Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
Jimmy Dworski is a happy-go-lucky convict who breaks out of prison and finally gets a life - somebody else's! When Dworski finds the daily planner that literally runs the life of ultra-organized executive Spencer Barnes (Charles Grodin) all hell breaks loose! With newfound cash credit cards and the keys to a Malibu mansion the imposter Dworski embarks on an all-expenses-paid trip to ""Easy Street"" while posing as the high-powered Barnes. Meanwhile Spencer's life is turned upside down as he hunts through the jungles of Los Angeles for his beloved book: when these oddball opposites finally meet it's a comedic collision you won't soon forget!
An orphan from the tough streets of Cleveland, Irish Danny Greene (Ray Stevenson) rises from working longshoreman to union leader and mob ally. Forced out of the union by the feds, Danny starts anew as an enforcer for loan shark Shondor Birns (Christopher Walken), while still maintaining influence with mafia boss John Nardi (Vincent D'Onofrio).With Detective Joe Manditski (Val Kilmer) in pursuit, Danny rapidly acquires his own power and places himself at odds with the Italians, who find him to be a very difficult man to kill. What follows is a bloody war that breaks out on the streets of Cleveland and gives it the name Bomb City, U.S.A. Based on a true story, Kill The Irishman is the saga of one man who embodies the Irish warrior mentality with a mixture of pride, brutality, ambition and principle, as he became a central figure in the '70s mob war that forever changed organized crime in America.
From the director of THE BLAIR WITCH PROJECT comes Lovely Molly, a hauntingly terrifying account of one woman's struggle to overcome a dark presence that haunts her. When newlywed Molly returns to her long-abandoned family home, she is plagued by a series of disturbing events that leave her shaken and defenceless. Reminders of a nightmarish childhood lead her to the shocking conclusion that, somewhere in the house, lies an supernatural spirit that will pull Molly and all those around h...
Vampires with machine guns what's not to love? Sebastian Crockett is in for the ride of his life when his night of desire with sexy, alluring cougar Vanessa turns into a fight for survival when she introduces him to some of her friends - a coven of hungry vampires - at a remote farmhouse. As if Sebastian's night couldn't get any worse, a heavily armed band of mercenary vampire hunters led by the steadfast Colonel Bingham crashes the party - and much like the vampires, they're out for blood.....it's going to be a night to remember! Eat Locals is the directorial debut of actor Jason Flemyng (Lock, Stock and Two Smoking Barrels, Snatch), and features fight direction from Jason Statham (Snatch, Spy) as well as an all star cast, including Charlie Cox (Daredevil), Dexter Fletcher (Lock, Stock and Two Smoking Barrels, Layer Cake), Mackenzie Crook (Game of Thrones, Pirates of the Caribbean), Tony Curran (Gladiator), Eve Myles (Broadchuch), Vincent Regan (300), Ruth Jones (Gavin and Stacey), Annette Crosbie (Into the Woods), and Freema Agyeman (Doctor Who).
Calling all Jan-Michael Vincents! Check out the iconic actor in two of his finest roles in this all-action double feature!White Line Fever (1975):In 1970s Arizona, a young married man becomes an independent long-haul driver and he risks his life fighting the corruption in the local long-haul trucking industry.Airwolf: The Movie (1984):A scientist who has created a super helicopter has defected to Libya and taken the machine with him. A secretive government agency hires an ex-Vietnam War pilot to go to Libya, steal the chopper and bring it back. White Line Fever Trailer Airwolf: The Movie Trailer
There's something inescapably appealing about Krull, a camp Star Wars-meets-The Lord of the Rings knock-off, that encourages the viewer to overlook it's very many silly shortcomings and simply enjoy the fun. James Horner's rollicking music score--written soon after his similarly memorable contribution to Star Trek II: The Wrath of Khan--certainly helps, as does the epic-scale CinemaScope photography of the breathtaking Italian landscapes. The costumes and extravagant production design are also great to look at, and much of Derek Meddings' visual effects work still looks striking if not exactly state-of-the-art. Of the cast, Freddie Jones stands head and shoulders above all others as the Obi Wan Kenobi-meets-Gandalf character Ynyr: his trip to the centre of the spider's web is both genuinely scary and genuinely touching. The two romantic leads, Ken Marshall as the Luke Skywalker-meets-King Arthur clone Prince Colwyn and Lysette Anthony (with an overdubbed American voice) as his Leia-Guinevere Princess Lyssa, are mere formalities on which to hang the plot. Ironic fun can be had with the all-British supporting cast, which includes Todd Carty of Eastenders fame and Carry On's Bernard Bresslaw, as well as Robbie Coltrane, Liam Neeson and the gorgeous Francesca Annis. On the DVD: Krull comes to DVD in an anamorphic widescreen print, preserving the luscious CinemaScope look of the theatrical release. The Dolby 5.1 sound lives up to the picture. There are two commentary tracks: on the first, director Peter Yates talks through the movie, with contributions from other crew members and leads Ken Marshall and Lysette Anthony. Oddly, the second audio track is just a reading of an article that originally appeared in the November 1982 issue of Cinefantastique magazine. There's also a half-hour "making-of" featurette originally produced to promote the movie at the time, the usual trailer, stills gallery and three talent profiles. --Mark Walker
A View to a Kill, Roger Moore's last outing as James Bond, is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, A View to a Kill is largely interesting for Christopher Walken's quirky performance as a sort-of super-villain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh, Amazon.com On the DVD: For Roger Moore's final Bond outing the production crew faced the usual quota of difficulties and disasters, the "making-of" documentary reveals: from base jumpers off the Eiffel tower whose antics threatened to jeopardise fragile relations with the Parisian authorities, to Ridley Scott thoughtlessly burning down the 007 at Pinewood right before production was due to start. Patrick MacNee, who has a supporting role in the movie, hands over narrative duties on this one to Rosemary Ford. The commentary is one of those less-than-satisfying montages of comments from various members of cast and crew. Also included is Duran Duran's "A View to a Kill" video (sounding hopelessly dated now), the usual trailers and a brief deleted scene of comic relief inside a Parisian police station. The second documentary concerns the music of Bond--always a crucial ingredient--although it manages the neat diplomatic trick of interviewing both Monty Norman and John Barry without giving the least hint of any controversy about the famous James Bond theme. --Mark Walker
Sam Gifford (Wagner) is a young successful cotton planter who lacks compassion for others especially his own sharecroppers. But once in combat he answers a sadistic officer (Crawford) and must rely on the friendship of a cropper (Ebsen). Nominated for a 1956 Oscar''ifor Best Music 'Between Heaven And Hell' is an action-packed story of men in battle - sometimes with themselves...
Featuring Avid Merrion as the Scandinavian stalker/host and sketches in which he plays the parts of pop stars like Craig David and Britney Spears in lurid, latex masks, Bo' Selecta! is a brilliantly surreal take on celebrity culture. This first series (originally broadcast in 2002) features a number of cameos and guest appearances from minor celebs: Boyzone's Keith Duffy, Davina McCall, Vanessa Feltz and the hapless Christine Hamilton, one of numerous guests to be interviewed by a puppet bear played by Merrion whose feverish line of questioning invariably results in him sprouting a little erection. Another character is hauled up in a neckbrace (following an altercation with Lisa Tarbuck), but Merrion's innocent broken English can't conceal the fact that he's a psychotic sex maniac who explicitly lusts after celebs who "make me do a sex wee", keeps Craig from Big Brother locked in a cupboard and his dead mother in a wardrobe. Merrion's pop spoofs are also masterly: rather than mimic the stars, he reinvents them--Mel B and Britney Spears--as farting, hairy-chested Northerners, slobbing out on fry-up breakfasts washed down with lager and, most improbably, Michael Jackson as a cussing, jive-talking black dude à la Huggy Bear. Bo' Selecta! doesn't so much satirise celebrities as debase them, exposing their humiliating none-dimensionality by drawing them into a vortex of vulgar absurdity, not unlike Vic Reeves' Shooting Stars. Of course, they play along--they're on television. Although initially off-putting to some, once you get into Bo' Selecta! there is, as for Big Brother's Craig, no escape. On the DVD: Bo' Selecta! on disc features numerous extras, including a behind the scenes feature in which the production team discuss making the show ("like directing a squirrel on roller-skates"), deleted scenes including Gareth Gates as a Tourette's victim, which was deemed a little beyond the pale, some unfunny bloopers and a feature on the life story of "Craig David" with Kate Thornton, including an unmissable nativity scene in which the infant Craig plays Jesus. There's also a commentary, with Merrion as his stalker self watching himself with consternation (It's strange seeing yourself on TV"). It's a pity we don't get to hear from the "real" Merrion. --David Stubbs
My Name Is JoeKen Loach's My Name Is Joe is a slice of life so raw that you can see the blood dripping off it and as in real life it mixes humour passion tragedy and violence in equal measure. Joe (Peter Mullan) is a recovering alcoholic and has done a few things in his past which he'd rather forget. Like most people he knows he's out of work but he keeps sane by coaching the self-styled worst football team in Glasgow. When one of Joe's players Liam gets involved with some local gangsters a chain of events is set in motion which not only threatens the lives of those concerned but also comes between Joe's budding love affair with social worker Sarah (Louise Goodall). Raining StonesBob Williams is a survivor. He supplements his dole by becoming embroiled in whatever scam is on offer from rustling sheep to rotting drains. But now life has dealt him a bitter blow. His van has been stolen and his daughter Colleen is approaching her first communion. She needs the traditional white dress shoes veil and gloves. Where on earth is the money going to come from? Raining Stones is a funny and essentially human story of survival in the nineties and people's aspirations for a better way of life. Riff RaffStevie a young Glaswegian just out of Barlinnie prison comes down to London and gets a job on a building site - a melting pot of itinerant laborers from all over the country. Here he has to contend with Mick the bossy ganger trying - but usually failing to control his workers Shem Mo and Larry and the other lads as they duck and dive the rules and regulations of the building trade. Stevie has other problems to contend: the wages are low the site teems with rats he has nowhere to sleep and life in London isn't that easy. One day on his way to work Stevie finds a handbag in a skip. He takes it back to it owner and meets Susan. As Stevie and Susan learn to live with the ups and downs of life in London Riff-Raff builds a portrait - sometimes gritty often funny of life as it is lived in the margins.
Jody is the kind of guy that every 1970s teen looked up to. He's in his early 20s, has a cool car, splendid 1970s hair, a leather jacket, plays guitar and (naturally) snags all the girls. His little brother, Mike, in particular, admires him and emulates him at every turn. Things start to go astray, however, when the two brothers and their friend Reggie attend a funeral for a friend. Mike notices a tall man working at the funeral home; in the course of his snooping, he sees the tall man put a loaded coffin into the back of a hearse as easily as if it was a shoebox. Jody doesn't believe his little brother's stories, though, until he brings home the tall man's severed finger, still wriggling in what appears to be French's mustard. From there, the film picks up a terrific momentum that doesn't let up until the sequel-ripe twist ending. Phantasm was one of the first horror movies to break the unspoken rule that victims were supposed to scream, fall down and cower until they were killed. Instead, Mike and Jody are resourceful and smart, aggressively pursuing the evil inside the funeral home with a shotgun and Colt pistol. Furthermore, the script has a great deal of character development, especially in the relationship between the two brothers. The film even has a surprisingly glossy look, despite its low-budget origins, and little outright gore (except for the infamous steel spheres that drill into victims' heads). This drive-in favourite was a big success at the time of its release, and spawned three sequels. Little wonder; it includes an inventive story, likeable characters, a runaway pace and, of course, evil dwarves cloaked in Army blankets. The end result is one of the better horror films of the late 1970s. Hot-rod fans take note: Jody drives a Plymouth Hemi 'Cuda, the pinnacle of 1960s muscle cars, rounding out his status as a Cool Guy. --Jerry Renshaw
Comedy greats Jimmy Jewel and Hilda Baker star as Eli Pledge and his sister Nellie in the classic award-winning comedy Nearest and Dearest. Eli - an aging lothario - and Nellie - virtuous to the last but in possession of a wonderfully flexible grip on the English language - inherit clapped out condiment company Pledge's Purer Pickles from their father. Much hilarity ensues amongst the malaproprisms bolshie workforce and none-too-subtle double entendres as the siblin
Contains some of Brando's finest but lesser known performances: Burn The Formula Bedtime Story The Men One Eyed Jacks (also directed by Brando). Burn (Dir. Gillo Pontecorvo 1969): (English - Dolby Digital (1.0) Mono / Fullscreen) Manipulative English mercenary Sir William Walker (Marlon Brando) is posted to a Portuguese colony in the Caribbean. Once there he uses his skills to engineer a slave revolt as part of his calculated plans for the English to seize control of t
Ghostbusters makes its long-awaited return with Director Paul Feig's unique and hilarious take on the classic, supernatural comedy, led by the freshest minds in comedy today, Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth. Together they team-up to save Manhattan from a sudden invasion of spirits, spooks and slime that engulfs the city. Robert Abele of TheWrap says, this new A-team of ghostbusters are fresh and funny. Special Features: Disc 1 - Blu-ray with both theatrical and extended cut + 1 hour of bonus features including filmmaker commentary Disc 2 - Bonus disc featuring over 2 hours of content exclusive to Blu-ray including deleted scenes, featurettes and more Packed with even more laughs and fun scares Two filmmaker commentaries Over 15 minutes of hilarious bloopers 30 minutes of laugh out loud alternate takes Four deleted scenes Slime time featurette Bonus disc includes 30 extended and alternate scenes More alternate takes Supernatural featurettes Photo gallery
Includes the following five great Clint Eastwood movies: Tightrope: By day Wes Block is a conscientious cop raising his two daughters alone. By night he indulges his bizarre sexaul tastes in the sleazy New Orleans twilight world. When a psychopathic sex murderer invades his dark domain Block's profession and personal lives violently conflict... The Rookie: Undercover cop David Ackerman is delighted with his promotion; that is until he meets his partner Nick Pulov
If this one doesn't scare you you're already dead! After their friend is murdered two brothers begin a hunt in search of the killer. Their investigation leads them to the discovery of a startling and hideous secret. As the brothers learn more about what is really going on at Morningside mortuary (involving a floating sphere with razor-sharp protruding daggers which seeks out victims and drains the blood from their heads) they get deeper into trouble but it may be already too late!
Pagford is a charming English idyll, but what lies behind the pretty façade is a town at war with plenty of back-stabbing and skulduggery. Adapted from J K Rowlings best selling novel by Screenwriter Sarah Phelps.
The Dead Zone: Christopher Walken stars as high school teacher Johnny Smith a car crash victim who emerges from a 5 year coma with the ability to see into people's future. Consequently this extra sensory perception enables Johnny to avert several potential disasters and earns him a degree of local celebrity. After his 5 missing years however Johnny has lost both his job and his fiance and he longs for his former existence minus his new 'gift'. That is until he meets with local politicians and would-be Presidential candidate Greg Still son (Martin Sheen) and sees future-events of genuinely cataclysmic proportions. It is only then that Johnny must come to terms with his powers his conscience and his destiny... Firestarter: Firestarter the best-seller by top writer Stephen King came blazing to the screen in a million saga produced by Dino De Laurentiis. Eight year-old Drew Barrymore who won America's heart in E.T.-The Extra-Terrestrial stars as the child who has the amazing ability to start fires with just a glance. But can this power and the love of her father save her from the sinister government agency.. 'The Shop'? The top-notch story an all-star cast that includes George C. Scott Martin Sheen Louise Fletcher Art Carney David Keith and Heather Locklear plus amazing special effects and stunts from the masters who worked on Star Wars E.T.-The Extra-Terrestrial and Raiders Of The Lost Ark make Firestarter the classic 80s horror movie.
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