Filmed just two days after the tragic death of guitarist Brian Jones, some 250,000 fans flocked to Hyde Park, London, on a pilgrimage to see the group described as the greatest rock 'n' roll band in the world - The Rolling Stones. A free show, the band played their hits, including Satisfaction, Honky Tonk Women, Jumping Jack Flash, and Sympathy for the Devil, and released thousands of butterflies into the air in a tribute to their former guitarist. Winner of The Best News Documentary at the 1969 Rank News Film Awards, The Stones in the Park has been lovingly restored in High Definition and has had its soundtrack remixed in Dolby 5.1 (including the additional song Mercy, Mercy) - this concert has never looked or sounded better. A fascinating documentary on the most successful band of their generation, captured at their most vulnerable, The Stones in the Park is a must for all fans of the legendary rockers. Special Features: Three Previously Unseen Songs (Mercy, Mercy, Stray Cat Blues and No Expectations) World in Action: Mick Jagger Interview from 1967 Rolling Stones News Footage from 1964 Interview with Bill Wyman and Charlie Watts from 1971
A career-spanning documentary on the Rolling Stones, with concert footage from their "A Bigger Bang" tour.
The greatest show on earth and a gargantuan humanitarian effort to help those starving in Africa Live Aid took place on July 13th 1985 and brought together some of the biggest music stars of all time! ""Twenty years ago they not only played 'real good for free ' they took an issue that was nowhere on the agenda of the political world and placed it at the very top "" says concert organizer Bob Geldof. ""By buying the Live Aid DVD that day continues far off into some distant but hopeful
Located alongside the Tennessee River Muscle Shoals Alabama is the unlikely breeding ground for some of America's most creative and defiant music. Under the spiritual influence of the 'Singing River' as Native Americans called it the music of Muscle Shoals changed the world and sold millions upon millions of copies. At its heart is Rick Hall who founded FAME Studios. Overcoming crushing poverty and staggering tragedies he brought black and white together in Alabama's cauldron of racial hostility to create music for the generations while giving birth to the 'Muscle Shoals Sound' and 'The Swampers'. Mick Jagger Keith Richards Percy Sledge Gregg Allman Clarence Carter Etta James Alicia Keys Bono and others bear witness to Muscle Shoals' magnetism mystery and why it remains influential today.
Features the complete thirty-nine episodes from the ground-breaking comedy series.
Pirates Of The Caribbean: The Curse Of The Black Pearl (2003): Jack Sparrow (Depp in an Oscar nominated performance) and Will Turner (Bloom) brave the Caribbean Sea to stop a ship of pirates led by Captain Barbossa (Rush) who intend to break an ancient curse using the blood of the lovely Elizabeth Swann (Knightley)... Pirates Of The Caribbean 2: Dead Man's Chest (2006): Captain Jack Sparrow (Johnny Depp) is mortified to discover he owes a blood debt to the legendary Davey Jones captain of the ghostly Flying Dutchman. With time running out Jack must find a way out of his debt or else be doomed to eternal damnation. And as if this weren't enough his problems prompt the cancellation of the wedding plans of a certain Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) who are forced to join Jack on another maritime misadventure! Pirates Of The Caribbean 3: At World's End (2007): In the third installation of the ever-popular Pirates... series Pirates Of The Caribbean: At World's End we find our heroes Will Turner and Elizabeth Swann allied with Captain Barbossa in a desperate quest to free Captain Jack Sparrow from his mind-bending trap in Davy Jones' locker. Navigating through treachery betrayal and wild waters they must forge their way to exotic Singapore and confront the cunning Chinese pirate Sao Fen (Chow Yun-Fat).
The juggernaut four-disc set that is the Rolling Stones Four Flicks is taken from their unique three-in-one 2001 tour when they combined a stadium tour, an arena tour and a theatre tour into one 54-truck peregrination. It's the kind of epic endeavour that brings to mind William Burroughs' remark on Laurie Anderson's Home of the Brave: "Y'know, I prefer to watch this kind of thing on TV. Tones it down." Of the four discs, there's one devoted to each of the three sets plus another of documentary footage which is every bit as entertaining as the concerts, with the chaps coming across as the bunch of lovable old monkeys they resemble these days. The track listings speak for itself, but there are quite a few nice insights into the way in which the band operates musically. Jagger's voice is nowhere near as strong as it was, yet, like Miles Davis did when his chops began to desert him, he simply knits any shortcomings into his style of delivery. One side-effect of this, though, is that the more recent material, presumably written with this in mind, is much more effective here than the classics; "Brown Sugar", for example, its lyrics now neutered to avoid giving offence, finds him resorting to all sorts of shortcuts. No matter, though, the Stones still put on an incomparable show. Keith "the Human Riff" Richards is in fact playing better now than he ever has. It's well worth getting yer ya-yas out for. On the DVD: Four Flicks presents its material in such an integrated way that it's hard to say where the main event ends and the extras begin. As well as the concerts, you get to see the band working with AC/DC, Sheryl Crow and various other associates, there's a fun feature which allows you to zoom in on any individual member on a few tracks (revealing the secret of Charlie Watts's propulsive drumming to the percussion-minded observer) plus a great deal more. --Roger Thomas
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John Nada (Piper) is a struggling labourer who drifts into town and luckily scores a job at a construction site. Discovering a box of sunglasses Nada swipes a pair and is shocked to find what he can see through them; billboards demand citizens 'Eat' or 'Sleep' TV shows spout orders at him and some people look rather less than human...
The Quiet Man (Dir. John Ford 1952): John Ford's The Quiet Man celebrates one of Hollywood's most romantic and enduring epics. The first American feature to be filmed in Ireland's picturesque countryside Ford richly imbued this masterpiece with his love of Ireland and its people. Sean Thornton is an American who swears off boxing after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. Rio Grande (Dir. John Ford 1950): John Wayne and Maureen O'Hara are embroiled in an epic battle with the Apaches and each other in this John Ford classic. Lt Col. Yorke (Wayne) heads to the Rio Grande to fight a warring tribe. But Yorke faces his toughest battle when his unorthodox plan to outwit the elusive Apaches leads to possible court-martial. Locked in a bloody war he must fight to redeem his honour and save his family. Against All Flags (Dir. George Sherman 1952): In 1700 the pirates of Madagascar menace the India trade; British officer Brian Hawke has himself cashiered flogged and set adrift to infiltrate the pirate ""republic."" There Hawke meets lovely Spitfire Stevens a pirate captain in her own right and the sparks begin to fly; but wooing a pirate poses unique problems. Especially after he rescues adoring young Princess Patma from a captured ship. Meanwhile Hawke's secret mission proceeds to an action-packed climax. Rare Breed (Dir. Andrew V. McLaglen 1966): In the 1880s Englishwoman Martha Price (Maureen O'Hara) and her daughter Hilary (Juliet Mills) come to America to sell their prize Hereford bull at an auction. When he is purchased by Bowen a wild Scotsman (Brian Keith) the women hire a footloose cowhand named Burnett (James Stewart) to help them transport the animal to its new owner. So begins an adventure that tests the mettle of all involved as they battle killers cattle stampedes and each other. But when they reach Bowen's ranch even greater obstacles force them to summon up extraordinary courage if they and the prize bull are to survive... Our Man In Havana (Dir. Carol Reed 1959): Jim Wormold (Alec Guinness) a vacuum cleaner salesman in Havana is recruited by the British Intelligence Services. As he has nothing to report he invents facts and pretends to discover secret operations...with disastrous consequences. Carol Reed directs this adaptation of the Graham Greene story. Lady Godiva Of Coventry (Dir Arthur Lubin 1955): Fictionalized account of events leading up the famous nude ride (alas her hair covers everything) of the militant Saxon lady
The Rolling Stones are widely known as the Greatest Rock 'n' Roll band in the world they are currently on the best selling concert tour of all time and now they have teamed up with the biggest record company in the world Universal Music! The Rolling Stones have joined forces with Universal to release The Biggest Bang DVD Box set which will be coming to living rooms across the world as one of the most ambitious music DVD sets in history! This is a four-DVD set featuring seven
A couple move to live in a small town where their lives are interrupted by the appearance of a strange little girl.
Like any good brand, the Rolling Stones know to preserve the formula even when updating the package, and this long-form concert video underscores that market strategy. As with each of their tours since the early 1980s, the quartet, augmented by a discreet auxiliary of backup musicians, gives the fans new eye-candy while dishing up a familiar set list spiked with Mick Jagger's lip-smacking vocals and Keith Richards' signature guitar riffs. The visual twists are at once spectacular and conservative: a cyclopean main stage design with massive pillars (presumably the Babylonian connection), a vast oval video screen (shades of Big Brother), and a hydraulic bridge enabling a mid-concert sortie into the audience, with the Stones playing a more stripped-down, intimate set on a small satellite stage. That huge physical setting doubtless made the live shows eye-filling rock spectacles, but the video crew necessarily accepts the limitations of the small screen, focusing more on close-ups of the band, rapid cuts, and racing, hand-held tracking shots to convey excitement while keeping the viewer close to the action. The evening's repertoire sticks to the band's most familiar hits, and if the Glimmer Twins occasionally slip their masks to let the routine show, the real wonder is how effectively they keep the playing focused. During the first half of the programme, the band's newest songs (especially "Saint of Me" and "Out of Control") elicit conspicuously higher energy from the band, if not the audience. But just as the show seems doomed to a certain anonymity, the escape onto the smaller, no-frills stage pumps up players and crowd alike, particularly when they launch into "Like a Rolling Stone", a cover that winds up sounding like a great idea too long deferred. --Sam Sutherland, Amazon.com
Two fabulous classic programs giving you an insight into arguably one of the greatest Rock bands of all time. Rock of Ages is packed full of interviews and rare footage of how these legends of Rock remain actively involved and passionate about their music and about performing. Rolling Stones On A Roll takes us right back to how the band first came together, exploring not only Brian Jones' pivotal role in the early days, but also how the events leading up to his tragic death, and the formation of a new line up, propelled the band to even greater stardom.
William Walker (Harris) and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat...
Taylor Hackford's 1987 legendary documentary about Chuck Berry's 60th birthday concert ""Hail! Hail! Rock 'n' Roll"" now becomes available for the first time on DVD. The unforgettable life and music of pioneering legend Chuck Berry are celebrated in this landmark feature film capturing a once-in-alifetime gathering of rock and roll's finest! In 1986 Keith Richards invited a roster of great musicians to honour Chuck Berry for an evening of music to commemorate Berry's 60th birthday including performances by Eric Clapton Robert Cray Linda Ronstadt Etta James and Julian Lennon along with archival footage of an unforgettable duet by Chuck and John Lennon. Taylor Hackford is one of America greatest documentary and film makers. He also directed ""Ray"" (2004) the biographical film on the life of legendary rhythm and blues musician Ray Charles which won two Oscars ""The Devil's Advocate"" (1997) and ""An Officer And A Gentlemen"" (1982). Also featuring insightful interviews with many of the original creators of rock and roll: Jerry Lee Lewis Little Richard Roy Orbison Bo Diddley The Everly Bros and Willie Dixon.
Martin Scorsese leaps into the madness of the Rolling Stones' organization in Shine a Light, barely controlling (in a most entertaining way) a documentary that culminates in the Stones' best concert on film. The movie's highly entertaining, pre-performance prologue finds a frazzled Scorsese trying to get a clue about the band's plans for a very special New York City date in 2006, a benefit hosted by Bill and Hillary Clinton. While Mick Jagger quibbles over concepts for the stage's set and peruses lists of possible songs to include in the show, Scorsese tries to figure out how to shoot something for which he has few production details. Everything falls into place eventually, and after an extraordinary meet-and-greet scene in which Jagger, Keith Richards, Ron Wood, and Charlie Watts catch up with the Clintons and sweetly introduce themselves to Hillary's mom, the Stones launch into a set that leans less heavily than usual on their greatest hits canon. Longtime fans are sure to appreciate the wealth of generally-untapped material from Let It Bleed ("You Got the Silver," "Live With Me"), Exile On Main Street ("All Down the Line," "Loving Cup"), and Some Girls ("Faraway Eyes," "Just My Imagination"). Jack White, Christina Aguilera and Buddy Guy are on hand for memorable collaborations, but the Stones all alone are truly on fire in the relatively intimate setting of a small theater. Among the highlights is a sexy and even thrilling call-and-response between Jagger and ace backup singer Lisa Fischer on "She Was Hot," Richards' gracious and expansive solo on "Connection," and Jagger's witty take on "Some Girls" (which manages to skip over the controversial verse about "black girls"). Throughout the show, Scorsese and an army of camera operators cover the action from every conceivable angle, which results not so much in another hyperkinetic concert film but rather in the kind of graceful, flattering portrayal of a great band that the director mastered with The Last Waltz. --Tom Keogh, Amazon.com
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