In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! "A blood-dripping brain transplant turns a maniac into a monster!". Brain of Blood does exactly what it says on the tin. It was made in Hollywood when a Filippino blood movie fell through and the distributor needed a substitute. --Kim Newman
Mr Mojo Risin is the story of the making of the Doors' last album with Jim Morrison L.A. Woman. 2011 is the 40th anniversary both of the album's release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.
Mr Mojo Risin' is the story of the making of the Doors' last album with Jim Morrison L.A. Woman. 2011 is the 40th anniversary both of the album's release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.
An unusual radioactive rock on the bottom of the sea causes ocean life to mutate in to a monster. When radioactive bodies begin to drift ashore a scientist and government agent are sent to investigate.
Tough biker babes stomp a couple of vicious racist rapists and then cool their heels in a rural commune while the men hit the road for a biker rally. The vacation is short-lived when the women discover the seemingly peace-loving guru is actually a drug kingpin with a vicious gang and a side business in human sacrifices...
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! Adequately billed as "a brutal orgy of ghastly terror!", Brides of Blood concerns a landowner affected by bomb test fall-out who changes periodically into a lecherous fanged totem pole creature and "satisfies" himself by ripping apart naked native maidens staked out on an altar. With the aptly-named Beverly Hills and one of the silliest monsters ever seen. --Kim Newman
Why ride easy when you can ride hard!! Russ Tamblyn leads a gang of vicious drug-abusing dirtbags through California on their hogs braking only for love and murder.
A 10 disc boxset made up of 10 horror films from the Ultimate Cult Collection. Titles include: Brides Of Blood (Dir. Eddie Romero & Gerardo De Leon 1968): A brutal orgy of ghastly terror as the brides of blood are sacrificed to the non-human creature! Scream in horror at the classic 'Blood Of The Vampires' presented in its original uncut version from original negatives in this tale of the undead who live on the warm blood of human victims. Horror Of The Blood Monsters
Mae West's reputation for tweaking the noses of film censors was well-established by the time she made I'm No Angel generally considered her most successful picture. The frank-speaking blonde bombshell delivered some of her most classic double entendres in this 1933 film her second consecutive outing opposite the luminous Cary Grant. The two had made She Done Him Wrong earlier that year and in I'm No Angel West does Grant wrong again to hilarious effect. West
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