For years they made the nation laugh and whatever your sense of humour they are still amongst the funniest men - ever! This unique DVD set provides an unrivalled insight into the wonderful performances given by three of the greatest British comedians. With a huge array of clips and rare interviews these films give a delightful overview of the careers that have brought laughter to homes across the country for the last 50 years and give us a chance to enjoy once more moments from the Carry Ons to Rising Damp.
Vorpax and the warriors are subjects of Empress Kreeya a woman warrior determined to topple Shao Kahn’s empire. Like Shao Kahn Kreeya has been amassing her universe realm by realm growing stronger with each conquest. Now she has her sights set on Outworld. Three allies meet with Kreeya and hear her plans to bring peace to all realms through the destruction of Shao Kahn.
Twelve classic titles in one box set
Shot in the bright postal colours of a seaside postcard, Carry on Henry applies the usual Carry On sniggering to the married life of Henry VIII. Talbot Rothwell's script is standard bedroom farce and full of jokes about choppers, while the threat of beheading and the actuality of torture are constantly present but only as the terrible things that happen to cartoon characters who will be back next time. Sid James turns in one of his better performances as the endlessly lecherous and fickle Henry, married to Joan Sims and lusting after Barbara Windsor. There is a genuine sexual chemistry between James and Windsor which at times almost breaks open the farce formula. The usual regulars--Kenneth Williams as Thomas Cromwell, Terry Scott as Cardinal Wolsey, Charles Hawtrey as Sir Roger--do their usual turns; Williams is more subdued than usual, while Hawtrey hugely enjoys playing the Queen's secret lover. This was not one of the high points of the series, but it has its own curious charm. On the DVD: The DVD has no extras whatever, but is a good clean print in 1.77:1 ratio with crisp mono sound. --Roz Kaveney
Product of science - nightmare from hell.
A cross-cultural oddity, Tale of a Vampire feels like a 1970s British horror movie retranslated from the Japanese and mounted as a vehicle for Julian Sands. Director-writer Shimako Sato takes a gloom-haunted approach to the undead, allegedly influenced by the necrophile romanticism of Edgar Allan Poe (it claims to be based on Poe's poem "Annabel Lee") but also draws on the popular blood-sucking posiness of Anne Rice's bestselling novels. Alex (Sands), is a style-conscious vampire whose white shirts are always immaculate although he spends most of his nights messily pouring gore over his face. Living in a spartan docklands pad, Alex haunts a library of long-forgotten lore where he sets his cap at a young woman (Suzanna Hamilton) who may be the reincarnation of his lost love. Unfortunately, a hat-wearing rival vampire (Kenneth Cranham) has been nurturing a grudge against Alex for lifetimes and sticks his oar in, complicating the relationship between vampire and willing victim, setting up for a big stake-shoving climax. For all its vampire feuds and dodgily S&M-flavoured blood-drinking scenes, this is somewhat staid and solemn, with few locations and a low budget abstraction reminiscent of those old episodes of The Avengers where they could only afford to build a corner of a set and there wasn't any money left to hire actors. While Sands, with aptly vampirish poise, and Cranham, with a sinister Southern accent, are interesting and poised antagonists, making the most of Sato's allusive dialogue, heroine Hamilton lets the side down with an awkward performance that hardly suggests anyone worth giving up immortality for. Cranham's character is supposed to be Poe himself, oddly transformed from his historical stature: he seems to have put on a bit of weight since his death in 1849, but Cranham's sly nasty way of ordering gruesome nouvelle cuisine and tormenting a harmless crackpot is aptly Poeish. The slow-paced film takes a long time to confirm what is obvious from the outset (even from the title) and then shudders to a halt with all the characters' fates left vague. However, it has a unique and disturbing atmosphere--the few familiar vampire images of a bloody Sands are outweighed by weirder moments like Cranham's presentation of a pale Hamilton, tied to a bed with red ribbons, as an offering to his nemesis--that makes it more insidiously memorable than many of its higher-budgeted, splashier cousins. On the DVD: A no-frills (no trailer, no cast notes, no nothing), full-screen presentation, which sometimes cramps Sato's careful compositions, this also has a mixed blessing transfer which lends a mouldy or rusty fuzz to some of the blacks in the many night scenes. There is, however, a nice animated menu. --Kim Newman
Cars fly trees fight back and a mysterious elf comes to warn Harry Potter at the start of the second year of his amazing journey into the world of wizardry. This year at Hogwarts spiders talk letters scold and Harry's own unsettling ability to speak to snakes turns his friends against him. From dueling clubs to rogue Bludgers it's a year of adventure and danger when bloody writing on a wall announces: The Chamber of Secrets has been opened. To save Hogwarts will require all of Harry Ron and Hermione's magical abilities and courage in this spellbinding adaptation of J.K. Rowling's second book. Get ready to be amused and petrified as Harry Potter shows he's more than a wizard he's a hero! Harry Potter and the Chamber of Secrets the second installment in the Harry Potter series follows Harry Ron and Hermione through their second year at Hogwarts School. The DVD delivers another adventure with more magic more laughs and more thrills. It has 19 additional/extended scenes self-guided tours including background characters an exclusive interview with author J.K. Rowling and screenwriter Steve Kloves and all-new interactive challenges.
Titles Comprise: Romeo & Juliet: (Dir.Baz Luhrmann 1996) Baz Luhrmann's dazzling and unconventional adaptation of William Shakespeare's classic love story is spellbinding. Leonardo DiCaprio and Claire Danes portray Romeo and Juliet the youthful star-crossed lovers of the past. But the setting has been moved from its Elizabethan origins to the futuristic urban backdrop of Verona beach. A Midsummer Night's Dream: (Dir.Michael Hoffman 1999) A stellar cast brings S
Classic documentary drama based on Walter Lord's book about the sinking of the Titanic in 1912. Told from the perspective of Second Officer Charles Lightoller (Kenneth More), the story follows the supposedly unsinkable' ship as she embarks on her maiden voyage and ultimately founders in the North Atlantic Ocean.From Veteran British director Roy Ward Baker.Product Features1080p High definition presentationNEW Video Interview by critic Matthew SweetNEW Interview with film historian Jo BottingThe Making of A Night to Remember documentaryTheatrical TrailerLimited Edition slipcase on the first 1500 copies with unique artwork.More features to be announced .
Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly, cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristo Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, nor unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. On the DVD: There are no extra features except scene selection. The picture is 4:3 full screen ratio.--David Stubbs
Petrie is having a difficult time preparing for 'the day of the flyers' and important day for all of the flying residents of the Great Valley when all of the young flyers must participate in a very precise flying exhibition to prove that they are ready to fly with the adults. Always a nervous flyer Petrie has even more trouble flying with his sibling in precise group formations-he's more of an independent free-style kind of guy. At the same time a strange newcomer to the Great Valley has Littlefoot and his friends trying to help figure out just exactly what he is. Named Guido he's the strangest looking creature any of the Great Valley creatures has ever seen especially since he's covered with multicolored 'fuzzies' (feathers!) and has never seen another like himself. Cera is having her own troubles as her grumpy Dad and his new mate Tria get ready to welcome a hatchling to the family. All of these issues come together on the night before 'the Day of the Flyers' when Guido starts to figure out what he is inadvertently leading all of the gang on a perilous adventure into the Mysterious Beyond...
You wouldn't describe Leicester as a fast town, but that suits Frank (MARK ADDY) just fine. Content to carry on living with his mum, Frank exists in a fantasy world with himself cast as vigilante for hire.
Made in 1978, Carry On Emmannuelle was really the last gasp of the most fondly regarded series of British comedy films. In most respects, it hardly does justice to the many truly funny and brilliantly played previous scripts. But it does feature a curiously vulnerable, even touching, performance from Kenneth Williams as a French diplomat with a wife of insatiable physical appetites. In theory, of course, it aims to be a pastiche of the hugely popular Emmanuelle, which had marked the transition of soft-core erotic cinema into the art house. But it's too crudely scripted and lacking in the belly laugh inducing innuendo of the best Carry On films to succeed on that level. "Are you hungry, Loins?" Emmannuelle asks the chauffeur. "I think I could manage a little nibble," he replies. You get the idea. In the title role, Suzanne Danielle, who would go on to be the best of the Princess Diana impersonators, isn't a good enough comic actress to raise such lines above the ordinary. And the few stalwarts who returned for this outing--Joan Sims, Kenneth Connor and Peter Butterworth--just about emerge with their dignity intact. This was a Carry On too far. But fans will want it for their collection because it shows Kenneth Williams at his most professionally committed--his diaries reveal his real thoughts on the matter--and to remind themselves of the high quality of so much of the work which had gone before.On the DVD: presented in 4:3 format and with a standard mono soundtrack, this release of Carry On Emmannuelle starts off with a print of such ropey quality that you seem to be watching through a dust storm. The sound quality is little better, although on both counts things improve as the film progresses. The lack of extras is disappointing, adding to the rather sad, low-budget feel of the film itself. --Piers Ford
Three more rollicking good tales starring Michael Palin in various guises. Written by Michael Palin and Terry Jones. 'The Testing Of Eric Olthwaite' 'Whinfrey's Last Case' and 'The Curse of The Claw'. The Testing of Eric Olthwaite: A Ripping Northern Yarn set in the dark days of the depression before Last of the Summer Wine started bringing jobs to the area. Eric's tough mining parents find their son so boring that they run away from home. Eric torn between love for his parents and lack of brain cells becomes involved with a hardened criminal. The rest is history. Whinfrey's Last Case: Dashing Gerald Whinfrey saves his country twice a week but in 1913 a German plot to start the First World War without telling anybody coincides with his holiday. Where do Whinfrey's priorities lie? Has he got any? A knockout tale of international intrigue. If only Dickens could write like this - Mrs Reg Dickens Eltham. The Curse of the Claw: Gothic terror comes to Maidenhead. A timely reminder of what happens when men dabble in the dark world of oriental superstition. Michael Palin aided by inexpensive plastic surgery plays old and young Kevin as well as Kevin's childhood hero Uncle Jack - an enormously cheerful physical disaster area who has every disease known to man usually at the same time.
Scandinavian screen idol Nils Asther stars opposite the multi-talented June Clyde in a gripping tale of love and high drama under the big top. Directed by American-born producer screenwriter actor and director Alfred Zeisler this rare feature of 1937 is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Bux is born to a circus life but at the wish of his parents he studies to become a surgeon. Later however he forsakes a brilliant medical career for that of a circus clown. Joy his young ward is secretly in love with him but tries to hide the fact. However when Lorenzo jealous at Bux's popularity tries to poison his animals Joy is prepared to place herself in great danger for the sake of Bux... Special Feature: Image Gallery
A young attorney cracks under the strain of her current case and re-discovers the trauma of incest.
This critically acclaimed new documentary feature traces rise and fall of US internet company govWorks.com.
On the Island of Rhodes Katherine is an expatriate English photographer living with her daughter. In an attempt to encourage tourism a sculpture is commissioned for the Town Square only the sculptor turns out to be Kath's ex-husband. The events that follow ensure that Katherine's dreams of an idyllic escape are well and truly shattered!
The Rennaissance Theatre Company bring the classic John Osborne play to screen. As a child Jimmy Porter watched his father die alone and in poverty. He is now an 'angry young man' who despises the establishment and its smug callousness. Bitter and frustrated he turns his ferocious aggression on his wife Alison and her upper class background...
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