Action-packed Season Three develops major characters and plot lines brewing over the last couple of years. The Mayor, this season's major baddie, wants to become an invincible demon by slaughtering everyone at Sunnydale High's graduation ceremony but he's going to torture them all by giving his speech first. Bad-girl vampire-slayer Faith wants to get one over on Buffy and becomes even more rotten. Angel comes back from hell but isn't sure what to do about his girlfriend. Willow meets her evil gay vampire duplicate from another dimension. Xander loses his virginity but still has to contemplate his essential uselessness. Cordelia gets less whiny and has to work in a dress-shop when her father becomes bankrupt. Giles wears tweed and drinks tea, though it is revealed that he used to be a warlock and in a punk band. Besides the soap opera, there are monsters, curses and vampires (inevitably). --Kim Newman On the DVD: The DVDs are presented in a standard television 4:3 picture ratio and in a clear Dolby sound that does full justice both to the sparkling dialogue and to the always impressive indie-rock and orchestral scores. Special features include an overview of Season Three by its creator Joss Whedon, and by writers Marti Noxon, David Fury, Doug Petrie and Jane Espenson and documentaries on the weapons, clothes special effects of the show and the speech/verbal tone which makes it what it is-"Buffyspeak". The episodes "Helpless", "Bad Girls", "Consequences" and "Earshot" have commentaries by, Fury, Petrie, director James Gershman and Espenson, in which we find out some fascinating details about the way the scripts mutate and about the particular illuminations added to scripts by actors' performances. After complaints about the Season 2 DVD packaging, the disc envelopes include a protective coating. --Roz Kaveney
The Terrorist is a remarkable Indian portrait of a suicide bomber. Ayesha Dharker (who appears in Star Wars, Episode II) gives a heart-rending performance as Malli, a 19-year-old girl whose loved ones have died in an unnamed conflict. From the harsh opening, in which Malli executes a traitor, the film follows her river journey--evoking thoughts of Apocalypse Now--and preparations to turn herself into a human bomb. Then Malli learns something that makes her question her assumptions, and as she rediscovers her humanity the drama builds to one of the most nerve-wracking conclusions in recent cinema. By using generic names such as the Leader and the VIP the film assumes universal relevance, depicting how violence and expediency can turn people into terrorist killing machines. Yet despite the material there is extraordinary poetic beauty in writer, cinematographer and director Santosh (Asoka) Sivan's presentation. He fills the screen with astounding images, precisely composed, focused and lit, while incorporating haunting symbols of love and hate, life and death, memories and dreams. The evocative use of sound also contributes to an extremely atmospheric experience and the result is an intense, subtly powerful film which will appeal to anyone entranced by Picnic at Hanging Rock (1975) or Three Colours Blue (1993).--Gary S Dalkin
The gentle breeze the murmur of a babbling brook the scent of plums. These memories call Zatoichi the blind swordsman back to a once-loved village. But memories are deceptive and he arrives to find things much changed. The former boss Hyoroku has been reduced to a carver of statues of Jizo the Buddha of Healing and his daughter Umeno has become a hostess and as she describes herself ""one of the bad ones"". Control of the village is split between a former travelling merchan
THICKER THAN WATER is a story of rival 'top dogs' from inner-city gangs who form an uneasy alliance during a bloody turf war and features a kicking soundtrack by some of rap's hottest stars. When DJ's (Mack 10) mixing equipment goes up in flames and a record company executive double-crosses Lonzo (Fat Joe) the two become allies to achieve their dream of becoming music producers. DJ and Lonzo turn to Gator (CJ MAC) a successful drug-lord living the high life in New Orleans to raise the money they need and for a while the partnership is a success. But when someone rats to the police their relationship falls apart as the old rivalry resurfaces and threatens to destroy everything they've worked for...
The Stephen K. Amos Show
In Love Song of Vengeance, Shurayuki-hime--a.k.a. Lady Snowblood, "Yuki" for short (played by Meiko Kaji)--continues her advertures in the female samurai saga that inspired Quentin Tarantino's Kill Bill. In Lady Snowblood, Yuki avenged her family by slaying the four criminals that killed her father, raped her mother, and predestined her to the life of a justice-seeking assassin. Love Song of Vengeance picks up where Lady Snowblood let off, not so much as a sequel like Inagaki's Samurai Trilogy, but a continuation of the lone assassin's adventures (similar to Zaitochi). Sentenced to death for her crimes of murder, Yuki is given pardon by Kikui, a secret government police agent. In return for her freedom, Kikui wants Yuki to assassinate anarchist Ransui and obtain a secret document he is hiding. While carrying out her orders, Yuki discovers the document in question is actually a letter incriminating agent Kikui. Always one to be on the side of justice, Lady Snowblood switches sides, joining anarchist Rasui to face off, expose, and destroy the crooked agent. The blood may not flow like geysers and there may be a lot less samurai action than in the first installment. However, Love Song of Vengeance is well-paced, nicely shot, and a well thought-out continuation of the heroine's adventures. Sadly, they ended with this installment. --Rob Bracco
Roy Orbison - The Anthology chronicles his incredible career by presenting fourteen full Roy Orbsion performances. Famous artist such as Barry Gibb Robert Plant Bono Dwight Yoakam K.D.Lang Raul Malo Robin Gibb and many other introduce comments on his all time greats. Tracklisting: Oh Pretty Woman (Intro) Only The Lonely Running Scared Crying Oh Pretty Woman It's Over Walk On Blue Bayou That Lovin' Your Feelin' Again Wild Hearts Run Out Of Time In Dreams Crying (Duet with K.D.Lang) You've Got It' Ooby Dooby
Banned in 46 countries! A 'mockumentary' hosted by Dr. Francis B. Gross a coroner. He is trying to show you the different 'faces' of people while dying. There are faked scenes of people getting killed intermixed with footage of real accidents. There are executions by decapitation (in an Arab country) and the electric chair. One scene shows a group of tourists in Egypt smashing a monkey's head while still alive and eating its brains. There are shots of animals eating people and satanic orgies using dead bodies. There is a segment that deals with an alligator that accidentally entered 'residential' waters. The local warden goes in his boat to get the crocodile back into the sea when he accidentally falls over and becomes gator bait. The film ends with news clippings of people jumping off buildings and major accidents. This movie continues in the same vein as F.O.D. 1 &2 with short scenes of death related material. Mortuarys accidents police work are filmed by TV crews and home video cameras. Some of the material are most likely fake some not as likely
An autopsy case draws Dr Mitsuo Ando into the world of Sadako the restless spirit as he seeks to resolve the mystery of her curse and its effects. As in 'The Ring' after viewing the tape he has seven days before Sadako's curse comes into effect. Delving deeply Ando is horrified to discover Sadako's true intentions. This discovery causes him to face an agonising decision as to whether he will make the ultimate sacrifice to prevent the world from falling into darkness....
M.O.L. is the first dvd release from the Chicago born metal band Disturbed. M.O.L. is a rockumentary that features live concert footage from their 2001 tour exclusive behind the scenes footage home video footage interviews with the band and previously unreleased expanded versions of the music videos 'Down With The Sickness' 'Voices' and 'Stupify'.
Francesco arrives from Rome to claim his inheritance and discovers it is a decaying turkish bath in the city's ancient quarters. Run by his aunt for thirty years it is now in a state of disrepair and sought after by property developers. After a short stay Francesco is so taken by life in the city that he decides to stay and restore the hamam a decision which opens up his life to an array of powerful new emotions...
The Samurai Trilogy is based around the life of the historical character Musashi Miyamoto. Born around 1584 he perfected the technique of two sword fighting as well as developing into a considerable Zen black ink artist. Having fought his first duel at the age of thirteen he was involved in 60 other engagements before his death in 1645. Musashi Miyamoto: The first episode of the trilogy covers Miyamoto's formative years as he emerges from rural obscurity to search for fame and glory in civil war but returns home a broken man. Brought back to sanity through the love of a warm hearted girl she persuades him to place himself under the spiritual guidance of an unorthodox Buddhist priest. His methods of teaching the ways of enlightenment would make the fiercest of Zen masters seem positively gentle. Gaining in spiritual stature and insight Miyamoto is forced to choose between settling for domestic happiness or continuing his search for perfection in the art of the sword. Several versions of Miyamoto's life have been produced for cinema and television in Japan but none more prestigious than Inagaki's Samurai Trilogy. Winner of the Academy Award for Best Foreign Language Film in 1955 this first film in the trilogy was also Toho's first foray into colour. Duel At Ichijoji Temple: At first a contemptuous wanderer whose only interest is to prove his prowess against the best Japan has to offer Miyamoto is brought to understand that mastery of the sword is mastery of the self. Along the way he moves from casually committing slaughter to adopting a more compassionate and merciful view of his fellow warriors... Duel At Ganryu Island: His destiny continues to pursue him! Settling down to a life on the land in a peasant village Miyamoto is drawn into protecting the villagers against marauding bandits. And beyond this battle lies the ultimate contest with the driven and obsessive Kojuo Sasaki. The epic closes in a stunning sunset duel...
Also features The Travelling Companion and The Lovers.
An extraordinary film about a young girl's coming of age where upon receipt of a pair of magic earrings her village is revealed to her as a place of vampires and witches. Stunningly photographed and with some truly wonderful images 'Valerie' is a shining example of how stylish European cinema's take on horror could be when it mixed its fairytale traditions with contemporary cinematography.
During an insistent June downpour in an anonymous Japanese metropolis a dark erotic force infiltrates the lives of Rinko a reserved career woman in her thirties and Shigehiko her obsessively clean work-a-holic husband invading the most private aspects of the couple's lives... A deliriously perverse tale of buried sexual desires Shinya Tsukamoto's surreal journey to the dark side of obsession is as stylish as it is unforgettable.
Sexy temptress Megan Fox is hotter than hell as Jennifer - a gorgeous, seductive cheerleader who takes evil to a whole new level after she's possessed by a sinister demon. Steamy action and gore galore ensue as the male student body succumbs to Jennifer's insatiable appetite for human flesh. Now it's up to her best friend (Amanda Seyfried) to stop Jennifer's reign of terror before it's too late!
This new film of Leonard Bernstein's music-theatre piece Trouble in Tahiti, produced by BBC Wales and Opus Arte and directed by Tom Cairns, makes a strong case for a neglected work. Bernstein wrote his satire on American materialism in 1952, drawing on elements of opera, revue and musical comedy to tell a story of a marriage that's turned sour amid the trappings of suburban prosperity. The brevity of the piece, which flashes by in 39 minutes, perhaps accounts for its rare appearances, making this version specially welcome. Tom Cairns directs with style and panache, moving the camera effortlessly to and fro between the seven scenes. Amir Hosseinpour's choreography recalls with affection the heyday of the MGM musical then at its zenith. The film opens with a Greek-style chorus singing in scat jazz fashion to a montage of 1950s imagery: flickering television adverts, manicured lawns and white picket fences. Characters within the narrative appear in flash-back in home video footage. This is all highly diverting and possibly a ruse to mask some dramatic weakness in the story written by Bernstein himself. The wife never offers an explanation for her visit to the cinema to see Trouble in Tahiti instead of attending her son's school play, nor do we see the boy again after witnessing his parents having a tiff. The two principals, Karl Daymond as Sam and Stephanie Novacek as Dinah, are well cast and sing in a natural and pleasing manner with clear diction. The scat vocal trio is well matched and the City of London Sinfonia under Paul Daniel catch the spirit of the jazz inflected score as if it were second nature. On the DVD: Trouble in Tahiti is shot in wide-screen, appropriate for the era that gave us CinemaScope. There are subtitles in German, Spanish and French. A full translation in English is printed in the booklet. The extras include an introduction that partly overlaps with "A Very Testing Piece", in which Paul Daniel touches on the parallel with Bernstein's own unhappy childhood. Humphrey Burton in "Not Particularly Romantic" elaborates on this theme and goes on to offer a further fascinating commentary on Bernstein, whom he knew well. --Adrian Edwards
Bill is a wealthy businessman whose beautiful promising daughter has just decided to run away with her heroin-addicted boyfriend. Whilst wandering the city streets in search his daughter Bill takes refuge in a downtown bar where he meets Joe a frustrated patriotic bigoted and hateful factory worker. Striking up an unlikely friendship both head off into the night intent on tracking down Bill's daughter and putting the world to right. A destination and an objective that finally leads to a dark and unforgettable climax. Extremely controversial and notorious on its initial release in 1970 Joe has since become a rarely seen cult gem. Symbolising the conflict between the counter culture and the establishment Joe daringly reflects a country in turmoil and a society fraying at the edges.
The Frankenstein legend gets stitched up by the makers of Basket Case and Brian Damage in this outrageous horror comedy. When his pretty fiance goes to pieces under the blades of a runaway lawnmower aspiring mad scientist Jeffrey Franken hatches an unorthodox scheme to bring his beloved back to life. With the help of an explosive super drug Jeffrey reassembles his girlfriend from the body parts of New York prostitutes. But his dream-girl runs amok on 42nd Street turning tricks
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