Bringing together two recent trends--British gangster movies and modern-dress Shakespeare--My Kingdom is King Lear in contemporary Liverpool. Richard Harris, who ought to be giving his real Lear about now, is fine in the early sections as the complacent gang boss who thinks he's above the street-level violence that sustains his empire. His downfall begins when his wife (Lynn Redgrave) dies in a random mugging and he has to divide all the assets he put in her name among his grasping family and hangers-on. Harris works less well in the mad scenes, which are staged in a motorway service-station: these really need the original language to work. At its best, the film re-imagines the familiar characters in an extraordinarily apt manner: Regan and Goneril are Louise Lombard (as a former model turned madam who oversees a pretentious but tatty brothel) and Lorraine Pilkington (a hair-extended celebrity slut who owns a football team), while Emma Catherwood does Cordelia as Michael Corleone, an ex-junkie who has become a straight student and wants to stay out of the business. Director Don Boyd can't quite wrestle Shakespeare's plot into gangland, but he manages great character bits: the nastier daughters trying to get one-up on each other with grieving speeches (Pilkington does a horrible karaoke tribute at the wake), sadistic Sikh Jimi Mistry taking off his turban before torturing minor victims and Tom Bell as the customs officer who has been on Harris's case so long that he resents anyone else bringing him down. --Kim Newman
A big time movie producer invites Eloise and Nanny to Hollywood and the Plaza Hotel's most famous six-year-old is instantly overcome by visions of overnight stardom and red-carpet premieres. When Eloise arrives in Tinseltown only to be asked to audition for a role in a major studio film she thinks her glamorous dreams may actually be coming true. It's an adventure full of famous actors crazy directors and behind the scenes fun. But Eloise soon discovers making a movie isn't always as exciting as it seems. Will she be able to pull off her secret plan to stop from becoming a huge Hollywood star and go back to being just plain fabulous Eloise?
Barry Egan (Sandler) a lonely small businessman calls a phone sex line one night only to find himself the victim of an extortion scheme the next day; the very same day on which he goes out on a date with the woman who may be the love of his life!
Of Human Bondage: The love that lifted a man to paradise and hurled him back to earth again! This film is based on W. Somerset Maugham's classic novel of a young medical student's strange infatuation with a cheap and vulgar cockney waitress (Bette Davis). The infatuation turns into a mutually destructive affair. This is the film that brought Bette Davis to fame and secured her future roles as a tough domineering woman. Fine acting by the entire cast with Davis an absolu
An animated rendition of Dr. Seuss's classic book about the threat of industrialization to nature, The Lorax opens in Thneedville--a town never depicted in the original book. Thneedville is an artificial place, made primarily from plastic. It sports inflatable trees, fast cars, and air quality so poor that the residents are forced to purchase bottled fresh air. In another new twist to the story, 12-year-old Ted (Zac Efron) discovers that his crush Audrey (Taylor Swift) wants nothing more than to see a long-extinct Truffula Tree, so he sets out to impress her by finding one. Since there are no real trees in Thneedville, Ted acts on the crazy stories of his grandmother (Betty White), venturing beyond the city's walls into the desolate wasteland to locate a mysterious creature called the Once-ler (Ed Helms). Here the story and animation begin to more closely follow the book. Ted discovers the grumpy recluse, who reluctantly begins to tell him a tale about a once-perfect landscape filled with beautiful Truffula Trees and cute frolicking animals--a landscape now decimated by one greedy young man's insatiable appetite for profit. The beauty and wonder of the Truffula forest and its creatures are right out of Dr. Seuss's illustrations. While the forest creatures may not be directly referred to as Brown Bar-ba-loots, Swomee-Swans, and Humming-Fish, the cute little bears, funny-looking ducks, and especially charming trio of singing fish are instantly recognizable. They serve, as they do in Dr. Seuss's book, to add just the right amount of humor and levity to what would otherwise be a pretty heavy-handed message from the Lorax (Danny DeVito) about environmental preservation. Ted's hormonal instincts to impress Audrey slowly begin to take a back seat to the plight of the lost trees and animals, and the Once-ler's assertion that "Unless someone like you cares a whole awful lot, nothing is going to get better" rings true by the end of the film. The abundance of original music is a nice and unexpected addition to the story, though why neither Efron nor Swift actually gets to sing is perplexing. (Ages 5 and older) Tami Horiuchi
Based on Bruce Chatwin's award-winning novel, On the Black Hill is an evocative depiction of the life of a rural farming family, set in the beautiful Welsh border country. Starring Bob Peck (Jurassic Park, Edge of Darkness) and Gemma Jones (Bridget Jones Diary, Radiator) as an embittered married couple, the film charts their efforts to raise identical twin brothers in the turbulent early years of the 20th century. Sharing a unique bond, the brothers journey through eight decades of life, death and hardship together, all the while tied to the land on which they were raised. Featuring stunning photography and steeped in authentic rural imagery, On the Black Hill has been described as one of the best British films of the 1980s. Extras/Episodes: Newly filmed interview with director Andrew Grieve Fully illustrated booklet Cast and Crew: Director: Andrew Grieve (Poirot, Horatio Hornblower, Wire in the Blood) Cast: Bob Peck, Gemma Jones, Mike Gwilym, Robert Gwilym Awards and Reviews: Winner of the Golden Seashell for Best Film at the 1988 San Sebastian International Film Festival A film of integrity, insight and beauty' (Observer) Oddly neglected since its release, this spare, sensitive adaptation of Bruce Chatwin's novel is one of the best British films of its decade' (Sight & Sound) Our countryside hasn't looked this ravishingly lovely since Far From the Madding Crowd' Time Out
Home Town Story: Jeffrey Lynn plays an ex-politician who blames big business for his failure to get re-elected. To expose big business as an evil monster he joins his uncle's newspaper. When his little sister is caught in a cave-in the town's largest company comes to her aid and he must now reconsider. The Marilyn Monroe Story: The private and public life of one of Hollywood's great legends. From her small town roots to glittering stardom in Tinseltown from her meteoric rise to fame to her tragic death by her own hands you witness the life of one of America's true sex godesses like never seen before.
Rambling man Emmett (Scott Glenn) assembles a group of misfit cowboys (Kevin Costner), (Kevin Kline, Danny Glover). After helping a group of settlers track down a pack of thieves, Emmett and his men descend on the troubled town of Silverado to seek their fortunes. Soon after arriving, they discover that the town has fallen into the grasp of greedy rancher Ethan McKendrick (Ray Baker) and corrupt Sheriff Cobb (Brian Dennehy) with whom many of Emmett's men have unfinished business.Audio commentary Along The Silverado Trail: A Western Historians , with Film Historian Frank Thompson, University of New Mexico professor Paul Hutton (Executive Director of the Western History Association), and UCLA history professor Steve Aaron (Executive Director of the Institute for the Study of the American West at the Autry National Center) A Return to Silverado with Kevin Costner interview The Making of Silverado documentary Theatrical Trailer
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