Is it time, after the anonymous disaster of Mission to Mars, to give Brian De Palma's famously doomed film of Tom Wolfe's bulky novel Bonfire of the Vanities another chance? The uproarious ins and outs of the film's troubled production have become well-known via Julie Salamon's account of its making, The Devil's Candy, and fans of that might want to flick between page and screen to see just when Melanie Griffith caused untold continuity problems by having her breasts inflated. Techno buffs will surely appreciate the pointless but somehow wonderful trickery of an extended tracking shot at the outset that exists only to last a few seconds longer than the one in Orson Welles Touch of Evil (1958). Tom Hanks was rather better cast than was generally allowed, as "master of the universe" Sherman McCoy, who comes a cropper after a hit-and-run accident, since his nice-guy act shows intriguing cracks. And even Bruce Willis does his best on a hiding to nothing as the drunken writer. It is funny in parts, agonising in others, and misses Wolfe's tone--but somehow its failures might make it as symptomatic of the long-gone excesses of the early 90s as the novel was of the 80s. --Kim Newman
Bruce Lee died halfway through the making of this martial arts action movie which was completed using doubles and released six years later. It follows the story of a successful martial artist who refuses to join a crime syndicate and has a contract put on his head. The assassination attempt fails but his death is broadcast to the world to throw the criminals off his trail. Unfortunately, the hoods do not believe the stories and make him face a series of adversaries in one-to-one fights to save the life of his girlfriend (Colleen Camp).
For pulse pounding suspense and relentless thrills nothing can match this DVD one of the most frightening chapters in the chilling 'Halloween' series! In one single horrifying night Michael Myers' masked reign of terror changed Halloween forever! Now six years after he was presumed dead in a fire Myers has returned to kill again and this time there's no escape! As the homicidal fury builds to a spine-tingling climax the long hidden secrets of the screen's most maniacal murderer
After witnessing the burning of Los Angeles, Madison, Travis, Daniel and their grieving families board the Abigail', still unaware of the true breadth and depth of the apocalypse that surrounds them. But as Operation Cobalt goes into full effect and the military bombs the Southland to cleanse it of the Infected, the Dead are driven toward the sea. As the group head for ports unknown, they will discover that the water may be no safer than land.
Kim Stanley and Richard Attenborough give outstanding performances in this classy British thriller, with Attenborough winning a BAFTA for Best British Actor and Stanley scoring an Oscar nomination. Written and directed by Bryan Forbes - who also won a Writers Guild award, an Edgar and a BAFTA nomination - Seance on a Wet Afternoon is presented here as a brand-new transfer from original film elements in its original theatrical aspect ratio. Myra Savage, a highly-strung spiritual medium, convinces her weak-willed husband to fake a child kidnapping so she can offer her services to the parents when all seems lost. Though horrified at the prospect, he reluctantly goes along with the plan - but becomes more convinced than ever that Myra is losing her grip on reality
In this thrilling sequel to Disney's Escape To Witch Mountain automobiles mysteriously fly and humans float in thin air as sinister masterminds Christopher Lee and Bette Davis unleash a diabolical plan. The entire city of Los Angeles teeters on the brink of nuclear disaster when the greedy criminals manipulate a young boy's supernatural powers for their own devious gain. But the youth's sister and a streetwise band of truants join forces in a desperate attempt to save the city from destruction.
Too terrifying to even have a name, It is a seemingly invincible monster that is hell-bent on killing everyone on a mission to Mars. A rescue ship travels out to Mars to retrieve the only survivor of a space probe that has experienced some sort of cataclysm. That survivor, Col Ed Carruthers (Marshall Thompson) is accused of murdering his fellow crewmen. But Ed claims that the killer was a Martian monster, and hopes to prove his assertions by signing up for a second journey to the Red Planet. Before long, the crew members of this second expedition are being systematically killed off, and it looks as though Ed is up to his old tricks. As it turns out, however, Ed was telling the truth: there is a monster on board, the savage descendant of the once-mighty Martian civilization, who snuck on board when an irresponsible crew member left the door open. The monster stays alive by absorbing the vital body fluids of its victims-and there seems to be no way to stop this parasitic creature! Will they be able to destroy the monster before it manages to feed on them all?
'Our sorrow was conceived long before our birth...' When sisters Su-mi (Lim Soo-jeong) and Su-yeon (Mun Geun-yeong) return home from a sanitarium having supposedly recovered their health their stepmother Eun-joo (Yum Jung-ah) welcomes them back. However elder sister Su-mi intentionally avoids her and younger sibling Su-yeon shows a smack of fear for her. Soon strange things begin to happen in the house. Footsteps are heard and Eun-joo's birds are mysteriously poisoned. Assuming S
Glenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor party for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on getting his money back, and meets a testy Nora, who is bemused at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younger man. He gives her a lift, she seduces him, and the rest of the movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wastes into decline while Nora ultimately thrives in the quest for truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad, or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula Nechak
When a body is found on the bridge between Denmark and Sweden, right on the border, Danish inspector Martin Rohde and Swedish Saga Norén have to share jurisdiction and work together to find the killer.
Jung-won and his daughter are on their way to Incheon Airport when a thick fog causes a massive chain-reaction crash on the airport bridge. Stuck in the chaos, with nowhere to go, things take a turn for the worse when mutated military dogs that were secretly being transported escape from their cages and the survivors on the bridge become targets of these deadly animals.
Any Human Heart, William Boyd's compelling and entertaining story of one man's emotional and unpredictable journey through every decade of the 20th century, comes to Blu-ray and DVD from 27th December 2010 courtesy of Universal Playback.
Five years before 'The Silence of the Lambs' Michael Mann directed this stylish thriller based on Thomas Harris' first Hannibal story - Red Dragon. Now recognised as a cult classic it is every bit as brilliant and terrifying as its sequel. Brian Cox is magnificent as Hannibal Lecter the serial killer who holds the key to tracking down a mass murderer who has a perverse penchant for voyeurism. William Petersen as Detective Will Graham is totally convincing as a man with an extraordinary talent that of entering a serial killer's personal nightmare landscapes...
1972, R-Point: what happened there? Find out in this chilling Korean spookfest!
TBC
An investigative reporter Ji-won who has recently published a controversial article about sex-scandals receives a series of menacing phone calls. In an effort to escape them she changes her number and moves house but the calls persist. When a friend's young daughter innocently answers the telephone she begins to exhibit increasingly crazed behaviour. As she tries to unravel the mystery behind the calls Ji-won uncovers a secret that will change them all...
Mohabbatein ("Love Stories") is, as the title suggests, thoroughly concerned with love and romance; it's a hugely popular Bollywood blockbuster about three young men at an exclusive boarding school who fall in love with three local young women. Opposition comes from the head of the school (Amitabh Bachan) and support from the violin teacher, who introduces an element of Dead Poets Society into a story which references both Grease (1978) and West Side Story (1961). Actually this is Aditya Chopra's follow-up to Dilwale Dulhania Le Jayenge (1995), which also starred Shahrukh Khan. The rest of the featured players are almost all new, and inject a vitality into every scene so that even at three-and-a-half hours Mohabbatein rarely drags. The soundtrack sweeps all before it in the seven big production numbers, which add a Western pop-video gloss to the complex, exhilarating musical arrangements. Likewise the choreography fuses traditional Indian elements with contemporary Western dance, and while the men are handsome and charming, the girls are stunningly beautiful, breathtakingly sensual, and scantily clad in a thoroughly modern fashion. Mohabbatein is a colourful, humorous though haunting romantic drama, which even those unfamiliar with Indian cinema should find highly enjoyable. On the DVD: The feature is in Hindi with subtitle options for English, French, Spanish, Arabic and Malay. The Dolby Digital 5.1 sound is often atmospheric, though only really comes into its own in the dynamic musical numbers. The anamorphically enhanced presentation of the original 2.35:1 cinema image is NTSC; while colours are excellent and the detail level well above VHS there is a slight lack of sharpness compared to the best PAL transfers. The second disc contains 64 minutes of English language interviews, 11 TV trailers and an anamorphic theatrical trailer, a scored stills gallery, 18 minutes of deleted scenes, including one musical number, with optional English language director's commentary, plus a 44-minute "making-of" documentary. The attractive packaging puts all but the most lavish US releases to shame. --Gary S Dalkin
As the third season of the multi award-winning drama continues, Eve (Sandra Oh) and Villanelle (Jodie Comer) are desperately trying to live their lives without the other. Believing Eve is dead, Villanelle is bored and dangerously aimless; while Eve is hiding in plain sight trying to convince herself that she doesn't want Villanelle to discover her. When a shocking and personal death sets them on a collision course yet again, the journey back to each other will cost both of them friends, family, allegiances and perhaps a part of themselves.
Join 'The most popular comedy Wales has ever produced' with GRAND SLAM. In 1977 Wales had a rugby team that was second to none. When they went to Paris to take on the French they were full of confidence... The team went with scores of Welsh supporters eager to watch their heroes beat the French on their own turf and make Wales the Grand Slam champions. During the course of the film we discover that `grand slam' can mean different things to different people and that there are challenges that have to be faced off the pitch that are almost more daunting than those facing the players on the pitch. GRAND SLAM stars Windsor Davies as Mog Jones Huw Griffith as Caradog Lloyd Evans and Sharon Morgan as the accommodating French hostess. The film also includes memorable rugby moments featuring legendary players Gerald Davies JPR Williams Gareth Edwards Phil Bennett Terry Cobner and Steve Fenwick.
When the first manned mission to Mars meets with a catastrophic and mysterious disaster, a rescue mission is launched to investigate the tragedy and bring back any survivors.
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