Described by series cocreator Brannon Braga as "a single episode that lasts 24 hours," the third season of Star Trek: Enterprise is arguably the best in the show's four-season run. With the epic "Xindi saga" as the season's primary story arc, the series found its tonal focus in the unpredictable space of the Delphic Expanse, where alien encounters and matter-warping spatial anomalies forced Capt. Archer (Scott Bakula) to make extreme decisions that tested his ethical boundaries. Realizing the need for a fresh viewpoint, Braga and cocreator Rick Berman hired Manny Coto, a TV veteran who conceived or wrote several of the season's finest episodes (not forgetting Mike Sussman and other members of the series' first-rate writing staff). Coto's involvement was instrumental in shaping the Xindi saga, which began (with season 2's cliffhanger) when Earth was attacked by a Xindi probe--a massive weapon which Archer must now destroy. This vital mission dominates season 3, deriving its potent drama from an impressive variety of characters and subplots focused on the five-species Xindi council, which finds its voice of reason in Primate member Degra (season regular Randy Oglesby) and rancor in the Reptilian Commander (Scott MacDonald), pivotal characters whose fates will be tragically intertwined. Despite lower ratings and budgetary cutbacks (as evident in several ship-bound episodes with minimal casting), season 3 was equally strong as a showcase for the Enterprise regulars, with plenty of fan speculation rising from the sexy and soothing Vulcan "neuro-pressure" sessions between the insomniac Tucker (Connor Trinneer, better than ever) and T'Pol, whose hidden addiction to a toxic compound allows Jolene Blalock to mine the volatile depths of her character (who now sports a more appealing hairstyle and wardrobe). Meanwhile, security chief Reed (Dominick Keating) engages in heated competition with Major Hayes (reliable guest Steven Culp, from the first season of Desperate Housewives), the leader of NX-01's Military Assault Command Operation (or MACO), which Reed views with territorial suspicion. And while Enterprise still fumbled to develop the characters of Hoshi (Linda Park) and Travis (Anthony Montgomery), John Billingsley continued to bring clutch-player excellence to his role as Dr. Phlox in several highlight episodes including "Doctor's Orders" and "Similitude," the latter featuring equally strong work by Trinneer in an ethically complex (and fan-favorite) examination of the cloning--a typical example of Star Trek at its best. The alternate timeline of "Twilight" also honours the classic Trek tradition, while "Harbinger" reveals the existence of the trans-dimensional Sphere Builders, whose moon-sized creations affect Enterprise throughout its season-long mission. Finally, the crucial appearances of blue-skinned Andorian Shran (Jeffrey Combs) bring both suspense and comic relief to the season's grim proceedings, adding depth and tentative alliance to Enterprise's pre-Federation politics--a crucial element that assumes greater importance with the jaw-dropping cliffhanger of "Zero Hour" and the surprises in store for season 4, which will bring Enterprise ever closer to the original Star Trek timeline.
The English National Opera Orchestra provide sumptuous musical accompaniment to this moving interpretation of 'The Rape Of Lucretia'. The story evokes strong passionate themes as one would expect from a thrilling combination of opera and Greek tragedy. Anthony Rolfe Johnson Jean Rigby Russell Smythe and Kathryn Harries infuse the lead roles with just the right amount of tension and passion making this a fascinating spectacle for the enthralled audience present and now for viewers at home as well.
A Bold New Beginning. Now, for the first time on Blu-ray, follow Starfleet's earliest forays into deep space in breathtaking 1080p high definition picture and 5.1 sound. Captain Jonathan Archer (Scott Bakula) commands the Enterprise NX-01, the first Earth-built vessel capable of breaking the Warp 5 barrier. With his trusted Chief Engineer, Charles 'Trip' Tucker III (Connor Trinneer), Science Officer T'Pol (Jolene Blalock), and security expert Lt. Malcolm Reed (Dominic Keating), Capt. Archer...
The Road To Morocco: Two bumbling buffoons are shipwrecked on an island off the coast of North Africa. When the beautiful Princess Shalimar comes to their rescue Jim and Turkey think they've died and gone to heaven. But once her brawny jealous husband finds out what these clowns have been up to they're going to wish they had never left their island. The Road To Singapore: Josh Mallon and his best buddy Ace Lannigan are avowed playboys. They won't even consider getting married. But Josh's shipping magnate father is tired of his prodigal son's whimsical ways. So he forces him to settle down and get a job. Rebellious to the bone Josh puts and end to those plans when -- on the eve of his big engagement party -- he and Ace set sail for Singapore. They accidentally wind up in Kaigoon instead but these free-spirited bachelors couldn't care less. Unfettered by money or responsibility they're as happy as can be. Their trouble begins when they both fall in love with the same lovely native lass. The Road To Utopia: The irrepressible Chester and Duke are back on the road again. This time around the vaudevillians -- disguised as Alaskan bruisers -- are trekking to the Klondike with a newly-found map to a gold mine. A comedy of errors begins when the citizens of a rough and tumble miner's town mistake the boys for claim-jumpers. Saloon mistress Sal goes gunning for the luckless pair whose treasure map just happens to have been her late father's property. Eventually the three gold-hunters team up and begin searching for the mine together. The Road To Zanzibar: After Chucks and Fearless sell a phony diamond mine to a crook the two escape to Zanzibar where they meet comely Brooklyn gals Donna and Julia. Amid jokes and songs the foursome embark on a wacky safari but the women are only going along in hopes of finding Donna's missing brother. When the guys discover the true reason for the safari they decide to return to Zanzibar; that is until they encounter a band of wild cannibals -- who have their own plans for the duo. The Road To Rio: To avoid being charged with arson after burning down a circus Hot Lips Barton (Bob Hope) and Scat Sweeney (Bing Crosby) stow away on an ocean bound ship. Aboard the vessel the duo fall for Lucia Maria de Andrade (Dorothy Lamour) who is under the spell of her evil aunt (Gale Sondergaard) who has arranged a marriage for the young beauty. This film was in good hands since many of Hope's best collaborators worked on the picture. Director Norman Z. McLeod went on to direct Hope in four more features -- Alias Jesse James Casanova's Big Night My Favourite Spy and The Paleface. McLeod had a remarkable career behind the cameras working with such Hollywood greats as Danny Kaye (The Secret Life Of Walter Mitty) W.C. Fields (It's A Gift) and Cary Grant (Topper). Writer Edmund Beloin supplied the stories for both My Favorite Spy and The Lemon Drop Kid. His collaborator Jack Rose penned My Favourite Brunette The Great Lover Sorrowful Jones and The Seven Little Foys. This The Road To Bali: Hope and Crosby play George Cochran and Harold Gridley American vaudevillains on the run from some angry fathers in Australia. To avoid a dual shotgun wedding George and Harold end up on the island of Bali and sign on as deep sea divers for Prince Arok - and become smitten with the princess Lalah. The Road To Hong Kong: Vaudevillians Harry (Crosby) and Chester (Hope) travel to Tibet to search for a drug to restore Chester's memory. Once they find the cure Chester's memory becomes so good that he accidentally memorizes a secret formula for space navigation. Soon the two meet up with a beautiful spy (Collins) and get slightly sidetracked... to another planet!
The seventh and final season of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counselor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless," and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever), in which a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/supervillain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me," in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
Sweeney! Hard-bitten Flying Squad officer Jack Regan (Thaw) gets embroiled in a deadly political plot when an old friend asks him to investigate the death of his girlfriend. Framed on a drink-driving charge and suspended from the force with his partner and best mate George Carter (Waterman) unable to help Jack must rely on his wits to evade deadly government hitmen and expose the real villain... Sweeney 2 Regan and Carter head a n investigation into a series of British bank raids by a team of well-armed villains who are flying in from the continent.
Set in the 22nd century a hundred years before James T. Kirk helmed the famous starship of the same name Enterprise takes place in an era when interstellar travel is still in its infancy. Captain Jonathan Archer (Scott Bakula) has assembled a crew of brave explorers to chart the galaxy on a revolutionary spacecraft: Enterprise NX-01. As the first human beings to venture into deep space these pioneers will experience the wonder and mystery of the final frontier as they seek out new life and new civilizations.
Set in the palatial country houses and grand Mayfair salons of mid-Victorian England The Pallisers is a saga of wealth passion power intrigue and scandal. Volume One of the classic Emmy Award winning BBC costume drama based on 6 political novels by Anthony Trollope this powerfully addictive series stars Susan Hampshire and Philip Latham as Lady Glenncora and Plantagenet Palliser. Their Politically advantageous marriage sets the stage for this fascinating chronicle of three gene
Die Hard New York cop John McClane facing Christmas alone flies to Los Angeles to see his estranged wife Holly (Bonnie Bedelia) and their kids in an attempt to patch things up. He arrives at his wife's high tech office building in the middle of their Christmas party just as it is gatecrashed by the ruthless master criminal Hans Gruber (Alan Rickman) and a dozen fellow activists intent on relieving the Nakatomi Corporation of six hundred million dollars in negotiable bonds...
Action-packed Season Three develops major characters and plot lines brewing over the last couple of years. The Mayor, this season's major baddie, wants to become an invincible demon by slaughtering everyone at Sunnydale High's graduation ceremony but he's going to torture them all by giving his speech first. Bad-girl vampire-slayer Faith wants to get one over on Buffy and becomes even more rotten. Angel comes back from hell but isn't sure what to do about his girlfriend. Willow meets her evil gay vampire duplicate from another dimension. Xander loses his virginity but still has to contemplate his essential uselessness. Cordelia gets less whiny and has to work in a dress-shop when her father becomes bankrupt. Giles wears tweed and drinks tea, though it is revealed that he used to be a warlock and in a punk band. Besides the soap opera, there are monsters, curses and vampires (inevitably). --Kim Newman On the DVD: The DVDs are presented in a standard television 4:3 picture ratio and in a clear Dolby sound that does full justice both to the sparkling dialogue and to the always impressive indie-rock and orchestral scores. Special features include an overview of Season Three by its creator Joss Whedon, and by writers Marti Noxon, David Fury, Doug Petrie and Jane Espenson and documentaries on the weapons, clothes special effects of the show and the speech/verbal tone which makes it what it is-"Buffyspeak". The episodes "Helpless", "Bad Girls", "Consequences" and "Earshot" have commentaries by, Fury, Petrie, director James Gershman and Espenson, in which we find out some fascinating details about the way the scripts mutate and about the particular illuminations added to scripts by actors' performances. After complaints about the Season 2 DVD packaging, the disc envelopes include a protective coating. --Roz Kaveney
With Captain Jonathan Archer (Scott Bakula) trapped in the 31st century, season 2 of Enterprise opens with a rousing resolution to season 1's cliffhanger finale. The first four episodes instantly became fan favourites: "Shockwave, Part II" advances the Suliban's role in the Temporal Cold War; "Carbon Creek" reveals the real first contact (albeit a secret one) between humans and Vulcans in Pennsylvania in 1957, allowing Jolene Blalock to play T'Pol's "second foremother" in a Sputnik-era scenario; in "Minefield," Reed (Dominick Keating) is nearly killed by an explosive device attached to Enterprise's hull; the damage is repaired in "Dead Stop," featuring award-winning digital modeling effects as the disabled Enterprise encounters a mysterious automated space station. Season 2 also emphasises Archer's ongoing friction with the Vulcan High Command, exacerbated when T'Pol's career is threatened (in "Stigma") by her involuntary involvement with ostracised mind-melders. Connections to the original Star Trek (series and films) continue with episodes involving Tellarites, Tholians, Klingons, Andorians, and even a brief appearance by a Tribble (one of many occasions for humor in Dr. Phlox's sickbay, the setting of many of the season's finest dialogue-driven scenes). Early warp-drive history is also explored in "First Flight," a Right Stuff-like episode guest-starring Keith Carradine as Archer's friend and rival in breaking the Warp 2 barrier. Consisting primarily of stand-alone episodes that integrate ongoing story arcs, season 2 showcases the primary cast with generally good results: Mayweather (Anthony Montgomery) visits the "boomer" cargo ship he was raised on in "Horizon"; Hoshi (Linda Park) experiences unsettling transporter symptoms in "Vanishing Point"; and Tucker (Connor Trineer) plays a pivotal role in several episodes, notably "Dawn," "Precious Cargo" and "Cogenitor." And while "Regeneration" provoked controversy among fans for introducing the yet unnamed Borg in an early Starfleet context, it's a fine episode (with echoes of The Thing) that holds up to scrutiny, while others (including "The Crossing," "The Breach" and "Cogenitor") feel somewhat recycled, indicating the challenge of finding new ideas in the Star Trek canon. Overall, however, season 2 is consistently strong, with several episodes directed by cast alumni from previous Trek series, including NextGen's LeVar Burton, and Voyager's Roxanne Dawson and Robert Duncan McNeill. They all lead up to a devastating attack on Earth (with seven million casualties, including Trip's younger sister) in "The Expanse," ending the season with high-stakes mystery as Enterprise enters a treacherous region of space in search of the Xindi, an enemy race that factors heavily in season 3. Abundant bonus features include a generous selection of deleted scenes (non-essential, but interesting to fans); audio commentary (on "Dead Stop" and "Regeneration") by writers Mike Sussman and Phyllis Strong, who explain the challenge of writing under constantly shifting production conditions; and text commentary (on "Stigma" and "First Flight"), in which Trek veterans Michael and Denise Okuda demonstrate their encyclopedic knowledge of Star Trek fact and fiction. Six Easter eggs, known as "NX-01 Files," are hidden on the Special Features menus; they offer brief glimpses into specific aspects of production, including set recycling and art direction. "Enterprise" secrets are revealed for those who pay meticulous attention to detail; "Inside 'A Night in Sickbay'" offers a behind-the-scenes assessment of that memorable episode; and "LeVar Burton: Star Trek Director" celebrates the actor's smooth transition to directing after his stint on Next Generation. "Enterprise Profile: Jolene Blalock" is a tribute to the sexy actress by her fellow cast members and executive producers Brannon Braga and Rick Berman, including Blalock's assessment of T'Pol's pivotal role as Enterprise's resident Vulcan. Best of all, however, are the hilarious outtakes: They show the cast as a family unit, combining hard work with humour as the second season progresses. --Jeff Shannon
Having battled a hellish vampire master, an evil boyfriend, a rogue slayer, a giant man-eating demon-snake thing, and a particularly nasty high school principal, Buffy Summers embarked on one of her biggest challenges in the fourth season of Buffy the Vampire Slayer: college. With boyfriend Angel out of the picture (and on his own show) and Sunnydale High destroyed, new horizons were to be tackled for Buffy and the rest of the Scooby gang. There were cute guys (Buffy's new boyfriend Riley), cute girls (Willow's new girlfriend Tara--yes, Willow's gay!), frat parties, irritating roommates, harsh professors, and, oh yes, a secret military initiative that was experimenting on the demon population (Riley's part of it). Buffy truly hit its golden years in the fourth season--just when you thought this show couldn't get any better, Joss Whedon and his creative team pulled out all the stops and took Buffy and co. into rich new territory. By far, the highlight of the season (and the entire series) was the Emmy-nominated "Hush," a nearly dialogue-free episode in which the creepy "Gentlemen" rob Sunnydale of its collective voice, and Buffy and Riley finally come face to face with each other's hidden identities. While Frankenstein-esque monster Adam wasn't the show's best villain (you'll have to wait until next season's Glory for that), he was a worthy adversary for the biotech age, and the military milieu was a nice contrast to Buffy's previous gothic outings. Season 4 also marked the return of blonde vampire Spike (who developed a crush on Buffy), the ascension of vengeance demon Anya to full-time cast status, and the brief return of bad slayer Faith (in a fab two-part body-switching episode). Throughout, the entire cast, headed by the unparalleled Sarah Michelle Gellar, worked television magic of the kind rarely seen on the small screen. This is Buffy at its best. --Mark Englehart
At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship... Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favour of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humour. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart
Sometimes a show cancelled prematurely can still put its competitors to shame. Boomtown was a radical and inventive approach to the ensemble cop show that added up to so much more than just its central gimmick of telling different stories from different perspectives. In fact, after the first few episodes in which the breakneck jumps of viewpoint and the time-frame demanded real attention, it de-emphasised them, while still forcing us to pay attention, making the viewer guess which story we were being told. Devised by award-winning screenwriter Graham Yost and director Jon Avnet, the first series of Boomtown covered a wide variety of cases: everything from baby-stealing to run-ins with the Russian Mafia, from hostage situations in suburban sports stores to rich kids having justice bought for them whether they wanted it or not. It was also the story of its seven central characters: Deputy DA David (Neil McDonough), for example, failing to cope with his growing alcoholism and sense of disillusion, and detective Joel Stevens (Donnie Wahlberg) endlessly reliving the cot-death of his daughter and his wife's attempted suicide. If the show had flaws, they were the slight marginalisation of the central female characters--a crime reporter and a paramedic--and the presence of too many storylines that were as much about teaching the characters a Valuable Lesson as credible crime stories. Nonetheless, it was a stunning show, which deserved a longer life. This complete Series 1 box set at least offers a readily available record of it for those of us who liked it too late. On the DVD: Boomtown, Series 1 DVD box set presents all 18 episodes (a further six were made for Series 2 before the show's cancellation) presented in widescreen 16:9 with the choice of Dolby Digital 5.1 or 2.0 Pro Logic. The only special features are a trailer and the original series pitch video. --Roz Kaveney
After the first season of Buffy The Vampire Slayer became a ratings success the show was renewed with a bigger budget and twice as many episodes. Seeds are sown through the early episodes for many of the stunning plot developments later in the season: there's a slow burn for the relationships building between Buffy and Angel (no surprise), Giles and Jenny (nice surprise), and Xander and Cordelia (huge surprise). Most importantly, we're introduced to important semi-regulars Spike and Drusilla ("School Hard"), Oz ("Inca Mummy Girl") and fellow Slayer Kendra ("What's My Line Part 1"). Their appearances tackle youth issues such as sibling rivalry, sexual maturity and rejection. But nothing that came before it prepared audiences for the latter half of season 2. In the extraordinary double act of "Surprise" and "Innocence" every aspect of the show grows up in a big hurry: the result of Buffy sleeping with Angel is a series of tragedies everyone is powerless to predict or prevent, a piece of powerful storytelling conveyed with pared-down dialogue and remarkable performances from the young cast. All of these threads are tied together then torn apart by the two-part finale "Becoming". With a cliffhanger ending to rival The Empire Strikes Back, the second chapter of Buffy The Vampire Slayer closes in tantalising style leaving everything at stake. --Paul Tonks On the DVD: The computer-animated menu opens this gorgeous box set in style with a tour through a dark and oppressive cemetery, a lavish display of graphics that's all the more impressive when compared to the uneventful DVD for the first season. Most of the extra features are concentrated on the last disc, which includes the obligatory biographies, trailers and TV spots that add little value to hardcore fans but serve as a good introduction to the world of Buffy for non-adepts. The three featurettes are captivating: "Designing Buffy" offers a wealth of information about the set designs, and even includes a walk through of Buffy's home; "A Buffy Bestiary" features every monster from the second season, and "Beauty and the Beats" explores the make-up artistry and special effects. There are also brief cast interviews, in which James Masters ("Spike") reveals his American accent. All in all the extras make a worthy accompaniment to the spectacular season 2 episodes, though one might regret that Joss Whedon did not offer a commentary on the double bill season finale "Becoming". --Celine Martig
This stunning box set contains 32 discs featuring all 88 episodes of the sci-fi show from Jim Henson Productions plus 15 hours of bonus features. John Crichton is an astronaut and test pilot who during a mission of his own design is flung through a wormhole and gets lost in a galaxy far from home. He finds himself in the middle of a battle surrounded by hostile aliens soaring through space inside a glorious living space ship called Moya. He soon discovers that Moya is populated by a band of escaping alien prisoners. Hunted by the relentless Peacekeepers he allies himself with his alien fellow refugees and searches for a way home. Prepare for the adventures of Farscape with Moya's crew - Crichton Peacekeeper Aeryn Sun warrior Ka D'Argo azure priestess Zhaan spiritely thief Chiana Dominar Rygel Pilot and many others.
The fifth season of Joss Whedon's hit series started out in excellent form as slayer extraordinaire Buffy Summers (Sarah Michelle Gellar) did battle with the most famous of vampires (that Dracula guy) and then went on to spar with another nemesis, little sister Dawn (Michelle Trachtenberg). Wait--Buffy has a teenage sister? Where has she been the past four years? And why is everyone acting like she's always been around? Turns out that young Dawn is actually "The Key," a form of pure energy that, true to its name, helps open the gates between different dimensions. To protect said key from falling into the wrong hands, a group of monks gave it human form and sent it to the fiercely protective Buffy for safekeeping, creating new memories of Dawn for everyone as if she'd existed... well, always. Why all the super secrecy? There's this very, very, very bad girl named Glory (Clare Kramer) who wants the key very badly, and will do anything to get it. Oh, and by the way, Glory isn't just a run-of-the-mill demon... she's way worse. Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful centre of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart
The third season of Joss Whedon's Buffy the Vampire Slayer was marked by the arrival in Sunnydale of renegade slayer Faith (Eliza Dushku), a moody loner who seemed to like her demon-staking calling just a little too much. While Buffy (Sarah Michelle Gellar) was always wary of Faith, the two developed a deep friendship and appreciative rapport--that is, until the evil mayor of Sunnydale (Harry Groener) tapped into Faith's dark side and lured her into his plot to take over the world, first as a double agent spying on Buffy, then as out-and-out nemesis. And as the mayor's ascension approached--which happened to fall on Sunnydale High's graduation day--Buffy and Faith's battles got nastier and nastier, as Buffy attempted to wrestle with her dark side (literally and figuratively), save the world and her friends, and keep her lover Angel (David Boreanaz) out of Faith's evil clutches. Chock-full of exceptional episodes, this third season started out with a bang (the superb season opener "Anne," in which a runaway Buffy finally returns to her Slayer calling) and never let up. Among other highlights, the season introduced former vengeance demon and soon-to-be regular Anya (Emma Caulfield), fleshed out Angel's tortured character (and readied him for his own series), and featured a hilarious doppelganger Willow (Alyson Hannigan), a vampire from a parallel universe, who in Willow's own words was "evil and... skanky... and kinda gay!" (Total foreshadowing there, folks.) The season's pièce de résistance, though, was the two-parter "Graduation Day," wherein Faith tries to kill Angel, and the students of Sunnydale High prepare to do battle with a mutated mayor and his army of demons. Aside from the series' exceptional writing and acting, this compelling year of Buffy was anchored by the consistently excellent Gellar, as well as Dushku's complicated Faith, a girl you truly love to hate. By the time you finish these episodes, Faith will have cast a spell on you that you'll find very hard to shake. --Mark Englehart
A specially created box set containing all 7 seasons of Buffy The Vampire Slayer: over 100 hours of vampire ass-kicking action!
Inspector Clouseau returns with Alan Arkin stepping into the bumbling shoes of Peter Sellers' most famous role. Chief-Commissioner Sir Charles Braithwaite is investigating a series of Swiss bank robberies while Clouseau - naturally - gets in the way. Meanwhile the criminals further add to the confusion by wearing Clouseau masks during their heists! Needless to say the inspector gets on the case...
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