The epic tale of two stoners in the wrong place at the wrong time and now having to outrun the mob! From the guys that brought you "Superbad".
Leonardo DiCaprio and Matt Damon star in Martin Scorese's gritty gangster thriller.
Tank Commander
In L.A. Solo has writer's block after a successful first book he's ashamed of. He's broke thanks to a year in analysis; in their final session his shrink suggests a pet. So Solo buys a scrawny terrier who adds to his problems: the dog isn't house-trained! At a dog park the dog is bitten and Solo begs a woman he's just met to pay the vet bill so now he owes her; and his friend Casper has introduced him to a persistent rich girl who decides she wants the dog. He could sell settle his debts and return to life with a clean carpet. Or he could figure out why he doesn't want to part with the dog.
After thinking that she's accidentally hit a cat driving home from a party Mary Murdock is horrified to discover that a man is impaled on the bumper of the 4x4. To add to the panic the man is still alive and twitching and Mary has a dilemma on her hands - one which will lead to more horror!
Ray Bradstone (Paul Triple H Levesque) is the best wheel man in the business - the bank robbery business that is. Just out of prison he is determined to go straight and be the best parent he can be to his daughter Sally (Ariel Winter) and make amends with his ex-wife Lynne (Annabeth Gish). After trying everything he can do to re-connect with his family and struggling in vain to find honest work his old bank-robbing crew led by Phillip Larue (Kevin Corrigan) offers him one last job. He signs on as their getaway driver - only to change his mind at the last second. What prompts this change of heart is an opportunity: Sally is going on a class field trip to the New Orleans Natural History Museum and Ray has been asked to be The Chaperone. It's his last chance to be the father he always wanted to be. Sally and her class are in for one of the craziest field trips ever.
In one of the most pristine landscapes in the world a team working to exploit oil resources of Alaska is tormented by an unseen evil. After one crewmember is found dead a disorientation slowly claims the sanity of the other members of the team as each of them succumbs to an unknown fear. This creeping dread bursts open when a malevolent wind brings down a plane that approaches the station. Explosions and carnage wreak havoc on the team and all functions fail in the camp forcing tw
A horror-comedy about a small town loser fresh out of the loony bin who seeks revenge on those he deems responsible for ruining his life.
The latest 'bro-mance' from team Apatow (the guys who brought us Superbad, Knocked Up and The 40-Year-Old Virgin), Pineapple Express is the story of Dale Denton (Seth Rogan) and Saul Silver (James Franco), a pothead and his dealer who accidentally get caught up in a drug war between two gangs --with some corrupt cops, high school girls and smalltime henchmen thrown in for good measure. At its core, Pineapple Express is a stoner comedy--a tale of two giggling, loveable oafs in way over their heads. This formula has made for some entertaining comedy over the years -- Cheech and Chong's Up in Smoke and Dave Chappell's Half Baked being two of the best examples. What sets Pineapple Express apart from these silly classics however, is the consistency of the humour, the perfect chemistry between Rogan and Franco and the giddily ridiculous action sequences. The movie retains the sweetness that is present in most of Apatow's films, making the charactersÂ’ poor choices and violent actions somehow justifiable. The site gags, pop culture references and perfectly timed non-sequiturs only enhance the hilarity. Director David Gordon Green, known mostly for the understated and reflective films George Washington and All the Real Girls, seemed like an odd choice for such a raucous and over-the-top comedy, but it turns out Green's stamp is all over this film (as is his long-time cinematographer, Tim Orr's) and together manage to turn Pineapple Express into much more than the sum of its parts. --Kira Canny
Recently divorced, newly rich, and utterly miserable, Danny (Kevin Corrigan, Superbad, Pineapple Express) is bored and lonely. Determined to mix up his lifestyle rut, he joins a local gym, meeting self-styled fitness guru Trevor (Guy Pearce, Iron Man 3, Prometheus, The Hurt Locker) and the sharp, irresistable trainer Kat (Cobie Smulders, Avengers: Age of Ultron, How I Met Your Mother). Soon, their three lives become intricately knotted, both professionally and personally. As their work-outs grow more intense so do their relationships, as all three find themselves pushing boundaries physically and emotionally. From the critically acclaimed writer/ directorAndrew Bujalski (Computer Chess) comes this hilarious, uplifting comedy bound to get your heart beating in the strive for wellbeing, happiness and love.
Drunks dramatizes an Alcoholics Anonymous meeting from beginning to end as characters discuss their bout with the bottle. The attendees include Jim who falls off the wagon during the meeting; Louis who is obviously still in denial about his addiction; and Joseph whose drinking caused a drunk-driving death. Others at the meeting from a twenty-something slacker to a well-to-do doctor illustrate the wide range of people affected -- and sometimes destroyed -- by alcoholism.
From the independent studio behind the Sundance Film Festival smash 'Personal Velocity' come four of the hottest indie films in the 21st centuray digital revolution. Tape: After ten years apart three people come together at a motel to play out the unresolved drama of their final days in high school. The nature of memory and truth the bonds between old friends and lovers are examined with hagged intensity. Amy arrives at the motel expecting only to see Vince but is stunned to be also facing John and her past. Chelsea Walls: The Chelsea Hotel used to be the hippest place to live for New York artists. Painters writers and musicians from Mark Twain to Jimi Hendrix enlivened the hotel's halls. Now even though the iron fa''ade has become rusty a new generation of dreamers inhabit the hotel. Memories aspirations passion and scandal influence the creative visionaries to create their own masterpieces... Ten Tiny Love Stories: Love. Sex. Stories. And everything in between! Ten women talk about the men they remember most. The man who last loved them; the man who left them; the man who wasn't enough; the man who was too cruel; the man who passed away; the man they married and the man they sent away. The film presents an honest portrait of women where memories are the only connection to the men that touched their lives. Final: When Bill (Denis Leary) wakes up in the psychiatric wing at Sumner Hospital he has trouble distinguishing his dreams from reality. He is quite certain of his sanity but memories of being cryogenically frozen tissue regeneration experiments and talk of a final lethal injection race through his mind. With the help of Ann (Hope Davis) the psychiatrist assigned to his case he struggles to piece his memories together while newer more rational memories flood his mind. Struggling with his paranoia Bill begins to question Ann's motives. Can he trust the only person in the position to help him or will she be the one holding the needle that does him in?
Change Your Outlook. Change Your Life. Nearing the age of 30 with no real accomplishments to show for his years Jim (Casey Affleck) humbly returns to his small town and moves back in with his eccentric parents (Mary Kay Place and Seymour Cassell) and brother (Kevin Corrigan). As he tries to guide his family through the little dramas of everyday life Jim stumbles into a romance with a kind optimistic nurse (Liv Tyler). Directed by Steve Buscemi Lonesome Jim is a wise smart comedy about the courage it takes to accept the past and to embrace the future.
Tamara Jenkins' semi-autobiographical story follows a lower-middle-class teenager (Lyonne) and her neurotic family in 1976 Tinseltown...
The latest 'bro-mance' from team Apatow (the guys who brought us Superbad, Knocked Up and The 40-Year-Old Virgin), Pineapple Express is the story of Dale Denton (Seth Rogan) and Saul Silver (James Franco), a pothead and his dealer who accidentally get caught up in a drug war between two gangs --with some corrupt cops, high school girls and smalltime henchmen thrown in for good measure. At its core, Pineapple Express is a stoner comedy--a tale of two giggling, loveable oafs in way over their heads. This formula has made for some entertaining comedy over the years -- Cheech and Chong's Up in Smoke and Dave Chappell's Half Baked being two of the best examples. What sets Pineapple Express apart from these silly classics however, is the consistency of the humour, the perfect chemistry between Rogan and Franco and the giddily ridiculous action sequences. The movie retains the sweetness that is present in most of Apatow's films, making the characters’ poor choices and violent actions somehow justifiable. The site gags, pop culture references and perfectly timed non-sequiturs only enhance the hilarity. Director David Gordon Green, known mostly for the understated and reflective films George Washington and All the Real Girls, seemed like an odd choice for such a raucous and over-the-top comedy, but it turns out Green's stamp is all over this film (as is his long-time cinematographer, Tim Orr's) and together manage to turn Pineapple Express into much more than the sum of its parts. --Kira Canny
The epic tale of two stoners in the wrong place at the wrong time and now having to outrun the mob! From the guys that brought you "Superbad".
A horror-comedy about a small town loser fresh out of the loony bin who seeks revenge on those he deems responsible for ruining his life.
In the Dark Ages a woman made a pact with a gypsy devil in order to marry a powerful man. In return, the devil asks for her first born child. When the child is born she bears the devil's mark and is brutally killed by the villagers. Years later a movie director decides to film the girl's story with a famous gypsy actress. However the director, cast and crew all vanish and the finished film is never seen. In the present day a disgraced Hollywood director decides to remake the film, unaware of the dreadful curse and the legacy of evil that is about to be unleashed.
Henry Fool
'Steal This Movie!' is a comic safari through one man's odyssey. Abbie Hoffman leads us through the music sex drugs politics and personal struggle of the late Sixities and Seventies.
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