Directed with clinical precision by Academy Award winner Robert Wise this compelling account of the Earth's first biological crisis is perhaps the most chillingly realistic science fiction thriller ever made. After an errant satellite crashes to earth near a remote New Mexico village the recovery team discovers that almost everyone in the town are victims of a horrible death with the mysterious exception of an infant and an old homeless man. The survivors are brought to a state-of-the-art laboratory descending five stories beneath the ground where the puzzled scientists race against time to determine the nature of the deadly microbe before it wreaks worldwide havoc. A trailblazer in the areas of special effects and inventive sets The Andromeda Strain is based on Michael Crichton's best-selling novel that created national paranoia for its topical relevance to the first moon landing.
This 1967 film took home lots of Oscars for its fascinating drama about a Philadelphia detective (Sidney Poitier) who assists a redneck Southern sheriff (Rod Steiger) in solving a murder. A study in racism that ebbs a bit through the collective and shared need between a black man and a white man who don't want to be working together, In the Heat of the Night continues to strike a chord today. Steiger is a mass of snarling danger, Poitier a bundle of nerves covered in class. Norman Jewison (Moonstruck) directs with a keen feeling for the cultural and social atmosphere of the setting. --Tom Keogh
When virtually all of the residents of Piedmont, New Mexico, are found dead after the return to Earth of a space satellite, the head of the US Air Force's Project Scoop declares an emergency. Many years prior to this incident, a group of eminent scientists led by Dr. Jeremy Stone (Arthur Hill) advocated for the construction of a secure laboratory facility that would serve as a base in the event an alien biological life form was returned to Earth from a space mission. Stone and his team - Drs. Dutton, Leavitt and Hall (David Wayne, Kate Reid, and (James Olson, respectively)- go to the facility, known as Wildfire, and try to first isolate the life form while determining why two people from Piedmont (an old wino and a six-month-old baby) survived. The scientists methodically study the alien life form unaware that it has already mutated and presents a far greater danger in the lab, which is equipped with a nuclear self-destruct device should it manage to escape.
Saved from the brink of cancellation by its loyal fanbase, Star Trek's third and final season rewarded them with a number of memorable episodes. Tight budgets and slipping creative control, however, made it the most uneven, though it did have some of the coolest episode titles ("For the World Is Hollow and I Have Touched the Sky", "Is There in Truth No Beauty", "Let That Be Your Last Battlefield"). Some of the best moments involved a gunfight at the OK Corral ("Spectre of the Gun"), a knock-down drag-out sword battle with the Klingons aboard the Enterprise ("Day of the Dove"), the ship getting caught in an ever-tightening spacial net ("The Tholian Web"), TV's first interracial kiss ("Plato's Stepchildren"), Sulu taking command ("The Savage Curtain"), and Kirk's switching bodies with an ex-love interest ("Turnabout Intruder"). Also appearing in the set as a coda are two versions of the series pilot, "The Cage", a restored color version and the original, never-aired version that alternates between color and black and white. Starring Jeffery Hunter as Captain Pike, Leonard Nimoy as a relatively emotional Spock, and Majel Barrett (the future Nurse Chapel and Mrs. Gene Roddenberry) as a frosty Number One, this pilot was rejected, but a second was commissioned, "Where No Man Has Gone Before", now considered the "official" beginning of the series. But "The Cage" is very recognizably Star Trek with its far-out concepts (telepathic aliens collecting species samples), sexy humanoid women, character development, and of course cheesy costumes and special effects. Footage was later reused in the season 1 two-parter, "The Menagerie". The best of the 63 minutes of bonus material focuses on three of the actors: Walter Koenig, George Takei, and James Doohan. Koenig discusses how he was cast and shows off his various collections, one consisting of Chekov figurines. Takei speaks movingly about the Japanese American internment and, in what is probably his last Star Trek appearance, Doohan, slowed by Alzheimer's but still with a twinkle in his eye, recalls his voiceover roles and his favorite episodes. The Easter eggs are amusingly called "Red Shirt Files" in tribute to those poor saps who everyone knew were only in the landing party so they could die. --David Horiuchi
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