"Actor: Kaaren Erickson"

• Wagner: Das Rheingold -- Metropolitan/Levine | DVD | (14/10/2002) from £19.99   |  Saving you £-3.00 (N/A%)   |  RRP £16.99

  It takes a certain amount of forethought if Das Rheingold is to be more than a series of special effects scenes, though moments like the appearance of the giants through the mist or Alberich's transformations need to be as thrilling as they are here. As always in his Wagner, and perhaps especially in this very traditional 1990 Metropolitan Opera production of the Ring cycle, James Levine keeps to the forefront the underlying humanity of Wagner's gods and monsters. In the first scene, for example, he brings out the thoughtless, callous frivolity of the Rhine maidens as they precipitate the events of the four operas by taunting the gnome Alberich: it helps that they swirl around, green and gold, in a convincing representation of the bottom of the Rhine, but the emotions are the point. Ekkehaard Wlaschiha is a convincingly menacing Alberich partly because Levine brings out his vulnerability as well as his evil temper. James Morris is splendid as the younger less care-worn Wotan and Siegfried Jerusalem as Loge enjoys the sarcasm of his cynical commentary on Wotan's aspirations. The smaller parts have luxury casting: Matti Salminen as Fafner and Christa Ludwig as Fricka, for example. On the DVD: Das Rheingold comes with a photo gallery of the Metropolitan Opera production and with menus and subtitles in German, French, English, Spanish and Chinese. Disappointingly though it is presented in American NTSC format with standard TV 4:3 visual ratio. But it does have an excellent clear acoustic in all three of its audio options: PCM stereo, Dolby Digital 5.1 and DTS 5.1. --Roz Kaveney

• Wagner: Gotterdammerung -- Metropolitan/Levine | DVD | (14/10/2002) from £12.24   |  Saving you £11.01 (100.27%)   |  RRP £21.99

  Under the baton of James Levine, Gotterdammerung ("The Twilight of the Gods") has a narrative drive that reminds us that, of all the individual operas in Wagner's Ring cycle, this is the one most about human emotions and the one in which its heroes are pulled into a world where they are most vulnerable to them. Siegfried Jerusalem as Siegfried and Hildegard Behrens as Brunnhilde never, in a sense, stand a chance: they are innocents who allow themselves to be manipulated not merely by the villainous Hagen, but by the ordinary venality of Gunther and his sister Gutrune, who goes along with a dirty little scheme to get what she wants, and is destroyed by it. As the tempter figure Hagen, Matti Salminen dominates the stage whenever he is on it; he is one of those basses whose voice and scowl seem to come from somewhere deeper than his large boots: rarely have the summoning of the vassals, or the oath of vengeance he, Gunther and Brunnhilde swear against Siegfried seemed so utterly his triumph. Jerusalem is almost perfect as Siegfried in spite of the gravelly quality of his heroic tenor: he has a glorious innocence even when the character is tricked into desecrating his true love; Hildegard Behrens is magnificent as Brunnhilde, both in her anger at Siegfried's apparent betrayal of her and in her redemptive understanding of how she has to atone for his death. Other Gotterdammerungs may be more monumental, but few make you care so passionately. On the DVD: Gotterdammerung comes with menus and subtitles in German, French, English, Spanish and Chinese and with a picture gallery of the production. Awkwardly it is presented in (American) NTSC format, not PAL, and with a visual aspect of standard TV 4:3. More impressive is the choice of PCM stereo, Dolby Digital 5.1 or DTS 5.1; the sound is admirably clear and well-balanced. --Roz Kaveney