Made in 1983, the US TV mini-series Kennedy has Martin Sheen playing a president well before his stint on The West Wing. All of the momentous events of JFK's remarkable term are covered (with actual news footage used to excellent effect), but it is the portrayal of the entire Kennedy family as real, flawed people that gives Kennedy its power. The Kennedys gossip, snipe, joke and bother each other like a real family rather than rigid historical figures or threadbare caricatures. Sheen plays JFK as a man with lofty ideals who is more than willing to dirty his hands to serve his greater purpose. Blair Brown plays Jacqueline Kennedy with a shrewd understanding of politics, but also a whiff of vanity. In addition to the strong performances by both leads, Vincent Gardenia gives a brilliant performance as J Edgar Hoover: stiff, quirky and strange, prurient and moralistic at the same time and boiling with hatred. --Ali Davis
Although it lacks the creepy subtleties of Stephen King's celebrated novel, George Romero's underrated adaptation of The Dark Half is among the best films based on King's fiction, with Romero taking care to honour the central theme while serving up some gruesome gore in the film's much-criticised finale. Inspired by King's own admission that he wrote several novels under the pseudonym Richard Bachman, The Dark Half explores the duality of a writer's impulse, ranging from literary respectability to the viscerally cathartic thrills of exploitative pulp fiction. Author and teacher Thad Beaumont (Timothy Hutton) finds himself torn between those extremes when he "kills" his profitable alter ego, George Stark (the bestselling dark half to Thad's light), who then assumes evil, autonomous form (again played by Hutton) to defend lethally his role in Thad's creative endeavours. Forced to wrestle with this evil manifestation of his own unformed twin, Thad must fight to protect his wife (Amy Madigan), their twin babies and himself. While Romero skilfully develops the twin/duality theme to explore the writer's dilemma, Hutton is outstanding in his dual roles, playing Stark (in subtly fiendish makeup) as a redneck rebel with a knack for slashing throats. Julie Harris adds class in a supporting role, and horror fans will relish Romero's climactic showdown, in which swarms of sparrows seal Stark's fate. It favours a pulp sensibility with clunky exposition to explain Stark's existence, but The Dark Half is a laudable effort from everyone involved. --Jeff Shannon, Amazon.com
Amid the lo-fi wasteland of the 1990s, Dream Theater were an unashamedly unhip throwback to the glory days of progressive rock; and in their 1999 album Scenes from a Memory they even dared to exhume that once-extinct species, the concept album. In 2000 the band took Scenes on the road, and the resulting concert footage is a testament both to their musical creativity and the fanatical loyalty of their audiences. Filmed on a sweltering August evening in New York, this was the last time the band played the album right through, using an on-stage narrator and even bringing on a Gospel choir for the grand finale. But the heat of the night is nothing to that generated by the blistering performances from a group of unrepentant musos who like nothing better than to play in complex time signatures and thrash out lengthy riffs at dizzying speed. Those not already converted will doubtless be puzzled by the sight of five hairy blokes earnestly expounding a quasi-operatic story of dying and "learning to live", while drummer/director Mike Portnoys decision to intercut film snippets of the album's story with the concert footage seems redundant. But fans of this band, and anyone who yearn for the classic days of Rush, Genesis and Yes, will have nothing to complain about here: dont believe the music press, prog-rock is alive and well. On the DVD: heres a disc thats going to make this band's audience very happy indeed. Aside from the main concert itself there are five additional tracks--and this being Dream Theater, they are all pretty substantial, climaxing with the epic "A Change of Seasons". Then theres a fun 25-minute behind-the-scenes documentary with crew and fans waxing enthusiastic about the band, and even more additional concert footage. The whole band gather to provide a concert commentary, which ordinarily might seem an odd thing to do, but this is prog-rock after all. A picture gallery of tour photos rounds out the extras. Sound is unfussy Dolby stereo.--Mark Walker
Silver Bullet is a generic, by-the-numbers Stephen King film with a Stephen King screenplay adapted from an earlier novella. Back in the innocent days of 1976--the age of innocence gets later every year--the town of Tarker's Fall finds itself in the grip of mass hysteria when something starts tearing people apart. Only a crippled child Martie (Corey Haim) works out the truth, which is that the new pastor is a werewolf. Eventually he manages to convince his supercilious sister Janey and his unreliable drunk Uncle Red (Gary Busey) and there is the usual confrontation involving a silver bullet melted down from the children's religious jewellery; the title also refers to the boy's motorised wheelchair. The film neglects interesting possibilities--the lynch-mob mentality that takes over the town fizzles after the major vigilantes are killed, the pastor tries to justify the killings to himself--in favour of stock ultra-violent confrontations and extended metamorphoses; its major strength is a familiar King theme, the helplessness of being a child in a world full of people who will not listen to you. On the DVD: The DVD comes with a director's commentary by Daniel Attias and dubbed versions in German, French and Italian. The soundtrack has Dolby sound which brings out the stylised fairy-tale elements in the score and the widescreen picture is presented in 2.35:1 anamorphic ratio. The sometimes muddy-looking night-scenes are balanced by brisk pastoral daylight scenes that have their own innocence. --Roz Kaveney
Michael Caine stars as Graham Marshall a career-minded business-man passed over for promotion by a younger man. In anger he discovers that he has the power to kill any person who gets in his way....
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