at the movies Daylight Robbery stars the best in British acting talent including Geoff Bell Vas Blackwood Robert Boulter Leo Gregory Johnny Harris Paul Nicholls Justin Salinger Del Synnott & Shaun Parkes & Shaun Williamson
Based on the true story of the death of Zahid Mubarek (Aymen Hamdouchi), a first time offender who was beaten to death by fellow inmate Robert Stewart (Leeshon Alexander). We Are Monster is a fearless look at the culture of racism and ineptitude that led to Mubarek s tragic murder, and a chillingly intense look at Stewart s fractured psyche. Raw and powerful filmmaking, underpinned by Alexander s stunning performance, that strips down and challenges issues on racial tension, hatred and youth violence.
'Peaches' is a unique insight into the secret world of a group of young men. Fresh from college Frank is still a little stumped by womankind or 'Peaches' as he refers to them... So when college mate Cherry suddenly declares her undying love for him he is well and truely lost for words!
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