Love Actually: From the new bachelor Prime Minister (Hugh Grant) instantly falling in love with a refreshingly real member of the staff (Martine McCutcheon) moments after entering 10 Downing Street... To a writer (Colin Firth) escaping to the south of France to nurse his re-broken heart who finds love in a lake... From a comfortably married woman (Emma Thompson) suspecting that her husband (Alan Rickman) is slipping away... To a new bride (Keira Knightly) mistaking the distance of her husband's best friend for something it's not... From a schoolboy seeking to win the attention of the most unattainable girl in school... To a widowed stepfather (Liam Nesson) trying to connect with a son he suddenly barely knows... From a lovelorn junior manager seizing a chance with her long-tended unspoken office crush... To an ageing ""seen it all remember very little of it"" rock star (Bill Nighy ) jonesing for an end-of-career comeback in his own uncompromising way... Love the equal-opportunity mischief-maker is causing chaos for all. These London lives and loves collide mingle and climax on Christmas Eve-again and again and again-with romantic hilarious and bittersweet consequences for anyone lucky (or unlucky) enough to be under love's spell. Wimbledon: She's the golden girl. He's the longshot. It's a match made in... A pro tennis player has lost his ambition and has fallen in rank to 119. Fortunately for him he meets a young female player on the women's circuit who helps him recapture his focus for Wimbledon at the cost of losing hers...
Gangs Of New York (Dir. Martin Scorsese) (2002): The seeds for revenge take place in 1846 when a battle is fought against the Irish and the native Americans over the five points area of New York City. It is here where Bill the Butcher (Day-Lewis) slays Priest Vallon whose son Amsterdam Vallon (Dicaprio) is then taken to an orphanage. The plot unfolds when in 1863 Amsterdam returns to the five points to seek revenge against his fathers killer. Blow (Dir. Ted Demme) (2001): George Jung (Johnny Depp) doesn't want to live like his father (Ray Liotta)--always short of money and always berated by his mother. So he sets off for California to live on the beach. George finds he can make a living selling drugs. One day he learns he could make more money by shipping drugs across the country. So he does. Needing a bigger supply of drugs he goes to Columbia finds his way to Medellin and meets Pablo Escobar (Cliff Curtis). George stumbles into becoming the biggest trafficker of cocaine in the U.S. The Departed (Dir. Martin Scorsese) (2006): Two men operate on different sides of the law; one a mole with the Boston State Police department the other within the Irish mafia. When bloodshed breaks out on the streets each mole is despatched to discover the other's identity in a race against time...
Following the success of Transformers and G.I. Joe, Hasbro brings another of its beloved properties to the big screen, with explosive and cheerfully improbable results. The situation: Aliens splash down outside Hawaii, surrounding the islands with an impenetrable force field and wreaking havoc on the captive population. While the world outside watches helplessly, a skeleton crew of naval officers and civilians (led by Taylor Kitsch's cocky washout and Rihanna's weapons expert) must figure out a way to save the planet while being seriously outgunned. Director Peter Berg, whose previous films The Rundown and Hancock displayed a playful tweaking of genre conventions, keeps things surprisingly high and tight here, depicting military tactics and the chain of command with an honest respect, including casting actual combat veterans in pivotal supporting roles. While such a reverent approach is certainly admirable, it coexists uneasily with the inherent goofiness of the premise, particularly during the climactic scene where the heroes sit down in front of a grid and, yes, fire a missile at B7. (Note: Nobody actually gets to say "You sunk my battleship," but Liam Neeson, in an extended cameo as an admiral, sure looks like he wants to.) However, while the narrative might be missing a few pieces, Berg's film undeniably delivers the action-movie goods, staging a number of all-out combat scenes with verve and ingenuity. (Special kudos to whoever designed the main weapon of the aliens, a razor-toothed sphere of gears that chews up the scenery with a tangible sense of delight.) Audiences looking for coherence may need to keep on looking, but Battleship definitely sports the maximum number of bangs for the summer-movie buck. Bring on Kerplunk: The Motion Picture. --Andrew Wright
This box set features the following films: The Butcher Boy (Dir. Neil Jordan) (1998): Francie and Joe live the usual playful fantasy filled childhoods of normal boys. However with a violent alcoholic father and a manic depressive suicidal mother the pressure on Francie to grow up are immense. When his mother eventually commits suicide Francie sinks ever deeper into paranoia. He directs his anger towards Mrs. Nugent a nasty neighbour and after his father dies Fancie's condition worsens his behaviour becomes more bizarre and erratic. Michael Collins (Dir. Neil Jordan) (1996): This is Neil Jordan's depiction of the controversial life and death of Michael Collins the 'Lion of Ireland' who led the IRA against British rule and founded the Irish Free State (Eire) in 1921 Ryan's Daughter: Special Edition (Dir. David Lean) (1970): Lovely headstrong Rosy (Sarah Miles) cannot forsake her passionate romance with the handsome British officer (Christopher Jones). Yet is there a greater love? The devotion of her reserved schoolteacher husband Charles (Robert Mitchum) who stands by Rosy when her illicit affair leads to a charge of treason. The General (Dir. John Boorman) (1998): True story about the rise and fall of Irish criminal Martin Cahill - who became a Dublin folk hero.
When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbour. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy that numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman, Amazon.com
Definitely, Maybe: Ryan Reynolds stars as Will Hayes, a 30-something Manhattan dad in the midst of a divorce when his 10 year-old daughter, Maya, starts to question him about his life before marriage. Maya wants to know absolutely everything about how her parents met and fell in love. Will's story begins in 1992, as a young, starry-eyed aspiring politician who moves to New York from Wisconsin in order to work on the Clinton campaign. For Maya, Will relives his past as an idealistic you...
About A Boy (2002): Will is a 38-year old Londoner living a bachelor lifestyle on the back of royalties earned from a Christmas song penned by his father some years previously. A serial womaniser Will comes up with the idea of attending a single parents group as a new way to pick up women. Inventing a two-year old son for himself he meets lonely bullied schoolboy Marcus and his depressed music therapist mother. The intelligent Marcus soon learns Will's secret and so blackmails him into letting him hang out at his place and watch afternoon telly. However what starts out as an uneasy quiz show watching alliance turns into an unlikely friendship... Love Actually (2003): There's the new Prime Minister who falls for his personal assistant the Prime Minister's sister Karan who realises that her husband is attracted to his secretary. Author Jamie who flees England to escape his unfaithful girlfriend and then falls for his housekeeper. Movie stand-ins John and Judy who become attracted to each other on the film set. Recently widowed Daniel who helps his stepson who is smitten with one of his class-mates and Billy Mack an ageing rock star who discovers that love can be found in the most unlikely of places... Notting Hill (1999): A famous actress in disguise in London runs into a divorced bookstore owner. They strike up a friendship with each other as they each find something that was previously missing from their own lives.. . Bridget Jones's Diary (2001): Bridget Jones is a pretty and neurotic thirtysomething ""singleton"" who vows to take control of her life after being humiliated by handsome standoffish barrister Mark Darcy at her parents' New Year's party. Determined to lose weight and cut back on vices like wine cigarettes and workaholic-alcoholic-misogynistic men Bridget begins a diary to chart her progress. Unfortunately the P.R. executive hits a snag when her boss gorgeous cad Daniel instigates a sexy e-mail flirtation. Despite her tendency to bungle book launch parties and any situation involving the ever-disapproving Mark Darcy Bridget's winning combination of charm vulnerability and wit intrigues not only the seductively dangerous Daniel but also the arrogant barrister. Bridget Jones - Edge Of Reason (2004): She's back! The perfect boyfriend the perfect life what could possibly go wrong? Four weeks into her relationship with Mark Darcy Bridget Jones is already becoming uncomfortable. With the reappearance of old flame Daniel Cleaver things are about to get very complicated... Four Weddings And A Funeral (1993): Charlie is always the best man but never the groom. Determined to avoid even a hint of commitment this handsome English gentleman is notoriously late to every wedding. But today he's in for a surprise because not only did he forget the ring...but he also just caught a glimpse of the girl of his dreams. Wimbledon (2004): A pro tennis player has lo
Liam Neeson gives a bravura performance as the title character in KINSEY, which details the controversial and dramatic rise of sex researcher Alfred C. Kinsey. Raised in a sexually repressed household with a preacher father (John Lithgow) who believes the zipper is the devil's work, young Kinsey goes against his father's wishes and studies biology, eventually becoming a leading authority on the gall wasp. His skill at classification, organization, and research, combined with his own burgeoning sexuality following his marriage to Clara McMillen (Laura Linney), leads him to begin investigating the nature of human sexuality. Working at Indiana University, Kinsey finds that sex is something many Americans have been waiting a long time to talk about. Unfortunately, others consider his work to be disgusting and want it ended. Writer-director Bill Condon (GODS AND MONSTERS) alternates between short black-and-white scenes of Kinsey answering his own sex survey questions, with longer colour scenes that flash back to the important moments of his life. Kinsey's boyhood through his formative years, and his obsessions with the gall wasp and human sexual behaviour, are thoroughly documented. The publication of the seminal books SEXUAL BEHAVIOUR IN THE HUMAN MALE (1948) and SEXUAL BEHAVIOUR IN THE HUMAN FEMALE (1953) mark his primary achievements. Interestingly, it is the second book that causes the biggest panic, as a repressed society refuses to believe that women have the same needs and desires as men. Neeson and Linney make a wonderfully refreshing couple, freely sharing each other for all to see. Peter Sarsgaard, Chris O'Donnell, and Timothy Hutton lend fine supporting work as Kinsey's staff. KINSEY is an enlightening, engaging, yet frightening film, revealing how far the understanding of American sexuality has come--and how far it still has to go.
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