Digitally restored and remastered Frank Capra's heart-warming masterpiece has been embraced as a cherished holiday tradition by families around the world! George Bailey (James Stewart) sets aside his dreams of world travel to run his father's small community bank, and protect the people of Bedford Falls from greedy businessman Mr. Potter (Lionel Barrymore). When a costly mistake pushes George to the brink of despair, a visit from a kindly angel (Henry Travers) will show George how the life of one good man can change the world forever. Now you can watch the holiday classic like never before, newly remastered from the original fi lm negatives and more vibrant than ever in High Dynamic Range! DISC 1: 4K UHD FEATURE FILM Remastered Black & White Version DISC 2: BLU-RAY FEATURE FILM Remastered Black & White Version Special Features: Restoring a Beloved Classic in 4K Original Cast Party Home Movies and More! 4X the Resolution of Full HD, HDR (HIGH DYNAMIC RANGE) for More Detail, Brightness and Greater Contrast
Digitally restored and remastered Frank Capra's heart-warming masterpiece has been embraced as a cherished holiday tradition by families around the world! George Bailey (James Stewart) sets aside his dreams of world travel to run his father's small community bank, and protect the people of Bedford Falls from greedy businessman Mr. Potter (Lionel Barrymore). When a costly mistake pushes George to the brink of despair, a visit from a kindly angel (Henry Travers) will show George how the life of one good man can change the world forever. Now you can watch the holiday classic like never before, newly remastered from the original fi lm negatives and more vibrant than ever with stunning clarity! Blu-Ray Feature Film: Remastered Black & White Version Special Features: Restoring a Beloved Classic Original Cast Party Home Movies and More!
Hollywood's best-loved star teams up with America's favourite director to create one of the world's most popular films.
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
It's a Wonderful LifeVoted the # 1 Most Inspiring Film Of All Time by AFI's 100 Years... 100 Cheers, It's A Wonderful Life has had just that. With the endearing message that no one is a failure who has friends, Frank Capra's heartwarming masterpiece continues to endure, and after 70 years this beloved classic still remains as powerful and moving as the day it was made. White ChristmasTwo talented song-and-dance men (Bing Crosby and Danny Kaye) team up after the war to become one of the hottest acts in show business. One winter, they join forces with a sister act (Rosemary Clooney and Vera-Ellen) and trek to Vermont for a white Christmas. Of course, there's the requisite fun with the ladies, but the real adventure starts when Crosby & Kaye discover that the inn is run by their old army general who's now in financial trouble. And the result is the stuff dreams are made of. Holiday InnWith music by Irving Berlin, songs by Bing Crosby and dancing by Fred Astaire, Holiday Inn is one of the most delightful and memorable musicals of all time, nominated* for 3 Academy Awards®. Crosby plays Jim Hardy, a song and dance man who leaves showbiz to open a Connecticut Inn. Astaire plays Ted Hanover, Hardy's former partner and rival in love. And, of course there are girls (Marjorie Reynolds and Virginia Dale), an agent (Walter Abel) and plenty of lavish song and dance routines with spectacular production numbers. Scrooge. The spirit of Christmas becomes a musical celebration of life in this rousing adaptation of Charles Dickens' beloved family classic, A Christmas Carol. Mean-spirited and stingy, Ebenezer Scrooge (Albert Finney) has a sour face and humbug for anyone who crosses his path. But on this Christmas Eve, he will learn the terrible fate that awaits him if he continues his miserly ways. One by one, the Ghosts of Christmas Past, Present and Future take the startled Ebenezer on an incredible journey through time - showing him in one magical night what takes most people a lifetime to learn. Filled with joyous songs, this delightful tale is sure to enrich the lives of young and old alike for many more generations.
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Hollywood's best-loved star teams up with America's favourite director to create one of the world's most popular films.
Titles Comprise: Anna Christie (1930): Garbo made her landmark transition to Talkies with this film playing a former prostitute whose past threatens her chance for happiness. A different director and cast join Garbo in a German-language version (Side B with English subtitles) filmed on the same sound stages immediately after the English version. Later Garbo called it the better film and this new DVD release gives fans the rare opportunity to compare the two versions. Mata Hari (1931): Garbo is mesmerizing as a dancer turned German secret agent in wartime Paris seething with secrets and betrayal. The notable supporting cast includes Lionel Barrymore as a Russian general in love with her Lewis Stone as an icy master spy and Ramon Novarro as a handsome aviator who wins the heart Mata Hari did not know she possessed. Queen Christina (1933): To escape the burdens of the monarchy Sweden's Queen Christina (Garbo) rides into the countryside disguised as a boy. She meets and secretly falls for a dashing Spanish envoy on his way to the royal court. When her lover's true identity is revealed Christina knows her people will not accept her marriage to a foreigner. Torn between her duty and her heart she must make a fateful decision. Garbo is luminous in this lavish costume drama starring with her one-time off-screen fianc'' John Gilbert under the direction of Rouben Mamoulian. Anna Karenina (1935): Leo Tolstoy's novel of a dutiful wife and doting mother who gives up her life of contentment to experience real passion receives sumptuous treatment in a David O. Selznick production. Clarence Brown directs a stellar cast - including Fredric March Basil Rathbone Maureen O'Sullivan and Freddie Bartholomew. Greta Garbo is the soul of the film in a nuanced performance that won the New York Film Critics Best Actress Award. At the height of her art Garbo is unforgettable as a woman helpless in love's grasp and heartbroken at the loss of her son. Camille (1936): Life in 1847 Paris is as spirited as champagne and as unforgiving as the gray morning after. In gambling dens and lavish soirees men of means exert their wills and women turned courtesans exult in pleasure. One such woman is Marguerite Gautier (Garbo) the Camille of this sumptuous romantic tale based on the enduring Alexandre Dumas story. Garbo earned an Academy Award nomination and the New York Film Critics Best Actress Award for her memorable work in this George Cukor-directed film. Ninotchka (1939): Garbo shines in her first comedy a frothy tale of a dour Russian envoy sublimating her womanhood for Soviet brotherhood until she falls for a suave Parisian man-about-town (Melvyn Douglas). Working from a clever script written in part by Billy Wilder director Ernst Lubitsch knew better than anyone how to marry refinement with sublime wit. That's how we see Garbo's love struck Ninotchka: serenely dignified yet endearingly ridiculous.
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Denver The Last Dinosaur has been in suspended animation for 65 million years but now he is everyone's newest friend. Filled with magic warmth and friendship Denver always finds himself in the middle of unexpected adventures. A bit hit on British TV in the late 80s this is Denver's DVD debut and includes the original feature length episode.
The Secret Weapon (Dir. Roy William Neill 1942): The inventor of a secret weapon and its prototype are abducted leaving the wartime Allies in dire need of assistance. Sherlock Holmes is called and begins to do battle with Professor Moriarty who will later become his arch-enemy... Dressed To Kill (Dir. Roy William Neill 1946): A beautiful woman and her gang of criminals attempt to match their wits with Sherlock Holmes in this murder/mystery set in Dartmoor and London
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