Discover the movie that delivered the biggest box-office opening in Korean Cinema history and experience breathtaking hi-octane thrills from the celebrated action-director of 'The Good The Bad and The Weird' and 'Brotherhood'. When a dark lord obtains the secret to unimaginable power an elite army of shape-shifting goblins threatens to destroy the world as we know it. However just when all seems to be lost a great warrior-wizard named Woochi travels through time to fight for the future of all mankind. Crammed with plenty of action and excitement (Beyond Hollywood) Woochi the Demon Slayer is a romping fun-packed fantasy adventure (Twitch) that will thoroughly entertain you from start to finish!
Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter. The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is. On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman
Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah Jessica Parker stars as Carrie Bradshaw, a self-described "sexual anthropologist," who writes "Sex and the City," a newspaper column that chronicles the state of sexual affairs of Manhattanites in this "age of un-innocence." Her "posse," including nice girl Charlotte (Kristin Davis), hard-edged Miranda (Cynthia Nixon), and party girl Samantha (Kim Cattrall)--not to mention her own tumultuous love life--gives Carrie plenty of column fodder. Over the course of the first season's 12 episodes, the most prominent dramatic arc concerns Carrie, who goes from turning the tables on "toxic bachelors" by having "sex like a man" to wanting to join the ranks of "the monogamists" with the elusive Mr. Big (Chris Noth). Meanwhile, Miranda, Cynthia, and Samantha have their own dating woes. The second season builds on the foundation of the first season with plot arcs that are both hilarious and heartfelt, taking the show from breakout hit to true pop-culture phenomenon. Relationship epiphanies coexist happily alongside farcical plots and zingy one-liners, resulting in emotionally satisfying episodes that feature the sharp kind of character-defining dialogue that seems to have disappeared from the rest of TV long ago. When last we left the NYC gals, Carrie had just broken up with a commitment-phobic Mr. Big, but fans of Noth's seductive-yet-distant rake didn't have to wait long until he was back in the picture, as he and Carrie tried to make another go of it. Their relationship evolution, from reunion to second breakup, provides the core of the second season. Among other adventures, Charlotte puzzles over whether one of her beaus was "gay-straight" or "straight-gay"; Miranda tries to date a guy who insists on having sex only in places where they might get caught; and Samantha copes with dates who range from, um, not big enough to far too big--with numerous stops in between. The third season was the charm, as the series earned its first Emmy for Outstanding Comedy Series to go along with its Golden Globes for Best Comedy Series and Best Actress (Parker). One of this season's two principal story arcs concerned hapless-in-love Charlotte and her pursuit of a husband; enter (if only...) Kyle McLachlan as the unfortunately impotent Trey. Meanwhile, Carrie has a brief but memorable fling with a politician who's golden, but not in the way she anticipated. She then sabotages her too-good-to-be-true relationship with furniture designer Aidan (John Corbett) by having an affair with Mr. Big, who himself has gotten married. Like I Love Lucy, the series benefited from a brief change of scenery with a three-episode jaunt to Los Angeles, where Carrie and company encountered, among others, Matthew McConaughey, Vince Vaughn, Hugh Hefner, and Sarah Michelle Gellar. The fourth season is just as smart and sexy as ever, mixing caustic adult wit and sharply observed situation comedy on the mean streets of Manhattan, though this time the quartet of singleton city girls must endure even tougher combat in the unending war of love, sex, and shopping. Carrie finally seems to have found her ideal life partner when she is reunited with handsome craftsman Aidan. But can their relationship survive trial by cohabitation? Meanwhile Charlotte seems to have both her dream Park Avenue apartment and a solution to her marital problems with Trey. But when the subject of babies comes up, everything starts to unravel for her, too. It's not just Charlotte who has baby issues either: after what seems like an eternity of enforced sexual abstinence Miranda is horrified to discover she's pregnant. And as for the sultry Samantha, she's on a quest for monogamy, first with an exotic lesbian artist, then with a philandering businessman, with whom to her utter dismay she just might have fallen in love. It was a short but sweet fifth season, as HBO's resident comediennes found themselves affected by forces beyond their control--the pregnancies of both Sarah Jessica Parker and Cynthia Nixon. A truncated shooting schedule to accommodate the actresses forced this season to be reduced to a mere eight episodes, but they and creators forged ahead, creating a handful of episodes that if short in content were long on emotion and laughs. Carrie and Miranda wrestled with their solitary lifestyles, albeit with new attachments--Miranda had new baby Brady and single motherhood, while Carrie found herself in the world of publishing as the author of a real-life book of her columns. Charlotte wondered if she'd ever find another man, while Samantha finally got rid of the one that had been vexing her far too much. If the season as a whole felt less than the sum of its parts, those parts were some of the best comedy in the show's history. The season's climactic episode, "I Love a Charade," was one of the series' best episodes ever, equally touching and funny, and grounded the show in an emotional maturity that announced that after all their wild travails, these women had truly grown up. After a long wait--like the entire fifth season--Carrie is dating again. The sixth season starts with Carrie and her sparkly new potential, Berger (Ron Livingston), trying to leave past relationships and hit it off, with mixed results. Meanwhile Carrie's friends seem to be settling down, relatively speaking. Miranda decides that her affair with TiVo cannot compete when Mr. Perfect (Blair Underwood, at his most charming) moves into her building. Charlotte's feelings for her "opposites attract" boyfriend (Evan Handler) deepen, but they still have a few things to iron out. Most surprising is Samantha's hot relationship with waiter-actor-stud Smith Jerrod (Jason Lewis) taking on something resembling love, despite Samantha's best intentions. Before the sixth season started in the summer of 2003, a bombshell hit: it was announced that this would be the finale. But it would be a long season, and these 12 episodes plant the seeds for the final 8 airing the following winter. These dozen episodes illustrate the maturity of the show: there's not a bad one in the bunch, and the show is still flat-out funny. The comedy blends serious points of how we perceive singles, couples, and parents (and the gifts we lavish on the latter two). Carrie's method of celebrating her singlehood is just another gem in this treasure of a series. With the last eight episodes of the sixth season, HBO's grand sitcom concluded, leaving untold numbers of women--and many men--feeling deprived. The six-year series certainly did not outlast its welcome; the final season is some of the best TV had to offer in 2004. In many ways, the eight episodes served as a single finale, with all four characters approaching a kind of destiny and happiness, the theme of this last half-season (which aired weeks after the first half). Carrie continues her romance with Russian artist (Mikhail Baryshnikov), a flippantly arrogant man who's been around the block, but able to supply Carrie's needed desire for magic. Miranda has settled down with Steve (David Eigenberg), but there is more that will change with her, including her address. Charlotte continues to make baby plans now that the husband slot is filled quite nicely (Evan Handler). Going down the final stretch--and Samantha's cancer--gives the series a more serious tone, but there's always a jab to tickle the funny bone: Miranda's awkwardness with happiness, Charlotte's latest passion, Carrie typing someplace new, and Samantha getting into Paris Hilton territory. Like any series winding down, there is a wedding, a baby, old faces popping up, and some star-ladened new ones. In the final two-part episode, "An American in Paris," Carrie faces her romantic destiny, but also solidifies herself as a fashion icon, an Audrey Hepburn for 21st-century television. In the penultimate episode, she asks her friends an emotional question: "What if I never met you?" Certainly fans can ask of themselves the same question and reminisce how much better TV became since they first tuned in these four women of the City.
The ultimate Bruce Lee collector's box set! Contains: The Big Boss: In an emotive rollercoaster storyline of friendship betrayal revenge and deadly confrontation Bruce Lee plays Cheng a migrant worker who travels to Thailand in search of work but finds and breaks open a drug trafficking ring with his fists of steel. In his quest for justice and revenge Lee is an unstoppable force of nature breaking down wave after wave of opponents with powerful Wing Chun hand combi
After 22 years of waiting 'Game of Death' is at last available to UK audiences as nature intended. Now re-instated is the incredible one-on-one nunchuka battle between Bruce Lee and top student Dan Inosanto which conceptually is totally unique to this movie. In addition this amazing package also features over twenty-five minutes of incredible footage previously `lost' in the archives at Golden Harvest as well as revealing interviews with George Lazenby Dan Inosanto Taky Kimura
Anthony Scott (Kim Rossi Stuart, Romanzo Criminale) heads to Manilla for a chance to re-connect with his Father (Jared Martin, Aenigma), but as soon as he lands in the sweltering heat of the Philippines, Anthony swiftly finds himself on the wrong side of Quino (Enrico Toralba), a local gangster... who also happens to be a badass Karate champion. After a royal smack-down, Anthony vows to get his revenge and seeks the help of the mysterious Master Kimura (Kensaku Watanabe), the man responsible for teaching Quino his formidable fighting skills before he turned to a life of crime, Anthony is soon under Kimura's tutorage and en route to mastering the art of the Dragon Blow! From Fabrizio De Angelis (Killer Crocodile) comes Karate Warrior (A.K.A The Boy in the Golden Kimono), a very Italian take on The Karate Kid. Featuring an early lead role for future Italian megastar, Kim Rossi Stuart, Karate Warrior features a host of cult cinema talent, including the lovely Janet Agren (Hands of Steel) and sports a pulsating soundtrack from BAFTA-nominee, Simon Boswell (The Crying Game). 88 Films are proud to unveil this gorgeous 2k restoration of a cult classic beat'em up that spawned 5 sequels! Extras: Brand New 2K Remaster from The Original 35 mm Negative in 1.85:1 Aspect Ratio Extensive Cleanup and Colour Correction Carried out in the UK Remastered Uncompressed English Audio Optional English SDH Subtitles Alternative Longer Italian Version featuring Remastered Uncompressed Italian Audio with Newly Translated Subtitles
In a time when it seems that every other movie makes some claim to being a film noir, LA Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big Nowhere and White Jazz)--a compelling blend of LA history and pulp fiction that has earned it comparisons to the greatest of all Technicolour noir films, Chinatown. Kim Basinger richly deserved her Supporting Actress Oscar for her portrayal of a conflicted femme fatale; unfortunately, her male costars are so uniformly fine that they may have canceled each other out with the Academy voters: Russell Crowe, Guy Pearce, Kevin Spacey and James Cromwell play LAPD officers of varying stripes. Pearce's character is a particularly intriguing study in Hollywood amorality and ambition, a strait-laced "hero" (and son of a departmental legend) whose career goals outweigh all other moral, ethical and legal considerations. If he's a good guy, it's only because he sees it as the quickest route to a promotion. --Jim Emerson
The Ipcress File - The tense spy thriller by Len Deighton that turned Michael Caine into a superstar. Cynical and rebellious ex-army sergeant Harry Palmer has been blackmailed into working for Britain's security service. Hot on the trail of a kidnapped scientist Palmer finds himself enmeshed in a sinister conspiracy involving horrifying brainwashing techniques murder and treachery that reaches up to the highest levels of the security service itself... Kidnapped - When young David Balfour arrives at his uncle's bleak Scottish house to claim his inheritance his relative first tries to murder him and then has him shipped off to be sold as a slave in the colonies. Fortunately for David he strikes up a friendship with Alan Breck (Michael Caine) and together they manage to escape. On arriving back in England they set out for Edinburgh dodging the ruthless Redcoats to claim David's rightful inheritance. Educating Rita - Rita a hairdresser with a sharp wit is married to Danny and at 26 doesn't want a baby. She wants to discover herself - so she joins the Open University. Dr Frank Bryant is a disillusioned university professor of literature. His marriage has failed his girlfriend is having an affair with his best friend and he can't get through the day without downing a bottle or two of whiskey. He refers to himself as an appalling teacher of appalling students. What Frank needs is a challenge - and along comes Rita. In this hilarious and often moving drama the story tells how two people find a new lease of life through each other. The Fouth Protocol - On July 1 1968 America Britain and Russia signed a treaty to halt the spread of nuclear weapons. The powers then added four extra clauses. The most secret of them was and remains the final. On winter the Chairman of the KGB hatches a plan to breach this Fourth Protocol and destroy NATO. He sends an agent Major Petrofsky (Pierece Brosnan) to assemble the operation. It is now up to MI6 agent John Preston (Michael Caine) who now must race against an unknown deadline to stop him and his devasting mission.
Like most of his later operas, Richard Strauss' Arabella ends with a meltingly lovely duet. But then criticising Strauss for composing melodically enduring operas is as pointless as lambasting Vermeer for painting only exquisite interior scenes. Those who say Strauss never improved on Rosenkavalier may be right but when such beguiling sounds kept coming from his music for the next 30 years of his life, there shouldn't be any quibbles. Arabella is, in a nutshell, the story of a woman who cannot make up her mind about a suitor. Taped at the Metropolitan Opera House in 1994 under the baton of conductor Christian Thielemann, this production features Kiri Te Kanawa in the title role; her acting is mediocre but vocally she never forces anything and at least sounds like the perfect Arabella. Wolfgang Brendel does well with Mandryka, who finally ends up with Arabella and Marie McLaughlin makes a sympathetic younger sister to the heroine as Zdenka. Otto Schenk's production is sturdily conservative, the video transfer is acceptable if unspectacular and the sound mix is CD-quality. --Kevin Filipski, Amazon.com
After a one-woman assault on the Umbrella Corporation's fortress, Alice's (Milla Jovovich) superhuman abilities are neutralised. Now, fleeing the Undead masses created by the T-virus, Alice reunites with Claire Redfield (Ali Larter) and her brother, chris (Wentworth Miller). Together they take refuge with other survivors in an abandoned prison, where a savage zombie mob stands between them and the safety of Arcadia. Escaping these bloodthirsty mutants will take an arsenal. But facing off with albert Wesker and the Umbrella Corporation will take the fight for survival to a new level of danger.
Sean Connery is back for his final performance as agent James Bond in this high-velocity action thriller. This explosively entertaining 30th Anniversary Edition includes audio commentary and three featurettes! Agent 007 is hurled into a pulse-pounding race to save the world from Armageddon when two atomic warheads are hijacked by the evil Spectre organisation.
'Our sorrow was conceived long before our birth...' When sisters Su-mi (Lim Soo-jeong) and Su-yeon (Mun Geun-yeong) return home from a sanitarium having supposedly recovered their health their stepmother Eun-joo (Yum Jung-ah) welcomes them back. However elder sister Su-mi intentionally avoids her and younger sibling Su-yeon shows a smack of fear for her. Soon strange things begin to happen in the house. Footsteps are heard and Eun-joo's birds are mysteriously poisoned. Assuming Su-yeon is behind the inauspicious incidents the stepmother locks her in the closet and when Su-mi learns about the cruel punishment conflict between the stepmother and two sisters becomes more bitter than ever... Based on the classic Korean folk tale 'Janghwa Hongryeon' Kim Ji-woon's accomplished chiller is a uniquely lush addition to the best of Asian cinema.
Based on an acclaimed novel Charlie St. Cloud is a romantic drama starring Zac Efron as a young man who survives an accident that lets him see the world in a unique way. In this emotionally charged story he begins a romantic journey in which he embraces the dark realities of the past while discovering the transformative power of love. Accomplished sailor Charlie St. Cloud (Efron) has the adoration of mother Claire (Oscar winner Kim Basinger) and little brother Sam (newcomer Charlie Tahan) as well as a college scholarship that will lead him far from his sleepy Pacific Northwest hometown. But his bright future is cut short when a tragedy strikes and takes his dreams with it. After his high-school classmate Tess (Amanda Crew) returns home unexpectedly Charlie grows torn between honoring a promise he made four years earlier and moving forward with newfound love. And as he finds the courage to let go of the past for good Charlie discovers the soul most worth saving is his own.
Adapted from an acclaimed novel by John Irving "The Door in the Floor" explores the complexities of love in its brightest, most mysterious, and darkest corners.
After the powerful Dark wizard Gellert Grindelwald escapes from custody, Magizoologist Newt Scamander is called upon by Hogwarts professor Albus Dumbledore once again. Facing unforeseen dangers, Newt must find a way to stop Grindelwald, whose plan for pure-blood wizards to rule over non-magical beings threatens to divide the entire wizarding world.
Three outlaws. One map. No prisoners. Set in the 1930's Manchurian desert where lawlessness rules three Korean men fatefully meet each other on a train. Do-Won (Jung Woo-sung) is a bounty hunter who tracks down dangerous criminals. Chang- yi (Lee Byung-hun) is the leader of a group of tough-as- nails bandits. Tae-goo (Song Kang-ho) is a train robber with nine lives. The three strangers engage in a chase across Manchuria to take possession of a map Tae-goo discovers while robbing the train. Also on the hunt for the mysterious map are the Japanese army and Asian bandits. In this unpredictable escalating battle for the map who will stand as the winner in the end?
Michael Pitt stars in a Seattle-set rock & roll drama as a musician whose life and career is reminiscent of Kurt Cobain's
Invisible Mom Ii
Ostensibly a teen fright-fest about a vengeful ghost Whispering Corridors follows in the horror tradition of using the supernatural for displaced social commentary. The film is an illustration of the growing gap in Korean society between the values of the youth and the older generations focused around the misogyny and cutthroat competition in the educational system. It became a huge hit in its native country after word got out that the ministry of education wanted to
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