Season 4: The New Year begins by telling the fans in no uncertain terms that it's over for Ross and Rachel. There are a few episodes of pure silliness--such as "T.O.W. Chandler in a Box" after he kisses Joey's girlfriend--then two distinct story arcs take over. Usually when an actress falls pregnant, a show will hide them behind objects or in bigger clothes. For Kudrow it was decided to celebrate the fact on-screen by having her carry a child for her brother Frank (Giovanni Ribsi) and his wife. Being Phoebe, it naturally gets weird when "T.O.W. The Embryos" reveals she'll be having triplets. The hilarity resulted in an Emmy for her hard work. Subplot number two came with the arrival of British babe Emily (Helen Baxendale), who rapidly steals Ross's heart. The same episode ("T.O.W. Joey's Dirty Day") also features an amazing cameo from Charlton Heston giving Joey acting tips. But this couldn't have prepared fans for the stars and shocks of the gang's trip to London in the two-part finale "T.O.W Ross' Wedding". Somehow squeezed into the budget were: Richard Branson, Tom Conti, Sarah Ferguson, Hugh Laurie, Jennifer Saunders and June Whitfield. At the climax of what should have been the perfect wedding, the year ends by telling the fans in no uncertain terms that it'll never be over for Ross and Rachel. --Paul Tonks
China Moon (1991) is a pleasing entertainment that assembles the dependable elements of film noir in the tradition of Body Heat (1981), The Last Seduction (1994) and, of course, the mother of all such films, Double Indemnity (1944). There's a femme fatale (the beautiful and talented Madeleine Stowe) and an honest cop (reliable Ed Harris) who soon becomes smitten. Her husband (Charles Dance) is a brute who beats her, so she murders him and inveigles Harris into helping her dispose of the body. That's when the complications begin, and Harris starts to sweat when his fellow cop keeps asking awkward questions. The acting is uniformly good, with Harris' partner played by Benicio Del Toro (Traffic) offering an excellent performance. Harris and Stowe strike sparks off each other, to the point where you almost believe he is being sucked into her schemes. On the DVD: The disc contains a theatrical trailer and several TV ads, with scroll-down filmographies of the major talents involved which are incomplete for some unknown reason. There's a brief and unenlightening five-minute documentary, with the principal cast plus the director, John Bailey, commenting on the film. Both image and sound are excellent quality, sound in Dolby Digital, picture in anamorphic widescreen ratio of 2.35:1 --Ed Buscombe
Season 3: Having really hit its comedic stride, the third season did the smart thing and showed a more serious side to the Friends' frivolous nature. There was fun introducing the chick and the duck, poking ""Ugly Naked Guy" with a stick and "T.O.W. The Princess Leia Fantasy" (for which George Lucas sent a "thank you" note). Then after establishing a few cracks in their otherwise fairy-tale union, "T.O.W. Ross and Rachel Take a Break" offered admirable contrast. From here on in, the awkward catchphrase "we were on a break" became a hard-hitting reminder that love hurts. The other s' relationships were naturally no less complicated. "T.O.W. Monica and Richard are Just Friends" teased a now moustache-free Tom Selleck into thinking he might be "the one". Then Pete (Jon Favreau) tried his hand before insanely wanting to become "The Ultimate Fighting Champion". This episode pulled off an incredible double guest surprise from Billy Crystal and Robin Williams, proving just how popular the show had become. To that list were added cameos from Ben Stiller as "The Screamer", Sherilyn Fenn as one of Joey's exs and Isabella Rossellini, who taught Ross to never fantasise on laminated plastic. The cast were fitting in film roles where possible. Cox appeared in Scream, then brought David Arquette back with her for a cameo, which kept their off-screen chemistry alive. The final surprise was Teri Garr as Phoebe, Sr in "T.O. At the Beach", where it was hinted that something might be salvaged between Ross and Rachel after all. --Paul Tonks
It was supposed to be the perfect crime: the sexy maid (Susan George) a psychotic chauffeur (Oliver Reed) and an international terrorist (the legendary Klaus Kinski) kidnap a wealthy ten-year old boy from his elegant London townhouse. But they didn't count on a murdered cop a desperate hostage siege and one very unexpected houseguest: a furious Black Mamba the most lethal and aggressive snake known to nature! It can attack from ten feet away. Its bite brings excruciating death and it is on the loose...
Season 3: Having really hit its comedic stride, the third season did the smart thing and showed a more serious side to the Friends' frivolous nature. There was fun introducing the chick and the duck, poking ""Ugly Naked Guy" with a stick and "T.O.W. The Princess Leia Fantasy" (for which George Lucas sent a "thank you" note). Then after establishing a few cracks in their otherwise fairy-tale union, "T.O.W. Ross and Rachel Take a Break" offered admirable contrast. From here on in, the awkward catchphrase "we were on a break" became a hard-hitting reminder that love hurts. The other s' relationships were naturally no less complicated. "T.O.W. Monica and Richard are Just Friends" teased a now moustache-free Tom Selleck into thinking he might be "the one". Then Pete (Jon Favreau) tried his hand before insanely wanting to become "The Ultimate Fighting Champion". This episode pulled off an incredible double guest surprise from Billy Crystal and Robin Williams, proving just how popular the show had become. To that list were added cameos from Ben Stiller as "The Screamer", Sherilyn Fenn as one of Joey's exs and Isabella Rossellini, who taught Ross to never fantasise on laminated plastic. The cast were fitting in film roles where possible. Cox appeared in Scream, then brought David Arquette back with her for a cameo, which kept their off-screen chemistry alive. The final surprise was Teri Garr as Phoebe, Sr in "T.O. At the Beach", where it was hinted that something might be salvaged between Ross and Rachel after all. --Paul Tonks
Season 5: Divorce number two is immediately on the cards as the year opens with "T.O. After Ross Says Rachel". As of this point, Ross' character undergoes some extreme personality changes (which apparently lost Schwimmer many female fans). His incessant whining drives all the Friends to distraction, especially in "T.O.W. Ross Moves In" with Chandler and Joey. Later things get uncomfortable both at work and at home when he goes through a period of rage ("T.O.W. Ross' Sandwich"). While all this downplays his failed relationship with Rachel, the real idea is to allow focus on the secret pairing of Chandler and Monica after a night of passion in London. This made for a return to the show's appealingly silly atmosphere as poor Joey is made piggy-in-the-middle of everyone's secrets. Building to "T.O.W. Everybody Finds Out", the silliness pauses for some genuinely touching interplay between Perry and Cox. The previous year's semi-serious thread about Phoebe's birth gets forgotten fast: to distract the viewer she's introduced to Gary (Michael Rapaport) in "T.O.W. The Cop". This leads to some hilarious parodying with Phoebe interrogated about apartment hunting, and the guys excited and then scared in "T.O. W. The Ride Along". She's more than over him by the time of the two-part finale "T.O.W. In Vegas" though, especially since she missed out on London. Just in case fans thought Chandler and Monica had permanently stolen the spotlight, a cliffhanger shocks expectation again with Ross and Rachel bursting out of a chapel... --Paul Tonks
Leave it to Czech director Milos Forman (One Flew Over to Cuckoo's Nest) to make the most entertaining and offbeat celebration of the American Constitution ever filmed. You think the First Amendment was designed to protect Americans from offensive speech? Think again. The real glory of the Constitution and the Bill of Rights--as brought to life in this splendidly quirky and alternately reverent and irreverent comedy--is that it ensures everyone's freedom by protecting a whole range of expression, from the banal to the outrageous. Scripted by the writers of Ed Wood (another affectionately twisted biography of a disreputably eccentric entertainment figure), The People vs. Larry Flynt applies a similar sort of exaggerated and telescoped editorial-cartoon sensibility to the wild life and times of Hustler skin-magazine publisher Larry Flynt. It's the great (and fictionalised-but-true) American story of how smut-peddler Flynt--the poor man's redneck Hugh Hefner--ended up appealing a libel case (brought by televangelist Jerry Falwell) to the Supreme Court and winning a major legal victory that affects all Americans. Terrific performances by Woody Harrelson as Flynt, grunge-star-turned-glamour-puss Courtney Love as his wife Althea, and Edward Norton as their lawyer (a composite character). --Jim Emerson
In May of 1941 RKO Radio Pictures released a controversial film by a 25-year-old first-time director. That premier of Orson Welles' Citizen Kane was to have a profound and lasting effect of the art of motion pictures. It has been hailed as the best American film ever made and it's as powerful a film today as it was fifty years ago. It earned eight Academy Award nominations and won the Oscar for Best Screenplay. Through its unique jigsaw-puzzle storyline inventive cinemato
The One With The Memorial Service: When Chandler jokingly posts an outrageous biography about Ross on Ross' college alumni Web site Ross retaliates by finding Chandler's alumni site and doing the same about Chandler. An Internet war between the two friends ensues. The One With The Lottery: Hoping to win a huge jackpot the friends pool their money and buy dozens of lottery tickets. However they bicker over how to spend the fortune if they win and Monica irritates everyone else by buying tickets just for her and Chandler. The One With Rachel's Dream: Nervous because his daytime drama role requires him to act as if he is deeply in love with a woman Joey rehearses with Rachel. Later she observes the taping of the emotional scene and has a surprising dream that night about Joey. The One With The Soap Opera Party: Ross is excited when he meets fellow paleontology professor Charlie Wheeler (Aisha Tyler) a stunning beauty. But when he takes her to Joey's rooftop party to meet the stars of Joey's daytime drama 'Days of Our Lives' she intimidates him with her impressive list of former boyfriends.
Season 7: Lots happened behind the scenes between seasons and early on in the seventh year of the hit comedy, leaving audiences speculating this might be the last. Perry became seriously ill again, and returned looking more emaciated than ever. Cox regained weight, but despite finishing Scream 3 happily, things were already rocky with David Arquette. Much was made in the press about Aniston marrying Brad Pitt, of course, but the real news (allaying fans' fears) was NBC's expensive renewal of the cast for two years at $750,000 per episode each (more than six times their previous increase). On-screen, at least there was Chandler and Monica's engagement lasting the whole year, despite predictable ups and downs (eg: "T.O.W. the Truth About London" revealing that Monica fancied Joey). By the time we finally get to "T.O.W. Chandler's Dad" (Kathleen Turner), it seems inevitable that the two-part finale will be an insane mess--but with a happy-ish ending. Sure enough, "T.O.W. Chandler and Monica's Wedding" features Gary Oldman joining in the chaos as Chandler repeatedly goes missing. Other star turns in the year were Seinfeld's Jason Alexander as a suicidal Office Manager, Susan Sarandon as soap queen bitch Jessica Lockhart, Denise Richards as one of Ross and Monica's endless number of cousins and Winona Ryder as a surprise old friend, prompting "T.O.W. Rachel's Big Kiss". But perhaps the most telling instalment of this weirdly atmospheric year was "T.O.W. They All Turn Thirty". It suggested that maybe the Friends are all getting too old to carry on living their frivolous lives the same way after all. --Paul Tonks
A double bill of terrifying creature features including Mimic and the sequel Mimic 2. Mimic: A team of scientists discover a miracle cure that stops the spread of a deadly disease only to find out three years later that something has gone terribly wrong. Their creation has taken on a horrifying life of its own able to mimic and destroy its every predator - even man! And now it threatens to wipe out an entire city...unless they stop it in time... Mimic 2: Just when they were all thought to be dead the giant cockroaches are back and this time they've mutated to take on human form!
Season 7: lots happened behind the scenes between seasons and early on in the seventh year of the hit comedy, leaving audiences speculating this might be the last. Perry became seriously ill again, and returned looking more emaciated than ever. Cox regained weight, but despite finishing Scream 3 happily, things were already rocky with David Arquette. Much was made in the press about Aniston marrying Brad Pitt, of course, but the real news (allaying fans' fears) was NBC's expensive renewal of the cast for two years at $750,000 per episode each (more than six times their previous increase). Onscreen, at least there was Chandler and Monica's engagement lasting the whole year, despite predictable ups and downs (eg: "T.O.W. the Truth About London" revealing that Monica fancied Joey). By the time we finally get to "T.O.W. Chandler's Dad" (Kathleen Turner!), it seems inevitable that the two-part finale will be an insane mess--but with a happy-ish ending. Sure enough, "T.O.W. Chandler and Monica's Wedding" features Gary Oldman joining in the chaos as Chandler repeatedly goes missing. Other star turns in the year were Seinfeld's Jason Alexander as a suicidal Office Manager, Susan Sarandon as soap queen bitch Jessica Lockhart, Denise Richards as one of Ross and Monica's endless number of cousins and Winona Ryder as a surprise old friend, prompting "T.O.W. Rachel's Big Kiss". But perhaps the most telling instalment of this weirdly atmospheric year was "T.O.W. They All Turn Thirty". It suggested that maybe the Friends are all getting too old to carry on living their frivolous lives the same way after all. --Paul Tonks
An estimated one out of every three women will be sexually assaulted at some time in their life with ninety percent of these victims choosing not to report the assaults to the police. This powerful and disturbing film deals with 'Forcible Rape Amongst Friends' one of the most prevelant crimes facing young women today. Annabeth Gish (Mystic Pizza) portrays the shocked and violated victim Lynn McKenna who is lured into a sense of false security and raped by her bestfriend's boyfriend John Telersky (Deathstalker 2). Confused and ashamed and faced with the knowledge of almost certain defeat Lynn must decide whether or not to press criminal charges against her attacker and bring about necessary justice.
Season 7: Lots happened behind the scenes between seasons and early on in the seventh year of the hit comedy, leaving audiences speculating this might be the last. Perry became seriously ill again, and returned looking more emaciated than ever. Cox regained weight, but despite finishing Scream 3 happily, things were already rocky with David Arquette. Much was made in the press about Aniston marrying Brad Pitt, of course, but the real news (allaying fans' fears) was NBC's expensive renewal of the cast for two years at $750,000 per episode each (more than six times their previous increase). On-screen, at least there was Chandler and Monica's engagement lasting the whole year, despite predictable ups and downs (eg: "T.O.W. the Truth About London" revealing that Monica fancied Joey). By the time we finally get to "T.O.W. Chandler's Dad" (Kathleen Turner), it seems inevitable that the two-part finale will be an insane mess--but with a happy-ish ending. Sure enough, "T.O.W. Chandler and Monica's Wedding" features Gary Oldman joining in the chaos as Chandler repeatedly goes missing. Other star turns in the year were Seinfeld's Jason Alexander as a suicidal Office Manager, Susan Sarandon as soap queen bitch Jessica Lockhart, Denise Richards as one of Ross and Monica's endless number of cousins and Winona Ryder as a surprise old friend, prompting "T.O.W. Rachel's Big Kiss". But perhaps the most telling instalment of this weirdly atmospheric year was "T.O.W. They All Turn Thirty". It suggested that maybe the Friends are all getting too old to carry on living their frivolous lives the same way after all. --Paul Tonks
1936: America has fast become one of the world's most powerful nations on the platform of freedom and equality for all people. On the other side of the Atlantic Hitler's Third Reich is steadily taking hold systematically setting the stage for Aryan supremacy. Joe Louis (Leonard Roberts) an up-and-coming prizefighter from Harlem New York fights for his slice of the American dream: to become boxing's heavyweight champion. Standing in his way is German champ Max Schmeling (Til S
Beulah's multi layered instrumental textures of cellos violins saxophones and pedal steels accompanied by penned personal heartaches of divorce breakups and all in between has distinguished them as one of indie's most integral lo-fi pop bands. This DVD documents Beulah's last tour chronicling a magnificent band that broke up all too soon. The full-length documentary A Good Band is Easy to Kill is nearly two hour long bonus material includes: Seventeen full songs of Beulah in concert spanning their entire discography forty five minutes of deleted scenes with footage from every stop on the tour and tour-opener John Vanderslice's presence throughout.
A tough American Detective is sent to the Swiss Alps to bring back the girlfriend of a powerful gangster so that she can testify against him. The Crooks will do anything they can to stop her..
This DVD set features all 13 episodes of the animated television series The Incredible Hulk. Based on the comics written by Stan Lee The Incredible Hulk details the adventures of Dr. David Banner - a nuclear research scientist - who in a dreadfull accident is subjected to a massive overdose of gammer radiation. Miraculously Banner survives... But he is forever changed! Now whenever angered or distressed the mild-mannered scientist finds himself transforming into a powerful seven-foot green creature known as the Incredible Hulk...
Based on the novel by Paul Annixter Those Calloways tells the story of Cam Calloway (Brian Keith) a New England preservationist and fur trapper. Along with his son Cam dreams of buying a nearby lake to turn into a refuge for migrating geese. He finds however that making the dream come true requires much more money than he has and even greater ingenuity in getting around the real estate developers. The situation turns violent when Cam and his son move into a cabin on the property and an attempt is made on his life. Can Cam stop the development of this pristine area and carry out his lifelong wish to help the environment... Available for the first time on DVD!
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