In 1977 Voyager II was launched into space, inviting all lifeforms in the universe to visit our planet. Get ready. Company's coming. When his spacecraft is shot down over Wisconsin, Starman (Bridges) arrives at the remote cabin of a distraught young widow, Jenny Hayden (Karen Allen), and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona, explaining that if he isn't picked up by his mothership in three days, he'll die. Hot on their trail are government agents, intent on capturing the alien, dead or alive. En route, Starman demonstrates the power of universal love, while Jenny rediscovers her human feelings for passion.
This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. The Third Man features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. The Third Man is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas.
It's always a small surprise to revisit this movie and realise what a subtly dark performance James Stewart gives as an alcoholic who claims he keeps company with a six-foot-tall, invisible rabbit. As Elwood P. Dowd, the actor emits a faint whiff of decay and spirits, yet Stewart also embraces Dowd's romanticism and grace with splendid ease. Based on a hit play and directed by Henry Koster, the film is terribly funny at times, especially whenever Elwood decides it is only polite to introduce Harvey to complete strangers. The supporting cast can't be beat. --Tom Keogh
John Schlesinger's trailblazing Oscar winner, a touchstone of the New American Cinema explosion, in a new 4K restoration. One of the British New Wave's most versatile directors, JOHN SCHLESINGER (Billy Liar) came to New York in the late1960s to make Midnight Cowboy, a picaresque story of friendship that captured a city in crisis and sparked a new era of Hollywood movies. JON VOIGHT (Coming Home) delivers a careermaking performance as Joe Buck, a wideeyed hustler from Texas hoping to score big with wealthy city women; he finds a companion in Enrico Ratso Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida, played by DUSTIN HOFFMAN in a radical departure from his breakthrough in The Graduate. A critical and commercial success despite controversy over what the MPAA termed its homosexual frame of reference, Midnight Cowboy became the first Xrated film to receive the best picture Oscar, and decades on, its influence still reverberates through cinema. Features: New 4K digital restoration, with an uncompressed monaural soundtrack Alternate 5.1 surround soundtrack, presented in DTSHD Master Audio Audio commentary from 1991 featuring director John Schlesinger and producer Jerome Hellman New selectedscene commentary by cinematographer Adam Holender The Crowd Around the Cowboy, a 1969 short film made on location for Midnight Cowboy ï· Waldo Salt: A Screenwriter's Journey, an Academy Award-nominated documentary from 1990 by Eugene Corr and Robert Hillmann Two short 2004 documentaries on the making and release of Midnight Cowboy Interview with actor Jon Voight on The David Frost Show from 1970 Interview from 2000 with Schlesinger for BAFTA Los Angeles Excerpts from the 2002 BAFTA LA Tribute to Schlesinger, featuring Voight and actor Dustin Hoffman Trailer PLUS: An essay by critic Mark Harris
The first, and only, X-rated film to win a best picture Academy Award, John Schlesinger's Midnight Cowboy seems a lot less daring today (and has been reclassified as an R), but remains a fascinating time capsule of late-1960s sexual decadence in mainstream American cinema. In a career-making performance, Jon Voight plays Joe Buck, a naive Texas dishwasher who goes to the big city (New York) to make his fortune as a sexual hustler. Although enthusiastic about selling himself to rich ladies for stud services, he quickly finds it hard to make a living and eventually crashes in a seedy dump with a crippled petty thief named Ratzo Rizzo (Dustin Hoffman, doing one of his more effective "stupid acting tricks," with a limp and a high-pitch rasp of a voice). Schlesinger's quick-cut, semi-psychedelic style has dated severely, as has his ruthlessly cynical approach to almost everybody but the lead characters. But at its heart the movie is a sad tale of friendship between a couple of losers lost in the big city, and with an ending no studio would approve today. It's a bit like an urban Of Mice and Men, but where both guys are Lenny. --Jim Emerson
A truly epic saga of dynastic conflict at the heart of Imperial Rome, I Claudius was the landmark BBC drama series of the 1970s. Originally transmitted as 13 50-minute episodes, the series dramatises the human face of ancient Rome as interpreted by Robert Graves in his two enormously complex novels, I, Claudius and Claudius The God. Derek Jacobi gives one of the greatest television performances ever as Claudius, the appalled chronicler of the decadence, corruption, intrigue and carnage which comes with the absolute power of his ruling family. Augustus (Brian Blessed) is Emperor and Livia (Sian Phillips) his scheming, ambitious wife, Claudius's aunt. By virtue of his stammer and uncontrollable twitches, Claudius passes for a fool, thus escaping the poisonous machinations of Livia, all the while recording the comings and goings of the Imperial household. Events become increasingly frenzied as Caligula (John Hurt playing the tyrant with psychotic fury) bloodily slaughters his way to power, making a senator of his favourite horse along the way. Claudius eventually becomes Emperor himself, and Jacobi is simply magnificent in the intensely moving finale, which is not to overlook the rest of a fine cast, including: George Baker; Ian Ogilvy; Christopher Guard; Stratford Johns; John Rhys-Davies; Bernard Hepton and Patrick Stewart as the murderous Praetorian Guard Captain Sejanus. Inevitably lacking the visual scale of cinematic features such as Ben-Hur, and today looking more studio-bound than ever, I, Claudius remains a television masterpiece of intelligently written and rivetingly intense character drama. --Gary S Dalkin
After starring in the now-legendary Dollars trilogy of spaghetti Westerns for Italian director Sergio Leone, Clint Eastwood became a box-office star and imported the style of those classic shoot-em-ups for this 1967 Western directed by Ted Post, with whom Eastwood had worked during their days on the television series Rawhide. Eastwood plays an innocent rancher who is mistaken for a cattle rustler and sentenced to hang by an angry mob. When he is saved from the noose by a passing lawman, he embarks on a renegade campaign of vengeance against the men who attempted to lynch him. Hang 'Em High offers a number of memorable moments and stylistic flourishes, and features a superb supporting cast of Western veterans, including Ben Johnson, Ed Begley, Pat Hingle, Dennis Hopper, Bruce Dern, LQ Jones, and the "Skipper" himself, Alan Hale Jr Made just three years before Dirty Harry, the film marked a turning point for Eastwood, who would soon move into a prolific period of contemporary thrillers. --Jeff Shannon, Amazon.com
The fractured Europe post-World War II is perfectly captured in Carol Reed's masterpiece thriller, set in a Vienna still shell-shocked from battle. Holly Martins (Joseph Cotten) is an alcoholic pulp writer come to visit his old friend Harry Lime (Orson Welles). But when Cotton first arrives in Vienna, Lime's funeral is under way. From Lime's girlfriend and an occupying British officer, Martins learns of allegations of Lime's involvement in racketeering, which Martins vows to clear from his friend's reputation. As he is drawn deeper into post-war intrigue, Martins finds layer upon layer of deception, which he desperately tries to sort out. Welles' long-delayed entrance in the film has become one of the hallmarks of modern cinematography and it is just one of dozens of cockeyed camera angles that seem to mirror the off-kilter post-war society. Cotten and Welles give career-making performances and the Anton Karas zither theme will haunt you. --Anne Hurley
Irene Handl and Wilfred Pickles star as two senior citizens who fall in love in this gentle sitcom written by Vince Powell and Harry Driver (Nearest and Dearest Never Mind the Quality Feel the Width). Produced by Ronnie Baxter and boasting theme music by Ron Grainer this release contains the complete second series originally transmitted in 1970. Londoner Ada Cresswell and Yorkshireman Walter Bingley - the gravedigger who buried Ada's husband - return as a newly engaged couple. But saving enough to get married on an old-age pension isn't easy particularly when Walter gets his cards and Ada has to give up her new part-time job. And when Ada gregariously invites all 48 members of the Over Sixties' Club it looks as though the happy day will have to be indefinitely postponed...
Based on John le Carré's first novel, Call for the Dead (which introduced spymaster George Smiley), The Deadly Affair sees an ageing British secret agent (James Mason) set out to uncover the truth behind a government employee's apparent suicide. Eschewing the glamour of the era's Bond thrillers, Lumet's chilling and intelligent take on the spy drama presents a palpable and darkly sinister picture of Cold War intrigue. The exemplary cast also includes Maximilian Schell, Harriet Andersson, Harry Andrews, Roy Kinnear and Lynn Redgrave. Extras High Definition remaster Original mono audio Audio commentary with film historians Michael Brooke and Johnny Mains The National Film Theatre Lecture with James Mason (1967, 48 mins): archival audio recording of an interview conducted by Leslie Hardcastle The Guardian Lecture with Sidney Lumet (1983, 89 mins): archival audio recording of an interview conducted by Derek Malcolm at the National Film Theatre, London A Different Kind of Spy: Paul Dehn's Deadly Affair (2017, 17 mins): writer David Kipen discusses the life and work of screenwriter Paul Dehn Take One and Move On (2017, 5 mins): camera operator Brian West on The Deadly Affair Lumet's London (2017, 4 mins): the London locations of The Deadly Affair explored Original theatrical trailer Image gallery: on-set and promotional photography New English subtitles for the deaf and hard-of-hearing
The Carry On which caused a national sensation when a daffodil replaced a thermometer - you know where! The Carry On team have picked up their stethoscopes and bed pans for a strong dose of hospital humour. Hattie Jacques is the infamous matron doing battle with the patients in the second series of the world famous Carry On series.
Jim Bergerac (Nettles) is a recovering alcoholic divorcee and father of a young daughter a Detective Sergeant with the Bureau des Etrangers Jersey. Jim likes doing things his own ways a true maverick and consequently doesn't always carry out his investigations in the traditional manner the way his boss would like... Episodes Comprise: 1. Ninety Per Cent Proof 2. A Hole In The Bucket 3. Holiday Snaps 4. Ice Maiden 5. Come Out Fighting 6. A Touch Of Eastern Promise 7. A Cry In The Night 8. The Company You Keep 9. Tug Of War 10. House Guests
Long Lost Comedy Classics is a collection of films from a golden age of British Cinema remembered for timeless stars and some unique movies that have stood the test of time. So why not take a trip down memory lane and see how cinema used to be? This charming and timeless film records the adventures of two small children who run off to watch the coronation of Queen Elizabeth in 1953 meeting various eccentrics on the way. The characters the children meet are played by the great British stars and characters of the period and this film is fascinating for anyone interested in British artistic history. John and Julie is that rare thing a self-contained trip into a very different time and place.
The main feature comprises of 19 tracks recorded from their North American 'With Teeth' Winter Tour 2006 that perfectly captures a relentless audio & visual tour-de-force from what is one of the most incendiary live acts around. Tracklist: 1. Love Is Not Enough - Live (winter tour) 2. You Know What You Are? - Live (winter tour) 3. Terrible Lie - Live (winter tour) 4. The Line Begins To Blur - Live (winter tour) 5. March Of The Pigs - Live (winter tour) 6. Something I Can Never Have - Live (winter tour) 7. Closer - Live (winter tour) 8. Burn - Live (winter tour) 9. Gave Up - Live (winter tour) 10. Eraser - Live (winter tour) 11. Right Where It Belongs - Live (winter tour) 12. Beside You In Time - Live (winter tour) 13. With Teeth - Live (winter tour) 14. Wish - Live (winter tour) 15. Only - Live (winter tour) 16. The Big Come Down - Live (winter tour) 17. Hurt - Live (winter tour) 18. The Hand That Feeds - Live (winter tour) 19. Head Like A Hole - Live (winter tour) 20. Credits 21. Somewhat Damaged - Live summer tour) 22. Closer - Live (summer tour) 23. Help Me I Am In Hell - Live (summer tour) 24. Non-Entity - Live (summer tour) 25. Only - Live (summer tour) 26. The Collector - Live at rehearsals 2005 27. Every Day Is Exactly The Same - Live at rehearsals 2005 28. The Hand That Feeds - Album Version Closed Captioned 29. Love Is Not Enough - Live at rehearsals 2005 30. Only - Dirty Version Closed Captioned 31. Body of Work 32. Stills Gallery
A cop full of hatred can't work by the book. Charles Bronson is at his two-fisted best in this gritty action-packed thriller about a cop hellbent on wiping out a vicious child prostitution ring. Lt. Crow (Bronson) is a veteran L.A. vice cop who nearly goes berserk after his young daughter is molested by an unidentified Asian man. As he battles his own racial prejudices and feelings of rage Crowe is ordered to hunt down a brutal pimp who has kidnapped thedaughter of a Japane
Starman is easily director John Carpenter's warmest and most beguiling film, and the only one that ever earned him an Oscar nomination. While most movie buffs are likely to call Halloween the best movie from Carpenter, die-hard romantics and anyone who cried while watching E.T. will vote in favour of the director's 1984 hit. Jeff Bridges is the alien visitor to Earth who is knocked off course and must take an interstate road trip to rendezvous with a mothership from his home planet. To complete this journey he assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen) who responds first with fear, then sympathy, and finally love. Carpenter's graceful strategy is to switch the focus of this E.T.-like film from science fiction to a gentle road-movie love story, made believable by the memorable performances of Bridges and Allen. It's a bit heavy-handed with tenacious government agents who view the Starman as an alien threat (don't they always?), but Carpenter handles the action with intelligent flair, sensitivity and lighthearted humour. If you're not choked up during the final scene, well, you just might not be human. --Jeff Shannon, Amazon.com On the DVD: Starman on disc is presented in anamorphic widescreen transferred from NTSC and letterboxed at 2.35.1. The picture is clear and sharp with very little grain. The soundtrack is crisp, perfectly complementing the romantic nature of this film. The overriding reason to shell out on this special edition is the commentary from John Carpenter and Jeff Bridges, in which director and actor show a genuine affection for the film. Other extras are a featurette filmed around the original release in 1884, a music video starring Bridges and costar Karen Allen covering The Everly Brothers classic "All I Have to Do is Dream", and a trailer for Close Encounters of the Third Kind. --Kristen Bowditch
The most beautiful woman of our time in the most erotic adventure of all time... Leaving behind the England that she loves in 1910 Jane (Bo Derek) heads to Africa on a mission to find her father (Richard Harris). Travelling by steamboat and finally by foot she voyages deep into the heartland of the African contintent. But it's only when her search for her missing father ends that Jane's real adventure begins...
Live concert footage from Nine Inch Nails' 2005 Winter and Summer Tours of North America. Including tracks from their entire repertoire including songs from the new album to be released this year. Tracklist: 1. Love Is Not Enough - Live (winter tour) 2. You Know What You Are? - Live (winter tour) 3. Terrible Lie - Live (winter tour) 4. The Line Begins To Blur - Live (winter tour) 5. March Of The Pigs - Live (winter tour) 6. Something I Can Never Have - Live (winter tour) 7. Closer - Live (winter tour) 8. Burn - Live (winter tour) 9. Gave Up - Live (winter tour) 10. Eraser - Live (winter tour) 11. Right Where It Belongs - Live (winter tour) 12. Beside You In Time - Live (winter tour) 13. With Teeth - Live (winter tour) 14. Wish - Live (winter tour) 15. Only - Live (winter tour) 16. The Big Come Down - Live (winter tour) 17. Hurt - Live (winter tour) 18. The Hand That Feeds - Live (winter tour) 19. Head Like A Hole - Live (winter tour) 20. Credits 21. Somewhat Damaged - Live summer tour) 22. Closer - Live (summer tour) 23. Help Me I Am In Hell - Live (summer tour) 24. Non-Entity - Live (summer tour) 25. Only - Live (summer tour) 26. The Collector - Live at rehearsals 2005 27. Every Day Is Exactly The Same - Live at rehearsals 2005 28. The Hand That Feeds - Album Version Closed Captioned 29. Love Is Not Enough - Live at rehearsals 2005 30. Only - Dirty Version Closed Captioned 31. Body of Work 32. Stills Gallery
Do you remember when...The Burgermeister Meisterburger banned toys, and Kris Kringle became Santa Claus? Share the magic of this Original Christmas Classic told and sung by Fred Astaire!
A U.S. governement funded propaganda docu-drama film from 1938 designed to inform the public of the perils of smoking marijuana but ironically now worth seeing for its laughable historical and scientific innaccuracy...
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