He's got 10 minutes to change the past or his future is history. Stuart Conway (Sean Astin) invents a time-travel device that allows people to travel back in time for 10 minutes. Driven by his desire to get a date and make a success of himself he plans to commit a bank robbery. When Conway decides to test his time-travel gadget he stumbles upon a bank heist in progress led by malevolent Englishman Winston Briggs (Vinnie Jones). When the device falls into the hands of Briggs Conway must work together with FBI agent Sarah Tanner to prevent Briggs from creating havoc.
Dreams are not lived on the sidelines. Inspired by the true story of Vince Papale (Mark Wahlberg) a man with nothing to lose who ignored the staggering odds and made his dream come true. When the coach (Greg Kinnear) of Papale's beloved hometown football team hosted an unprecedented open tryout the public consensus was that it was a waste of time - no one good enough to play professional football was going to be found this way. Certainly no one like Papale - a down-on-his-luck 30 year-old substitute teacher and part-time bartender who never even played college football. But against these odds Papale made the team and soon found himself living every fan's fantasy - moving from his cheap seats in the upper deck to standing on the field as a professional football player.
Hostel The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (Cabin Fever) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way pick up travelling companion Oli (Eythor Gudjonsson). In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. But when a fellow traveller tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures. Enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe. There, the sex farce to which the film's first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that gives its customers the opportunity to torture and kill a helpless victim. Much of what follows consists of the squirm-inducing surgical horrors that characterise precursors such as Saw, with the implications regarding the capitalist system and the human soul becoming ever darker. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary. Hostel Part II The inevitable sequel to one of the decade's most intriguing and well-made horror films, Hostel Part II, as the title implies, picks up pretty much where the last film left off. And it doesn't take too long for the sequel to find the same groove that earned its predecessor so much attention. The setting is once again an underground club, where people bid for the right to torture residents at the hostel of the title. Hostel Part II, however, lets us see events from the other perspective too, as we meet the wealthy businessmen who are availing themselves of the club's services. It's a logical dynamic for the movie, and it does bring a fresh perspective to a film that does eventually settle down to a cavalcade of gore and shock. As a director, Eli Roth has clearly improved since last time around, even if this time he too often succumbs to the temptation to show rather than imply, and Hostel Part II as a result feels a little less fresh and more uncomfortable than its predecessor. Yet it's most certainly an unsettling piece of cinema, and one likely to find favour with Roth's increasing fanbase. A word of warning, though: Hostel Part II isn't shy about pulling its punches, and it very much justifies its 18 certificate. It's also a cut above many of its modern day contemporaries in the genre, even though it fails to measure up to part one. --Jon Foster Vacancy A confined setting is a useful tool for thriller-makers, and Vacancy is definitely boxed in: a run-down motel way, way off the Interstate, the kind of place where unsuspecting movie characters go to get stabbed to death in the shower. If Vacancy doesn't quite live up to its Hitchcockian forebears, at least it provides 80 minutes of well-designed mayhem. You know somebody's paying attention just from the opening credits, a clever vortex with pounding music by Paul Haslinger. Then we meet unhappy couple Luke Wilson and Kate Beckinsale, driving along in the dark and forced to stay at the Pinewood Motel after a car breakdown. There's a night man (Frank Whaley, World Trade Center) in the tradition of Dennis Weaver's Touch of Evil gargoyle, but the real mess of trouble is waiting in room number four. Director Nimrod Antal, who scored a stylish international hit with the Hungarian thriller Kontroll, squeezes maximum juice out of the Route 66 atmosphere of the motel, although the movie doesn't get under your skin the way Kontroll did. Wilson and Beckinsale are a little too marquee-namish for this kind of heavy-breathing work, and the script doesn't give them much to play with. But hey, it's not that kind of movie. Where it really belongs is on the top half of a drive-in double bill, or maybe as a nightmare-scenario TV movie from the Seventies. Either way, it works. --Robert Horton, Amazon.com Bram Stoker's Dracula Francis Ford Coppola's take on the Dracula myth is visually stunning and overflows with passionate seduction and Gothic romance. In Bram Stoker's Dracula, Coppola draws from the original source of the Dracula story to create a modern masterpiece. Gary Oldman's metamorphosis as Dracula, who grows from old to young, from man to beast, is breathtaking. Winona Ryder brings as much intensity to the character of the beautiful young woman who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula and then dares to confront him. Opulent and irresistible, Bram Stoker's Dracula is an unforgettable film. The Covenant Renny Harlin (Die Hard 2, Deep Blue Sea) directs this supernatural thriller about descendants of powerful New England families. The sons of Ipswich are legendary at Spenser Academy, the local boarding school. Handsome and popular, these four teenage friends can trace their roots to the founding families of the Ipswich Colony, settled in the late 1600s. For years these Massachusetts families have harboured the secret that they possess supernatural powers. Their descendants--Caleb (Steven Strait), Reid (Toby Hemingway), Tyler (Chace Crawford), and Pogue (Taylor Kitsch)--have inherited magical powers that first manifested themselves when the boys turned 13 years old. In a nutshell, they can do anything. As they approach their 18th birthdays, they are preparing to 'ascend', which means their powers will grow stronger. The downside? The magic is seductive and addictive, and causes premature aging with each use. Ringleader Caleb tries to keep his friends from using magic recklessly, but as the school year begins, strange events and a strong gut instinct convince Caleb that someone is using very powerful magic. Meanwhile, Caleb is exploring his newfound affection for transfer student Sarah (Laura Ramsey). To Caleb''s dismay, Sarah becomes a pawn in a power struggle with a descendant of the fifth founding family of Ipswich, a line thought to be lost during Salem''s witch trials. Is Caleb strong enough to maintain his power and keep his family and friends safe, or will he yield to this new threat and sacrifice himself? The film draws interesting parallels between the luring, addictive power of magic and the addictions real teenagers face. The sufficiently creepy setting echoes New England and sets the stage for supernatural phenomena. The Covenant also stars Sebastian Stan as Chase Collins, a wealthy newcomer to Spenser, and Jessica Lucas as Kate, Sarah's roommate and Pogue's girlfriend.
Hitch (2005): In Andy Tennant's delightful romantic comedy Hitch Will Smith stars as Alex Hitchens an urban date doctor who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself who learned about love and heartbreak the hard way. His latest project Albert Brennaman (Kevin James) may be his most difficult. Brennaman a junior accountant prone to clumsiness has fallen head-over-heels for one of his clients Allegra Cole (Amber Valleta) a well-known celebrity. To complicate things further Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist Sara Melas (Eva Mendes) whose sharp wit easily pierces his cool fa''ade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. 50 First Dates (2004): Henry Roth (Sandler) the local marina veterinarian only dates tourists because he's afraid of commitment - that is until he meets Lucy (Barrymore). Unfortunately Lucy lost her short-term memory months ago in a car accident and for her each day is October the 13th. She follows the same routine every day - breakfast at the same restaurant pineapple-picking with her dad and eventually bed time where sleep wipes away her short-term memory. Henry however refuses to be forgotten and as his puppy love matures he embarks on a quest to restore her memory or at least be a part of her everyday routine. But vying for Lucy's attention isn't always easy. Henry explores various approaches before making a video for Lucy to watch every morning reminding her of who she is and what she's doing... Closer (2004): Writer Patrick Marber adapted the screenplay from his own scathing stageplay in which a chance meeting between Englishman Dan (Jude Law) and American visitor Alice blossoms into a troubled relationship bringing together and then affecting a second couple involving Larry (Clive Owen) and Anna (Julia Roberts). Sex and love are explored capturing all the vulnerability and brutality of people falling in and out of love... Cruel Intentions (1999): Kathryn Merteuil (Sarah Michelle Gellar) and Sebastian Valmont (Ryan Phillippe) are two gorgeous filthy rich manipulative step-sibblings from Manhattan's upper east side. Bored of the girls he has so easily seduced in the past Sebastian has set his sights on the ultimate challenge - the beautiful virginal headmasters' daughter Annette Hargrove (Reese Witherspoon). Kathryn sees the perfect opportunity for a wager. If Sebastian fails to lure Annette into his bed he will have to surrender his priceless vintage Jaguar; if he succeeds he will win the most tempting prize of all - Kathryn. Sparks fly in this wickedly sexy tale of seduction as Kathryn and Sebastian play a dangerous game of sex and betrayal... Catch And Release (2007): Gray Wheeler just lost everything. But it could be the best thing that ever happened to her. After the death of her fianc'' Gray (Jennifer Garner) moves in with her late love's best friends. While Sam (Kevin Smith) and Dennis (Sam Jaeger) do their best to cheer Gray up Fritz (Timothy Olyphant) doesn't seem to care. Once Gray breaks through Fritz's defenses however she finally sees why her fianc'' thought so highly of him. As they spend more time together Gray learns that her chances for love have not died out with her fianc''. But when some surprise guests show up on their doorstep it'll take the love of all of her new friends to help Gray learn that life may be messy but love is messier.
The Missing (Dir. Ron Howard 2003): In 19th-century New Mexico Samuel Jones (Tommy Lee Jones) returns home hoping to reconcile with his now adult daughter Maggie (Cate Blanchett). When Maggie's daughter is kidnapped father and estranged daughter are forced to put their troubled past behind them and work together to get her back... The Quick And The Dead (Dir. Sam Rami 1995): Herod (Gene Hackman) Mayor and ruler of Redemption has turned his town into a haven for thugs and Miscreants of every type. In return for his 'leniency' he keeps 50 cents on every dollar traded by the unsavoury group. Each year in order to weed out rivals and to protect his position of power Herod holds a shooting contest which attracts people from miles around including his son 'The Kid' (Leonardo DiCaprio) and Cort (Russell Crowe). It is a shoot to kill contest with the prize being a large sum of cash. Herod wins every year so protecting his position and reputation for being the fastest killer in the West. That is until Ellen (Sharon Stone) rides into town a six-gun strapped to her hip and revenge burning in her heart. She's fast furious and her mind is set on winning the ultimate prize of a duel to the death with Herod. Open Range (Dir. Kevin Costner 2003): Academy-Award' winning director Kevin Costner (Dances with Wolves) helms this traditional Western tale of a way of life that is quickly disappearing. Boss Spearman (Duvall) Charley Waite (Costner) Mose Harrison (Benrubi) and Button (Luna) freegraze their cattle across the vast prairies of the West sharing a friendship forged by a steadfast code of honour and living a life unencumbered by civilization. When their wayward herd forces them near the small town of Harmonville the cowboys encounter a corrupt Sheriff (Russo) and kingpin rancher (Gambon) who govern the territory through fear tyranny and violence. Boss and Charley find themselves inextricably drawn towards the inevitable showdown as they are forced to defend the freedom and values of a lifestyle that is all too quickly vanishing. Amidst this turmoil life suddenly takes an unexpected turn for loner Charley when he meets the beautiful and warm-spirited Sue Barlow (Bening) a woman who embraces both his heart and his soul. As these courageous men prepare for the decisive battle that looms they are also forced to confront and conquer their own internal demons.
Summer Scars
With a 12-year prison stretch reaching an end, convicted paedophile Walter (Kevin Bacon) faces an uncertain walk back into the free world in THE WOODSMAN. Attempting to keep his previous indiscretions sheltered from prying eyes, Walter tries to piece together his shattered life by finding a job and an apartment. The first task is relatively simple, with the ex-con finding employment at a lumberyard thanks to his natural talent for woodcraft. An apartment comes less easily, but Walter manages to secure a roof over his head in a building, which--in a cruel twist of irony--is located opposite an elementary school. Walter's brother-in-law Carlos (Benjamin Bratt) remains the only member of his family willing to keep in contact with him; his sister refuses all communication. Meanwhile, Sgt. Lucas (Mos Def) keeps a watchful eye over Walter's activities, while Walter makes faltering strides towards romance with his tough-as-nails co-worker, Vickie (Kyra Sedgwick). But as wary neighbours steel worried glances and make small-town gossip about him, Walter finds it inordinately difficult to keep his past life a secret. For this reformed character, the path to redemption comes strewn with cracked paving stones, which need to be carefully navigated with every tentative step he takes. The sensitivity with which the material in THE WOODSMAN is executed derives from a potent mix of intelligently written source material, wonderful performances (with Bacon in particular putting in a career-defining turn), and an authoritative vision from director Nicole Kassell (THE GREEN HOUR). At the heart of the movie lies a desolate character, guilty of a crime shrouded in taboo, but hoping against all reason that society will accord him a modicum of absolution. A fascinating portrait of a life caught in a state of perpetual turmoil, this is an audacious second feature from Kassell.
So much flesh, so little time! The glow of the screen illuminates his heavily pierced, tattoo-stained face as his fingers dance nimbly across the keyboard'searching, hunting. His computer handle is Captain Howdy, and he surfs the local chat rooms for young female prey. Girls like Genevieve and Tiana, who mysteriously vanish after an online conversation with the cunning cyber-predator. Detective Mike Gage has a personal stake in the case: Genevieve is his daughter. When Tiana's corpse ...
Once in a while, studio heads actually make sensible decisions. Kudos to whoever at Trimark screened the embarrassing True Crime, an overwrought, under thought, "mystery" and decided, "You know, we really don't need to let the American public see this," and immediately sent it straight to video. Probably the one most pleased by the decision was Alicia Silverstone, who didn't need this type of thing getting a theatrical distribution and hurting her blossoming career. As for Kevin Dillon? Well, he was probably happy just to get paid. Silverstone plays the teen Nancy-Drew-meets-Encyclopedia-Brown protagonist who teams up with fresh-faced police cadet Dillon to try to bag a serial killer who's been butchering teenage girls at travelling carnivals in various cities. Writer-director Pat Verducci packs his thriller with implausible detective work and numerous plot twists, all visible 20 minutes away. The "shock" ending can pretty much be worked out within the first act, leaving viewers another hour to watch Verducci concoct several amateur dream sequences, and explore a disgusting sexual relationship between Silverstone and Dillon. By the end, the question isn't so much "Whodunit?" as "Who cares?" --Dave McCoy, Amazon.com
Rambling man Emmett (Scott Glenn) assembles a group of misfit cowboys (Kevin Costner), (Kevin Kline, Danny Glover). After helping a group of settlers track down a pack of thieves, Emmett and his men descend on the troubled town of Silverado to seek their fortunes. Soon after arriving, they discover that the town has fallen into the grasp of greedy rancher Ethan McKendrick (Ray Baker) and corrupt Sheriff Cobb (Brian Dennehy) with whom many of Emmett's men have unfinished business.Audio commentary Along The Silverado Trail: A Western Historians , with Film Historian Frank Thompson, University of New Mexico professor Paul Hutton (Executive Director of the Western History Association), and UCLA history professor Steve Aaron (Executive Director of the Institute for the Study of the American West at the Autry National Center) A Return to Silverado with Kevin Costner interview The Making of Silverado documentary Theatrical Trailer
 The feature debut of director Frank Henenlotter (Brain Damage, Frankenhooker), 1982s Basket Case is a riotous and blood spattered midnight movie experience. Duane Bradley seems like a pretty ordinary guy. His formerly conjoined twin Belial, on the other hand, is a deformed creature who lives in a wicker basket. Arriving in the Big Apple and taking up a room at a seedy hotel, the pair set about hunting down and butchering the surgeons responsible for their separation. Filmed on a shoestring budget against the backdrop of 1980s New York (where it played on the midnight movie circuit for over two-and-a-half years), Basket Case has clawed its way from its humble origins to become one of the most celebrated cult movies of all time. LIMITED EDITION BLU-RAY CONTENTS ¢ 4K restoration from the original 16mm negative by the Museum of Modern Art in cooperation with director Frank Henenlotter ¢ High Definition (1080p) Blu-ray presentation ¢ Original uncompressed PCM mono audio ¢ Optional English subtitles for the deaf and hard of hearing ¢ Audio commentary with writer/director Frank Henenlotter and star Kevin Van Hentenryck ¢ Archival audio commentary with Frank Henenlotter, producer Edgar Ievins, actor Beverly Bonner and filmmaker Scooter McRae ¢ Basket Case 3-1/2: An Interview with Duane Bradley short film by Frank Henenlotter ¢ Me and the Bradley Boys interview with actor Kevin Van Hentenryck ¢ A Brief Interview with Director Frank Henenlotter a strange 2017 interview with the director ¢ Seeing Double: The Basket Case Twins interview with actors Florence and Mary Ellen Schultz ¢ Blood, Basket and Beyond interview with actor Beverly Bonner ¢ The Latvian Connection featurette including interviews with producer Edgar Ievins, casting person/actor Ilze Balodis, associate producer/special effects artist Ugis Nigals and Belial performer Kika Nigals ¢ Belial Goes to the Drive-In interview with film critic Joe Bob Briggs ¢ Basket Case at MoMA footage from the 2017 restoration premiere ¢ Whats in the Basket? feature-length documentary covering the three films in the Basket Case series ¢ In Search of the Hotel Broslin archival location featurette ¢ The Frisson of Fission: Basket Case, Conjoined Twins, and Freaks in Cinema video essay by Travis Crawford ¢ Slash of the Knife (1976, 30 mins) short made by Frank Henenlotter featuring many of the same actors from Basket Case, including optional audio commentary with Frank Henenlotter and playwright Mike Bencivenga ¢ Basket Case and Slash of the Knife outtakes ¢ Belials Dream (2017, 5 mins) animated short by filmmaker Robert Morgan ¢ Extensive image galleries ¢ Trailers, TV & radio spots ¢ Reversible sleeve featuring original and newly commissioned artwork by Sara Deck ¢ Double-sided fold-out poster featuring original and newly commissioned artwork by Sara Deck ¢ Collectors booklet featuring writing on the film by Michael Gingold and a Basket Case comic strip by artist Martin Trafford
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