When Tom Good a 40-year old draughtsman and his wife Barbara drop out of the rat race and become self-sufficient they change their lives forever. To the horror of their neighbours Jerry and Margo Leadbetter the Goods turn their lovely Surbiton home into a self-sufficient farm complete with vegetable patches a goat pigs and a multitude of hens. This DVD features the entire second series of the classic BBC comedy. Episodes comprise: Just My Bill The Guru of Surbiton Mr. Fix-
There's Something About Mary is one of the funniest films in years, recalling the days of the Zucker-Abraham-Zucker movies, in which (often tasteless) gags were piled on at a fierce rate. The difference is that co-writers and co-directors Bobby and Peter Farrelly have also crafted a credible story line and even tossed in some genuine emotional content. The Farrelly brothers' first two pictures, Dumb and Dumber and Kingpin, had some moments of uproarious laughter, but were uneven. With Mary, they've created a consistently hilarious romantic comedy, made all the funnier by the fact that you know that they know that some of their gags go way over the line. Cameron Diaz stars as Mary, every guy's ideal. Ben Stiller plays a high-school suitor still hung up on her years later; the obstacles standing between him and her include a number of psychotic suitors, a miserable little pooch and, oh yeah, a murder charge. The Farrellys' admittedly simplistic camera work, which adapts easily to a TV screen, and the fact that you'll likely to laugh yourself so silly over certain scenes you'll want to replay them to see what you were missing while you were busy convulsing, make this a perfect film for home-viewing. --David Kronke, Amazon.com
Class in now in session at Greendale, the craziest community college ever! Recently disbarred lawyer Jeff Winger enrols to get a legit degree the quickest and easiest way possible, but when he starts a fake Spanish study group solely for the purpose of hooking up with a sexy classmate, he doesn't expect to be joined by a random group of misfit fellow students. Over the course of the next 6 years, this group finds themselves involved in epic paint battles, chicken finger conspiracies, sci-fi conventions, campus-wide pillow wars and everything in-between. In the process, they become so much more than just a study group they become a family. Sign up for courses in Hilarity 101* today!Includes all 110 episodes on 17 discs.Click Images to Enlarge
The Indian in the Cupboard' is the touching tale of nine-year-old Omri who magically brings his three-inch toy Indian Little Bear to life. Together they embark on an amazing adventure filled with wonder and excitement. Terrific family entertainment from Melissa Mathison screenwriter of 'ET: The Extra Terrestrial' and director Frank Oz. Based on the award-winning novel by Lynne Reid Banks.
The infant daughter of Jack the Ripper is witness to the brutal murder of her mother by her father's hand. Later as a troubled young woman she is seemingly possessed by the spirit of her father and while in a trance she continues his murderous killing spree but has no recollection of the events afterwards. A sympathetic psychiatrist takes her in and is convinced he can cure her condition. Soon however he regrets his decision...
There's Something About Mary recalls the days of the Zucker-Abraham-Zucker movies, in which (often tasteless) gags were piled on at a fierce rate. The difference is that cowriters and codirectors Bobby and Peter Farrelly have also crafted a credible story line and even tossed in some genuine emotional content. The Farrelly brothers' first two pictures, Dumb and Dumber and Kingpin, had some moments of uproarious laughter, but were uneven. With Mary, they've created a consistently hilarious romantic comedy, made all the funnier by the fact that you know that they know that some of their gags go way over the line. Cameron Diaz stars as Mary, every guy's ideal woman. Ben Stiller plays a high-school suitor still hung up on her years later; the obstacles standing between him and her include a number of psychotic suitors, a miserable little pooch and, oh yeah, a murder charge. The Farrellys' admittedly simplistic camera work, which adapts easily to a TV screen, and the fact that you're likely to laugh yourself so silly over certain scenes you'll want to replay them to see what you were missing while you were busy convulsing, make this a perfect film for home-viewing. --David Kronke
Jake Robbins (Kristofferson) was shot down over Cambodia while serving in the Air Force and presumed dead by his wife Sarah (Williams). In fact Jake was captured and then he escaped with the help of Leang a Khmer Rouge peasant. Although they are on opposite sides Jake and Leang develop an understanding and fall in love. But after years of raising a family together Jake is forcibly separated from Leang when it is discovered he is an American Citizen. Waking up in the United Stat
This hilarious collection of the brilliant Farrelly brothers directorial and producing work contains: *'Stuck On You' *'Say It Isn't So' (Produced by the Farrelly brothers directed by James B. Rogers assisting director on Farrelly brothers other feature films.) *'There's Something About Mary: Special Edition' (1 Disc version) *'Me Myself and Irene' *'Shallow Hal' *Please See Individual Titles for Synopsis and further information.
An angry young Marlon Brando scorches the screen as The Wild One in this powerful '50s cult classic. Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a ""good-girl"" whose father happens to be a cop. Unfortunately for Johnny his one shot at redemption is threatened by a psychotic rival Chino (Lee Marvin) plus the hos
You Call. They Deliver. And It Ain't Pizzas... Tone's life involves carousing through the city with his mates Speed and Bear representing Underworld boss Pops Den. When an ex-girlfriend appears with a daughter he never knew he had his life is transformed into one of lullabies and nappies. But is this really the end of the only life that Tone has ever known?
It's the land of hospitality... unless you don't belong. A group of National Guardsmen embark on a routine weekend of manoeuvres in the boggy swamps of Louisiana. Everything goes smoothly until blanks are fired at the Cajun locals. Suddenly the men are hurled into a terrifying battle for their lives... An allegory of America's involvement in Vietnam in the tradition of Deliverance featuring brilliant cinematography and an excellent Ry Cooder bluegrass score.
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
An angry young Marlon Brando scorches the screen as The Wild One in this powerful `50s cult classic. Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a ""good-girl"" whose father happens to be a cop. Unfortunately for Johnny his one shot at redemption is threatened by a psychotic rival Chino (Lee Marivn) plus the hostility an
Dodgeball (Dir. Rawson Marshall Thurber 2004):You'll dodge duck dip dive...and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition! Under the painful tutelage of legendary ADAA champ Patches O'Houlihan (Rip Torn) Peter LaFleur (Vaughn) and his Average Joe's take on the Purple Cobras led by egomaniacal fitness guru White Goodman (Stiller). It's an over-the-top underdog tale filled with hilarious sight ga
A very special edition of the Farrelly brothers' delightfully outlandish romantic comedy There's Something About Mary filled with unbelievable sight gags and endless laughs! Still suffering from a High School crush on Mary (Cameron Diaz) the nerdy angst-driven Ted (Ben Stiller) tracks her down thirteen years later with the help of a sleazy private investigator (Matt Dillon) who also falls for her. Unfortunately both men discover that virtually every man who sets his eyes on the dazzling Mary finds himself head over heels in love and determined to win her hand. The wacky Farrelly Brothers have pushed the envelope again creating another outrageous movie experience guaranteed to make you laugh and keep you coming back for more.
This side-splittingly funny box set contains 'There's Something about Mary: Special Edition' and 'Stuck On You'. Something About Mary: Still suffering from a High School crush on Mary (Cameron Diaz) the nerdy angst-driven Ted (Ben Stiller) tracks her down thirteen years later with the help of a sleazy private investigator (Matt Dillon) who also falls for her. Unfortunately both men discover that virtually every man who sets his eyes on the dazzling Mary finds himself head over heels in love and determined to win her hand. The wacky Farrelly Brothers have pushed the envelope again creating another outrageous movie experience guaranteed to make you laugh and keep you coming back for more. Stuck On You: Conjoined twins Bob (Damon) and Walt (Kinnear) move to Los Angeles so that Walt can more actively pursue his dream of being a successful actor. After a chance appearance on Cher's TV show the pair become celebrities overnight but as Bob's internet girlfriend (Mendes) is about to uncover his secret the sudden success threatens to drive the two brothers apart...
There's Something About Mary is one of the funniest films in years, recalling the days of the Zucker-Abraham-Zucker movies, in which (often tasteless) gags were piled on at a fierce rate. The difference is that co-writers and co-directors Bobby and Peter Farrelly have also crafted a credible story line and even tossed in some genuine emotional content. The Farrelly brothers' first two pictures, Dumb and Dumber and Kingpin, had some moments of uproarious laughter, but were uneven. With Mary, they've created a consistently hilarious romantic comedy, made all the funnier by the fact that you know that they know that some of their gags go way over the line. Cameron Diaz stars as Mary, every guy's ideal. Ben Stiller plays a high-school suitor still hung up on her years later; the obstacles standing between him and her include a number of psychotic suitors, a miserable little pooch and, oh yeah, a murder charge. The Farrellys' admittedly simplistic camera work, which adapts easily to a TV screen, and the fact that you'll likely to laugh yourself so silly over certain scenes you'll want to replay them to see what you were missing while you were busy convulsing, make this a perfect film for home-viewing. --David Kronke, Amazon.com
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
When a young couple moves to Hollywood determined to make it in the movies they find the house of their dreams on a hill called Edendale. Here all the neighbours are in 'the business ' and they have high hopes for Kevin and Rachel. But just how far are they willing to go to succeed? When Kevin becomes a cold hard stranger obsessed with writing his new screenplay Rachel discovers that Edendale has a famous Silent Movie past. This hill once belonged to Tom Mix - King Cowboy of t
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