Rapid Fire was the penultimate film starring Brandon Lee before his untimely death on the set of The Crow. It's a standard martial arts thriller in which Lee plays Jake Lo, a young arts student who witnesses a gangland execution and is unwittingly drawn into a pitched standoff between the mafia, a Chinese drug syndicate and Ryan, a downbeat but resolute Chicago cop (Powers Boothe) determined to nail his prey. With a plot that careens through every genre cliché, Lee's smouldering looks and showy fighting skills carry the film. The martial arts sequences (which Lee co-choreographed) are nicely staged, but given the unusual settings--the penultimate fight takes place in a Chinese laundry--could have been even more inventive. The workmanlike direction by Dwight H Little (Marked for Death, Free Willy 2) fails to inject much into the material. In particular, traumatised by seeing his Special Agent father die in the Tiananmen Square massacre, Jake Lo's attraction to both a corrupt FBI agent and Ryan as surrogate father figures could have been given more resonance given the loss of Brandon Lee's own father at an early age. With hundreds of bloodless deaths, cringe-worthy dialogue and a dated power rock soundtrack, Rapid Fire looks and feels like a TV film. And on that level, at least, it's entertaining. On the DVD: The main feature is presented in letterboxed widescreen. Sound and picture quality are very good. Subtitles are provided for ten languages (Czech, Danish, Finnish, Hebrew, Hungarian, Icelandic, Norweigian, Polish, Portuguese, Swedish) and in English for the hard of hearing. Extra features are limited to chapter selection and a theatrical trailer. --Chris Campion
Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
Kyle a talented high-school basketball player has a dream to play for the National Association. Shep a security guard at his school befriends Kyle guiding him down the road to success: a road that seems far too long when Kyle is offered a short cut by teaming up with local gangster Birdie. Blinded by his desire to get out of the ""hood"" Kyle is pulled into a web of crime and deceit...
From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. --Jeff Shannon
The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and leads them to a radio contract.
Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
Universal Soldier offered director Roland Emmerich and screenwriter Dean Devlin their first venture before going on to make a mountain of money as the creators of Independence Day and Godzilla. Teaming up for this action flick disguised as a science fiction thriller, muscle hunks Jean-Claude Van Damme and Dolph Lundgren play embattled Vietnam soldiers who kill each other in combat. They are subsequently revived 25 years later as semi-android "UniSols" in a high-tech army of the near future. Their memories were supposedly wiped clean, but flashbacks occur to remind them of their bitter hatred (Lundgren committed wartime atrocities; Van Damme had tried to stop him) and the warriors resume their tenacious battle while a journalist (Ally Walker) uncovers the truth about the secret UniSol program. With energy to spare, the standard action sequences are adequate for anyone with a short attention span. And besides, with Van Damme and Lundgren in the lead roles, who needs dialogue? --Jeff Shannon, Amazon.com
The Dead have waited. The day has come. The walking dead have taken over the world and only a small band of the living survive. This motley group of scientists and soldiers are barricaded in an abandoned missile silo where the chief scientist is conducting grotesque research experiments to find a way of controlling the ravenous marauding Zombies. Tensions meanwhile become intolerable especially when the self appointed psychotic military leader discovers that some of his soldi
The story of Virginia Cunningham who finds herself in an insane asylum and has no idea how she got there. Her husband Robert attempts to explain their relationship both before and after marriage and how her symptoms developed. Doctor Mark Kick struggles to get to the root of her problems but a relapse puts her back into 'The Snake Pit'... A touching central performance from Olivia de Havilland in this riveting exploration of mental illness.
Vincent Price stars in this classic haunted house screamer from director William Castle. Five guests are invited to a haunted house party by millionaire playboy Frederick Loren (Price) and his glamorous but scheming wife Annabelle (Carol Ohmart). The plot unfolds to reveal the manipulative couple have turned the party into a contest as each guest is offered $10 000 to spend just one night in ""the only truly haunted house in the World"". What starts out as a party soon evolves into a ni
Prepare yourself for the darkest day of horror the world has ever known!A Night of living terror led to a Dawn of false hope, but nothing before will prepare you for the darkest Day the world has known!Below ground in a fortified installation, scientists conduct experiments to understand the virus that has turned humanity into flesh-hungry zombies. Isolated and deprived of natural light, the researchers begin clashing with their military protectors and it soon becomes apparent that their co-dwellers are just as dangerous and unpredictable as the zombies gathering to enter their safe haven...Director George A. Romero follows Night of the Living Dead and Dawn of the Dead with this stark, unflinching sequel that stands as the series' most gritty and astoundingly gory instalment.
From an old San Francisco house, the BROOKS FAMILY struggles to make ends meet. Times are tough for MICHAEL BROOKS (Dean Cain), his wife AMELIA (Kirstin Eggers), and their children-- eleven year-old ERIC (Leo Howard) and his six year-old sister LANEY (Alyssa Shafer). Laney's best friend is the small family dog AUSSIE, a stray that Michael brought home from a trip to Australia. Laney and Aussie have a unique bond of friendship. They do absolutely everything together...that is, until the day Michael brings home a very special gift for his daughter.Michael makes a trip to his childhood neighborhood, Chinatown, where he runs into an old friend... a mysterious, wise woman named MEI MEI (Emily Kuroda). When Michael describes his daughter to Mei Mei, the elderly shopkeeper recommends a very special TEDDY BEAR as the perfect gift. But this is no ordinary toy. When it connects with the true love of a child, the bear glows and communicates with its owner. Laney immediately connects with the bear, sensing that it is more than just a stuffed animal. She names him TED.From the moment he arrives, Laney and Ted are inseparable. Aussie becomes jealous and purposely loses Ted. However, when he sees how sad his master is, Aussies guilty conscience pushes him to make amends. The dog embarks on a perilous journey to rescue the teddy bear.United in their love for Laney, Aussie and Ted must find their way back homea daunting task, since the Brooks family has been forced to move far from town to the farm of AUNT ZELDA (Beverly DAngelo). Ted helps Aussie learn that nothing is impossible, as long as you believe in yourself. On their journey, the two become a team of unlikely heroes. AUSSIE AND TEDS GREAT ADVENTURE is a funny, heartfelt story about the true meaning of friendship.
Starring horror icon Christopher Lee 'The Bloody Judge' (Franco's version of the classic 'Witchfinder General') was a much darker look at the infamous witch-hunter Judge George Jeffreys whose real life excesses allowed Franco to portray copious amounts of nudity and sadistic torture. This letterboxed version was passed uncut by the UK state censors the BBFC.
Howards End: 'Only connect'. This famous command is the catalyst which brings together two very different Edwardian families - the one passionate and progressive the other hidebound by wealth and social status - with irreversible and devastating consequences. A dying woman's impulsive wish marks a turning point in the relationship between the cosmopolitan Schlegel sisters Margaret and Helen and the wealthy Wilcox family when Ruth Wilcox bequeaths her idyllic country house Howards End to Margaret. Convinced that he is acting in the best interests of his family the patriarchal Henry Wilcox destroys his wife's 'unofficial' will. But as the lonely repressed Henry falls in love with Margaret and Helen's wilful attacks on class and convention strike at the very heart of the Wilcox family fate decrees that Henry must pay dearly for his deceit. Emma Thompson Anthony Hopkins Vanessa Redgrave and Helena Bonham Carter star in this acclaimed Merchant Ivory adaptation of E.M.Forster's Howards End one of the greatest novels of the century. Muhammed Ali - King Of The World: He called himself 'The Greatest' - and it was a description he merited. Cassius Clay (renamed Muhammad Ali after his controversial conversion to Islam) was quite simply the greatest boxer of the twentieth century a sportsman who overcame the traumas of his childhood to make his mark in the ring through an awesome combination of showmanship and superb technical grace. Climaxing in his crucial 1964 world title fight against Sonny Liston King Of The World traces Ali's meteoric rise to fame through the story of his early years - his struggle against racial prejudice his friendship with black activist Malcolm X his determination to take on the reigning giants of the boxing world and be 'The Greatest'. King Of The World is a must for both boxing fans and lovers of compelling true life drama - an unforgettable portrait of a sporting legend. James Dean - Race With Destiny: The gripping story of James Dean's rise to fame his romantic entanglements and his fatal desire for fast cars that led to his untimely death. Bloodlines: On the night of 7th November 1974 Lord Lucan mysteriously disappeared following the murder of his children's nanny. Was it murder by mistake? This film follows the discoveries of tenacious reporters. Molokai: Hawaii 1872. The British and American's compete for influence and power in the Pacific island of Hawaii. Off the cost of Hawaii is Molokai a small island where lepers are abondoned in exile. It is a society based on the survival of the fittest. Molokai is out of control with food scarce or non-existent and children being led into prostitution and slavery. The responsibility for the leper's welfare rests with Molokai's Chief Administrator and Hawaii's Prime Minister Bishop and Chief Priest who realise that action is required before the Molokai scandal weakens Hawaii's power with America and England. This is the true story of how Father Damien shames the cynical establishment into action and brings compassion and dignity to Molokai against all the odds.
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