Six Mozart features: 'Cosi Fan Tutte (1975)' 'Don Giovani (1977)' 'Die Entfuhrung Aus Dem Serail (1980)' 'Idomeneo (1974)' 'Le Nozze Di Figaro (1973)' and 'Die Zauberflote (1978)'.
Recorded at the Glyndebourne Festival Opera 1975
Although Idomeneo is one of Mozart's lesser known operas it sparkles with the composer's usual brilliant melodies. Glyndebourne became the main advocate of the opera in the 50s and 60s and yet despite this Idomeneo was still considered by 1974 something of a rarity.During a ferocious storm Idomeneo the King of Crete makes a vow to Neptune offering a sacrifice (the first human being Idomeneo sees) in return for the god's help in bringing his ship safely to shore. As it turns out this is his own son Idamante. This dilemma can only be solved by the unselfish love of Ilia who is willing to give her life in his stead.Richard Lewis once again confirms his position as the world's leading exponent of this opera in the title role of Idomeneo with Josephine Barstow equally mesmerising in her portrayal of Elettra's agony. This significantly shortened version begins with Idomeneo alone on the beach after having survived the fierce storm. John Cox uses strikingly dark staging echoing the drama of the action and according to Mozart's original directions includes drowning sailors and the infamous Act II sea monster.
Opera in two acts from the Glyndebourne Festival Opera 1978. Sung in German.
Based on an original scenario by Philip Glass and Constance De Jong 'Satyagraha'. Performed in Sanskrit.Act 1. Tolstoy.Act 2. Tagore.Act 3. Martin Luther King.
Arthaus present another in the Glyndebourne classic opera series this time the long-awaited 1977 production of Don Giovanni directed by Sir Peter Hall.Don Giovanni represents a force of nature without conscience and sense of responsibility. His sole aim in life is to win the female he has just fallen in love with. Therefore all the people around him become his victims. Not able to own up to his crimes he is dragged down to hell.Sir Peter Hall has long been associated with Glyndebourne having directed there since 1970. His production of Mozart's tragic 'opera of all operas' as E.T.A. Hoffman once called it for the 1977 Glyndebourne seasons has received universal praise - a high accolade for such an original production. Celebrated baritone and Glyndebourne favourite Benjamin Luxon perfectly embodies the unconscionable seducer Don Giovanni - although he nearly didn't appear after injuring himself during rehearsals jumping from a balcony as stage directions instructed.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy