Lovin' You is a genuine Elvis classic and an absolute ""must have"" for any true fan of the undisputed King of Rock 'n' Roll from the days when he was lean mean and magnificent and had a hip wiggle that drove the girls crazy. Only Presley's second ever feature film and his first in colour this rocking romance uncannily mirrors Elvis's own explosion onto the music scene and rocket ride to fame and fortune. His raw animal prescence leaps sensationally from the screen in the all-
Available for the first time on DVD! Thou shalt not covet thy neighbor's wife... Kevin Kline plays Richard Parker a commercial jingles-composer who leads a quiet suburban life with his wife Priscilla (Mary Elizabeth Mastrantonio). The couple's lifestyle is rocked when they meet their new neighbors financial advisor Eddy (Kevin Spacey) and beautiful Kay (Rebecca Miller). They spend time together but Richard starts to suspect that all is not quite right when Eddy throws himself in
Michael Madsen and Chris Penn: a combination surely designed to set the hearts of fans of low-budget, direct-to-VHS fare aflutter. In Serial Cops (aka Papertrail) grizzled federal agent Jason Enola (Penn) is exhausted, divorced and close-to-insane himself after spending the last decade unsuccessfully hunting down the vicious "Papertrail" serial killer (named, in literal-minded fashion, after the cryptic notes he leaves with the body of each victim). Suddenly, after a four-year hiatus, Mr Papertrail re-enters Enola's life, embarking on a new spate of grisly murders--only this time he (or she) is also providing a running commentary to hapless shrink Dr Alyce Robertson (Jennifer Dale). Enola, with trusty sidekick Brad Abraham (Madsen) in tow, sets off once again to try and nail the bad guy for once for all. Pure by-the-numbers schlock from the opening credits onwards, Penn and Madsen nonetheless conjure up the odd spark of broad, buddy-movie humour between the gore and cod-psychological waffling, while Damian Lee's direction gets us from A to B with a commendable lack of fuss (even if his few attempts at moody set-pieces indicate that's probably out of necessity). Serial Cops is cheesily harmless, for sure, but if you're after a gritty, even halfway believable serial killer flick you might be best advised to give this a skip. --Danny Leigh
If you're expecting a selection of your favourite episodes from The Vicar of Dibley, then you'll be in for a bit of a surprise. For what we have here instead is Dawn French in conversation with John Plowman, the show's producer. Together, they introduce and analyse the characters and relive key moments from the series, neatly categorised under such headings as "Chocolate", "The Nearly Wedding" and "Celebrity Appearances" (don't forget they enticed both Kylie and Darcey Bussell onto the show, as well as a host of other celebs). So, it's very much a selection for diehard fans who want to be reminded of the highlights (and there are plenty), ranging from Alice's Teletubby bridesmaids to the arrival of Geraldine's mega-freezer, packed to bursting with Haagen-Dazs. To watch this 90-minute film is to be reminded of just how brilliant--and topical--the concept was. The writing is as fresh as ever, as are the priceless group of characters who bring the scripts to life. From the very opening moments, when Geraldine turns up and jokes that they were expecting a man "beard, bible, bad breath; instead you got a babe with a bob cut and a magnificent bosom", you know you're in the presence of an enduring comic creation. On the DVD: The Best of the Vicar of Dibley offers pretty minimal extras--an entertaining feature on real-life women vicars, laconically but pertinently narrated by Jo Brand. --Harriet Smith
While spear fishing off the rocky beach of Kauai 12-year-old Booton MacAvoy makes a fearful discovery. What he has mistaken for a fish is a man floating half submerged in the churning sea. The rescued stranger turns out to be Lincoln Costain (James Garner) a shanghaied Texas cowpoke who jumps ship in Hawaii and lands boots-first in island intrigue and adventure! Costain and Henrieatta MacAvoy (Vera Miles) team up to turn a scrubby potato plantation into the island's first cattle s
London's Tubes: cylindrical objects underground crammed full of blank faces with blank pasts and blank futures. However, Tube Tales endeavours to expel this theory, even if it's just for the length of time it takes nine short stories to flicker past your eyes. Created via a competition in Time Out magazine, which asked their readers to send in stories relating to experiences on the London Underground, a group of directors were then charged with the task of bringing the public' s images of the tube to life for 12 minutes each. Showcased at the London Film Festival 1999 and then moving on to be shown on Sky Premier a few days later (this being the first film Sky has produced) it is possibly one of the most intriguing and underrated dramas to come out of Britain at the turn of the new century. These films offer a great showcase for British talent, combining established stars like Ray Winston in "My Father the Liar" with new up-and-coming actors like Hans Matheson in "Steal Away", the film also offers a great chance to play spot-the-star. Along with this Tube Tales offers many actors their first chance to try out their talents behind the lens with directorial debuts from Ewan McGregor-"Bone", a beautiful story of a man's fleeting obsession with a photograph--and Jude Law--"A Bird in the Hand", which brings a little bit of nature back to the Cement City. Both these directors choose to offer very calm and ambling visuals with little dialogue (how many people actually talk to strangers on the Tube?), allowing the power of images and body language to take hold. In another way Bob Hoskins "My Father the Liar" and Gaby Dellal's "Rosebud" offers us a version of the tube through the eyes of a child, a place populated by innocents and full of terror. In diverse contrast are the offerings from Armando Iannucci ("Mouth") and Stephen Hopkins ("Horny"), who both offer a grotesque humoristic interpretation of their stories. However, the true showpiece of these films is the last, Charles McDougall's "Steal Away", an energetic and exuberant piece which turns into a spiritual journey. Many of these films wash over your emotions, evoking laughter, innocence and desire, but "Steal Away" leaves you with strong opinions on the nature of humanity. Nikki Disney On the DVD: The special features are predictably laid out like a tube map. Given the wealth of talent on display in Tube Tales the disc is happily littered with interviews, trailers and on-location features, offering opinions and theories on the Tube from the huge cast and crew that went into the making of these films. Picture and sound quality are impeccable.
On paper, The Royle Family doesn't sound that promising: a working-class family from Manchester sit in their cluttered living room, watch the telly and argue over domestic details (the arrival of a telephone bill, for instance, provides the big dramatic event of the first episode, which aired in September 1998). But from such small everyday incidents, Royle Family creators Caroline Aherne and Dave Best (who play young couple Denise and Dave) have crafted one of the most successful shows on British television: a comedy about the joys and frustrations of family life that's warm, honest and very, very funny--Britain's answer to The Simpsons, whose success the show rivalled when it started broadcasting on BBC2 (the programme jumped channels to BBC1 for its second series).The Royle Family marked an on-screen reunion for Brookside-actors Ricky Tomlinson (who plays bearded, big-hearted, banjo-playing Jim Royle) and Sue Johnston as his wife Barbara, the driving force behind the Royle household. It is smart casting because The Royle Family is as much a soap opera as a situation comedy. Now in its third series, The Royle Family has seen its characters develop like real folk. Denise and Dave got married and now have a little sprog; Barbara starts menopause (how many sitcoms are brave enough to use that for laughs?) and Denise's kid brother Anthony shakes off his surly adolescence when he turned 18 in series two. Unlike Oasis, who provide the shows theme song "Halfway Round the World", this programme just keeps getting better.But no soap--not even Brookside in its dafter moments--has one-liners as brilliantly crafted as The Royle Family. (The scripts from the series are available to buy.) Slouched in his armchair, Jim's dour running commentary on the TV shows that are on at the time are particularly priceless: Changing Rooms, for instance, boils down to "a Cockney knocking nails into plywood... Is this what its come to?" Not quite: because as long as the Royle Family are around, there is something worthwhile to watch. --Edward Lawrenson
From the books of Peter Tinniswood comes one of television's greatest comedy families The Brandons. There's miserable pessimist Uncle Mort his sharp-tongued sister Annie who is constantly arguing with husband Les their laid-back son Carter and his not so laid-back fianc Pat and finally old Uncle Stavely who carries his friend's ashes around his neck in a box and only enters the constant bickering with a cry of 'I 'eard that! Pardon?' Pat is desperately trying to turn reluctant C
Skilled plastic surgeon Phillip Ritter meets and falls in love with concert pianist Alice Brent but he is devastated when she refuses his offer of marriage and goes away on a concert tour. Determined to recreate her beautiful image he seeks out a badly scarred prisoner Lilly operates on her and marries her. Now he has Alice back but he cannot change the criminal character behind the mask... With Jimmy Sangster as assistant director Fisher at the helm and Anthony Hind producing; this picture was a clear indication of what Hammer was set to achieve.
From the books of Peter Tinniswood comes one of television's greatest comedy families The Brandons. There's miserable pessimist Uncle Mort his sharp-tongued sister Annie who is constantly arguing with husband Les their laid-back son Carter and his not so laid-back fianc Pat and finally old Uncle Stavely who carries his friend's ashes around his neck in a box and only enters the constant bickering with a cry of ""I 'eard that! Pardon?"" Episodes comprise: 1. Men At Work 2. A Grave Decision 3. Party Games 4. A Bleak Day 5. Stout Deeds 6. Paradise Lost 7. The Last Tram
A mysterious bomber is planting explosive devices in Seattle. The former head of the Bomb Squad reluctantly faces his worst nightmare.
Featuring supporting performances by veteran actors Ned Beatty Paul Sand and Lois Smith Sweet Land is an award-winning celebration of land love and the American immigrant experience. When his grandmother Inge dies a man is faced with a heart-wrenching decision - sell the family farm on which she lived since 1920 or cling to the legacy of the land. Sweet Land travels back to the beautiful farmland of 1920''s Minnesota as Inge (Elizabeth Reaser) arrives to marry a young Norwegian farmer Olaf (Tim Guinee). Her German heritage and lack of official immigration papers arouse suspicion in the small town and they are forbidden to marry. With the support of Olaf''s friend Frandsen (Alan Cumming) and his family Inge begins to learn the English language and the American way of life. Inge and Olaf''s relationship slowly develops and they fall in love living together openly despite the scorn of their neighbours and the disapproval of the local minister. It is only when Olaf takes a stand as Frandsen''s farm is threatened with foreclosure that the community unites around the young couple finally accepting Inge as one of their own. Based on Will Weaver''s short story A Gravestone Made of Wheat Sweet Land is a poignant and lyrical story of immigrant America.
Frank's lover Johnny gets sent to prison. Offering to help out Frank begins to visit Johnny's mum and soon sees that his beautiful dog Evie is being neglected. Frank's longing for Johnny mutates into love for the dog. He cares with increasing desperation. His war of nerves with Johnny's wife intensifies. He can give poor Evie a good life! Can't Johnny see that? Can't his family see that? Hilarious yet touching the film carefully preserves the stifling discretion of the era.
Independence Day: One of the biggest box office hits of all time delivers the ultimate encounter when mysterious and powerful aliens launch an all-out invasion against the human race. The spectacle begins when massive spaceships appear in Earth's skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the world's only hope lies with a determined band of survivors uniting for one last strike against the invaders
Statistically the Porters may just be an ordinary family. But there's nothing average about this razor-sharp comedy an endearingly demented portrait of modern family life by Andrew Marshall writer of the Emmy-winning Alexei Sayle's Stuff. Head of the household is Ben a dedicated central-heating engineer and easy-going husband and father. His idea of helping in the house is to change TV channels provided the remote control is within easy reach. Mainstay of the household is Bill a
In Loving Memory: Series 2
The Royle Family is a real-life comedy set in a Manchester council house. Imagine a secret camera placed in the living room of an average working class family. The intense drama and emotions of everyday life such as whose turn it is to go to the off-licence is set against the continuous hum of the television. The rosy hue of their life is yellowed only by a nicotine haze. Episodes Comprise: 1. Bills Bills Bills 2. Making Ends meet! 3. Sunday Afternoon 4. Jim
They're dancing for more than tips!!! When Cherokee a sexy cocktail waitress from a local topless bar is taken captive by three beautiful vampire strippers it's up to Vick - a pizza delivery guy - and Lorna - a friend of Cherokee's - to save her from certain death. Filled with action sex and gratuitous violence Blood Dancers will leave you thirsty for more. Just remember these girls aren't just dancing for tips...but your very soul!
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