From before the nativity to the Crucifixion and Resurrection Jesus Of Nazareth brings to life all the majesty and sweeping drama of the Gospels. This extended version features an additional 2 hours of footage not seen before! Robert Powell plays Jesus and a star-studded international cast adds depth and humanity to the roles of the saints sinners and ordinary people who walked in the footsteps of the Lord. The film shows the setting and background for the birth childhood and many miracles of the Messiah culminating in the Divine Resurrection. Directed by Oscar nominee Franco Zeffirelli and acclaimed by critics and religious leaders worldwide Jesus Of Nazareth tells the greatest of all stories with tremendous emotion and splendour.
Think Of The Perfect Crime; Then Go One Step Further... Wealthy mystery novelist Andrew Wyke (Laurence Olivier) invites lower-class hairdresser Milo Tindle (Michael Caine) to his elegant English mansion to discuss Milo's affair with Wyke's wife. But when Andrew proposes that Milo participate in a robbery scheme to benefit them all the two rivals find themselves locked in an increasingly devious duel of wits and deceptions. Who is the player? Who is the pawn? And in the shocking and wicked final twist who will win the deadliest game of all? Three decades after its original release Sleuth remains beloved for the virtuoso performances by Laurence Olivier and Michael Caine its brilliant script by playwright Anthony Shaffer (Frenzy The Wicker Man) and as the final film of legendary director Joseph L. Mankiewicz (All About Eve). Now experience this classic thriller like never before as Sleuth is presented in a sparkling new widescreen transfer created from original vault materials.
Originally made for TV in 1977, this in-depth version of Jesus' life is so thorough that the first hour is devoted solely to the story of his birth. The film doesn't skimp on some of the other landmark events of this famous story either. Director Franco Zeffirelli gives ample screen time each to the Last Supper and the Crucifixion. Passages of the Bible are quoted verbatim, the locations have a Palestine-like authenticity, and, aside from some of the principals (Robert Powell as Jesus, Olivia Hussey as Mary, and Stacy Keach as Barabbas), many of the non-Roman characters are actually played by Semitic-looking actors. Zeffirelli diligently provides the socio-political background that gave rise to Jesus' following and the crisis in belief it caused for the people of Israel (and one or two Romans). --Kimberly Heinrichs, Amazon.com
The world's foremost actor Laurence Olivier and one of America's greatest playwrights Eugene O'Neill are brought together in this acclaimed stage production by the National Theatre Company of O'Neill's Pulitzer Prize-winning masterpiece. Long Day s Journey into Night gives an autobiographical account of Eugene O'Neill s claustrophobic and explosive home life fused by a drug-addicted mother a father who wallows in drink after realising he is no longer a famous actor and an older brother who is an emotionally unstable misfit. Laurence Olivier won an Emmy Award and a BAFTA nomination for his performance in this production which also marks one of his rare appearances on television.
Directed by Laurence Olivier and featuring a specially commissioned score by composer William Walton this filmed production of Anton Chekhov's classic play by London's world-renowned National Theatre Company is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. The action takes place in a Russian provincial town at the turn of the century. It tells the story of Olga Masha and Irina daughters of a dead general who with their brother Andrei live out their days bound together by feelings of melancholy endless yearning and disappointment. The themes of troubled unrequited love provincial boredom and the imagined glamour of the capital to which the sisters long to return are brilliantly conveyed in outstanding performances by some of the twentieth century's greatest theatrical players. SPECIAL FEATURES [] Original Theatrical Trailer [] Image Gallery [] Promotional Material PDF
Kim Philby Guy Burgess Donald Maclean Peter and Helen Kroger... and now Sir Philip Kimberly... All traitors spies defectors - call them what you will. Each betrayed their country or the country they had adopted for money for ideal or for both.
A classic adaptation of Shakespeare's play. Richard III has helped to put his older brother Edward on the throne of England. But jealousy and resentment cause Richard to seek the crown for himself and he conceives a lengthy and carefully calculated plan using deception manipulation and outright murder to achieve his goal. His plotting soon had tumultuous consequences both for himself and for England when after Edward IV is murdered - drowned in a vat of wine - Richard finds his kingdom in dire peril and must defend his realm at the battle of Bosworth.
The Prince and the Showgirl (1957) was Marilyn Monroe's only British-made film and scores highly for curiosity value. There's something rather outrageous about this iconic American star playing a second-rate hoofer living in a theatrical boarding house in Brixton. Monroe herself is predictably good and touching as Elsie Marina, plucked from the chorus to entertain the Regent of Carpathia for the evening and ultimately smoothing his rough edges. There is, however, a rather uphill feeling all the way. The making of the movie was by all accounts a troubled experience for everybody concerned. Monroe, increasingly unreliable and exasperating, had an unsympathetic director in Laurence Olivier, also playing the Regent Charles, who hardly had the patience for a star of her mercurial talents with her own ideas of professional behaviour. His own performance as the Balkan royal is hammy and mannered and there isn't even a damp squib of sexual chemistry between them. Terence Rattigan's script, based on his successful play, is far too wordy and stage-bound. But somehow Monroe effervesces through all this adversity, aided considerably by British character actor Richard Wattis and the great Sybil Thorndyke, who became her ally during the difficult filming. Not vintage Marilyn but fascinating all the same, and she looks fantastic. On the DVD: The Prince and the Showgirl is presented in 4:3 with an occasionally muffled, apparently mono, soundtrack, giving this DVD a rather dusty quality which is in keeping with the vintage British 1950s production values. Extras include a cast list, original trailer and newsreel footage of the announcement that Marilyn was to make the film with Olivier, referred to at that stage as The Sleeping Prince. --Piers Ford
Tony Palmer's epic film was made in 1982/3 to celebrate the 100th anniversary of Wagner's death. Filmed in 200 locations throughout Europe, many where the actual historical events took place, with a team from 19 different countries, the entire production was completed in less than a year. Sadly Wagner was to be Richard Burton's last major role, but the stellar cast - including Laurence Oliver, John Gielgud, Ralph Richardson, Vanessa Redgrave, Lszl Gllfi, Gemma Craven, Ekkehardt Schall, Richard Pasco, Marthe Keller, Gabriel Byrne, Franco Nero, Ronald Pickup, Corin Redgrave, Cyril Cusack, Prunella Scales, Andrew Cruickshank, Joan Greenwood, Liza Goddard, Bill Fraser, Arthur Lowe, Joan Plowright, with composer Sir William Walton in a cameo role - assembled partly because of him.Only now is the film being released on DVD as its director Tony Palmer wishes it to be viewed. Previously it's been seen in badly edited versions and been made available on DVD (reproduced from poor-quality VHSs) with sub-standard pictures and sound. Finally, here is the restored presentation as it was originally edited by Tony Palmer in its complete 7 hours 46 minutes duration, issued in wide-screen, re-mastered in Hi-Definition. The music, performed by the Vienna Philharmonic Orchestra conducted by Sir Georg Solti with singers including Dame Gwyneth Jones and Peter Hofmann, has never sounded better, and the astonishing images of cameramen Vittorio Storaro and Nic Knowland have never looked better.The script by Charles Wood remains a miracle of historical compression and accuracy, given that Wagner himself was an appalling fantasist and the truth often hard to ascertain. And Richard Burton, who towers above the production, reminds us what a great actor he was. This is a fitting tribute to his - and to Wagner's - genius.
Even now Richard Wagner (1813-83) remains an enigma. His was a rags-to-riches saga with a fairy tale ending. He was loved yet hated admired yet despised a villain yet a hero who was worshipped a man whose fame and exploits were the gossip of Europe. Above all he was an incurable romantic whose love affair with Liszt's illegitimate daughter rivals that of Romeo and Juliet in excitement and drama. But he was also a dangerous political revolutionary whose influence penetrated the
Chalk this one up as something that seemed like a good idea at the time. Frank Langella had just taken Broadway by storm in a revival of the play based on Bram Stoker's classic vampire novel. He was tall, elegant, and almost painfully romantic--all qualities that failed to translate to this garish, tarted-up film version. The story remains the same, if told in greater length than in Bela Lugosi's version. The film even offered Laurence Olivier as vampire-hunter Van Helsing (in one of several roles he played during the period that required a middle-European accent) and a young Kate Nelligan as the woman whose love (and blood) Dracula most wants. But director John Badham, working from W.D. Richter's clunky script, makes a hash of most of it, relying on special effects to do the heavy lifting. --Marshall Fine
Gwyneth Paltrow and Jude Law play an intrepid reporter and ace aviator determined to stop an evil mastermind behind a plot to destroy the earth.
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Laurence Oliver delivers one of his greatest Shakespearean performances as Hamlet. Seldom has the tragic story of the Danish prince tortured by his duty to his murdered father and by the guilt and fear he feels at the prospect of revenge been so brilliantly portrayed. It is the tragedy of a man who thinks but fails to act. For as long as Shakespeare is performed this film will stand as a definitive production.
Shakespeare's tragic story of how a great man's vanity is manipulated by a jealous aide to bring about his downfall. A film by Stuart Burge of JohnDexter's production of 'Othello' at The National Theatre.
Evelyn Waugh's Brideshead Revisited is a moving tragic story which chronicles the tempestuous journey of Charles Ryder through the tangled and stormy world of the aristocratic Marchmain family. It is an epic tale of his love - for his closest friend Sebastian Flyte for Sebastian's sister Julia Flyte and for an entire way of life. This classic visually stunning TV drama directed by Charles Sturridge and Michale Lindsay-Hogg was adapted for the screen by John Mortimer (Rumpole Of The Bailey /b%3E) and is here presented in its entirity. Brideshead Revisited collected together the absolute cream of British acting talent at the time including Lord Laurence Olivier in his Emmy Award-winning role as the exiled Lord Marchmain Claire Bloom as Lady Marchmain and Sir John Gielgud as Charles' estranged father. Brideshead Revisited won two Golden Globe Awards seven BAFTAs and an Emmy for Lord Olivier.
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
A classic production of Chekhov's classic tale of boredom and frustration set on a Russian country estate in the late 19th century. Produced as part of the inaugural season at the new Chichester Festival Theatre Laurence Olivier directed the play and also performed the role of Dr Astrov.
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