When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. --Mark Walker
An all-new 3D digital animation based on the classic Enid Blyton books featuring Noddy Big Ears Mr Plod and many more favourite characters!
Get a spray tan, put on your tightest clothes and be reem as we return with some more diamante-clad drama from everyone's favourite county
The Enemy Below and Sink the Bismarck! form a double feature of semi-classic CinemaScope-era WWII naval dramas sailing from the Fox vault onto DVD for the first time. In The Enemy Below Robert Mitchum and Curt Jurgens are respectively captains of a US destroyer and a German U-boat whose vessels come into conflict in the South Atlantic. Both are good men with a job to do, the script noting Jurgens' distaste for Hitler and the Nazis and engaging our sympathy with the German sailors almost as much as the Americans. Made at the height of the Cold War of the 1950s, the film delivers a liberal message of cooperation wrapped inside some spectacular action scenes and a story that builds to a tense and exciting, moving finale. Sink the Bismarck! is a British film dating from three years later and adopts a more documentary style in recounting the race against time to track and destroy what was in 1941 the most powerful battleship then built, the Bismarck. Shot in gleaming black and white so as to make use of genuine WWII archive footage, the film is held together by the introduction of a fictional naval officer in overall command of the operation, played excellently by Kenneth More. To add some human warmth he is given a tentative romantic subplot with a WREN played by the luminous Dana Wynter. Though initially slow to gather steam, Sink the Bismarck! finally delivers an epic, thoroughly horrifying conclusion. On the DVD: The Enemy Below and Sink the Bismarck! come as a two-disc set with multiple language and subtitle options, including English for Hard of Hearing, but no extras other than the original trailers. These are presented at 16:9 and 2.35:1. Both are rather faded, but are fine examples of an era when watching the previews didn't guarantee a migraine. Both films are anamorphically enhanced in their original 2.35:1 CinemaScope, and, bar a little grain in some shots and the inevitably inferior archive footage, the picture quality is excellent. The Enemy Below boasts sturdy three-channel sound (left, front, right) while Sink the Bismarck! is in very well mixed stereo. --Gary S Dalkin
Between heroic spells as the Saint and James Bond, Roger Moore was teamed with Tony Curtis in The Persuaders, a derivative but fun series about a couple of millionaire dilettante adventurers who swan around the world competing for the attention of beautiful women and getting involved in perplexing mysteries. Moore is Lord Brett Sinclair, an upper crust Brit of impeccable breeding, while Curtis is Danny Wilde, an up-from-the-streets self-made man whose trademark is a pair of brown gloves. The allegedly tasteful Brett and the crasser Danny both model a succession of garish early 70s fashions while their pursuits of duplicitous crumpet usually wind up with the women getting away and the heroes stuck with each other. Given all that, this may well be the most blatantly homoerotic of all the buddy television pairings (see the eponymous stars of Starsky and Hutch, Regan and Carter in The Sweeney, Bodie and Doyle of The Professionals) that ran ove! r the screen in the 70s, in which the male leads sublimated their feelings for each other by pulling out their guns and shooting at baddies. --Kim Newman
Six more brand new adventures with Noddy... Episode titles: Catch A Falling Star Noddy's Wake Up Call Miss Pink Cat's Country Adventure The Big Sneeze The Magic Rubber Dinah's Day Out.
A fallen aristocrat with a mountainous gambling debt enlists three men with similar financial instabilities to assist him in a mail van robbery.
More adventures with Noddy!
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
A nobody is about to become a somebody... and impress EVERYBODY. Ashley Tisdale (High School Musical The Suite Life of Zack and Cody) is picture-perfect and downright delightful in this hilarious comedy that gives cell phone a whole new meaning. Mandy has just been invited to the biggest party of the year by the most popular boy in school but there's one problem - she's grounded! When her father agrees to let her go study with friends he insists on checking in every half hour via video cell phone. Trapped by technology Mandy and her cell mates need a little ingenuity - and a lot of imagination - to make it to the party with exposing the plan to Dad's prying eyes!
Join a 3D CGI animated Noddy and his friends in Toyland a place where toys come to life and adventure never ceases. This release features 'Hold Onto Your Hat Noddy' plus four other stories...
The Only Way Is Essex returns fresh from it's one off visit to 'Marbs' for a sixth series. The super-tanned and buff Essex community welcome us back into their lives and there's a new couple in town! Arg and Gemma are now officially together but how will they fare through Arg's continuous blunders about Gemma's weight, bumping into Arg's old enemy, Jamie and pregnancy scares?! The celebrations continue with Lucy and Mario hosting their engagement party but they might need a new kind...
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours.Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Each disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
Set during the First World War the King family settles down to Christmas lunch. The celebrations are marred by the fact that Felix the youngest member of the family is missing in action...
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