Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust. Branagh has rounded up a mixed cast of stage vets and Hollywood stars, among the latter Denzel Washington and Michael Keaton, the latter playing a rather seedy, Beetlejuice-like version of Dogberry, king of malapropisms.--Tom Keogh
A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain American: Civil War, begins to naviagate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine - distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man - but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Click Images to Enlarge
The Empire prepares to crush the Rebellion with a more powerful Death Star. The Rebel fleet counters with a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel. Special Features: Audio Commentary By George Lucas, Carrie Fisher, Ben Burtt, and Dennis Muren Archival Audio Commentary By The Cast And Crew Episode VI: Return Of The Jedi Bonus Disc Conversations: The Effects Discoveries From Inside: The Sounds of Ben Burtt Classic Creatures: Return Of The Jedi Revenge Of The Jedi Teaser Trailer Return Of The Jedi Launch Trailer It Began TV Spot Climactic Chapter TV Spot Tatooine Overview Endor Overview Harrison Ford Interview Death Star II Space Battle Overview Vader's Arrival And Reaching Out To Luke Tatooine Sandstorm Rebel Raid On The Bunker Jerjerrod's Conflict Battle Of Endor: The Lost Rebels Rancor Maquette EV-9D9 Salacious B. Crumb C-3PO's Head With Eye Poked Out Leia's Boussh Costume Lando Skiff Guard Costume Jabba's Radio-Controlled Eyes AT-ST Walker Model Speeder Bike Imperial Shuttle Model Ewok Hang Glider Maquette Imperial Shuttle Landing Matte Painting Endor Landing Platform Matte Painting Ewok Costume Biker Scout Costume B-wing Fighter Model TIE Interceptor Model Death Star Under Construction Model Imperial Shuttle Bay Matte Painting Admiral Ackbar Costume Death Star Equator Docking Bay Matte Painting Millennium Falcon In Hangar Matte Painting Jabba's Palace, Road Creature Matte Painting Sarlacc Pit Matte Painting
Assassin's Creed - Oscar nominee Michael Fassbender stars in this big-screen action-adventure, based on the wildly popular gaming phenomenon. Fassbender plays Callum Lynch, who experiences the life of his 15th century ancestor through a technology that unlocks his genetic memories. Callum discovers he once belonged to a secret society of assassins and amasses lethal skills to take on the oppressive Templars. Kingsman - Based upon the acclaimed comic book and directed by Matthew Vaughn (Kick Ass, X-Men First Class), the film tells the story of The Kingsman; a super-secret spy organization that recruits an unrefined but promising street kid into his agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius Prometheus - After scientists Elizabeth Shaw (Noomi Rapace, The Girl with the Dragon Tattoo) and Charlie Holloway (Logan Marshall-Green, Devil) discover mysterious cave drawings that point to the origins of mankind, they soon find themselves aboard the spaceship Prometheus, sponsored by Weyland Industries and on a journey to uncover the secrets of humanity. Overseen by the imperious Meredith Vickers (Charlize Theron, Snow White and the Huntsman), looked after by the android David (Michael Fassbender, X-Men: First Class), and backed up by a team of scientists, Shaw and Holloway arrive on the isolated moon LV-223 to discover an abandoned alien spaceship and the truth that not all is as it seems... The Martian - During a manned mission to Mars, Astronaut Mark Watney (Matt Damon) is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring the Martian home, while his crewmates concurrently plot a daring, if not impossible rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney's safe return. Based on a best-selling novel, and helmed by master director Ridley Scott, THE MARTIAN features a star studded cast that includes Jessica Chastain, Kristen Wiig, Kate Mara, Michael Pena, Jeff Daniels, Chiwetel Ejiofor, and Donald Glover.
If you were to argue Mel Brooks' Young Frankenstein ranks among the top-10 funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks' previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks recreated the Frankenstein laboratory using the equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for non-stop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. No video library should be without a copy of Young Frankenstein. And just remember--it's pronounced "Fronkensteen". --Jeff Shannon
Dating from 1969, Butch Cassidy and the Sundance Kid has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more level-headed partner, the sharp-shooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the film maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom Keogh, Amazon.com On the DVD: This anamorphic widescreen print of the 2.35:1 Panavision original looks marvellously crisp, highlighting the sepia tinting and washed-out, over-exposed look of the film nicely and making the best of the deep focus cinematography. The mono soundtrack sounds clean and clear in Dolby 2.0. The commentary track is hosted by documentary-maker Robert Crawford with contributions from George Roy Hill, cinematographer Conrad Hall, and lyricist Hal David (who chips in during the "Raindrops" sequence). The 40-minute documentary dates from 1968 and is narrated by director Hill, who talks in detail about the making-of process, comments on his relationship with the three principals (Katharine Ross was the difficult one apparently), and adds little nuggets such as how they sprayed the bull's testicles to make him charge at the end of the bicycle scene. Also included are a series of absorbing 1994 interviews with all the main players: Newman, Redford, Ross, writer William Goldman, and composer Burt Bacharach. Trailers, Production Notes and an Alternate Credit Roll complete an attractive package. --Mark Walker
Limited Comic Book, Only Whilst Stocks Last. A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain American: Civil War, begins to naviagate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine - distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man - but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Click Images to Enlarge
Star Wars: A New Hope Luke Skywalker begins a journey that will change the galaxy. Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire. Star Wars: The Empire Strikes Back Discover the conflict between good and evil. The Rebels scatter after the Empire attacks their base on the ice planet Hoth. Han Solo and Princess Leia are pursued by Imperials, while Luke trains with Jedi Master Yoda. Luke battles Darth Vader and learns the shocking truth of his past. Star Wars: Return of The Jedi Experience the triumph of the force. The Empire prepares to crush the Rebellion with a more powerful Death Star. The Rebel fleet counters with a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel. Product Features Star Wars: A New Hope Filmmaker And Cast Audio Commentary Cast And Crew Archival Audio Commentary Conversations: Creating A Universe Discoveries From Inside: Weapons & The First Lightsaber Documentary: Anatomy Of A Dewback Cast Interviews Extended And Deleted Scenes And Much More Star Wars: The Empire Strikes Back Filmmaker And Cast Audio Commentary Cast And Crew Archival Audio Commentary Conversations: The Lost Interviews Documentary: A Conversation With The Masters Filmmaker Interviews Extended And Deleted Scenes Discoveries From Inside: Matte Paintings Unveiled And Much More! Star Wars: Return of The Jedi Filmmaker And Cast Audio Commentary Cast And Crew Archival Audio Commentary Conversations: The Effects Discoveries From Inside: The Sounds Of Ben Burtt Documentary: Classic Creatures Cast And Crew Interviews Extended And Deleted Scenes And Much More!
Take The Full Monty, add a sharper emotional edge and replace the strutting strippers with a dignified British band. That's the essence of Brassed Off, a bittersweet gem released in 1996, a year before its more popular (and Oscar-nominated) counterpart. In the Yorkshire town of Grimley, there has always been a coal mine, just as for the last 111 years there has been a brass band and it seems that Danny (the wondrous Pete Postlethwaite) has been the director for every one of those years. Tory economic policies, however, are closing coal mines around the country in favour of nuclear power and Grimley appears to be next on the list. Danny is unfazed by the threat, claiming, "It's music that matters." But some of the men are about to quit the band until the appearance of Gloria (Tara Fitzgerald at her most radiant), who dazzles the all-male group (including old flame Andy, played by Ewan McGregor) first with her beauty, then with her flügelhorn playing. The new member gives the band a boost as they continue to perform and compete but closure remains very real, as director Mark Herman (Little Voice) accompanies the band's performances (played with gusto by the Grimethorpe Colliery Band) with scenes of angry labour-management confrontations and family strife. In this context, some of the characters claim that the music is an irresponsible form of escapism. It becomes clear, however, from a touching performance of "Danny Boy" to the stirring conclusion at Royal Albert Hall, that music is an expression of the human spirit, a bit of beauty and sanity in a harsh world. With defiance, the band can play "Land of Hope and Glory" even when the land offers them neither. --David Horiuchi
As enjoyable now as it was when it was originally released at the start of the 90s, Alan Parkers The Commitments is the tale of an Irish soul band, from start through to very messy finish. There are several reasons why it works so well. The first is a corking script by Roddy Doyle (who wrote the book the film is based on) in conjunction with British sitcom legends Dick Clement and Ian La Frenais (Dads Army, among many other credits). Extremely witty and the rock-solid foundation for the film, the script is then enhanced by a selection of super performances from then-unknown actors (most of whom have never enjoyed the same success again). And then theres the factor that the film is most fondly remembered for, the quite brilliant music. Not for nothing did The Commitments generate two top-selling soundtrack albums, and the inspired choice of classic numbers are as enjoyable to hear now as they were then. From "Mustang Sally" and "Chain of Fools" through to the quite sublime take on "Try A Little Tenderness", you wouldnt say the music makes the film, but it does significantly lift it. In short, The Commitments is a film that time has been kind to, and one that remains as downright entertaining and enjoyable as it always was. This Special Edition DVD is a great way to get into it all over again --Simon Brew
You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
Jack Ryan as a young covert CIA analyst uncovers a Russian plot to crash the U.S. economy with a terrorist attack.
Adapted from the novel of the same name by J L Carr, A Month in the Country, is set during a 1920s summer in rural Yorkshire. Tom Birkin (Colin Firth), a destitute World War I veteran coming to terms with the after-effects of the war, has been employed by a village church to carry out restoration work on a medieval mural. During his time in the slow-paced village, Birkin forms a close friendship with archaeologist James Moon (Kenneth Branagh), a fellow veteran who is also emotionally scarred following the conflict. The film follows Birkin as he settles into village life, forming romantic relationships and bonding with families and locals. Neglected after its initial 1987 cinema release, the film features a score by Howard Blake (The Snowman, The Avengers) and is notable for its strong British cast which also includes Natasha Richardson, Patrick Malahide and Jim Carter.
""Everything in Salem's Lot is connected to that house. You can see it from every part of the town. It's like a beacon throwing off an energy force."" - Ben Mears (David Soul) At last! Salem's Lot the 1979 horror mini-series from 1979 gets the much-desired DVD treatment. Based on Stephen King's terrifying vampire novel Tobe Hooper's cult movie is a supernatural journey into the strange world of the titular town and its oddball inhabitants. Ben Mears (Soul) returns to
Anthony Andrews plays a young Lt. in the early days of World War II who is assigned to a UXB unit. UXB is the signal that an aerial bomb has not exploded. Andrews' job is to deactivate bombs made by German technicians some of which have fuses specifically designed to kill him. The series takes us through his maturation as an officer a love story with Judy Geeson and the stresses and strains of wartime on the civilians and military in England. Episodes Comprise: 1. Dead Ma
Despite its manipulative grandiosity, this film is completely irresistible, for several reasons: it recounts the greatest air battle in history, creating the greatest aerial battle scenes in film history; it has a terrific cast (Harry Andrews, Michael Caine, Trevor Howard, Curt Jurgens, Laurence Olivier, Nigel Patrick, Christopher Plummer, Michael Redgrave, Ralph Richardson, Robert Shaw, Patrick Wymark and Edward Fox); and it's technically very well made, thanks to the Bond team of producer Harry Saltzman and director Guy Hamilton and the great cinematographer Freddie Young. --Bill Desowitz
In post-World War II Venice, Poirot, now retired and living in his own exile, reluctantly attends a seance. But when one of the guests is murdered, it is up to the former detective to once again uncover the killer. Product Features FEATURETTE: Murder, Death, and Haunting. DELETED SCENES : Morning Routine, The Doge's Palace, Halloween Party Extended, Desdemona's Warning, Children's Story, Poirot Needs Air, Guarding the Gates, Secret Doorway Extended, Ferrier's Shouts, Poirot Pauses for Thought, Journey Home
For devoted fans and nonfans alike, Spider-Man offers nothing less--and nothing more--than what you'd expect from a superhero blockbuster. Having proven his comic-book savvy with the original Darkman, director Sam Raimi brings ample energy and enthusiasm to Spidey's origin story, nicely establishing high-school nebbish Peter Parker (Tobey Maguire) as a brainy outcast who reacts with appropriate euphoria--and well-tempered maturity--when a "super-spider" bite transforms him into the amazingly agile, web-shooting Spider-Man. That's all well and good, and so is Kirsten Dunst as Parker's girl-next-door sweetheart. Where Spider-Man falls short is in its hyperactive CGI action sequences, which play like a video game instead of the gravity-defying exploits of a flesh-and-blood superhero. Willem Dafoe is perfectly cast as Spidey's schizoid nemesis, the Green Goblin, and the movie's a lot of fun overall. It's no match for Superman and Batman in bringing a beloved character to the screen, but it places a respectable third. --Jeff Shannon
Filmed in 1968 and set in British India in 1895, Carry On Up the Khyber is one of the team's most memorable efforts. Sid James plays Sid James as ever, though nominally his role is that of Sir Sidney Ruff-Diamond, the unflappable British Governor who must deal with the snakelike, scheming Khasi of Khalabar, played by Kenneth Williams. A crisis occurs when the mystique of the "devils in skirts" of the 3rd Foot and Mouth regiment is exploded when one of their number, the sensitive-to-draughts Charles Hawtrey, is discovered by the natives to be wearing underpants. Revolt is in the offing, with Bernard Bresslaw once again playing a seething native warrior. Roy Castle neatly plays the sort of role normally assigned to Jim Dale, as the ineffectual young officer, Peter Butterworth is a splendid compromised evangelist, while Terry Scott puts his comedic all into the role of the gruff Sergeant. Most enduring, however, is the final dinner party sequence in which the British contingent, with the Burpas at the gates of the compound, and plaster falling all about them, demonstrate typical insouciance in the face of imminent peril. The "I'm Backing Britain" Union Jack hoist at the end, however, over-excitedly reveals the streak of reactionary patriotism that lurked beneath the bumbling double-entendres of most Carry On films. --David Stubbs
THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY is a limited series that takes you inside the O.J. Simpson trial with a riveting look at the legal teams battling to convict or acquit the football legend of double homicide. Based on the book The Run of His Life: The People v. O.J. Simpson by Jeffrey Toobin, it explores the chaotic, behind-the-scenes dealings and maneuvering on both sides of the court, and how a combination of prosecution overconfidence, defense shrewdness and the LAPD's history with the city's African-American community gave a jury what it needed: reasonable doubt.
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