Walt Disney Studios Home Entertainment invites you on an enchanting musical adventure through the deepest parts of New Orleans in the Oscar nominated The Princess and the Frog, available on Disney Blu-ray and DVD from 21st June 2010.
Perky teen starlet Hilary Duff wholeheartedly embraces the kind of earnest innocence all parents wish their daughters had. In Raise Your Voice, Terri Fletcher yearns to go to a prestigious music conservatory in Los Angeles. Her father won't let her because L.A. is a bad place, but her loving mom and kooky aunt sneak her away. Once there, she gets a sassy roommate-of-colour, geeky cool friends, a snooty rival, and a sexy British boyfriend. Of course, all conflicts with family and friends come to a head at a big competition at which Terri rediscovers herself. Formulaic? Yes. Bland? Yes. Will preteen girls enjoy it anyway? Maybe, because Duff plays it so sincere. --Bret Fetzer, amazon.com
Possessed of startlingly fresh performances and a visual style of genuine panache, Shallow Grave was deservedly a BAFTA Best Film winner in 1994. This was clearly a film that deserved attention. Sure enough, the principal talents involved (Director Danny Boyle, Producer Andrew Macdonald, Writer John Hodge and actors Christopher Eccleston and Ewan McGregor) have gone on to huge successes both together (Trainspotting) and apart. The thriller's plot is simple enough: three flatmates take on a fourth (Keith Allen) who unexpectedly dies, leaving a mountain of cash behind. Who are your friends? Who can you trust? How far would you go for money? These are the questions facing Juliet (Kerry Fox), David (Eccleston) and Alex (McGregor) as the scenario spirals out of control around them. Somehow no matter what they do, the decisions seem to lead to one gruesome event after another. The film's often breakneck pace--backed by tunes from Leftfield--quickly became a much-copied style. Most agree that the copies pale beside the original, and this ice-cold morality poser remains the best view of post-80s greed on screen. On the DVD: Although presented in widescreen anamorphic format, both picture and sound are not much better than an average video playback. Add a static menu and just one trailer and this release will probably disappoint today's DVD collector. --Paul Tonks
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
Join Riddick in three times the adventure in three of the greatest sci-fi epics of all time. Journey to a remote hostile planet with a group of marooned passengers who learn that escaped convict Riddick isn't the only thing they have to fear in Pitch Black. Then see him battle the ruthless soldiers of fortune and vicious creatures in renowned animator Peter Cheung's The Chronicles of Riddick: Dark Fury. And finally Riddick finds himself humanity's likely champion in the special effect-fuelled The Chronicles of Riddick. Special Features: Pitch Black Feature Commentary's: Director David Twohy and actors Vin Diesel and Cole Hauser Director David Twohy Producer Tom Engelman and Visual Effects Supervisor Peter Chiang An Introduction By David Twohy The Game Is On The Johns Chase Log The Chronicles Of Riddick Visual Encyclopedia A View Into The Dark The Making Of Pitch Black Dark Fury: Advancing The Arc Hunt For Riddick Website Link Chronicles Of Riddick Opening Sequence Dark Fury Making Dark Fury: Bridging the Gap from Pitch Black to The Chronicles Of Riddick Peter Chung - Into the Mind of the Animator A View into the Light Chronicles of Riddick Virtual Guide to The Chronicles of Riddick Toombs' Chase Log Riddick Insider Visual effects revealed Riddick's Worlds Vin Diesel's Guided Tour X-Box game demo Chronicles of Riddick: Escape from Butcher's Bay DVD ROM skin Chronicles of Riddick: Pitch Black - Special Edition Trailer
Join Riddick in three times the adventure in three of the greatest sci-fi epics of all time. Journey to a remote hostile planet with a group of marooned passengers who learn that escaped convict Riddick isn't the only thing they have to fear in Pitch Black. Then see him battle the ruthless soldiers of fortune and vicious creatures in renowned animator Peter Cheung's The Chronicles of Riddick: Dark Fury. And finally Riddick finds himself humanity's likely champion in the special effect-fuelled The Chronicles of Riddick. Special Features: Pitch Black HD Content Picture in Picture Pitch Black Raw SD Content An Intro by David Twohy Feature Commentary's: Vin Deisel Cole Hauser and David Twohy Director David Twohy Producer Tom Engelman and visual effects supervisor Peter Chiang The Game is On - Chronicles of Riddick Escape from Butcher Bay Video Game Promo Johns Chase log The Making of Pitch Black Dark Fury: Advancing the Arc - Dark Fury Preview The Chronicles of Riddick Visual Encyclopaedia A View into the Dark - Chronicles of Riddick Promo; Raveworld Pitch Black event Dark Fury Making Dark Fury: Bridging the Gap from Pitch Black to The Chronicles Of Riddick Peter Chung - Into the Mind of the Animator A View into the Light Chronicles of Riddick SD Bonus Intro By David Twohy Feature Commentary with David Twohy Karl Urban and Alexa Davelos Virtual guide to the Chronicles of Riddick Toombs Chase Log Visual Effects revealed Vin Diesel guided tour Deleted Scenes Deleted Scenes with Optional Director's Commentary Creation of New Mecca Riddick Rises Keep What You Kill HD Bonus Complete Chronicles Anatomy of a Fight Picture in Picture
Twin brother codirectors Albert and Alan Hughes planned their first film, the 1991 ghetto crime drama Menace II Society as a response to John Singleton's Boyz N the Hood, which they considered wimpy and moralistic. They set their sights on The Deer Hunter in this ambitious follow-up, and they just about pull it off. Larenz Tate (from Why Do Fools Fall in Love) plays Anthony Curtis, an open-hearted African American teenager who gets shipped out to Vietnam with several of his pals, witnesses unspeakable horrors and then struggles to readjust to civilian life. The evolving textures of life in a declining inner-city neighbourhood over a period of a decade are seamlessly evoked and there's enough nuanced character development and personal interaction for a seven-hour miniseries. Still in their early 20s, the Hughes brothers are already poised and masterful movie makers; they cover an enormous amount of historical and emotional ground and every twist and turn is crystal clear. They betray their inexperience only at the very end, in an elaborately staged heist sequence that, while stunningly executed, feels a bit desperate, as if they were reaching blindly for a big pay off. Chris Tucker (Rush Hour) has a startling supporting role as a kid who becomes a junkie during the war and never quite recovers. --David Chute
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
Ice Cube stars in this new ensemble comedy set around a day in the life of a South Side Chicago barbershop.
The title says it all--the abominable Dr Phibes Rises Again and he's as ruthless as ever. No longer content with merely avenging his wife's death, Phibes is now bent on her resurrection. With his mute assistant, Vulnavia, he sets off for Egypt, meting out bizarrely elaborate deaths--everything from clockwork snakes to a particularly severe exfoliation treatment--to all who stand in his way. This time Phibes has two competitors to race against: the trusty Inspector Trout and the renowned archaeologist Biederbeck, who has his own reasons for chasing Phibes. Like its predecessor, Dr Phibes Rises Again adds dark wit and imaginative art direction to the mix. Vincent Price is once again in high form, playing his organ with swooping arms and adding dry comic touches with a delicately cocked eyebrow. Watch out for cameos from a host of familiar faces, including Peter Cushing, Terry Thomas and Beryl Reid. --Ali Davis
Vin Diesel creates a cult icon as Riddick in this epic sci-fi adventure. The new Special Edition DVD comes complete with a range of exclusive extra features.
Pitch Black The daylight can burn you but the darkness will kill you! Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness... The Chronicles Of Riddick The wanted criminal Riddick arrives
Vin Diesel creates a cult icon as Riddick in this epic sci-fi adventure. The new Special Edition DVD comes complete with a range of exclusive extra features.
It's the land of hospitality... unless you don't belong. A group of National Guardsmen embark on a routine weekend of manoeuvres in the boggy swamps of Louisiana. Everything goes smoothly until blanks are fired at the Cajun locals. Suddenly the men are hurled into a terrifying battle for their lives... An allegory of America's involvement in Vietnam in the tradition of Deliverance featuring brilliant cinematography and an excellent Ry Cooder bluegrass score.
Pitch Black Owing a major debt to Alien and its cinematic spawn, Pitch Black is a guilty pleasure that surpasses expectations. As he did with The Arrival, director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. --Jeff Shannon Dark Fury Taking a page from The Animatrix, Dark Fury is part of a new trend of bridging theatrical sequels. As an official product of a franchise, the 35-minute anime benefits from having the original actors voice the characters, including Vin Diesel as Riddick. This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail for master villains and she has her sights set on Riddick. The film--indeed the series--is indebted to animator Peter Chung, who brings his techno style from his Aeon Flux series. His smooth animation for Riddick doesn't reinvent the character as much as give him a new, appealing fluidity. As anime goes, there's nothing really new here--plenty of action, cool killers, and dramatic spurts of blood--but it's a building block for how this genre might enliven movie series and sequels in the future. --Doug Thomas The Chronicles of Riddick Bigger isn't always better, but for anyone who enjoyed Pitch Black, a nominal sequel like The Chronicles of Riddick should prove adequately entertaining. Writer-director David Twohy returns with expansive sets, detailed costumes, an army of CGI effects artists, and the star he helped launch--Vin Diesel--bearing his franchise burden quite nicely as he reprises his title role. The Furian renegade Riddick has another bounty on his head, but when he escapes from his mercenary captors, he's plunged into an epic-scale war waged by the Necromongers. A fascist master race led by Lord Marshal (Colm Feore), they're determined to conquer all enemies in their quest for the Underverse, the appeal of which is largely unexplained (since Twohy is presumably reserving details for subsequent "chronicles"). With tissue-thin plotting, scant character development, and skimpy roles that waste the talents of Thandie Newton (as a Necromonger conspirator) and Judi Dench (as a wispy "Elemental" priestess), Twohy's back in the B-movie territory he started in (with The Arrival), brought to vivid life on a vast digital landscape with the conceptual allure of a lavish graphic novel. But does Riddick have leadership skills on his resumé? To get an answer to that question, sci-fi fans will welcome another sequel. --Jeff Shannon
Hector Berlioz's (1803-1869) legende dramatique about a man named Faust who sells his soul to the devil in exchange for knowledge. Recorded live at the Royal Albert Hall in 1989. Georg Solti conducts.
Pitch Black: The daylight can burn you but the darkness will kill you! Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness... The Chronicles Of Riddick: The wanted criminal Riddick arrives in Helion Prime and finds himself against the invading Necromongers an army that plans to convert or kill all humans... Doom: A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban they descend into the Olduvai Research Station where they find a legion of nightmarish creatures lurking in the darkness killing at will. Once there the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive.
Berlioz is the greatest musical figure in the French Romantic movement. His Requiem (1837) - La grande Messe des Morts - was written for the soldiers killed in the Algerian campaign.
Kalifornia: When urban intellectuals Brian (Duchovny) and Carrie (Forbes) set out a cross-country trip to research a book about serial killers they share the ride with a couple they barely know - Early Grayce (Pitt) and his girlfriend Adele (Lewis). Locked in a car hurtling westword the four travelers struggle to find some common ground. But when they finally do connect Early's violent nature abruptly emerges and the petrified Brian and Carrie realise they don't need to go very far to learn about ruthless killers... because they're already face to face with one! Misery: When author Paul Sheldon suffers a car accident in a blizzard he thanks his lucky stars that nurse Annie Wilkes was on hand. That is until he discovers that she's his number one fan and has no intention of ever letting him go... Shallow Grave: Juliet David and Alex find that their new reclusive roommate has not left the bedroom for days. After kicking in the door they discover this drug overdosed corpse; and a suitcase full of cash! Fatefully choosing to keep the money they know they have to get rid of the body. But the remains won't stay buried and a careless trail from the shallow grave leads the police and two money-hungry thugs back to the trio. As the stakes get higher so does the body count not to mention their paranoia which is quickly putting their friendship in deadly jeopardy!
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