A young beautiful but stressed out children's writer seeks out a holiday in the country but becomes the lead character in a supernatural mystery she must solve to save her life...
This 1930 film, No 54 on the AFI's Top 100 list, still holds up as a surprisingly forceful and honest antiwar drama. Indeed, the modern sensibility is almost as startling as the sometime stagy acting of Lew Ayres, which can be excused by the fact that, three years after the introduction of sound, actors were still applying stage techniques to talking pictures. Ayres plays a German college student during World War I, who is brainwashed into enlisting in the Army (along with the rest of his class) by a zealously inspirational college professor. Once in uniform and on the front lines, however, he quickly discovers that the glory of the Fatherland is of little concern to a soldier dodging bullets and explosions, whose comrades are dying in his arms. As powerful in its way as Platoon almost 60 years later, All Quiet on the Western Front remains a classic tale of young soldiers' confrontations with the possibility of imminent and arbitrary death. Director Lewis Milestone shows a surprising range of techniques in this film from the formative years of moviemaking with sound. --Marshall Fine
A scruffy tomboy is transformed into a radiant high society beauty in this glorious musical from MGM. Scored by the talented team of Lerner and Lowe the movie features splendid musical numbers like ""Thank Heaven for Little Girls"" and ""I Remember It Well."" Directed by the great Vincent Minnelli (The Band Wagon) this award-winning classic is not to be missed.
Oscar-winner Marion Cotillard (Ma vie en rose), Mathieu Almaric (The Diving Bell and the Butterfly) and Charlotte Gainsbourg (Antichrist) team up for the latest feature from acclaimed writer-director Arnaud Desplechin (A Christmas Tale). Filmmaker Ismael (Almaric) lives with his wife Sylvia (Gainsbourg) but remains obsessed with his ex-wife (Cotillard), who disappeared 20 years ago and is believed to be dead. When she suddenly reappears, Ismael's life already complicated by a film project he is unable to finish takes a strange turn. Complex, playful and humorous, Ismael's Ghosts is a wonderful showcase for some of French cinema's finest acting talent. LIMITED EDITION CONTENTS: High Definition (1080p) Blu-ray presentation of the Director s Cut and the Theatrical Cut [Limited Edition Exclusive] DTS-HD Master Audio 2.0 Optional English subtitles Interview with director Arnaud Desplechin Interview with star Marion Cotillard Interview with star Charlotte Gainsbourg Theatrical trailer Reversible sleeve featuring two artworks FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Ginette Vincendeau and Phil Concannon
Two examples of British Second World War films, We Dive at Dawn (1943) and Reach for the Sky (1956), are here stylishly packaged as a World War II Classics pack. We Dive at Dawn tells of the encounter between a British submarine and a German warship in the Baltic Sea. John Mills gives a dependable performance as the submarine commander, with Eric Portman the pick of a strong supporting cast. Director Anthony Asquith finds the balance between action sequences and "in situ" dialogue, and there's an evocative score from Louis Levy. The movie was an underrated film that deserves reappraisal, whereas Reach for the Sky (1956) was a box-office hit and remains a fondly regarded classic. Kenneth More is ideally cast as Douglas Bader, the gifted pilot who loses both legs in a pre-war air crash, only to play a major role in the Battle of Britain, rise to the rank of Group Captain and become a war hero. Based on Paul Brickhill's biography, this is an "official" history maybe, but Lewis Gilbert's screenplay and direction are historically accurate and informed by that very British humour of which More was a natural. The film is graced by a decent supporting cast, and a typically "widescreen" score from John Addison. On the DVD: The black and white prints look and sound excellent. Whereas We Dive at Dawn has 4:3 video aspect ratio, 15 chapter points and no subtitles, the later Reach for the Sky has vivid 16:9 anamorphic reproduction, 20 chapter points, subtitles and detailed biographies of More, Gilbert and Barder. The original theatrical trailer is included, but it would also have made sense to include an interview or documentary footage of Bader himself. Even so, this is an excellent starting-point for investigating a key area of British cinema.--Richard Whitehouse
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
Maverick Detective Jun Ma (Donnie Yen - Dragon Tiger Gate Hero Seven Swords) is a man under serious pressure. His city has been taken over by three Triad brothers led by a vicious smuggler (Collin Chou - Matrix Reloaded & Revolutions Jet Li's Fearless) he's been demoted as punishment for beating up a suspect and he's starting to loose the respect of his team. But when Ma's indecision over withdrawing a young undercover officer (Louis Koo - Rob B Hood) from the Triad gang leads to the rookie being badly hurt Ma finally snaps and embarks on a one man killing spree that will not cease until the brothers are dead his city is safe and the team is avenged. Packed with real contact fighting manic John Woo style gun-play and incredible mixed martial arts action including a breathtaking 20 minute final'' Flashpoint is the kick-ass movie of the year!
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
Anne (Juliette Binoche) is a journalist who, during her investigation into prostitution, encounters two young girls who use their bodies as a way to make easy money. Fascinated by them, she is drawn into their world, which stands in marked contrast to her own bourgeois life. Juliette Binoche gives a characteristically committed performance in Malgorzata Szunowska's frank drama, whose camera never shies away from the details of the girl's work, always capturing Anne's response to it.
Recorded live in concert Joe Louis Walker performs 'Rainy Nights' 'Mile-Hi Club' and 'Runnin' From The Devil'.
This is the latest action-packed installment of the faith-based franchise based on the hugely popular 'Left Behind' series of books! In the prophesied world of the Book of Revelation global icon and world leader Nicolae Carpathia (Gordon Currie) has finally done the unimaginable - he has managed to unite the world in peace - and bring an end to the bloodshed that has ruled the world since the beginning of time. American President Gerald Fitzhugh (Lou Gossett Jr.) has shared th
""Atmosphre? Atmosphre? Est-ce que j'ai une gueule d'atmosphre?"" Hotel du Nord is the second part of Marcel Carne's ""fatalistic romantic melodramas"" following Quai des Brumes and later completed by Le Jour se Leve. Renee (Annabella) and Pierre (Jean-Pierre Aumont) take a room at the shabby Parisian Hotel du Nord with the intention of seeing through a suicide pact. However Pierre shoots Annabella but cannot turn the gun on himself. Seedy pimp Monsieur
Anastasia (Dir. Anatole Litvak 1956): The world will never know if the real Russian princess Anastasia met her death at the hands of red Russian rebels or if she lived on. Based on fact this story is set against the mystery surrounding this elusive puzzle. Ingrid Bergman portrays the destitute woman who remarkably resembles the true Princess Anastasia. She is chosen by two Russian courtiers to masquerade as the princess in order to gain ten million pounds. Meeting scepticism
A history of the Louvre during the Nazi occupation and a meditation on the meaning and timelessness of art.
Drama starring Sammy Davis Jr. as professional jazz trumpeter Adam Johnson whose self destructive habits spiral out of control following the death of his family in a car accident. Meanwhile he is also experiencing the racial prejudices latent in the music industry and these issues are brought to the fore when he meets respected older jazz musician Willie Ferguson (Louis Armstrong) and his beautiful civil rights activist grand-daughter Claudia (Cicely Tyson).
A compelling study of the seductive powers of fascism and violence directed by Pierre Boutron. The film looks at the deeply disturbing world of the Spanish Civil War and follows a young military cadet who is ordered to join the firing squad.
A story of love and music. Two American jazz musicians are living in Paris but with the arrival of two American tourists they find their lives turned upside down.
It begins in Arizona when three college friends Beau Cassy a student teacher and Pitt a four-year medical student discover a meteorite - stinging hot to the flesh - in the parking lot of a Phoenix diner. Within hours of touching it Beau falls ill with strange flu-like symptoms that defy rational diagnosis. By the following morning he has not only recovered but feels euphoric. In fact he feels changed. But Beau isn't the only one who has undergone the transformation. The strange flu has spread rapidly affecting each victim with the same inexplicable exhilaration. The phenomenon inspires Beau to team with a billionaire entrepreneur to develop The Institute for a New Humankind. It's a chance for its newly-illuminated members to experience the world as they never have before - and change it. Cassy and Pitt suspicious of Beau's newfound cult are compelled to investigate. What they uncover is unfathomable but terrifyingly real: the virus is an alien intelligence systematically infecting the bodies and minds of everyone on Earth. Their attempt to solicit help from the Centre of Disease Control elicits only fear. For the CDC along with the police are already among the changed. Tracking the course of the meteorite assault over the Internet it's up to Cassy and Pitt to stop it. Their underground fight takes them to an isolated government germ warfare base where a secret portal to another world - and a life-or-death confrontation with Beau the leader of the new alien race - awaits them.
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