Coming to America: Join EDDIE MURPHY (Norbit, Dreamgirls) on an unforgettable comic quest to the New World. As an African prince, it's time for him to find a princess... and the mission leads him and his most loyal friend (ARSENIO HALL) to Queens, New York. In disguise as an impoverished immigrant, the pampered prince relishes the chance to test his mettle in the urban wilderness. Keep an eye out for both Murphy and Hall in some unforgettable cameo roles! Coming 2 America: Akeem and Semmi are back! Set in the lush and royal country of Zamunda, newly crowned King Akeem (Eddie Murphy) and his trusted confidante Semmi (Arsenio Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York where it all began. Returning to their original roles in this long-awaited sequel are James Earl Jones, John Amos, Louie Anderson, and Shari Headley, alongside new characters from Wesley Snipes, Tracy Morgan, and Leslie Jones.
In a biting romantic comedy, Rob Gordon (John Cusack) is the owner of a semi-failing record store in Chicago, where he sells music the old-fashioned way -- on vinyl.
Coming to America: Join EDDIE MURPHY (Norbit, Dreamgirls) on an unforgettable comic quest to the New World. As an African prince, it's time for him to find a princess... and the mission leads him and his most loyal friend (ARSENIO HALL) to Queens, New York. In disguise as an impoverished immigrant, the pampered prince relishes the chance to test his mettle in the urban wilderness. Keep an eye out for both Murphy and Hall in some unforgettable cameo roles! Coming 2 America: Akeem and Semmi are back! Set in the lush and royal country of Zamunda, newly crowned King Akeem (Eddie Murphy) and his trusted confidante Semmi (Arsenio Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York where it all began. Returning to their original roles in this long-awaited sequel are James Earl Jones, John Amos, Louie Anderson, and Shari Headley, alongside new characters from Wesley Snipes, Tracy Morgan, and Leslie Jones. Product Features Commentary By Director Craig Brewer From Queens To Zamunda Trailer Gallery
Erin Brockovich (Dir. Steven Soderbergh 2000): Erin Brockovich was never trained or indeed meant to work in a lawyers office. Circumstances take this down-on-her-luck twice-divorced mother of three into a legal practice. Here she discovers some legal files that don't add up... On investigation she discovers an injustice and decides against the odds to take on the bad guys on behalf of a poor and very ill community. Stepmom (Dir. Chris Columbus 1998): Jackie (Susan Sarandon) is a divorced mother of two. Isabel (Julia Roberts) is the career minded girlfriend of Jackie's ex-husband Luke (Ed Harris) forced into the role of unwelcome stepmother to their children. It is the universal dilemma of the 'non-traditional family' they all love the children but the complex interplay between parents step-parents step-children ex-spouses and significant others is decidedly tricky. But when Jackie discovers she is ill both women realise they must put aside their differences to find a common ground and celebrate life to the fullest while they have the chance. Steel Magnolias (Dir. Herbert Ross 1989): A beautiful bittersweet comedy set in deep south Louisiana Steel Magnolias unites talents of America's finest actresses as six very special friends bonded together by mutual triumphs and tragedies. Despite their differences beautiful Shelby (Julia Roberts) her strong-willed mother M'Lynn (Sally Field) beauty parlour owner Truvy (Dolly Parton) elegant wealthy widow Clairee (Olympia Dukakis) sharp tongued Ouiser (Shirley MacLaine) and mousey newcomer Anelle (Daryl Hannah) enjoy a friendship that spans the boundaries of age and status. Sharing each other's strength and loyalty they face their greatest fears and highest hopes with dry wit and a self-deprecating style...
An ex FBI agent (Edward Norton) reluctantly comes out of retirement and turns to the imprisoned Hannibal Lector (Anthony Hopkins) for help in tracking down another serial killer.
Akeem and Semmi are back! Set in the lush and royal country of Zamunda, newly crowned King Akeem (Eddie Murphy) and his trusted confidante Semmi (Arsenio Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York where it all began. Returning to their original roles in this long awaited sequel are James Earl Jones, John Amos, Louie Anderson, and Shari Headley, alongside new characters from Wesley Snipes, Tracy Morgan, and Leslie Jones.
The Exorcist The belief in evil - and that evil can be cast out. From these two strands of faith author William Peter Blatty and director William Friedkin wove The Exorcist the frightening and realistic story of an innocent girl inhabited by a malevolent entity. The Exorcist II: The Heretic Pasuzu the incarnation of evil cast out of little Regan by Father Merrin returns to torment her once again... The Exorcist III A serial killer haunts the streets of
Master auteur Michael Haneke (Amour, The White Ribbon, Hidden) returns with a biting satire on bourgeois family values set in the shadow of the European refugee crisis. Featuring a cast of top acting talent, including Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz and Toby Jones, it's a piercing dark comedy on the blind preoccupations of middle-class angst. Nominated for the Palme d'Or at the 2017 Cannes Film Festival, Happy End bears all the hallmarks of Haneke's uniquely stark and unsympathetic style. Pairing pitch-black humour with chillingly precise direction, it's proof if we ever needed it that he remains one of modern cinema's true visionaries. Read more at https://www.curzonartificialeye.com/happy-end/#HiJoRqmElwrKDZ6e.99
Based on Alex Haley's bestseller, the 1977 TV mini-series Roots told the harrowing story of one man's ancestors, commencing with African warrior Kunta Kinte, captured, transported to America, stripped of his dignity, his rights, and even his name. He tries but fails to escape before accepting he can never return to Africa. He marries and bears a daughter, Kizzy, who is callously sold, then raped by her new "master". However, her son, Chicken George, a resourceful dab hand with gamecocks, lives long enough to see his own children attain a liberty of sorts following the Civil War. Roots is told in the same, accessible televisual language as The Waltons or Bonanza, yet it is never bland or evasive. It leaves no doubt as to the torment and abuse suffered by blacks, and although the series' conclusion is fictionally satisfying, for many of the black characters their only hope lies in generations yet unborn. It is sturdy enough drama but its greatest, most revolutionary effects were social. It persuaded American audiences to regard their history from a black perspective, and to see how--against odds far more desperate than those the pilgrims faced--Africans laid claim to their status as free African-Americans. Roots was massively popular, triggering a craze for genealogy and paving the way for series like 1979's Holocaust, which similarly raised the public's awareness of the slaughter of the Jews under Hitler. Most importantly, Roots changed forever the way black people were depicted on American TV. On the DVD: Roots is presented in 1:33:1 format and is visually extremely well-preserved. Extra features include a "Roots Family Tree", a copious, informative audio commentary featuring members of cast and crew, and a documentary, "Remembering Roots". Although this consists only of interviews, these convey the extraordinary emotional grip this project had on those who took part in it.--David Stubbs
When it was released in 1977 The Exorcist II: The Heretic was virtually laughed off the screen. A much-anticipated sequel to the Oscar-winning original, it turned out to be an unintentionally hilarious mishmash and received such terrible reviews that director John Boorman yanked it out of cinemas. He reedited it, cutting eight minutes in hopes of getting the story (written by William Goodhart) to the point of coherency--but to no avail. The film remains a kind of reverse gold standard for sequels. It's still a ridiculously overacted, although at times visually haunting, movie. Richard Burton stars as a troubled priest (something of a speciality of his) who is brought in to follow up on the case of Linda Blair, who is institutionalised, still troubled by her encounter with the devil (who wouldn't be?). By the time they confront Satan's minion in the final struggle, you'll be rooting for evil to win. --Marshall Fine
When he arrives on the rural Louisiana farm of Louis Sweetzer, the Reverend Cotton Marcus expects to perform just another routine "exorcism" on a disturbed religious fanatic.
Supposedly based on an actual event which remains unsolved to this day 'Picnic At Hanging Rock' is suffused with menace mysticism and languorous adolescent sensuality. In the year 1900 a group of schoolgirls set out on a St. Valentine's Day picnic from which two never returned. With this hauntingly beautiful film director Peter Weir marked the dawn of a new age in Australian cinema.
From the much loved and critically acclaimed 'Shaun the Sheep'' little lamb Timmy stars in his very own animated TV Series - Timmy Time. Being the only lamb in the flock Timmy has been used to getting his own way but now he has a lot to learn. Timmy can be a bit of a handful but only because he is eager and enthusiastic. The teachers Harriet and Osbourne are going to have their hands full but Timmy gets it right in the end - with a little help from his friends of the furry and feathery type.
Sara Crew (Shirley Temple) is sent to boarding school by her widowed father Captain Crewe (Ian Hunter) so he can go and fight in the Boer War. When he is reported killed Sara is treated like a servant by the spiteful headmistress and can only cling to the hope that her father will one day return.
Anti-Clock, Jane Arden and Jack Bond's last collaborative work, mixes pioneering video techniques with pin-sharp colour footage in order to create a densely woven, dream-like narrative which explores issues of personal identity and social conformity. Based on Jane Arden's extraordinary writings on the limitations of rational thought, this groundbreaking films has remained unseen since its last public screening in 1983 and is presented here in a new transfer from the original 16mm negative, along with a selection of never-before-seen special features.
My Name Is JoeKen Loach's My Name Is Joe is a slice of life so raw that you can see the blood dripping off it and as in real life it mixes humour passion tragedy and violence in equal measure. Joe (Peter Mullan) is a recovering alcoholic and has done a few things in his past which he'd rather forget. Like most people he knows he's out of work but he keeps sane by coaching the self-styled worst football team in Glasgow. When one of Joe's players Liam gets involved with some local gangsters a chain of events is set in motion which not only threatens the lives of those concerned but also comes between Joe's budding love affair with social worker Sarah (Louise Goodall). Raining StonesBob Williams is a survivor. He supplements his dole by becoming embroiled in whatever scam is on offer from rustling sheep to rotting drains. But now life has dealt him a bitter blow. His van has been stolen and his daughter Colleen is approaching her first communion. She needs the traditional white dress shoes veil and gloves. Where on earth is the money going to come from? Raining Stones is a funny and essentially human story of survival in the nineties and people's aspirations for a better way of life. Riff RaffStevie a young Glaswegian just out of Barlinnie prison comes down to London and gets a job on a building site - a melting pot of itinerant laborers from all over the country. Here he has to contend with Mick the bossy ganger trying - but usually failing to control his workers Shem Mo and Larry and the other lads as they duck and dive the rules and regulations of the building trade. Stevie has other problems to contend: the wages are low the site teems with rats he has nowhere to sleep and life in London isn't that easy. One day on his way to work Stevie finds a handbag in a skip. He takes it back to it owner and meets Susan. As Stevie and Susan learn to live with the ups and downs of life in London Riff-Raff builds a portrait - sometimes gritty often funny of life as it is lived in the margins.
Adorable he may be but Timmy is a little lamb with a lot to learn. He has just turned 3 (in sheep years) and being the only lamb in the flock Timmy has been used to getting his own way. Now for the first time Timmy is going to have to learn to get along with other little animals. Episodes Comprise: Timmy's Plane Timmy Learns Magic Timmy's Tractor Timmy the Postman Timmy Gets Spooked Timmy's Tins Timmy Rings the Bell Timmy Bounces Back
Dallas housewife Lurene Hallett (Pfeiffer) feels such a strong personal connection to her idol Jackie Kennedy that when JFK is assassinated she defies her husband and boards an eastbound bus determined to 'be there' for Jackie at the funeral. On board she meets a mysterious black man (Haysbert) travelling with a sad silent little girl. But when Lurene realises he's given her a false name she fears that she has uncovered a kidnapping plot. As a result of her well-intentioned medd
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