Titanic is a four part serial created by BAFTA-winning producer Nigel Stafford-Clark (Warriors; The Way We Live Now; Bleak House) and written by Oscar and Emmy winner Julian Fellowes (Gosford Park; Downton Abbey) to mark the hundredth anniversary of the world's most famous maritime disaster in April 1912. It sets out to tell the story not just of a single ship, but of an entire society - one that was heading towards its own nemesis in the shape of the First World War as carelessly as Titanic towards the iceberg.This world, soon to vanish forever, is brought alive by a cast of over 80, featuring the cream of acting talent from Britain and beyond, including Linus Roache (Law & Order; Batman Begins), Geraldine Somerville (Harry Potter; Cracker), Celia Imrie (Bridget Jones's Diary; Kingdom), Toby Jones (My Week with Marilyn; Tinker Tailor Soldier Spy; Captain America), Maria Doyle Kennedy (The Tudors; The Commitments), Perdita Weeks (The Promise; The Tudors; Lost in Austen), Jenna-Louise Coleman (Waterloo Road; Emmerdale), Steven Waddington (Sleepy Hollow; Last of the Mohicans), Lyndsey Marshal (Hereafter; Being Human; Rome), Ruth Bradley (Primeval), Peter McDonald (The Damned United; City of Vice) and Timothy West (Bleak House; Ever After; The Day of the Jackal) amongst many others.All human life is on Titanic as she sets out on her maiden voyage. The upper-class family with their suffragette daughter and their warring servants; the wealthy elite of American society; the Irish lawyer in Second Class with his embittered wife; the young cabin steward and the impetuous Italian waiter who falls for her; the Catholic engineer fleeing Belfast with his wife and family to escape the sectarian conflict; the mysterious stranger in Steerage fleeing who knows what. And then there are the officers and crew. As their stories interweave and we find our first impressions are often undermined by what we learn, there is one thing that we know for certain and they do not - that not all of them will survive.
After narrowly escaping an attempted rape Marjorie is haunted by the fact that her attacker knows where she lives. But when he appears on her doorstep and subjects her to a non-stop barrage of physical and mental assaults Marjorie manages to disarm and capture him. Filled with fear and hostility she conspires with her roommates to take the law into their own hands. But as her rage consumes her Marjorie shocks her friends with a proposal that challenges the perilously thin line bet
Set against a backdrop of emerging teen culture and rising racial tension in late 50's London, Colin MacInnes' cult novel is brought to the screen in Julien Temple's lavish musical adaption. Struggling young photographer Colin sees his ambitious, fame-seeking girlfriend Crepe Suzette slipping away as she ruthlessly pursues a career in fashion. To win her back he'll need to compromise his idealism and do whatever it takes to make the big time himself.
Black Beauty
Layer Cake: Matthew Vaughn the producer of 'Lock Stock And Two Smoking Barrels' and 'Snatch' steps into the director's chair for the first time with 'Layer Cake'. Based upon JJ Connelly's London crime novel 'Layer Cake' is about a successful cocaine dealer (Daniel Craig) who has earned a respected place among England's Mafia elite and plans an early retirement from the business. However big boss Jimmy Price (Cranham) hands down a tough assignment: find Charlotte Ryder the
In the unsanctioned, underground, and unhinged world of extreme Ping-Pong, the competition is brutal and the stakes are deadly.
Return of the Living Dead III is the third go-round for a premise intended as both a sequel to and a satire of the George A Romero Living Dead films. This could just as easily have been an entry in director Brian Yuzna's Re-Animator series, and indeed the plot nugget seems derived from the last shot of Re-Animator itself, as a devoted youth (J. Trevor Edmond) revives his freshly dead girlfriend (Mindy Clarke) with trioxin, a military zombie-making gas, and learns to regret his actions. Though it has some left-field ideas--the heroine turns herself into a DIY Hellraiser Cenobite poster-girl with extreme body piercing to distract herself from the desire to eat her boyfriend's brain--and effective action, it is still confined by its low budget and thus stuck with ordinary acting, a minimal plot and too many dumb developments. The central thread is the necrophile/SM romance, which ends up in a liebestod clinch in the army base's furnace, but there's a sub-plot about a quartet of zombified gang members which serves mainly to get some violence going every few minutes. Clarke is a striking presence, studded with bits of metal like a punk porcupine, but her performance flat lines even before her death in a motorcycle crash and revival as a zombie, while the rest of the cast--with the honourable exceptions of Kent McCord as a senior officer and Basil Wallace as a mystical down-and-out--are typified by Sarah Douglas' strident militarist mad scientist, who wants to put zombies in armoured exoskeletons and deploy them as combat troops. Nevertheless, this is gruesome fun for the fans, with some imaginative zombie mutilation effects. On the DVD: It's a no-frills full-screen transfer. The only extra is a 50-second trailer.--Kim Newman
Made-for-TV comedy drama based on the novel by Sue Townsend. Following the election of the Republican Party, the United Kingdom's new Prime Minister, Jack Barker (David Walliams), carries out his campaign promise to abolish the country's monarchy. Stripped of their vast wealth, the Royal Family is forced to relocate to a council estate in the Midlands, where they struggle to fit in and adjust to their new surroundings.
Ealing Studios comedy set in the Scottish isles. Hollywood's Paul Douglas plays Marshall, an American businessman who becomes involved with The Maggie, a rundown old shipping vessel captained by the taciturn skipper (Alex Mackenzie), when he is trying to find a way to convey his luggage to a remote island. It doesn't take Marshall long to realise that the skipper and his crew have pulled a fast one on him - but what can he do to stop them?
Fathom: From exploding earrings to dances with bulls to leaps from a plane at 10 000 feet there isn't much Fathom can't handle in this wildly entertaining espionage spoof! Voluptuous dental hygienist-turned-skydiver Fathom Harvill (Raquel Welch) is recruited by a top-secret government agency to parachute into Spain in search of an elusive war defector (Tony Franciosa) and a missing H-bomb detonator he is believed to possess. But the super sexy spy may expose more than she bargained for as she unravels the truth behind her employer's motives - with hilarious results! (Dir. Leslie H. Martinson 1967) Fantastic Voyage: A Fantastic and spectacular voyage... Through the human body... Into the brain. Shrunk to microscopic size an elite scientific and medical team enters the bloodstream of an ailing scientist in a desperate effort to save his life. Battling the body's incredible defenses the crew must complete their mission before time runs out. The film was to win Oscars for Best Visual Effects (by Art Cruikschank) and Art Direction. The legacy of the film was to continue as 'Fantastic Voyage' later received an animated spin-off show. (Dir. Richard Fleischer 1966) Bandolero: It's a Wild West clash of personalities in Val Verde Texas for the warring Bishop brothers (Dean Martin and James Stewart) who must now join forces to escape a death sentence. Featuring an all-star cast including Raquel Welch and George Kennedy and exploding with action Bandolero! packs a smoking six-gun wallop from its first tense show-down to its last exciting shootout. (Dir. Andrew V. McLaglen 1968) Lady In Cement: The suave sleuth Tony Rome makes a shocking discovery while diving for treasure: a beautiful blonde woman anchored in a block of cement. When a local hood hires him to find his missing girlfriend his investigation begins with the mysterious ""Lady in Cement."" But everyone he talks to either is killed or trying to kill him... (Dir. Gordon Douglas 1968)
The quite terrifying and gory Dawn of the Dead was George Romero's 1978 follow-up to his classic 1968 Night of the Living Dead. But it is also just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping centre to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewellery shops, making gourmet meals and so on. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film after all and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. --Tom Keogh
Douglas's magnificent, award-winning Trilogy is the product of an assured, formidable artistic vision. These are some of the most compelling films about childhood ever made. Presented here in a High-Definition restoration, the Trilogy follows Jamie (played with heart-breaking conviction by Stephen Archibald) as he grows up in a poverty-stricken mining village in post-war Scotland. This is cinematic poetry: Douglas contracted his subject matter to the barest essentials - dialogue is kept to a minimum, and fields, slag heaps and cobbled streets are shot in bleak monochrome. Yet with its unexpected humour and warmth, the Trilogy brims with clear-eyed humanity, and affection for an ultimately triumphant young boy.
Filmed in 1968 and set in British India in 1895, Carry On Up the Khyber is one of the team's most memorable efforts. Sid James plays Sid James as ever, though nominally his role is that of Sir Sidney Ruff-Diamond, the unflappable British Governor who must deal with the snakelike, scheming Khasi of Khalabar, played by Kenneth Williams. A crisis occurs when the mystique of the "devils in skirts" of the 3rd Foot and Mouth regiment is exploded when one of their numbers, the sensitive-to-draughts Charles Hawtrey, is discovered by the natives to be wearing underpants. Revolt is in the offing, with Bernard Bresslaw once again playing a seething native warrior. Roy Castle neatly plays the sort of role normally assigned to Jim Dale, as the ineffectual young officer, Peter Butterworth is a splendid compromised evangelist, while Terry Scott puts his comedic all into the role of the gruff Sergeant. Most enduring, however, is the final dinner party sequence in which the British contingent, with the Burpas at the gates of the compound, plaster falling all about them, demonstrates typical insouciance in the face of imminent peril. The "I'm Backing Britain" Union Jack hoist at the end, however, over-excitedly reveals the streak of reactionary patriotism that lurked beneath the bumbling double entendres of most Carry On films. On the DVD: Sadly, no extra features except scene selection. The picture is 4:3 full screen. --David Stubbs
One of the highest rated sitcoms of the 1970s attracting 16 million viewers at the peak of its popularity Love Thy Neighbour explores the culture clash between black and white neighbours Bill Reynolds (Rudolph Walker) and Eddie Booth (Jack Smethurst). This release features episodes three and four of Series One.
In between the Hollywood productions Rush Hour and Shanghai Noon, Hong Kong's most popular export, Jackie Chan, returned home to indulge his romantic side in this modern fairy tale. He plays a modern Prince Charming, a big business mogul and notoriously eligible big-city bachelor to dreamy teenager Shu Qi, a girl from a Taiwan fishing village. When a heartbreaking message in a bottle washes ashore, she traces it back to Hong Kong, where she meets Jackie in the midst of a mid-ocean brawl on a luxury yacht. Hong Kong heartthrob Tony Leung has a grand time spoofing his image, playing a gay fashion photographer who "adopts" Shu Qi and helps her woo her handsome dream lover. It's a pleasant change to see 40-plus Jackie discard his usual goofy lovesick fool to play a suave swinger, but next to giggly teen Shu Qi, who proves to be a spunky and winning actress, he seems a little too mature. There are still plenty of opportunities to see Jackie in acrobatic action with a subplot involving a boyhood friend turned shady business rival, but at heart it's a sweet, silly little love song full of unabashed romantic imagery, elegant art design, snazzy fashions and a gooey happy ending. Jackie doesn't provide his own voice in the English dubbed edition, which makes a minor dent in his charm but does little to affect the film as a whole. --Sean Axmaker, Amazon.com
Episodes from the brand new series commissioned by the BBC. Postman Pat And The Greendale Rocket: The local children set off on a school outing and are very excited to find Greendale's forgotten old train. Pat and Ted try to get it working again but with no luck so they call on the help of Julian's pen pal whose Dad is a train enthusiast. Will they get the Greendale Rocket running in time for the grand opening of the new train station? Postman Pat's Magic Christmas:
Welcome to the world of the City Rats where eight lives collide in a Pulp Fiction style blend that reveals London's true dark and twisted underbelly, which stars Danny Dyer (Football Factory) and Tamer Hassan (Cass).
An American businessman in Scotland is conned into shipping a valuable load of cargo to a Scottish island via a coal powered boat...
Artic researchers discover a huge frozen spaceling inside a crash-landed UFO then fight for their lives after the murderous being (a pre-Gunsmoke James Arness) emerges from icy captivity. Will other creatures soon follow? The famed final words of this film are both warning and answer: ""Keep watching the skies!""
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