Miles Teller stars in this drama based on the life of professional boxer Vinny Pazienza. Shortly after winning the junior middleweight world title, Vinny Pazienza (Teller) is involved in a near-fatal car accident which leaves him with multiple injuries including a broken neck. Told he will never walk or fight again, Vinny is fitted with a metal neck brace which he must wear for several months. However, defying doctor's orders, he continues to follow his training regime and, with the help of trainer Kevin Rooney (Aaron Eckhart), Vinny remains determined to prove his doubters wrong and vows to make a triumphant return to the ring to reclaim the world title he relinquished one year earlier.
In the summer of 1936 before the outbreak of the civil war that plunged Spain into 3 years of agony and terror 8 year old Moncho is beginning his 1st day of school. At first afraid of his new teacher Don Gregorio- who he has heard flogs pupils - teacher and pupil soon develop an inseperable bond born of their shared interest in insect life. So begins moncho's apprenticeship into life and knowledge guided by his worldly teacher. But as the military marches through Spain and the
Puccini - La Boheme (Levine Metropolitan Opera Orchestra)
Two friends face jealousy, temptation and lust when they fall for the same woman.
Successful author Veronica Henley (Janelle Monáe) is finishing a book tour before she returns home to her husband and daughter. But a shocking turn of events is about to upend Veronica's existence, plunging her into a horrifying reality that forces her to confront her past, present, and future before it's too late. From the producer of Get Out and Us comes this tense and provocative thriller with a terrifying twist. Extra Contents The History in Front of Us: Deconstructing Antebellum Part 1 The History in Front of Us: Deconstructing Antebellum Part 2 A Hint of Horror: The Clues of Antebellum Opening Antebellum Deleted Scenes
Following a job that's gone very badly wrong, two hitmen Ray and Ken are sent to Bruges by their boss Harry and told to lie low and await instructions. Ken falls in love with the cobbled streets and canals of the picturesque city but for Ray it's torturous boredom and he upsets both locals and tourists. When the call finally comes from Harry it may not be the ticket out he was hoping for.
In delivering non-18-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff Shannon
After the loss of her long-time boyfriend Lucia she seeks refuge on a quiet, secluded Mediterranean island. There, bathed in an atmosphere of fresh air and dazzling sun, Lucía begins to discover the dark corners of her past relationship...
For every outcast who has tried to fit in, comes the prequel to the worldwide hit 'Dumb & Dumberer.' Lovable goofballs Harry & Lloyd return in an adventure of truly idiotic proportions.
Set against the backdrop of enticing Brazilian music and fantasy, an engaging romantic fable about a seductive young woman's journey to emotional freedom.
Five hapless inner-city low-lifes unsuccessfully attempt to burgle a pawnbroker's safe, but wind up gaining more than they lose.
Al Pacino cuts a noble figure in this very enjoyable drama by director Brian De Palma (Scarface), based on a pair of books by Edwin Torres. Pacino plays a Puerto Rican ex-con trying hard to go straight, but his loyalty to his lowlife attorney (a virtually unrecognisable Sean Penn) and enemies on the street make that choice difficult. Penelope Ann Miller plays, somewhat unlikely, a stripper who has a romance with Pacino's character. The film finds De Palma tempering his more outlandish moves (think of Body Double or Snake Eyes) just as he did with the popular Untouchables and Mission: Impossible. But while Carlito's Way was not as commercially successful as those two movies, it is a genuinely compelling work graced with a fine performance by Pacino and a surprising one from Penn. --Tom Keogh
Johanna is an updating of the Joan Of Arc legend and tells a tale of female suffering and redemption. A young drug addict falls into a coma following a traffic accident and upon recovering finds that she has the power to heal the sick and dying. She stays on at the hospital as a nurse - but the staff turn against her engineering her downfall and in so doing ensuring her apotheosis. Magnificently scored stunningly visualised this is a true one-of-a-kind.
Karl his brother David and their father Frank are all stranded in Dinotopia after a plane accident. It's here that dinosaurs and humans live in perfect harmony but beneath the surface dangers are brewing....
One of the very best Stephen King film adaptations, The Dead Zone is imbued with an ever-present atmosphere of dread. Shot in a permanently wintry Canada (standing in for New England), the icy backdrops are subtly employed by director David Cronenberg to accentuate the storys fatalistic tone. Cronenbergs welcome emphasis for the most part on psychological terror over physical shocks (something of a change of direction for him after The Brood and Scanners) is further enhanced by composer Michael Kamens marvellously chilly music score and Christopher Walkens understated yet dominating central performance as high school teacher Johnny Smith, who wakes from a coma following a car crash to learn that he has been cursed with the gift of second sight. That his uncanny ability is indeed a curse and definitely not a blessing is made abundantly clear: even when Johnny is able to save peoples lives, there is always a price to pay. The cosmic law of Karma is grimly unforgiving. Herbert Lom, as Johnnys sympathetic doctor, sums up the characters plight, "Some things just werent meant to be." And even when Johnny learns the terrible secret of future Presidential candidate Greg Stillson (a villainous Martin Sheen), he knows he cannot act without accepting the fatal consequences. Brooke Adams, as the love of Johnnys life, and Tom Skerrit, as the quietly desperate sheriff on the trail of a serial killer, are excellent in support. On the DVD: this disc comes with a chunky accompanying booklet with background notes on the film, cast and director, as well as a script excerpt for the originally planned pre-credits sequence (in the finished film we assume Johnnys second sight is a result of the car accident--this earlier screenplay follows the book more closely). The movie itself--which features the "scissor-suicide" scene uncut--is accompanied by a chatty and informative commentary from film critics Stephen Jones and Kim Newman (a regular Amazon.co.uk contributor). Both the 1.85:1 anamorphic widescreen picture and the Dolby 5.1 sound are adequate if unexceptional. --Mark Walker
As cop and criminal two ruthless professionals have the same outlook and code. L.A. Takedown directed by Michael Mann is a complex and gripping thriller about Vincent Hanna an obsessive cop tailing a callous and clinical armed robber Patrick McLaren. They first meet across a crowded cafe and after a heist goes wrong Hanna and McLaren confront each other in a full scale battle on the streets of Los Angeles.
This biopic follows the memoirs of Cuban poet Reynaldo Arenas (played by Javier Bardem), who was driven to homelessness and cruel persecution both by his art and his sexuality.
Playwright Skip Donahue (Wilder) and actor Harry Monroe (Pryor) are out of work and penniless. Deciding they have had enough of Broadway they set off to make their fortunes and find freedom down South. On the way their funds get so low that they have to find work; as singing dancing Woodpeckers promoting a bank. Plagued by bad luck thieves steal their costumes and rob the bank and guess who gets the blame and get put jail? Whacky laughs riotous situations thrills and spills ma
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