The heartwarming scenes and uplifting songs of a timeless musical masterpiece meet the spectacular sound and picture quality ofBlu-ray for the first time ever to celebrate the film’s 40th Anniversary—bursting with hours of extras that will keep you entertained from sunrise to sunset! Nominated for eight Academy Awards including Best Picture Best Actor (Topol) and Directing (Norman Jewison) Fiddler on the Roof tells the life-affirming story of a poor Jewish milkman whose love pride and faith help him cope with the challenges of raising a family in czarist Russia.
Fiddler on the Roof arrived in cinemas in 1971, seven years after the Sheldon Harnick/Jerry Bock musical about Jewish life in a pre-Revolution Russian village first gripped Broadway. Based on the stories of Shalom Aleichem, with its potent mixture of sentiment and religious and historical context, it remains one of the most popular shows of the modern age. With the help of an outstanding performance from Topol as Tevye--the milkman with five daughters kicking at the constraints of tradition--Norman Jewison's captivating film retains a moving intimacy in its portrayal of relationships in changing times. But it also stretches the possibilities of location shooting--in this case the countryside of the former Yugoslavia--further than any musical movie before or since. The villagers are played by the inhabitants of the area, lending a poignant realism to the vibrant crowd scenes. And the cinematography is spectacular, with Jewison's clever use of distance generating an epic feel that helps to explain the story's continuing resonance and popularity. Topol's career-defining star turn is balanced by the warmth and sensitivity of the surrounding performances, particularly Norma Crane as his abrasive wife Golda. British sitcom fans will spot early appearances by Roger Lloyd Pack, and Ruth Madoc as the demonic butcher's wife, Fruma Sarah. At nearly three hours, it's a long emotional haul, but aided by some of the most beautiful songs in musical history, Jewison's Fiddler is ageless. On the DVD: Fiddler on the Roof Special Edition is presented on DVD in widescreen with a Dolby soundtrack that makes a mighty meal of John Williams' Oscar-winning musical adaptation. The most fascinating extras are a making-of documentary that shows a youthful, slightly tetchy Jewison at work, and a 2003 reminiscence in which all of his passion and feel for the piece has survived intact. He shares a commentary with Topol crammed with vivid memories and context. There is also a photographic gallery showing the resources that were used to give the film its authenticity, and Jewison reads extracts from original Aleichem stories. --Piers Ford
Adapted by David Nobbs from his novel The Fall and Rise of Reginald Perrin brilliantly captured the mid-1970s zeitgeist. It opened each week with a naked Reggie walking out into the sea to end it all before rapidly rethinking the whole idea and told the story of a man desperate to escape his loving but dull marriage disappointing offspring and the daily grind of his job. The first series - while hilariously funny - was incredibly dark focusing on a man in nervous breakdown. Each week Reggie's behaviour becomes more erratic his excuses to his secretary for lateness weirder and weirder (22 minutes late Joan: a badger ate a junction box at New Malden) and his fantasies of seducing her more vivid. The mere mention of his mother-in-law is enough to send an image of a hippo lumbering through his head and each episode ends with Reggie screaming in frustration. Ultimately he fakes his own death but is reunited with wife Elizabeth when he attends his funeral in disguise and can't resist wooing her all over again. Reggie returned a year later bent on setting up a new business Grot selling useless goods. It was of course a massive success leaving Reggie trapped back in the rat race. For the third less successful series he abandoned wage-slavery again this time setting up a commune for his former co-workers. A brilliant satire the programme will also be remembered for its catchphrases including Reggie's boss CJ's I didn't get where I am today by... and Reggie's brother-in-law Jimmy constantly cadging food on the basis of a bit of a cock-up on the catering front. Above all there was Leonard Rossiter's brilliant performance as Reginald Iolanthe Perrin. RIP to both.
A group of thirty-something gay men gather to celebrate a birthday, but before long, tensions rise, secrets emerge and the insults begin to fly. Director William Friedkin reassembled the original cast for his film adaption of the ground-breaking Broadway hit. Playwright Mart Crowley adapted his own play, creating a script full of acerbic speeches and cutting one liners for his cast of unforgettable characters. Released 50 years after its Broadway debut a year before the Stonewall riots - The Boys in the Band still has the power to shock. SPECIAL EDITION FEATURES: Audio Commentary with Director William Friedkin and Writer Mart Crowley Act 1: The Play' Act 2: The Film' Act 3: 40 Years of Boys in The Band' More TBC
This rousing musical, based on the stories of Sholem Aleichem, takes place in pre-revolutionary Russia and centres on the life of Tevye (Topol), a milkman who is trying to keep his family's traditions in place while marrying off his three older daughters. Yet, times are changing and the daughters want to make their own matches, breaking free of many of the constricting customs required of them by Judaism. In the background of these events, Russia is on the brink of revolution and Jews are feeling increasingly unwelcome in their villages. Tevye--who expresses his desire for sameness in the opening number, "Tradition"--is trying to keep everyone, and everything, together. The movie is strongly allegorical--Tevye represents the common man--but it does it dextrously, and the resulting film is a stunning work of art. The music is excellent (it won Oscars for the scoring and the sound), with plenty of familiar songs such as "Sunrise, Sunset" and "If I Were a Rich Man," which you'll be humming long after the movie is over. Isaac Stern's violin--he provides the music for the fiddler on the roof--is hauntingly beautiful. And despite the serious subject matter, the film is quite comedic in parts; it also well deserves the Oscar it won for cinematography. --Jenny Brown
This rousing musical, based on the stories of Sholem Aleichem, takes place in pre-revolutionary Russia and centres on the life of Tevye (Topol), a milkman who is trying to keep his family's traditions in place while marrying off his three older daughters. Yet, times are changing and the daughters want to make their own matches, breaking free of many of the constricting customs required of them by Judaism. In the background of these events, Russia is on the brink of revolution and Jews are feeling increasingly unwelcome in their villages. Tevye--who expresses his desire for sameness in the opening number, "Tradition"--is trying to keep everyone, and everything, together. The movie is strongly allegorical--Tevye represents the common man--but it does it dextrously, and the resulting film is a stunning work of art. The music is excellent (it won Oscars for the scoring and the sound), with plenty of familiar songs such as "Sunrise, Sunset" and "If I Were a Rich Man," which you'll be humming long after the movie is over. Isaac Stern's violin--he provides the music for the fiddler on the roof--is hauntingly beautiful. And despite the serious subject matter, the film is quite comedic in parts; it also well deserves the Oscar it won for cinematography. --Jenny Brown
Boasting a virtuoso comic performance from Leonard Rossiter The Fall and Rise of Reginald Perrin (1976-79) remains one of the greatest of all television sitcoms. Writer David Nobbs combined the surrealist absurdity of Monty Python with an on-going story line that unfolded through each of the three seasons with a clear beginning, middle and end; a ground-breaking development in 70s TV comedy. The first and best season charts middle-aged, middle-management executive Reginald Perrin as he breaks-down under the stress of middle-class life until he informs the world that half the parking meters in London have Dutch Parking Meter Disease. He fakes suicide and returns to court his wife Elizabeth (Pauline Yates) in disguise, a plot development that formed the entire basis of Mrs Doubtfire (1993). Series Two is broader, the rapid-fire dialogue still razor sharp and loaded with caustic wit and ingenious silliness, as a now sane Reggie takes on the madness of the business world by opening a chain of shops selling rubbish. The third season, set in a health farm, is routine, the edge blunted by routine sitcom conventions. At its best The Fall and Rise of Reginald Perrin is hilarious and moving, its depiction of English middle-class life spot on, its satire prophetic. Reggie's visual fantasies hark back to The Secret Life of Walter Mitty (1947) and Billy Liar (1963), and look forward to Ally McBeal (1997-2002) and are the icing on the cake of a fine, original and highly imaginative show. On the DVD: Reginald Perrin's discs contain one complete seven episode season. There are no extras. The sound is good mono and the 4:3 picture is generally fine, though some of the exterior shot-on-film scenes have deteriorated and there are occasional signs of minor damage to the original video masters. Even so, for a 1970s sitcom shot on video the picture is excellent and far superior to the original broadcasts. --Gary S Dalkin
Five episodes of the classic science fiction series created by Gene Roddenberry following the exploratory quest of the starship USS Enterprise and its crew.
Boasting a virtuoso comic performance from Leonard Rossiter The Fall and Rise of Reginald Perrin (1976-79) remains one of the greatest of all television sitcoms. Writer David Nobbs combined the surrealist absurdity of Monty Python with an on-going story line that unfolded through each of the three seasons with a clear beginning, middle and end; a ground-breaking development in 70s TV comedy. The first and best season charts middle-aged, middle-management executive Reginald Perrin as he breaks-down under the stress of middle-class life until he informs the world that half the parking meters in London have Dutch Parking Meter Disease. He fakes suicide and returns to court his wife Elizabeth (Pauline Yates) in disguise, a plot development that formed the entire basis of Mrs Doubtfire (1993). Series Two is broader, the rapid-fire dialogue still razor sharp and loaded with caustic wit and ingenious silliness, as a now sane Reggie takes on the madness of the business world by opening a chain of shops selling rubbish. The third season, set in a health farm, is routine, the edge blunted by routine sitcom conventions. At its best The Fall and Rise of Reginald Perrin is hilarious and moving, its depiction of English middle-class life spot on, its satire prophetic. Reggie's visual fantasies hark back to The Secret Life of Walter Mitty (1947) and Billy Liar (1963), and look forward to Ally McBeal (1997-2002) and are the icing on the cake of a fine, original and highly imaginative show. On the DVD: Reginald Perrin's discs contain one complete seven episode season. There are no extras. The sound is good mono and the 4:3 picture is generally fine, though some of the exterior shot-on-film scenes have deteriorated and there are occasional signs of minor damage to the original video masters. Even so, for a 1970s sitcom shot on video the picture is excellent and far superior to the original broadcasts. --Gary S Dalkin
A thought provoking drama about racism.
They made him the toughest among them..... The Japanese prisoner of war camp Changi in Singapore which houses Allied prisoners of war is a living hell. The great mass of prisoners that are living at sub-human subsistence level. US Army Corporal King has been living up to his surname through his control of the camp's black market and by scamming the officers and other POWs. Nominated for 2 Academy Awards.
Boasting a virtuoso comic performance from Leonard Rossiter The Fall and Rise of Reginald Perrin (1976-79) remains one of the greatest of all television sitcoms. Writer David Nobbs combined the surrealist absurdity of Monty Python with an on-going story line that unfolded through each of the three seasons with a clear beginning, middle and end; a ground-breaking development in 70s TV comedy. The first and best season charts middle-aged, middle-management executive Reginald Perrin as he breaks-down under the stress of middle-class life until he informs the world that half the parking meters in London have Dutch Parking Meter Disease. He fakes suicide and returns to court his wife Elizabeth (Pauline Yates) in disguise, a plot development that formed the entire basis of Mrs Doubtfire (1993). Series Two is broader, the rapid-fire dialogue still razor sharp and loaded with caustic wit and ingenious silliness, as a now sane Reggie takes on the madness of the business world by opening a chain of shops selling rubbish. The third season, set in a health farm, is routine, the edge blunted by routine sitcom conventions. At its best The Fall and Rise of Reginald Perrin is hilarious and moving, its depiction of English middle-class life spot on, its satire prophetic. Reggie's visual fantasies hark back to The Secret Life of Walter Mitty (1947) and Billy Liar (1963), and look forward to Ally McBeal (1997-2002) and are the icing on the cake of a fine, original and highly imaginative show. On the DVD: Reginald Perrin's discs contain one complete seven episode season. There are no extras. The sound is good mono and the 4:3 picture is generally fine, though some of the exterior shot-on-film scenes have deteriorated and there are occasional signs of minor damage to the original video masters. Even so, for a 1970s sitcom shot on video the picture is excellent and far superior to the original broadcasts. --Gary S Dalkin
""I hate to advocate weird chemicals alcohol violence or insanity to anyone... but they've always worked for me."" Bill Murray stars as Hunter S. Thompson the legendary reporter with a sideways way of looking at the news due in part to his love of alcohol and weird chemicals. In his journalistic adventures he covers a free-for-all San Francisco drug trial has a one-on-one bathroom interview with Richard Nixon and gives away his Superbowl tickets so that he can review the g
Fear And Loathing In Las Vegas (Dir. Terry Gilliam 1998): (Widescreen 2.35 Anamorphic / Dolby Digital 5.1) It is 1971: journalist Raoul Duke barrels towards Las Vegas to cover a motorcycle race accompanied by a trunkful of contraband and his slightly unhinged Samoan attorney Dr. Gonzo. But what is ostensibly a cut-and-dry journalistic endeavor quickly descends into a feverish psychedelic odyssey and an excoriating dissection of the American way of life. Director Terry Gi
In this fun crime caper movie, a small-town bank robbery is botched in the most ironic of ways.
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Scorched (Dir. Gavin Grazer 2003): Three bank tellers. One goal: knock the place over. Each has their own idea. Sheila (Silverstone) wants to break into the ATM. Stuart plans to ""borrow"" some money for the weekend and head to Vegas. And Woods (Harrelson) has a scheme involving a duck a dog and a safety deposit box. The ultimate inside jobs plotted by three people with nothing to lose. If only they were aware of each others plans! Monty Python's The Meaning Of Life (Dir. Terry Jones 1983): Those six pandemonium-mad Pythons are back with their craziest adventure ever! These naughty lads offer the usual tasteful sketches involving favorite bodily parts and functions the wonders of war the miracle of birth and a special preview of what's waiting for us in Heaven. Nothing is too sacred for the probing Python crew. After seeing them in action you'll never look at life in quite the same way again. It's far-out frank and jolly good fun!
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