Filmed in 1968 and set in British India in 1895, Carry On Up the Khyber is one of the team's most memorable efforts. Sid James plays Sid James as ever, though nominally his role is that of Sir Sidney Ruff-Diamond, the unflappable British Governor who must deal with the snakelike, scheming Khasi of Khalabar, played by Kenneth Williams. A crisis occurs when the mystique of the "devils in skirts" of the 3rd Foot and Mouth regiment is exploded when one of their numbers, the sensitive-to-draughts Charles Hawtrey, is discovered by the natives to be wearing underpants. Revolt is in the offing, with Bernard Bresslaw once again playing a seething native warrior. Roy Castle neatly plays the sort of role normally assigned to Jim Dale, as the ineffectual young officer, Peter Butterworth is a splendid compromised evangelist, while Terry Scott puts his comedic all into the role of the gruff Sergeant. Most enduring, however, is the final dinner party sequence in which the British contingent, with the Burpas at the gates of the compound, plaster falling all about them, demonstrates typical insouciance in the face of imminent peril. The "I'm Backing Britain" Union Jack hoist at the end, however, over-excitedly reveals the streak of reactionary patriotism that lurked beneath the bumbling double entendres of most Carry On films. On the DVD: Sadly, no extra features except scene selection. The picture is 4:3 full screen. --David Stubbs
Dune: Special TV Edition is an extended US network television version prepared in 1988 from David Lynch's 1984 film of Frank Herbert's classic science fiction novel, Dune. The original cinema release of this complex tale of interplanetary intrigue was heavily shortened and this 176-minute TV edition should not to be confused with Lynch's still unreleased three-hour-plus "Director's Cut". In fact Lynch disowned this TV version, replacing his director's credit with the infamous pseudonym Alan Smithee and his screenplay credit with the name Judas Booth (a combination of two notorious traitors). What the network did was add 35 minutes, about 15 minutes in the first two thirds, which in the cinema cut is in any case superbly paced, and around 20 into the final 40. This latter material does help balance the frenetic rush of the cinema cut, restoring important scenes such as Paul Atreides' fight with Jamis, a Fremen funeral and Jessica Atreides' taking the "Water of Life". What primarily alienated Lynch was the imposition of a folksy, sometimes laughable narration, as well as the replacement of the original prologue with a far longer sequence explaining the Dune universe via pre-production paintings. This TV edit is a travesty of what, in the "Director's Cut" at least, is probably a great film, and is really only worth seeing to get a glimpse of the material Lynch was forced to remove. The unconnected mini-series, Frank Herbert's Dune (2000) does a far better job of telling a more complete version of the story. On the DVD: There is a fold-out colour booklet which contains a wealth of stills, a reproduction of the original cinema poster and a worthwhile essay on the original film that avoids any discussion of the TV version it accompanies. On the disc there is only the original theatrical trailer. The superb cinematography is ruined by the panned and scanned 4:3 image, which is grainy and has poor colour fidelity. It is also soft, lacking detail and washed-out, probably a result of being converted from American NTSC TV format video rather than coming directly from an original film print. Certainly the DVD of the cinema version looks far better. The audio is thin mono, completely failing to do justice to how fantastic a post-Star Wars 40-million-dollar science fiction epic should sound. --Gary S Dalkin
Layer Cake: Based upon JJ Connelly's London crime novel 'Layer Cake' is about a successful cocaine dealer (Daniel Craig) who has earned a respected place among England's Mafia elite and plans an early retirement from the business. However big boss Jimmy Price (Cranham) hands down a tough assignment: find Charlotte Ryder the missing rich princess daughter of Jimmy's old pal Edward (Gambon) a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds' worth of Grade A ecstasy a brutal neo-Nazi sect and a whole series of double crossings... The title 'Layer Cake' refers to the layers or levels the dealer has to go through as he painstakingly plots his own escape. What is revealed is a modern underworld where the rules have changed. There are no 'codes' or 'families' and respect lasts as long as a line. Not knowing who he can trust he has to use all his 'savvy' 'telling' and skills which make him one of the best to escape his own. The ultimate last job a love interest called Tammy and an international drugs ring threaten to draw him back into the 'cake mix'. But time is running out and the penalty will endure a lifetime.. (Dir. Matthew Vaughn 2004) Snatch: In the heart of gangland two novice unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get roped into organising a bare-knuckled fight with local kingpin villain and fellow boxing promoter Brick Top (Alan Ford). But it all goes wrong when Brick Top's fighter who is rigged to win is suddenly knocked out by the boys' wildcard Irish gypsy boxer One Punch Mickey O'Neil (Brad Pitt). Unfortunately things go from bad to worse as Mickey starts playing by his own rules and the duo find they are heading for a whole lot of trouble. Meanwhile en route to New York to deliver a stolen 84-carat diamond to head honcho Avi (Dennis Farina) Franky Four Fingers (Benicio Del Toro) is robbed of the stone. Forced to jump on the next plane to London Avi is by no means pleased. He hires local legend Bullet Tooth Tony (Vinnie Jones) to find Franky and the diamond. The hunt for the missing stone launches everyone into a spiral of double-crossing vendettas as different parties pursue personal agendas some of them farcical most of them illegal and all of them destined to spin completely out of control... (Dir. Guy Ritchie 2000) A disgrace to criminals everywhere. Streetwise charmer and cardshark Eddy (Nick Moran) walks into the biggest card game of his life carrying a stake backed by the life-savings of his three best mates Tom (Jason Flemying) Bacon (Jason Statham) and Soap (Dexter Fletcher). Eddy is the sharpest player on the circuit but the game is set-up and Eddy leaves owing underworld boss Hatchet Harry (P.H. Moriarty) half a million. Harry gives Eddy a week to come up with the money before he starts taking fingers as collateral. Eddy's dad JD (Sting) can cancel the debt by handing over his bar lock stock and barrel to his old adversary Harry JD refuses to give in feeling his street-tough son can get himself out of his own messes. So while Harry sends a couple of petty crooks to steal a pair of antique shotguns to add to his collection Eddy and his mates plan a caper that will enable them to pay off Harry and make out like bandits! In a comedy of errors and a helter-skelter ride through London's gangland the guns cash drugs and identities become all mixed up as a full complement of London's lowlife get involved in a melee which even their menace can't handle. (Dir. Guy Ritchie 1998)
Their home is their battlefield. Their calling is war. Their only loyalty is to each other. They are the Wild Geese. While they fight their mission in Africa sinister forces in the corridors of power are working to seal their fate.
Joan Collins, James Booth and Sinéad Cusack star in this sensational, X-rated thriller in which an ordinary family turn to vigilante justice in the wake of their daughter's murder. With taut direction from Sidney Hayers and a tense script from The Saint screenwriter John Kruse, Revenge was a notable success in both Britain and the USA; it is featured here in a brand-new transfer from the original film elements in its original theatrical aspect ratio. Publicans Carol and Jim Radford learn that a reclusive local man suspected of raping and murdering their ten-year-old daughter has been released due to insufficient evidence. Heartbroken and hungry for vengeance, Jim hatches a chilling plan to force a confession from the suspect: abducting and imprisoning him in the pub's cellar, he will become judge, jury and if necessary executioner! Special Features Original theatrical trailer Image Gallery Promotional Material PDF
Let's be honest: this should be titled Wretched Excess' Frankenstein. Swooping, wild, bloody, and energetic, this is bad moviemaking from the best, which makes it all the more loveable. Kenneth Branagh plays Victor Frankenstein, a man so obsessed with conquering death that he decides to create life. What he gets, after a protoplasmic mud wrestle, is a Mean Streets monster (Robert De Niro) that isn't particularly happy to be back from the dead or thrilled about all the stitches. Helena Bonham Carter may, at several points in this film, actually be channelling Ramtha. The supporting cast couldn't be peopled with better performers (Tom Hulce, John Cleese, Ian Holm) but they all look like they're ringside at some Ultimate Fighting competition. A must for any midnight movie collector for the shock factor alone. A hoot. --Keith Simanton
The original nightmare that threatened the world. Something evil has taken possession of the small town of Santa Mira California. Hysterical people accuse their loved ones of being emotionless imposters of not being themselves. At first Dr. Miles Bennell (Kevin McCarthy) tries to convince them they're wrong...but they're not. Plant-like extraterrestrials have invaded Earth replicating the villagers in giant seed ""pods"" and taking possession of their souls while they sleep. Soon the entire town is overwhelmed by the inhuman horror but it won't stop there. In a terrifying race for his life Dr. Bennell escapes to warn the world of the deadly invasion of the pod people!
IT WILL TEAR YOUR SOUL APART Stephen King was once quoted as saying: I have seen the future of horror... his name is Clive Barker. That future became reality when in 1987 Barker unleashed his directorial debut Hellraiser launching a hit franchise and creating an instant horror icon in the formidable figure of Pinhead. Barker s original Hellraiser based on his novella The Hellbound Heart follows Kirsty Cotton (Ashley Laurence) as she comes head-to-head with the Cenobites demonic beings from another realm who are intent on reclaiming the soul of her deviant Uncle Frank. Picking up immediately after the events of the original Hellraiser Hellbound: Hellraiser II finds Kirsty detained at a psychiatric institute and under the care of Phillip Channard a doctor who abuses his position to realise his own dark aims. In Hellraiser III: Hell on Earth a reporter investigating a mysterious death at a nightclub finds herself in the way of Pinhead and the Cenobites who plan to bring their horrifying world into our own. Coming at a time when the genre was degenerating into self-parody Hellraiser offered a fiercely unique vision that approached its horrors with a far greater degree of seriousness than many of its contemporaries.. Along with its sequels the Barker-produced Hellbound and Hell on Earth Arrow Video is proud to present some of the most terrifyingly original films in the history of horror in brand new 2K transfers. Limited Edition Contents: Brand new 2K restorations of Hellraiser Hellbound: Hellraiser II and Hellraiser III: Hell on Earth Hellraiser: Evolutions a brand new documentary looking at the evolution of the hit horror franchise and its enduring legacy featuring interviews with numerous cast and crew from the series later instalments including Scott Derrickson (director Hellraiser: Inferno) Rick Bota (director Hellseeker Deader and Hellworld) alongside genre figures Marcus Dunstan and Patrick Melton (writers Saw IV Feast) and Stuart Gordon (director Re-Animator From Beyond) Audio commentaries for all 3 films Hours on archive material including cast/crew interviews EPK material storyboards trailers TV spots and more Clive Barker early short films Salome and The Forbidden Exclusive 200 page hardback book with new writing on Hellraiser and the Barker universe from Barker archivists Phil and Sarah Stokes. Contains chapters looking at Barker s early work the genesis and production of the first 3 films in the Hellraiser series as well as a consideration of the development of the character of Pinhead and a look at Pinhead s latest literary incarnation The Scarlet Gospels all illustrated with a wealth of production stills and unseen material from the Barker archive Exclusive Limited Edition packaging with expansive new artwork from Gilles Vranckx Much more to be announced!
Man At The Top (3 Discs)
In Sixteenth Century Florence, Marco del Monte, a dashing Robin Hood-like figure, leads the Republicans against the tyrannical Duke of de Medici and his minions. Episodes Comprise: Francesca The Sicillian A Choice Of Weapons Caterina The Hero A Portrait In Emerald Green The Duke The Eye Of The Artist The Tower Alessandro The Ship The Bracelet The Princess And The Slave The Bell The Suspects A Serenade In Red A Marriage Of Convenience The Value Of Paper The Pagan Venus A Forgery In Red Chalk Vespucci The School The Chart Of Gold The Ambassador The Lion And The Mouse Angelica's Past The Beseiged Duchess Cristina< The Strange Intruder The Primavera A Game Of Chance The Marionettes The Reluctant Duke The Vendetta Who Is Felicia? Violetta Adrianna The Assassin The Woman In The Picture
Lovin' You is a genuine Elvis classic and an absolute ""must have"" for any true fan of the undisputed King of Rock 'n' Roll from the days when he was lean mean and magnificent and had a hip wiggle that drove the girls crazy. Only Presley's second ever feature film and his first in colour this rocking romance uncannily mirrors Elvis's own explosion onto the music scene and rocket ride to fame and fortune. His raw animal prescence leaps sensationally from the screen in the all-
Jeanette Winterson's semi-autobiographical novel Oranges Are Not the Only Fruit transfers wonderfully to the screen in this BBC adaptation (with a screenplay by Winterson). Jess is the adopted daughter of evangelical Christians living in the northwest of England in the 1960s. Her mother wants Jess to be a missionary, but when she falls in love with Melanie, Jess begins to realise that there is more to life than church. When Jess' mother begins to suspect the girls of "unnatural passions" she tries to destroy their relationship with the help of Pastor Finch (Kenneth Cranham) and his congregation. But their efforts--including a terrifying attempt at exorcism--only push Jess further away. Jess eventually understands that the only way to survive is to escape, and she sets her sights on a place at Oxford. Oranges Are Not the Only Fruit is both a broad comedy and a moving coming-of-age story. Charlotte Coleman is perfect as the teenage Jess, attempting to reconcile her religious devotion and her adolescent passion, but the film belongs to Geraldine McEwan as Jess' mother. McEwan obviously relishes Winterson's script, and she creates a character both monstrous, ridiculous and surprisingly sympathetic. It's a difficult role to carry off, but McEwan succeeds. Her performance is the high-point of this award-winning, provocative film. --Simon Leake, Amazon.com
Frankie (Helen McCrory Skyfall) is in her forties ambitious and successful. She works in the aerospace industry designing surveillance drones for the military. She's never married and is completely in control of every part of her life. Her closest relationship is with her father who worked as an engineer on Concorde. But her life changes forever when she embarks on a passionate affair with Kahil a French/Algerian aerospace student twenty years younger than her. One day she arrives at work and is detained by the security services: Kahil is a person of interest to MI5. Her well-ordered life starts to unravel in a welter of suspicion and prejudice as Frankie no longer knows whether to follow her passion or listen to the doubts that increasingly overwhelm her.
Orson Welles, a hugely successful polymath who forged a career in film, radio and theatre, was little known for his TV work. In 1955, Associated-Rediffusion commissioned Welles to make his first television production, inviting him to write, direct and host a mini series. Despite its grand title, the series was filmed entirely in Europe. Part home-movie, part cinematic essay, each episode takes the viewer on a fascinating journey to see the famous people and places in key cities across the continent. In Paris, we are introduced to famous artists such as Jean Cocteau; in Madrid, we attend a bullfight; and in Vienna, in an episode which was long believed lost, we are taken to the locations of The Third Man. A unique and fascinating entry in the career of one of modern cinema's most revered figures, Around the World with Orson Welles finally receives its world premiere Blu-ray release in this strictly limited, numbered edition from the BFI
""Everybody's Favourite Shaggy Dog Story!"" Young Billy can't keep Digby the lovable sheepdog he brought home from the pound so he decides to leave him with animal expert Jeff (Jim Dale). But while Jeff's back is turned Digby accidentally drinks a top secret chemical which makes him grow... and grow... and grow! The gigantic Digby is soon being chased all over the country. The army think he dangerous and want to blow him up. Two thieves are trying to sell him to the circus! In this frantic and hilarious race against time Billy and the hapless Jeff must get to Digby with the antidote or lose him forever. With and all star cast including Spike Milligan and Victor Spinetti Digby The Biggest Dog In The World is a classic adventure story for the whole family. Available for the first time on DVD!
Michael Madsen and Chris Penn: a combination surely designed to set the hearts of fans of low-budget, direct-to-VHS fare aflutter. In Serial Cops (aka Papertrail) grizzled federal agent Jason Enola (Penn) is exhausted, divorced and close-to-insane himself after spending the last decade unsuccessfully hunting down the vicious "Papertrail" serial killer (named, in literal-minded fashion, after the cryptic notes he leaves with the body of each victim). Suddenly, after a four-year hiatus, Mr Papertrail re-enters Enola's life, embarking on a new spate of grisly murders--only this time he (or she) is also providing a running commentary to hapless shrink Dr Alyce Robertson (Jennifer Dale). Enola, with trusty sidekick Brad Abraham (Madsen) in tow, sets off once again to try and nail the bad guy for once for all. Pure by-the-numbers schlock from the opening credits onwards, Penn and Madsen nonetheless conjure up the odd spark of broad, buddy-movie humour between the gore and cod-psychological waffling, while Damian Lee's direction gets us from A to B with a commendable lack of fuss (even if his few attempts at moody set-pieces indicate that's probably out of necessity). Serial Cops is cheesily harmless, for sure, but if you're after a gritty, even halfway believable serial killer flick you might be best advised to give this a skip. --Danny Leigh
Starring Kenneth Branagh as Kurt Wallander a hard-working cop with a strong sense of integrity. Based in the small town of Ystad Sweden these compelling murder mysteries are based on the award-winning and phenomenally popular novels by Henning Mankell.
A Night To Remember: On April 10th 1912 RMS Titanic sailed from Southampton on her maiden voyage. On her fourth night at sea she struck and iceberg and sank with the loss of 1 500 passengers and crew. The film faithfully depicts the drama heroism and horror of the night the unsinkable sank. The Red Shoes: The tragic and romantic story of Vicky Page the brilliant young dancer who must give up everything if she is to become a great ballerina is one of Powell and Pressburger's most famous films. Creators of classics such as Black Narcissus A Matter of Life And Death and The Life And Death Of Colonel Blimp they were renowned for their use of brilliant colour and wonderful costumes and with the exhilarating cinematography of Jack Cardiff were among the most influential film makers of their time. The Red Shoes is one of the finest examples of their work and has become an inspiration to artists film makers and musicians all over the world. Caesar And Cleopatra: Vivien Leigh is the young Cleopatra and Claude Rains is Julius Caesar in the spectacular 1945 version of George Bernard Shaw's Caesar and Cleopatra. As Rome invades Egypt Julius Caesar (Rains) stumbles across the young and unrefined princess Cleopatra (Leigh) sheltering in the Sphinx. Impressed by her spirit and intelligence seduced by her charm he determines to make her Queen. Cleopatra learns about power and politics at the feet of a master but her downfall begins when she is seduced by Mark Antony. This witty brilliantly designed movie features a memorable cast including Stewart Granger Flora Robson Stanley Holloway and a very young Jean Simmons as a harpist. Caesar and Cleopatra was the most expensive movie made in Britain at the time with director Gabriel Pascal even using sand from Egypt to get the right cinematic colour.
It's non-stop romps as the Carry On team deliver the goods in one of the rudest and funniest of the Carry On films. The cast are all on top form as a bunch of no-hopers who join an agency in the search for a job. The anarchy mounts as they do a series of odd jobs including a chimps tea party trying to stay sober at a wine tasting and demolishing a house.
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