Godzilla (a.k.a. Gojira) is the roaring granddaddy of all monster movies. It's also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population's fears, became a beloved international icon of destruction, spawning more than thirty sequels. A thrilling, tactile spectacle that continues to be a cult phenomenon, the original 1954 Japanese version is presented here, along with Godzilla, King of the Monsters, the 1956 Americanized version.Film Info¢ Japan¢ 1954¢ 96 minutes¢ Black & White¢ 1.37:1¢ Japanese¢ Spine #594¢ High-definition digital restoration of Godzilla, King of the Monsters, Terry Morse's 1956 reworking of the original, with uncompressed monaural soundtrack¢ Audio commentary for both movies by film historian David Kalat¢ Interviews with actors Akira Takarada and Haruo Nakajima and special effects technicians Yoshio Irie and Eizo Kaimai¢ Interview with legendary Godzilla score composer Akira Ifukube¢ Featurette detailing Godzilla's photographic effects, introduced by special effects director Koichi Kawakita and special effects photographer Motoyoshi Tomioka¢ Interview with Japanese-film critic Tadao Sato¢ The Unluckiest Dragon, an illustrated audio essay featuring historian Greg Pflugfelder describing the tragic fate of the fishing vessel Daigo Fukuryu Maru, a real-life event that inspired Godzilla¢ Trailers¢ PLUS: An essay by critic J. Hoberman¢ Cover by Bill Sienkiewicz
Leatherface had his chainsaws, Freddie has his glove... now there's a new slasher icon, and he's got a hook. In I Know What You Did Last Summer a group of kids pay the price for not reporting a hit and run a year later when their victim comes back for revenge, apparently from beyond the grave, and he doesn't finish with them then, chasing down the survivors for more slicing and dicing in I Still Know What You Did Last Summer. And if that wasn't enough, he finds all new targets for more hook-heavy payback in I'll Always Know What You Did Last Summer. From the creators of Scream and starring Jennifer Love Hewitt and Freddie Prinze Jr., 88 Films are proud to present these three modern slasher classics for the first time on UK blu-ray, completely uncut.
Jean Thomas, aka THE NURSE (Jodie Foster) is the manager of the Hotel Artemis, an ultra-exclusive, members-only hospital hidden in a hotel redolent of faded 20s glamour. Tough, sharp and utterly fearless, The Nurse treats an assortment of assassins, gunrunners, thieves and gangsters in an unexpected state-of-the-art emergency room capable of providing a new liver with a 3-D printer or injecting a patient with nanobots that heal from the inside out. With the help of her towering assistant EVEREST, The Nurse wrangles some of the most dangerous criminals in the world, from sultry French assassin NICE and international arms dealer ACAPULCO, to bank robbers WAIKIKI and his brother HONOLULU. One night as a violent riot rages on the streets of Los Angeles, legendary crime boss Orian Franklin, aka NIAGARA, arrives needing immediate treatment after a failed attempt on his life. Niagara's sudden arrival creates a violent clash among the criminals in the hospital, with one patient' having a particularly deadly motive for checking into the hotel. The Nurse makes a decision that could jeopardize the future of the ER and everyone in it. Now the safest place for criminals in the city has become the most dangerous.
Thor: The world has many heroes but only one is a god. When the arrogant warrior Thor (Chris Hemsworth) is banished to Earth from his home world of Asgard, he must fight to reclaim his lost powers. Pursued by an invasion force sent to destroy him, the fallen God of Thunder must rise to the battle and learn what it takes to become a true hero. Natalie Portman and Anthony Hopkins also star in this blockbuster adventure critics have called a rousing, entertaining thrill. Thor The Dark World: From the Studio that brought you the #1 Super Hero movie of all time, Marvel Studios' Avengers Assemble, comes another msut-own, epic blockbuster starring Chris Hemsworth as The Mighty Thor. Worlds collide when a powerful ancient enemy threatens to plunge the cosmos into eternal darkness. Now, reunited with Jane Foster (Natalie Portman), and forced to forge an alliance with his treacherous brother Loki (Tom Hiddleston), Thor embarks on a perilous personal quest to save both Earth and Asgard from destruction. Thor Ragnarok: In Marvel Studios' Thor: Ragnarok, Thor, imprisoned on the other side of the universe, must race against time to get back to stop Ragnarokthe destruction of his world and the end of Asgardian civilisation at the hands of the ruthless Hela.
Tom Hanks teams up with the Coen brothers for a remake of the classic 1955 Ealing comedy about a group of thieves trying to bump off their landlady.
For tabloid journalist Richard Dees (Miguel Ferrer) facts are always stranger than fiction. Every headline is a dead-line. Serial Killers UFO abductions tales of molestation mayhem and murder. To some the tales are unbelievable - but his faithful readers believe. And now there's a new story. The Night Flier What is it that flies by night in a dark winged Cessna lands at secluded airports and brutally murders local residents? Dees begins to follow the unknown killer in a Cessna
Renee Zellweger stars as the career woman who embarks on the challenge of her life, only to discover the love of her life waiting for her there!
Perhaps Stanley Kubrick's most underrated film, Barry Lyndon--adapted from the picaresque novel by William Makepeace Thackeray--inhabits the 18th century in the way A Clockwork Orange and 2001: A Space Odyssey inhabit the future: perfect sets, costumes and cinematography capture characters whose rises and falls are at once deeply tragic and absurdly comical. Narrated in avuncular form by Michael Hordern, the film follows the fortunes of Redmond Barry (Ryan O'Neal), a handsome Irish youth forced to flee his hometown after a duel with a cowardly English officer (Leonard Rossiter). Stripped of his small fortune by a deferential highwayman, Barry joins the British army and fights in the Seven Years War, attempting a desertion that leads him into the Prussian army. A position as a spy on an exquisitely painted con man (Patrick Magee) leads to a life of gambling around the courts of Europe, and just before the intermission our hero achieves all he could want by marrying a wealthy, titled beautiful widow (Marisa Berenson). However, Part Two reveals that Barry can no more be a clockwork orange than the protagonist of Kubrick's previous film, and his spendthrift ways, foolhardy pursuit of social advancement and unwise treatment of his new family lead to several disasters, climaxing in another horrific, yet farcical duel. Shot almost entirely in the "magic hour", that point of the day when the light is mistily perfect, with innovative use of candlelight for interiors, Barry Lyndon looks ravishing, but the perfection of its images is matched by the inner turmoil of its seemingly frozen characters. Kubrick is often accused of being unemotional, but his restraint is all the more affecting when, for example, Barry is struck by the deaths of those close to him, his wife writhes into madness or his stepson (Leon Vitali) vomits before he can stand his ground in a duel.On the DVD: The extras are skimpy, a trailer and a list of awards, a French alternate soundtrack and subtitles in seven languages. However, the film--"digitally restored and remastered"--is served superbly by the medium. Letterboxed to 1.59:1 (which fits the 14:9 option of a widescreen TV), with a 5.1 Dolby Digital soundtrack, the print looks and sounds wonderful, which not only allows a fresh appreciation of the wit and beauty of the film but shows just how good the apparent underplaying (unusual in Kubrick films) of the cast is. --Kim Newman
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
From cult film maker Sam Raimi comes the tale of Annie, a woman with rare psychic powers, is willing to use them to investigate a murder, but what she uncovers could well make her the killer's next victim.
Peter Parker (Tobey Maguire) is an ordinary guy who lives with his beloved aunt and uncle and quietly pines for the girl next door, Mary Jane (Kirsten Dunst). But when a genetically-modified 'super-spider' bites him while on a school trip, Peter develops unusual skills - fantastic acrobatic strength, supernatural awareness and a talent for web-spinning. It's not until tragedy strikes at home that Peter decides to use his new powers to fight crime under a secret identity: SPIDER-MAN! When the evil Green Goblin (Willem Dafoe) attacks the good people of New York and endangers the life of Mary Jane, Peter commits himself to the ultimate tests: to thwart his arch-enemy and to win the heart of the girl that he loves.
Ingmar Bergman puts his indelible stamp on Mozart's exquisite opera in this sublime rendering of one of the composer's best-loved works: a celebration of love, forgiveness, and the brotherhood of man. The Magic Flute (Trollflöjten) stars Josef Köstlinger as Tamino, the young man determined to rescue a beautiful princess from the clutches of parental evil. Available for the first time on Blu-ray the BFI are proud to present this film from one of the world's most acclaimed directors. Features: Presented in High Definition and Standard Definition Fully illustrated booklet with new writing on the film and full film credits
Sarah Michelle Gellar returns as the teen thrust into a supernatural world where she must become Buffy The Vampire Slayer. Buffy boasts a rabid fan base and has spawned a spin off Angel based on a troubled vampire played by David Boreanaz. This collection features all 22 episodes of the third season. Episodes Comprise: 1. Anne 2. Dead Man's Party 3. Faith Hope And Trick 4. Beauty And The Beasts 5. Homecoming 6. Band Candy 7. Revelations 8. Lover's Walk
Based on the true the story about three dramatic days in April 1940, where the King of Norway is presented with an unimaginable ultimatum from the German armed forces: surrender or die.
When an idealistic governor disobeys the reigning feudal lord, he is cast into exile, his wife and children left to fend for themselves and eventually separated by vicious slave traders. Under the dazzling direction of KENJI MIZOGUCHI (Ugetsu), this classic Japanese story became one of cinema's greatest masterpieces, a monumental, empathetic expression of human resilience in the face of evil. Blu-Ray Special Edition Features Restored high-definition digital transfer, with uncompressed monaural soundtrack Audio commentary by Japanese-literature professor Jeffrey Angles Video interviews with critic Tadao Sato, assistant director Tokuzo Tanaka, and legendary actress Kyoko Kagawa, on the making of the film and its lasting importance PLUS: A book featuring an essay by film writer Mark Le Fanu and two versions of the story on which the film was based: Ogai Mori's 1915 Sansho Dayu and a written form of an earlier oral variation
Oz chronicles life inside an experimental cell block in the Oswald Maximum Security Correctional Facility: Level Four called Emerald City. Under unit manager Tim McManus and Warden Leo Glynn the inmates in Em City all struggle to fulfill their own needs. Some fight for power; either power over the drug trade or power over the other inmate factions. Others want money others Corrections officers and inmates alike simply want to survive long enough to make parole or even to se
The world of high finance is explored, as leading hedge-fund manager Bobby Axe' Axelrod exacts revenge on U.S. Attorney Chuck Rhoades through his extensive resources. Axe's actions send Chuck into a tailspin, as he finds himself under investigation and desperately attempting to hang on to his office, and to his family.
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