The General
Between 1920 and 1929, Buster Keaton created a peerless run of feature films that established him as arguably the greatest actor-director in the history of the movies. Collected here are three further films from that era; The Navigator, Seven Chances and Battling Butler. The Masters of Cinema Series is proud to present all three films from stunning 4K restorations in their UK debuts on Blu-ray. The Navigator Wealthy Rollo Treadway (Keaton) suddenly decides to propose to his neighbour across the street, Betsy O'Brien (Kathryn McGuire), and sends his servant to book passage for a honeymoon sea cruise to Honolulu. When Betsy rejects his sudden offer however, he decides to go on the trip anyway, boarding without delay that night. Because the pier number is partially covered, he ends up on the wrong ship, the Navigator, which Betsy's rich father has just sold to a small country at war. Keaton was unhappy with the audience response to Sherlock Jr., and endeavoured to make a follow-up that was both exciting and successful. The result was the biggest hit of Keaton's career. Seven Chances Jimmy Shannon (Keaton) learns he is to inherit seven million dollars, with a catch. He will only get the money if he is married by 7pm on his 27th birthday, which happens to be that same day! What follows is an incredible series of escalating set-pieces that could only have come from the genius of Buster Keaton. Battling Butler A rich, spoiled dandy (Keaton) pretends to be a champion boxer, Battling Butler , to impress the family of the girl he loves. When the real Butler shows up, he decided to humiliate the imposter by having him fight the Alabama Murderer! Special Features 1080p presentations of all three films from the Cohen Film Collection's stunning 4K restorations, with musical scores composed and conducted by Robert Israel The Navigator Audio commentary by silent film historians Robert Arkus and Yair Solan New and exclusive video essay by David Cairns covering all three films The Navigator A short documentary on the making of the film and Keaton's fascination with boats as sources of comedy, by film historian Bruce Lawton A selection of rarely heard audio interviews with Buster Keaton (Runtime TBC)
Celebrating the life and career of one of America s most influential and celebrated filmmakers and comedians, Buster Keaton, whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary. Filled with stunningly restored archival Keaton films and directed by Peter Bogdanovich, a filmmaker and cinema historian whose landmark writings and films on such renowned directors as John Ford and Orson Welles have become the standard by which all other studies are measured.
Based on the most successful racing video game franchise ever with over 140 million copies sold, DreamWorks Pictures' "Need for Speed" boasts fast cars, unique action and a top calibre cast in a classic tale of revenge and retribution.
The story of a Jennifer Hill a writer who retreats to the country to work on her novel. Whilst there she is subjected to a horrific gang rape by four locals and left for dead. She somehow manages to regain her strength and sets out to exact a deadly revenge... Banned by censors bashed by critics reviled by feminists... The legacy of I Spit On Your Grave can be summed up in one word: controversy.
Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson
The Masters of Cinema Series presents three more films directed by and starring Buster Keaton from brand new restorations. Our Hospitality (1923) Often cited as one of his most significant filmsas well as one of his funniest1923's Our Hospitality, which Keaton co-directed with John G. Blystone, is his take on the notorious feud between the Hatfield and McCoy clans (here renamed the Canfields and the McKays). Keaton is luckless William McKay, who must journey down South to view his lacklustre inheritance, only to be seduced along the way by one of the Canfields, Virginia, who lures him to her family's house so that the men of the clan can shoot him down. But William knows that the Canfield men won't kill him as long as he's in their house, so he endeavours to stay put there, against all obstacles. With its attention to 19th-century period detail and emphasis on integrating the gags into the storyline, Our Hospitality was not just a breakthrough in Keaton's career, but it was also noted even during its release as an advancement in the medium, with Variety proclaiming, It marks a step forward in the production of picture comedies. From a 2K restoration Go West (1925) Keaton is at his most stone-faced as the memorably named Friendless in Go West, an irresistible blend of deadpan darkness and spectacular comic set-pieces. Friendless abandons city life to ride the rails to an Arizona ranch, where his ineptitude at almost everything only makes his nickname even more accurate. But when his one beloved companion, a cow named Brown Eyes, seems to be headed to a slaughterhouse fate, Friendless intervenes, and the resulting cattle stampede through the streets of Los Angeles is one of Keaton's most understandably famous and acclaimed sequences. From a 4K restoration College (1927) Keaton follows up The General with a higher education comedy that seems to take a cue from Harold Lloyd's The Freshman (1925). Keaton is bookworm Ronald, whose high school girl Mary ditches him for someone with the athletic prowess that Ronald lacks. Determined to win her back, Ronald enters college with an eye on sports, but two left feet. From a 2K restoration Special Features: Limited Edition (3000 Copies Only) Hardbound Slipcase 1080p presentation on Blu-ray from new restorations undertaken by The Cohen Film Collection Our Hospitality new audio commentary by silent film historian Rob Farr Our Hospitality alternate shorter cut of the film [55 mins], with optional commentary by film historian Polly Rose Go West A new video essay Go West - A new video essay by John Bengtson (Silent Echoes / Silent Traces / Silent Visions) on Go West's filming locations A new video essay by David Cairns The Railrodder the 1965 short film starring Buster Keaton in one of his final film roles Optional audio commentary on The Railrodder with director Gerald Potterton and cameraman David DeVolpi Buster Keaton Rides Again the 1965 documentary about, and produced concurrently with, the filming of The Railrodder Optional audio commentary on Buster Keaton Rides Again with director Gerald Potterton and cameraman David DeVolpi MORE EXTRAS TO BE ANNOUNCED PLUS: A 60-PAGE perfect bound collector's book featuring; a new essay by Philip Kemp; writing on all three films by Imogen Sara Smith; archival material on the filming locations used for Our Hospitality courtesy of John Bengtson
Carol Lipton is a bored housewife who becomes convinced that her next door neighbour has commited a murder. When her sceptical husband Larry rejects the idea Carol turns to a flirtatious friend to help her search for clues. And as their entusiasm for the case grows so does their interest in each other. Spurred on by jealousy - and by a seductive writer who's also excited by the mystery - Larry reluctantly joins the chase only to learn that much more than his marriage is at stake. A
AMERICAN ASSASSIN follows the rise of Mitch Rapp (Dylan O'Brien), a CIA black ops recruit under the instruction of Cold War veteran Stan Hurley (Michael Keaton). The pair is then enlisted by CIA Deputy Director Irene Kennedy (Sanaa Lathan) to investigate a wave of apparently random attacks on both military and civilian targets. Together the three discover a pattern in the violence leading them to a joint mission with a lethal Turkish agent (Shiva Negar) to stop a mysterious operative (Taylor Kitsch) intent on starting a World War in the Middle East.
Woody Allen's gentlest and most unassuming movie, Radio Days isn't so much a story as a series of anecdotes loosely linked together by a voice-over spoken by the director. The film is strongly autobiographical in tone, presenting the memories of a young lad Joe (clearly a stand-in for Allen himself) growing up in a working-class Jewish family in the seafront Brooklyn suburb of Rockaway during the late 1930s and early 40s. In this pre-TV era the radio is ubiquitous, a constant accompaniment churning out quiz shows, soap operas, dance music, news flashes and Joe's favourite, the exploits of the Masked Avenger. Given Allen's well-publicised gallery of neuroses, you might expect childhood traumas. But no, everything here is rose-tinted and even the outbreak of war makes little impact on the easygoing, protective tenor of family life. Now and then Allen counterpoints his family album with the doings of the radio folk themselves (blink, and you'll miss a young William H Macy in the studio scene when the news of Pearl Harbour comes through). The rise to fame of Sally (Mia Farrow), a former night-club cigarette girl turned crooner, is the nearest the film comes to a coherent storyline. But most of the time Allen is content to coast on a flow of easy nostalgia, poking affectionate fun at the broadcasting conventions of the period and basking in the mildly rueful Jewish humour and small domestic crises of Joe's extended family. There aren't even any of his snappy one-liners, and the humour is kept low-key, raising at most an indulgent smile. A touch of Allen's usual acerbity wouldn't have come amiss. But for anyone who shares these memories, Radio Days will surely be a delight. On the DVD: Not much besides the theatrical trailer, scene menu and a choice of languages. The screen's the full original ratio, but nothing seems to have been done to enhance the soundtrack, and the dialogue's not always clear. A boost in volume may help.--Philip Kemp
Buster Keaton's career as a performer and director is widely regarded to be among the most innovative and important work in the history of cinema. Our Hospitality: Directed produced written by and starring Buster Keaton. Full of brilliant sight gags and featuring a most memorable and hilarious train journey in an 1831-vintage Stephenson Rocket. Sherlock Jr.: The story of a movie projectionist who is accused of stealing his girlfriend's father's watch. He falls asleep on the job and dreams that he is Sherlock Holmes solving the case. This film features the incredible physical comedy and stunts for which Keaton is famous.
Set in the 1930's this gangster spoof tells the comic tale of Johnny Kelly (Michael Keaton) who is forced into a life of crime in order to pay for his ailing mother's medical treatment. Attempting to keep his straight life and his life of crime separate Johnny takes the name Dangerously and is soon a powerful mobster flush with women and riches. The Dangerously name is about to be slandered though by the Kelly family when Johnny's brother (Griffin Dunne) becomes the district attor
Griswolds are trying to have nice old-fashioned Christmas-even though all in-laws are dropping in including Clark's redneck cousin Eddie & his clan. It's going to be holly-jolly holiday. A hilarious and heartwarming comedy starring Vince Vaughn and Paul Giamatti about Santa's brother and complete opposite Fred Claus. A heartwarming story for the whole family! Following the death of his father a young boy is befriended by a magical snowman who turns out to be his reincarnated father.
A collection of 28 films featuring the 'Great Stone Face' himself Buster Keaton. Buster Keaton is one of the trio of great comedy geniuses that the silent era produced and along with Charlie Chaplin and Harold Lloyd can still be considered one of the great comics of all time. Buster starred in both features and shorts and as proof of his enduring popularity his 1927 masterpiece The General was voted number 18 on the AFI-Top 100 Funniest films of all time in June 2000. B
From Disney and visionary director Tim Burton, the grand live-action adventure Dumbo expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V. A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside the charming and spectacular aerial artist Colette Marchant (Eva Green)until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets. Bonus Features: Circus Spectaculars The Elephant In The Room Built To Amaze Deleted Scenes: Roustabout Rufus Pachyderm Plans The Other Medici Brother Monkey Business A Star Is Born Where's Dumbo?! Elephant Heist Backstage A Seat At The Show Easter Eggs On Parade Clowning Around Baby Mine Performed By Arcade Fire
A trio of sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
The Young Pope Lenny Belardo (Jude Law), aka Pius XIII, is the first American Pope in history. Young and charming, his election might seem the result of a simple and effective media strategy by the College of Cardinals. But, as we know, appearances can be deceptive. Especially in the place and among the people who have chosen the great mystery of God as the guiding light of their existence. That place is the Vatican and those people are the leaders of the Catholic Church. And the most mysterious and contradictory figure of all turns out to be Pius XIII himself. Shrewd and naïve, old-fashioned and very modern, doubtful and resolute, ironic, pedantic, hurt and ruthless. The New Pope Two-time Academy Award ® nominees John Malkovich and Jude Law star in Academy Award® winner Paolo Sorrentino's stunning vision for the world of the modern papacy. Written and directed by internationally celebrated auteur Paolo Sorrentino, with co-writers Umberto Contarello and Stefano Bises, The New Pope marks Sorrentino s second series set in the world of the modern papacy. Pius XIII (Jude Law) is in a coma. After an unpredictable and mysterious time, the Secretary of State Voiello succeeds in the enterprise of having the charming, sophisticated and moderate English aristocrat Sir John Brannox (John Malkovich) placed on the papal throne with the name John Paul III. The new pope seems perfect, but he conceals secrets and a certain fragility. Quickly, he begins to realise that it will not be easy to replace the charismatic Pius XIII who, hanging between life and death, has become a Saint with thousands of faithful followers now idolizing him. Meanwhile, the Church is under attack from several scandals that risk irreversibly devastating the hierarchies of the Church, and the key principles of Christianity upon which they are based. As always, nothing is as it originally seems in the Vatican. Good and evil march arm in arm through this historic institution, right up until the final showdown...
Eureka Entertainment to release BUSTER KEATON: 3 FILMS, a collection of essential films from one of the greats of cinema operating at the height of his powers, as part of The Masters of Cinema Series on Blu-ray from stunning new 4K restorations in a lavish limited edition (3000 copies) 3-disc hardbound boxed set on 16 October 2017. Between 1920 and 1929, Buster Keaton created a peerless run of feature films that established him as arguably the greatest actor-director in the history of the movies. Collected here are three key films from that era; Sherlock Jr., The General and Steamboat Bill, Jr. Together they represent a true master at his peak, and The Masters of Cinema Series is proud to present all three films from stunning new 4K restorations available for the first time on Blu-ray anywhere in the world. Sherlock Jr. (1924) A film projectionist (and amateur detective) offers to solve the case of a missing watch, but is instead framed for the crime himself. Desperate to clear his name, the projectionist dreams of being the great Sherlock Jr., and in one of cinemas most iconic sequences, literally steps into the screen to bring his fantasies to life. The General (1926) When union spies steal his locomotive (along with his girlfriend), a plucky railway engineer pursues them doggedly across enemy lines. Containing one of the most memorable chase sequences in the history of filmmaking, The General is widely considered to be Keaton's masterpiece. Steamboat Bill, Jr. (1928) A steamboat captain receives a telegram informing him that his son who he has not seen for many years will be coming to visit. Eagerly expecting a strapping young lad who will help him compete with his arch-rival, he is disappointed with the effete progeny that instead shows up. Best remembered for its climactic cyclone sequence in which Keaton performs a number of death-defying stunts whilst an entire town is destroyed around him, Steamboat Bill, Jr. was Buster Keaton's last independent silent comedy and also one of his finest. BLU-RAY SPECIAL FEATURES: 3 x Blu-ray discs plus 60-page book all housed in a hardbound slipcase 1080p presentations of all three films from stunning new 4K restorations Audio commentary on Sherlock Jr. by film historian David Kalat Three new video interviews with film scholar Peter Kramer discussing Sherlock Jr., The General and Steamboat Bill, Jr Buster Keaton: The Genius Destroyed by Hollywood (52 mins) - A new documentary on Keaton and his struggles working within the Hollywood studio system Buster Keaton on Wagon Train (58 mins) an audio recording of a then 63 year old Buster Keaton in conversation with television writer Bill Cox Sherlock Jr. Original music by Timothy Brock Sherlock Jr. Tour of Filming Locations featurette Sherlock Jr. Movie Magic & Mysteries featurette The General - Original score composed and conducted by Carl Davis The General Tour of Filming Locations featurette The General Video Tour featurette The General Home Movie Footage The General Introduction by Orson Welles The General Introduction by Gloria Swanson Steamboat Bill, Jr. - Original score composed and conducted by Carl Davis Steamboat Bill, Jr. A video essay on the making of the film PLUS: A 60-PAGE BOOK featuring a new essay by Philip Kemp; notes on each film; archival writings; Keaton Family Scrapbook, a selection of Keaton family photographs generously supplied by friends of the Keaton family; and a stunning array of archival imagery
A successful businessman who has everything discovers that he has cancer and may not live to see his new baby...
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