"Actor: Lynne Langdon"

• The Pillow Book | DVD | (16/06/2003) from £10.48   |  Saving you £-0.49 (N/A%)   |  RRP £9.99

  Peter Greenaway (The Cook, the Thief, His Wife and Her Lover, Drowning by Numbers) continues to delight and disturb us with his talent for combining storytelling with optic artistry. The Pillow Book is divided into 10 chapters (consistent with Greenaway's love of numbers and lists) and is shot to be viewed like a book, complete with tantalising illustrations and footnotes (subtitles) and using television's "screen-in-screen" technology. As a child in Japan, Nagiko's father celebrates her birthday retelling the Japanese creation myth and writing on her flesh in beautiful calligraphy, while her aunt reads a list of "beautiful things" from a 10th-century pillow book. As she gets older, Nagiko (Vivian Wu) looks for a lover with calligraphy skills to continue the annual ritual. She is initially thrilled when she encounters Jerome (Ewan McGregor), a bisexual translator who can speak and write several languages, but soon realises that although he is a magnificent lover, his penmanship is less than acceptable. When Nagiko dismisses the enamoured Jerome, he suggests she use his flesh as the pages which to present her own pillow book. The film, complete with a musical score as international as the languages used in the narration, is visually hypnotic and truly an immense "work of art". --Michele Goodson

• Knock Off | DVD | (10/05/2004) from £10.89   |  Saving you £-1.91 (N/A%)   |  RRP £5.99

  Having based so much of his career on the films from the region, Jean Claude Van Damme heads to Hong Kong itself for his film Knock Off. Set in the 72 hours running up to the British handover to China (and released a mere year after the actual event), the film's action centres around the colony's thriving bootleg business, tied in with a rather convoluted plot concerning the CIA, Russian Mafia and an attempt to hold the United States to ransom through covert attacks. The opening section unwisely tries Van Damme's hand at knockabout humour with partner Rob Schneider but merely proves that the star is severely lacking the sort of humorous touch that Arnold Schwarzenegger has so successfully utilised. Once Knock Off descends into more familiar Van Damme territory, the film--and its leading man--are on surer ground. There are a good deal of spectacular fight sequences, some amazing stunts and a feisty female sparring partner in the form of Lela Rochen. Even the always-reliable Paul Sorvino pops up. Director Tsui Hark hits upon some interesting and initially invigorating visual effects but soon overdoes them, actually highlighting the lack of decent story rather than enhancing it. There is an incredible film to be made about this period in history but this isn't it. Knock Off is merely another undemanding, high-kicking, high-octane vehicle for Van Damme. --Phil Udell